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Mars and Venus United by Love, Paolo Veronese (Paolo Caliari) Italian, Oil on canvas
Mars and Venus United by Love
Paolo Veronese (Paolo Caliari)
1570s
Saint Catherine of Alexandria in Prison, Paolo Veronese (Paolo Caliari) Italian, Oil on canvas
Saint Catherine of Alexandria in Prison
Paolo Veronese (Paolo Caliari)
ca. 1585
Alessandro Vittoria (1525–1608), Paolo Veronese (Paolo Caliari) Italian, Oil on canvas
Alessandro Vittoria (1525–1608)
Paolo Veronese (Paolo Caliari)
ca. 1580
Boy with a Greyhound, Paolo Veronese (Paolo Caliari) Italian, Oil on canvas
Boy with a Greyhound
Paolo Veronese (Paolo Caliari)
possibly 1570s
Head of a Bearded Man, School of Paolo Veronese Venice, Black chalk, heightened with white, on greenish blue paper.
Head of a Bearded Man
School of Paolo Veronese
Former Attribution Paolo Veronese (Paolo Caliari)
ca. 1565
Jacob Draws Water for Rachel's Animals (Jacob abreuve le troupeau de Rachel), Claude Mellan French, Engraving
Jacob Draws Water for Rachel's Animals (Jacob abreuve le troupeau de Rachel)
Claude Mellan
After Paolo Veronese (Paolo Caliari)
Jacob Draws Water for Rachel's Animals (Jacob abreuve le troupeau de Rachel), Claude Mellan French, Engraving
Jacob Draws Water for Rachel's Animals (Jacob abreuve le troupeau de Rachel)
Claude Mellan
After Paolo Veronese (Paolo Caliari)
Publisher Published by Pierre Mariette
Portrait of Andrea Palladio in half-length within an oval frame; a compass, carpenter's square, and plumb line rest on the plinth below the oval, from an unidentified edition of "Architecture de Palladio", revised by Giacomo Leoni and translated by Nicholas du Bois, Bernard Picart French, Engraving
Portrait of Andrea Palladio in half-length within an oval frame; a compass, carpenter's square, and plumb line rest on the plinth below the oval, from an unidentified edition of "Architecture de Palladio", revised by Giacomo Leoni and translated by Nicholas du Bois
Bernard Picart
After Paolo Veronese (Paolo Caliari)
Sitter Andrea Palladio
1716
Sketches for Compositions and Groups of Figures (recto and verso), Paolo Veronese (Paolo Caliari) Italian, Pen and brown ink, brush and brown wash
Sketches for Compositions and Groups of Figures (recto and verso)
Circle of Paolo Veronese (Paolo Caliari)
ca. 1568–88
Allegory of the Redemption of the World, Paolo Veronese (Paolo Caliari) Italian, Pen and black ink, brush and gray wash, highlighted with white gouache, on gray washed paper
Allegory of the Redemption of the World
Paolo Veronese (Paolo Caliari)
1528–88
Christ on the cross, Saint John to the right looking toward him, to the left is the fainting Virgin Mary supported by two women, Agostino Carracci Italian, Engraving
Christ on the cross, Saint John to the right looking toward him, to the left is the fainting Virgin Mary supported by two women
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
Publisher Orazio Bertelli
1582
The mystic marriage of Saint Catherine who sits at center with the Christ child, angels with instruments at the left, Agostino Carracci Italian, Engraving
The mystic marriage of Saint Catherine who sits at center with the Christ child, angels with instruments at the left
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
1585
Studies for The Allegories of Love, Paolo Veronese (Paolo Caliari) Italian, Pen and brown ink, brush and brown wash
Studies for The Allegories of Love
Paolo Veronese (Paolo Caliari)
1570–75
Mars, Venus, and Cupid, Simone Cantarini Italian, Etching
Mars, Venus, and Cupid
Simone Cantarini
After Paolo Veronese (Paolo Caliari)
ca. 1637–39
Mars, Venus and Cupid, Simone Cantarini Italian, Etching
Mars, Venus and Cupid
Simone Cantarini
After Paolo Veronese (Paolo Caliari)
ca. 1637–39
Nine heads after Paolo Veronese, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Red chalk on light tan paper
Nine heads after Paolo Veronese
Anonymous, Italian, Roman-Bolognese, 17th century
After Paolo Veronese (Paolo Caliari)
17th century
Three Dogs, Giovanni Domenico Tiepolo Italian, Black chalk, highlighted with white chalk, on blue paper
Three Dogs
Giovanni Domenico Tiepolo
After Paolo Veronese (Paolo Caliari)
1727–1804
The Family of Cain, Peter Oliver British, Pen and black and brown ink, brush and gray wash over red chalk, highlighted with white gouache (bodycolor)
The Family of Cain
Peter Oliver
After Paolo Veronese (Paolo Caliari)
