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The Disrobing of Draupadi, Nainsukh Indian, Opaque watercolor and gold on paper, India, Himachal Pradesh, Guler — The Disrobing of Draupadi
Attributed to Nainsukh
ca. 1760–65

Rama and Lakshmana as Boys Assist the Sage Vishvamitra: Folio from a dispersed Ramayana series, Nainsukh Indian, Ink and opaque watercolor on paper, India, Punjab Hills, kingdom of Kangra — Rama and Lakshmana as Boys Assist the Sage Vishvamitra: Folio from a dispersed Ramayana series
Workshop active in the First generation after Nainsukh
ca. 1780

Hanuman Revives Rama and Lakshmana with Medicinal Herbs: Illustrated folio from a dispersed Ramayana series, Nainsukh Indian, Ink and opaque watercolor on paper, India, Punjab Hills, Guler — Hanuman Revives Rama and Lakshmana with Medicinal Herbs: Illustrated folio from a dispersed Ramayana series
Workshop active in the First generation after Nainsukh
ca. 1790

Raja Balwant Singh’s Vision of Krishna and Radha, Nainsukh Indian, Ink, opaque watercolor, and gold on paper, India, Punjab Hills, kingdom of Jasrota — Raja Balwant Singh’s Vision of Krishna and Radha
Attributed to Nainsukh
ca. 1745–50

The Monkey King Vali's Funeral Pyre: Illustrated folio from a dispersed Ramayana series
, Nainsukh Indian, Ink, opaque watercolor, silver, and gold on paper, India, Punjab Hills, kingdom of Kangra — The Monkey King Vali's Funeral Pyre: Illustrated folio from a dispersed Ramayana series
Workshop active in the First generation after Nainsukh
ca. 1780

Durga Confronts the Buffalo Demon Mahisha: Scene from the Devi Mahatmya, Nainsukh Indian, Charcoal and opaque watercolor on paper, India (Himachal Pradesh, Guler) — Durga Confronts the Buffalo Demon Mahisha: Scene from the Devi Mahatmya
Attributed to a first-generation master after Nainsukh
ca. 1780

Durga, Kali, and the Matrikas Battle the Demon Raktabija: Scene from the Devi Mahatmya
, Nainsukh Indian, Ink, ocher and underdrawing, India (Himachal Pradesh, Guler) — Durga, Kali, and the Matrikas Battle the Demon Raktabija: Scene from the Devi Mahatmya
Attributed to a first-generation master after Nainsukh
ca. 1780

Rama and Lakshmana Visit the Hermitage of an Ascetic, Nainsukh Indian, Red ochre and wash on paper, India (Pahari Hills, Guler or Kangra) — Rama and Lakshmana Visit the Hermitage of an Ascetic
Attributed to a first-generation master after Nainsukh
ca. 1775–80

Krishna Subdues the Serpent Kaliya in the Yamuna River: Illustration from a Bhagavata Purana Series, Nainsukh Indian, Ink and wash on paper, India (Pahari Hills, Guler or Kangra) — Krishna Subdues the Serpent Kaliya in the Yamuna River: Illustration from a Bhagavata Purana Series
Attributed to a follower of Nainsukh
ca. 1780

Drawing for an Illustration from a Sat Sai of Bihari Lal Series: The Message of the Eyes (recto); Lady in Search of Her Lover on a Dark Night (verso), Nainsukh Indian, Ochre on paper, India (Pahari Hills, Kangra) — Drawing for an Illustration from a Sat Sai of Bihari Lal Series: The Message of the Eyes (recto); Lady in Search of Her Lover on a Dark Night (verso)
First generation after Nainsukh
Possibly Fattu
ca. 1785–90

A Lady with Attendants, Nainsukh Indian, Ink and transparent watercolor on paper, India (Pahari Hills, Kangra) — A Lady with Attendants
Attributed to Nainsukh
ca. 1775–80

Balwant Singh Hunts a Tiger, Nainsukh Indian, Opaque watercolor and gold on paper, India, Himachal Pradesh, Guler — Balwant Singh Hunts a Tiger
Attributed to Nainsukh
ca. 1750

On loan to The Met

A Lady in Profile

Nainsukh

ca. 1745

Travelers Making Music, Nainsukh Indian, Opaque watercolor on paper, India, Himachal Pradesh, Guler — Travelers Making Music
Style of Nainsukh
ca. 1760–70

Equestrian Rider in a Landscape, Nainsukh Indian, Ink and opaque watercolor on paper — Equestrian Rider in a Landscape
Workshop director Nainsukh
18th century

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