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Mars and Venus United by Love, Paolo Veronese (Paolo Caliari) Italian, Oil on canvas
Mars and Venus United by Love
Paolo Veronese (Paolo Caliari)
1570s
Alessandro Vittoria (1525–1608), Paolo Veronese (Paolo Caliari) Italian, Oil on canvas
Alessandro Vittoria (1525–1608)
Paolo Veronese (Paolo Caliari)
ca. 1580
Boy with a Greyhound, Paolo Veronese (Paolo Caliari) Italian, Oil on canvas
Boy with a Greyhound
Paolo Veronese (Paolo Caliari)
possibly 1570s
Saint Catherine of Alexandria in Prison, Paolo Veronese (Paolo Caliari) Italian, Oil on canvas
Saint Catherine of Alexandria in Prison
Paolo Veronese (Paolo Caliari)
ca. 1585
Head of a Bearded Man, School of Paolo Veronese Venice, Black chalk, heightened with white, on greenish blue paper.
Head of a Bearded Man
School of Paolo Veronese
Former Attribution Paolo Veronese (Paolo Caliari)
ca. 1565
Portrait of Andrea Palladio in half-length within an oval frame; a compass, carpenter's square, and plumb line rest on the plinth below the oval, from an unidentified edition of "Architecture de Palladio", revised by Giacomo Leoni and translated by Nicholas du Bois, Bernard Picart French, Engraving
Portrait of Andrea Palladio in half-length within an oval frame; a compass, carpenter's square, and plumb line rest on the plinth below the oval, from an unidentified edition of "Architecture de Palladio", revised by Giacomo Leoni and translated by Nicholas du Bois
Bernard Picart
After Paolo Veronese (Paolo Caliari)
Sitter Andrea Palladio
1716
Allegory of the Redemption of the World, Paolo Veronese (Paolo Caliari) Italian, Pen and black ink, brush and gray wash, highlighted with white gouache, on gray washed paper
Allegory of the Redemption of the World
Paolo Veronese (Paolo Caliari)
1528–88
Studies for The Allegories of Love, Paolo Veronese (Paolo Caliari) Italian, Pen and brown ink, brush and brown wash
Studies for The Allegories of Love
Paolo Veronese (Paolo Caliari)
1570–75
Three Dogs, Giovanni Domenico Tiepolo Italian, Black chalk, highlighted with white chalk, on blue paper
Three Dogs
Giovanni Domenico Tiepolo
After Paolo Veronese (Paolo Caliari)
1727–1804
The Family of Cain, Peter Oliver British, Pen and black and brown ink, brush and gray wash over red chalk, highlighted with white gouache (bodycolor)
The Family of Cain
Peter Oliver
After Paolo Veronese (Paolo Caliari)
ca. 1638–47
Jacob Draws Water for Rachel's Animals (Jacob abreuve le troupeau de Rachel), Claude Mellan French, Engraving
Jacob Draws Water for Rachel's Animals (Jacob abreuve le troupeau de Rachel)
Claude Mellan
After Paolo Veronese (Paolo Caliari)
The Wedding Feast at Cana (after Paolo Veronese), Federico Zuccaro (Zuccari) Italian, Pen and brown ink on blue paper
The Wedding Feast at Cana (after Paolo Veronese)
After Federico Zuccaro (Zuccari)
After Paolo Veronese (Paolo Caliari)
Traditionally attributed to Maerten de Vos
1540–1609
Mars, Venus, and Cupid, Simone Cantarini Italian, Etching
Mars, Venus, and Cupid
Simone Cantarini
After Paolo Veronese (Paolo Caliari)
ca. 1637–39
Mars, Venus and Cupid, Simone Cantarini Italian, Etching
Mars, Venus and Cupid
Simone Cantarini
After Paolo Veronese (Paolo Caliari)
ca. 1637–39
Mars, Venus and Cupid, Simone Cantarini Italian, Etching
Mars, Venus and Cupid
Simone Cantarini
After Paolo Veronese (Paolo Caliari)
ca. 1637–39
Christ on the cross, Saint John to the right looking toward him, to the left is the fainting Virgin Mary supported by two women, Agostino Carracci Italian, Engraving
Christ on the cross, Saint John to the right looking toward him, to the left is the fainting Virgin Mary supported by two women
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
Publisher Orazio Bertelli
1582
Pietà: Christ supported by the Virgin and an angel at the right, Agostino Carracci Italian, Engraving
Pietà: Christ supported by the Virgin and an angel at the right
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
Publisher Orazio Bertelli
1582
The mystic marriage of Saint Catherine who sits at center with the Christ child, angels with instruments at the left, Agostino Carracci Italian, Engraving
