Tickets
English
DonateMembership
Tickets

Search for Art

1-42 of 65 results
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
1
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
The Miraculous Draught of Fishes, after Raphael, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in tan brown
The Miraculous Draught of Fishes, after Raphael
Niccolò Vicentino
After Raphael (Raffaello Sanzio or Santi)
Publisher Andrea Andreani
1540–50 (republished 1609)
Hercules and the Nemean Lion, Niccolò Vicentino Italian, Chiaroscuro woodcut from two blocks in black and lime (state ia/ii)
Hercules and the Nemean Lion
Niccolò Vicentino
After school of Raphael (Raffaello Sanzio or Santi)
1540–50
Hercules and the Nemean Lion, Niccolò Vicentino Italian, Chiaroscuro woodcut from two blocks in orange (state ia/ii)
Hercules and the Nemean Lion
Niccolò Vicentino
After school of Raphael (Raffaello Sanzio or Santi)
1540–1550
Hercules and the Nemean Lion, Niccolò Vicentino Italian, Chiaroscuro woodcut from two blocks in pale blue (state ia/ii)
Hercules and the Nemean Lion
Niccolò Vicentino
After school of Raphael (Raffaello Sanzio or Santi)
1540–50
Hercules and the Nemean Lion, Niccolò Vicentino Italian, Chiaroscuro woodcut from two blocks in pale brown (state ib/ii)
Hercules and the Nemean Lion
Niccolò Vicentino
After school Raphael (Raffaello Sanzio or Santi)
1540–50
Olympus (Surprise), Niccolò Vicentino Italian, Chiaroscuro woodcut printed from three blocks in blue ink; third state of six
Olympus (Surprise)
Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1540–50
Hercules and the Nemean Lion, Niccolò Vicentino Italian, Chiaroscuro woodcut from two blocks in green (state ii)
Hercules and the Nemean Lion
Niccolò Vicentino
After school of Raphael (Raffaello Sanzio or Santi)
Publisher Andrea Andreani
1540–50
Hercules and the Nemean Lion, Niccolò Vicentino Italian, Chiaroscuro woodcut from two blocks in green (state ii)
Hercules and the Nemean Lion
Niccolò Vicentino
After school of Raphael (Raffaello Sanzio or Santi)
Publisher Andrea Andreani
1540–50
The Adoration of the Magi, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in green-brown
The Adoration of the Magi
?Attributed to Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50
The Adoration of the Magi, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown
The Adoration of the Magi
Attributed to Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50
The Adoration of the Magi, Niccolò Vicentino Italian, Woodcut printed in blue
The Adoration of the Magi
?After Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
Publisher Andrea Andreani
1540–50; 1605 (date published by Andreani)
Joshua addressing the people at Schechem, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in gray
Joshua addressing the people at Schechem
Multiple artists/makers
1520–50 (published 1608)
Right hand section of St Peter preaching to the apostles, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown
Right hand section of St Peter preaching to the apostles
Multiple artists/makers
ca. 1540–50
Joshua addressing the people at Schechem, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown
Joshua addressing the people at Schechem
Niccolò Vicentino
or Ugo da Carpi
?After Polidoro da Caravaggio
1520–50
The Miraculous Draught of Fishes, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown
The Miraculous Draught of Fishes
Niccolò Vicentino
After Raphael (Raffaello Sanzio or Santi)
1540–50
The Miraculous Draught of Fishes, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in pale green (state iii/iii)
The Miraculous Draught of Fishes
Niccolò Vicentino
After Raphael (Raffaello Sanzio or Santi)
Publisher Andrea Andreani
1540–50 (republished 1609)
The Miraculous Draught of Fishes, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in pale green (state iii/iii)
The Miraculous Draught of Fishes
Niccolò Vicentino
After Raphael (Raffaello Sanzio or Santi)
Publisher Andrea Andreani
1540–50 (republished 1609)
Olympus (Surprise), Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown ink; fourth state of six
Olympus (Surprise)
Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1540–50
Olympus (Surprise), Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown; first state of six
Olympus (Surprise)
Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1540–50
Olympus (Surprise), Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown ink; sixth state of six
Olympus (Surprise)
Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
Publisher Andrea Andreani
ca. 1540–50
Olympus (Surprise), Niccolò Vicentino Italian, Chiaroscuro woodcut printed from three blocks in brown ink; sixth state of six
Olympus (Surprise)
Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
Publisher Andrea Andreani
ca. 1540–50
The contest between Apollo and Marysas, Niccolò Vicentino Italian, Chiaroscuro woodcut from four blocks in brown