ca. 1638–47
Mars, Venus and Cupid, Simone Cantarini Italian, Etching
Mars, Venus and Cupid
Simone Cantarini
After Paolo Veronese (Paolo Caliari)
ca. 1637–39
The Wedding Feast at Cana (after Paolo Veronese), Federico Zuccaro (Zuccari) Italian, Pen and brown ink on blue paper
The Wedding Feast at Cana (after Paolo Veronese)
After Federico Zuccaro (Zuccari)
After Paolo Veronese (Paolo Caliari)
Traditionally attributed to Maerten de Vos
1540–1609
Pietà: Christ supported by the Virgin and an angel at the right, Agostino Carracci Italian, Engraving
Pietà: Christ supported by the Virgin and an angel at the right
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
Publisher Orazio Bertelli
1582
The Crucifixion, Agostino Carracci Italian, Engraving
The Crucifixion
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
1582
Allegory of the Course of Human Life (Choosing Virtue), Jan van der Straet, called Stradanus Netherlandish, Pen and brown ink, brush and brown wash, with heightening in opaque white; framing lines in pen and brown ink, by the artist
Allegory of the Course of Human Life (Choosing Virtue)
Jan van der Straet, called Stradanus
Former Attribution Paolo Veronese (Paolo Caliari)
1570 or before
Figure Studies after Veronese's "The Martyrdom of Saint Sebastian", Eugène Delacroix French, Pen and brown ink
Figure Studies after Veronese's "The Martyrdom of Saint Sebastian"
Eugène Delacroix
After Paolo Veronese (Paolo Caliari)
1820s
Design for the Decoration of a Palace Wall (Veronese Palazzo?), Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) Italian, Pen and brown ink, brush and brown wash, over black chalk
Design for the Decoration of a Palace Wall (Veronese Palazzo?)
Circle of Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)
Former Attribution Lorenzo Rubini
Former Attribution Paolo Veronese (Paolo Caliari)
ca. 1550–70
Young woman in bust-length turning to the left, Paolo Veronese (Paolo Caliari) Italian, Soft, grayish black chalk, with slight highlights in white gouache or chalk
Young woman in bust-length turning to the left
Circle of Paolo Veronese (Paolo Caliari)
1548–88
The Childhood of Paolo Veronese, from "L'Artiste", Adolphe Pierre Riffaut French, Lithograph
The Childhood of Paolo Veronese, from "L'Artiste"
Multiple artists/makers
August 10, 1845
The Martyrdom of St. George
Valentin Lefebvre
After Paolo Veronese (Paolo Caliari)
17th century
Head of a Man, volume 2, plate 137 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
Descent from the Cross and Apparition of the Virgin, volume 2, plate 138 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
Three Representations of the Virgin and Child, volume 2, plate 139 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
Cybele Holding a Lion, after the fresco in the Sala dell'Olimpo of the Palazzo Trevisan, Murano, plate 24 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Antonio Maria Zanetti II
After Paolo Veronese (Paolo Caliari)
1760
Jesus in in the Garden of Olives, volume 2, plate 140 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
Esther Conducted to Ahasuerus
Giuseppe Maria Mitelli
After Paolo Veronese (Paolo Caliari)
The Supper in the House of Simon Pharisee
Giuseppe Maria Mitelli
After Paolo Veronese (Paolo Caliari)
Publisher Giovanni Giacomo De Rossi
1660
Two Putti Supporting a Palm, plate 21 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Antonio Maria Zanetti II
After Paolo Veronese (Paolo Caliari)
1760
Four Cameos of Olympian Deities, after the lost fresco in the Loggia of the Palazzo Trevisan, Murano, plate 22 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Antonio Maria Zanetti II
After Paolo Veronese (Paolo Caliari)
1760
Juno with Her Peacock, after the fresco in the Sala dell'Olimpo of the Palazzo Trevisan, Murano, plate 23 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Antonio Maria Zanetti II
After Paolo Veronese (Paolo Caliari)
1760
Two Putti Extinguishing Flames by Pouring Water from a Vase, plate 20 from "Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate" (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Antonio Maria Zanetti II
After Paolo Veronese (Paolo Caliari)
1760
Adoration of the Shepherds
Giuseppe Maria Mitelli
After Paolo Veronese (Paolo Caliari)
Pietà
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
1582
Crucifixion
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
1582