The mystic marriage of Saint Catherine who sits at center with the Christ child, angels with instruments at the left
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
1585
The Crucifixion, Agostino Carracci Italian, Engraving
The Crucifixion
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
1582
Nine heads after Paolo Veronese, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Red chalk on light tan paper
Nine heads after Paolo Veronese
Anonymous, Italian, Roman-Bolognese, 17th century
After Paolo Veronese (Paolo Caliari)
17th century
Jacob Draws Water for Rachel's Animals (Jacob abreuve le troupeau de Rachel), Claude Mellan French, Engraving
Jacob Draws Water for Rachel's Animals (Jacob abreuve le troupeau de Rachel)
Claude Mellan
After Paolo Veronese (Paolo Caliari)
Publisher Published by Pierre Mariette
Allegory of the Course of Human Life (Choosing Virtue), Jan van der Straet, called Stradanus Netherlandish, Pen and brown ink, brush and brown wash, with heightening in opaque white; framing lines in pen and brown ink, by the artist
Allegory of the Course of Human Life (Choosing Virtue)
Jan van der Straet, called Stradanus
Former Attribution Paolo Veronese (Paolo Caliari)
1570 or before
Sketches for Compositions and Groups of Figures (recto and verso), Paolo Veronese (Paolo Caliari) Italian, Pen and brown ink, brush and brown wash
Sketches for Compositions and Groups of Figures (recto and verso)
Circle of Paolo Veronese (Paolo Caliari)
ca. 1568–88
Design for the Decoration of a Palace Wall (Veronese Palazzo?), Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) Italian, Pen and brown ink, brush and brown wash, over black chalk
Design for the Decoration of a Palace Wall (Veronese Palazzo?)
Circle of Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)
Former Attribution Lorenzo Rubini
Former Attribution Paolo Veronese (Paolo Caliari)
ca. 1550–70
Figure Studies after Veronese's "The Martyrdom of Saint Sebastian", Eugène Delacroix French, Pen and brown ink
Figure Studies after Veronese's "The Martyrdom of Saint Sebastian"
Eugène Delacroix
After Paolo Veronese (Paolo Caliari)
1820s
Young woman in bust-length turning to the left, Paolo Veronese (Paolo Caliari) Italian, Soft, grayish black chalk, with slight highlights in white gouache or chalk
Young woman in bust-length turning to the left
Circle of Paolo Veronese (Paolo Caliari)
1548–88
The Childhood of Paolo Veronese, from "L'Artiste", Adolphe Pierre Riffaut French, Lithograph
The Childhood of Paolo Veronese, from "L'Artiste"
Multiple artists/makers
August 10, 1845
Esther before Ahasuerus
Etcher Wenceslaus Hollar
After David Teniers the Younger
After Paolo Veronese (Paolo Caliari)
1656–60
The Martyrdom of St. George
Valentin Lefebvre
After Paolo Veronese (Paolo Caliari)
17th century
St. Barnaby
Pierre Brebiette
Designed by Paolo Veronese (Paolo Caliari)
n.d.
The Mystic Marriage of Saint Catherine
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
1582
The Mystic Marriage of Saint Catherine
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
1582
The Mystic Marriage of Saint Catherine
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
1582
The Virgin protecting two members of a confraternity arms outstretched over the kneeling men
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
Publisher Orazio Bertelli
1582
Holy Family with Saint John the Baptist, Catherine and Anthony Abbot
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
1582
Christ in the House of Simon
Girolamo Scotto
After Paolo Veronese (Paolo Caliari)
ca. 1830–78
The Marriage at Cana (central section of painting)
Girolamo Scotto
After Paolo Veronese (Paolo Caliari)
ca. 1807–1850
Pietà
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
1582
Crucifixion
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
1582
Mystic Marriage of Saint Catherine
Agostino Carracci
After Paolo Veronese (Paolo Caliari)
1585
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Multiple artists/makers
1764–73
Varie pitture a fresco de'principali maestri veneziani ora per la prima volta con le stampe pubblicate (Frescoes by the Most Important Venetian Masters Published in Print for the First Time)
Multiple artists/makers
1760