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A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,, Arthur Pond British, Engraving, etching, woodcut
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,
Multiple artists/makers
1732–69
The Virgin and Child with Saint John the Baptist, Anton Maria Zanetti the Elder Italian, Chiaroscuro woodcut, with dark brown line block and medium brown and mustard yellow tone blocks
The Virgin and Child with Saint John the Baptist
Anton Maria Zanetti the Elder
After Parmigianino (Girolamo Francesco Maria Mazzola)
1722
Diversarum Iconum..., Anton Maria Zanetti the Elder Italian, Chiaroscuro woodcuts and engravings
Diversarum Iconum...
Multiple artists/makers
ca. 1749
A Woman Standing at the Foot of a Tree Holding an Infant, with a Seated Boy, Anton Maria Zanetti the Elder Italian, Chiaroscuro woodcut, with black line block and olive green tone block
A Woman Standing at the Foot of a Tree Holding an Infant, with a Seated Boy
Anton Maria Zanetti the Elder
After Parmigianino (Girolamo Francesco Maria Mazzola)
1724
Saint John in the Desert, Anton Maria Zanetti the Elder Italian, Chiaroscuro woodcut from two block in lavendar and black, with border in gold ink and watercolor border
Saint John in the Desert
Anton Maria Zanetti the Elder
After Parmigianino (Girolamo Francesco Maria Mazzola)
1725
Circe Giving a Drink to Ulysses's Companions, Antonio Fantuzzi Italian, Etching with oxidised white heightening
Circe Giving a Drink to Ulysses's Companions
Antonio Fantuzzi
After Parmigianino (Girolamo Francesco Maria Mazzola)
1540–45
Circe Giving a Drink to Ulysses's Companions, Antonio Fantuzzi Italian, Etching
Circe Giving a Drink to Ulysses's Companions
Antonio Fantuzzi
After Parmigianino (Girolamo Francesco Maria Mazzola)
1540–45
Circe Giving a Drink to Ulysses's Companions, Antonio Fantuzzi Italian, Etching
Circe Giving a Drink to Ulysses's Companions
Antonio Fantuzzi
After Parmigianino (Girolamo Francesco Maria Mazzola)
1540–45
Nymphs Bathing, Antonio Fantuzzi Italian, Etching
Nymphs Bathing
Antonio Fantuzzi
After Parmigianino (Girolamo Francesco Maria Mazzola)
1543
Seated woman with two children (Virgin with Christ and St John the Baptist?), Léon Davent French, Engraving
Seated woman with two children (Virgin with Christ and St John the Baptist?)
Léon Davent
After Parmigianino (Girolamo Francesco Maria Mazzola)
1540
Circe Drinking, Léon Davent French, Etching
Circe Drinking
Léon Davent
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1540–45
Virgin and Child with Saints, Léon Davent French, Etching
Virgin and Child with Saints
Léon Davent
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1540–45
Virgin and Child with Saints, Léon Davent French, Etching
Virgin and Child with Saints
Léon Davent
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1550–56
Sacred Conversation, Léon Davent French, Etching
Sacred Conversation
Léon Davent
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1550–56
Horses, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink; framing lines in pen and brown ink on mount
Horses
Parmigianino (Girolamo Francesco Maria Mazzola)
Former Attribution Formerly attributed to Francesco Allegrini
1530–40
Male Nude Torso with Raised Arms, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Red chalk
Male Nude Torso with Raised Arms
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1522–24
Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Red chalk
Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1522
The Virgin Walking to the Right Carrying the Christ Child, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Red chalk, over stylus sketch
The Virgin Walking to the Right Carrying the Christ Child
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
Roman or Greek Warriors Celebrating after a Victory., Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, on beige paper
Roman or Greek Warriors Celebrating after a Victory.
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown wash, over traces of black chalk, on beige paper (recto and verso)
Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
Design for the Tomb of a Youth, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown and yellow wash, over leadpoint and stylus ruling, the paper rubbed with charcoal
Design for the Tomb of a Youth
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–25
Madonna and Child (recto); Head and Bust of Saint John the Evangelist (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Brush and gray wash, highlighted with white gouache, over black chalk on brownish prepared paper (recto); black chalk, highlighted with white gouache (verso)
Madonna and Child (recto); Head and Bust of Saint John the Evangelist (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
The Adoration of the Shepherds, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache over traces of black and a little red chalk (at upper left), on brownish paper