The contest between Apollo and Marysas
Niccolò Vicentino
Formerly attributed to Ugo da Carpi
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1540–1550
Marsyas drawing the Syrinx from the river, Niccolò Vicentino Italian, Chiaroscuro woodcut from four blocks in brown, trimmed around oval
Marsyas drawing the Syrinx from the river
Niccolò Vicentino
Formerly attributed to Ugo da Carpi
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1540–50
The contest between Apollo and Marsyas, Niccolò Vicentino Italian, Chiaroscuro woodcut from four blocks in brown
The contest between Apollo and Marsyas
Niccolò Vicentino
Formerly attributed to Ugo da Carpi
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1540–50
The contest between Apollo and Marysas, Niccolò Vicentino Italian, Chiaroscuro woodcut from four blocks in brown; Greek text printed in red on verso
The contest between Apollo and Marysas
Niccolò Vicentino
Formerly attributed to Ugo da Carpi
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1540–50
Christ healing the paralytic, Niccolò Vicentino Italian, Chiaroscuro woodcut from four blocks in gray-blue
Christ healing the paralytic
Niccolò Vicentino
After Perino del Vaga (Pietro Buonaccorsi)
1540–50
Christ healing the Lepers, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown (state i/ii)
Christ healing the Lepers
Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50
Christ healing the Lepers, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown; second state of two
Christ healing the Lepers
Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
Publisher Andrea Andreani
1540–50 (published by Andreani 1608)
Circe drinking from a cup, an oval composition, Niccolò Vicentino Italian, Chiaroscuro woodcut from two blocks in gray, state one of two
Circe drinking from a cup, an oval composition
Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1540–50
People paying homage to Psyche's beauty, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown, probably first state
People paying homage to Psyche's beauty
Niccolò Vicentino
After Giuseppe Salviati (Giuseppe Porta, called Il Salviati)
ca. 1540–50
Christ healing the Lepers, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in blue; first state of two
Christ healing the Lepers
Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50
The Escape of Cloelia, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in green; second state of two
The Escape of Cloelia
Niccolò Vicentino
After Maturino da Firenze
Publisher Andrea Andreani
1540–50 (published by Andreani in 1608)
Ajax lower left holding a shield aloft, at the right stands Agamemnon surrounded by his soldiers, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in gray
Ajax lower left holding a shield aloft, at the right stands Agamemnon surrounded by his soldiers
Niccolò Vicentino
After Polidoro da Caravaggio
1540–50
The escape of Cloelia, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in green ink (trimmed along bottom)
The escape of Cloelia
Niccolò Vicentino
After Maturino da Firenze
1540–50
Saint Andrew standing in profile holding a large cross, from "Twelve Apostles", Antonio da Trento Italian, Chiaroscuro woodcut from two blocks in brown
Saint Andrew standing in profile holding a large cross, from "Twelve Apostles"
Attributed to Antonio da Trento
or Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1540–50
Cloelia the Roman hero in the centre being helped onto a horse, Rome in the background,, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in brown; second state of two (Bartsch)
Cloelia the Roman hero in the centre being helped onto a horse, Rome in the background,
Niccolò Vicentino
Maturino da Firenze
1540–50
Adoration of the Magi, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in blue
Adoration of the Magi
Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50
Adoration of the Magi, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in green
Adoration of the Magi
Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50
Adoration of the Magi, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in green
Adoration of the Magi
Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
1540–50
The Adoration of the Magi, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in green, second state of two (Bartsch)
The Adoration of the Magi
Attributed to Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
Publisher Andrea Andreani
1540–50; 1605 (date published by Andreani)
The Adoration of the Magi, Niccolò Vicentino Italian, Chiaroscuro woodcut from three blocks in green; second state of two (Bartsch)
The Adoration of the Magi
?After Niccolò Vicentino
After Parmigianino (Girolamo Francesco Maria Mazzola)
Publisher Andrea Andreani
1540–50; 1605 (date published by Andreani)
Saturn leaning on his left hand, holding a balance in his right, a youth before him
Multiple artists/makers
1604