The Adoration of the Shepherds
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–27
Head of Bearded Man (recto); Head of a Girl (verso), Girolamo Mazzola Bedoli Italian, Red and black chalk (recto); red and black chalk, with pen and gray-brown ink (verso)
Head of Bearded Man (recto); Head of a Girl (verso)
Girolamo Mazzola Bedoli
Previously attributed to Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
Justice Holding Scales, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink
Justice Holding Scales
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
Head of man in Profile to Left, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Red chalk (face) and black chalk (hair, beard, and eyes)
Head of man in Profile to Left
Attributed to Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and gray-brown wash, over traces of leadpoint and some stylus ruling (recto); printed Jupiter enthroned with attendant eagle (verso)
Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–27
Head of a Man in Profile to Right, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, over black chalk
Head of a Man in Profile to Right
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
Head of a Bearded Man in Profile to Left, possibly the Portrait of the Poet Giorgio Anselmi (ca. 1459-1528), with Faint Sketch of a Skull-like Head, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Red chalk, the head at the left over a stylus sketch
Head of a Bearded Man in Profile to Left, possibly the Portrait of the Poet Giorgio Anselmi (ca. 1459-1528), with Faint Sketch of a Skull-like Head
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
Bishop Saint in Bust-Length (Cartoon for an Altarpiece), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Brush and brown wash over black chalk
Bishop Saint in Bust-Length (Cartoon for an Altarpiece)
Parmigianino (Girolamo Francesco Maria Mazzola)
1529–30
Seated Figure of Mercury, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Black chalk
Seated Figure of Mercury
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–26
Studies of Figures, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, over black chalk, on yellow-brown paper
Studies of Figures
Imitator of Parmigianino (Girolamo Francesco Maria Mazzola)
16th century
Left Third of a Martyrdom of Saint Peter and Saint Paul, Antonio da Trento Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache over traces of chalk
Left Third of a Martyrdom of Saint Peter and Saint Paul
After Antonio da Trento
After Parmigianino (Girolamo Francesco Maria Mazzola)
1508–ca. 1550
Circe and the Companions of Ulysses, Anonymous, Italian, 16th century Italian, Pen and brown ink on brown paper
Circe and the Companions of Ulysses
Anonymous, Italian, 16th century
After Parmigianino (Girolamo Francesco Maria Mazzola)
16th century
Vision of St. Helena [Pensive Woman], Marcantonio Raimondi Italian, Engraving
Vision of St. Helena [Pensive Woman]
Marcantonio Raimondi
After Parmigianino (Girolamo Francesco Maria Mazzola)
or after Raphael (Raffaello Sanzio or Santi)
n.d.
Diogenes, seated before his barrel, reading from a book, a plucked hen standing behind him at right, Ugo da Carpi Italian, Chiaroscuro woodcut printed from four blocks in gray-green ink
Diogenes, seated before his barrel, reading from a book, a plucked hen standing behind him at right
Ugo da Carpi
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30
Diogenes seated with his barrel behind him, and reading a book while holding a stick that rests on a geometry book to his right , Giovanni Jacopo Caraglio Italian, Engraving

Diogenes seated with his barrel behind him, and reading a book while holding a stick that rests on a geometry book to his right

Giovanni Jacopo Caraglio
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1526–27
The Lovers, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching; second state of two
The Lovers
Parmigianino (Girolamo Francesco Maria Mazzola)
1527–30
The martyrdom of Saint Paul and the condemnation of Saint Peter, Giovanni Jacopo Caraglio Italian, Engraving; first state of three
The martyrdom of Saint Paul and the condemnation of Saint Peter
Giovanni Jacopo Caraglio
After Parmigianino (Girolamo Francesco Maria Mazzola)
1524–27
Virgin and Child, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with engraving and drypoint printed in brown; second state of four
Virgin and Child
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30
Venus Surrounded by Putti, Arthur Pond British, Etching, aquatint, and colored woodcut
Venus Surrounded by Putti
Arthur Pond
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1735
Infant Hercules asleep, Wenceslaus Hollar Bohemian, Etching; third state of four, the plate is reduced in size in this state
Infant Hercules asleep
Wenceslaus Hollar
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1639

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