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Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown wash, over traces of black chalk, on beige paper (recto and verso)
Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
Design for the Tomb of a Youth, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown and yellow wash, over leadpoint and stylus ruling, the paper rubbed with charcoal
Design for the Tomb of a Youth
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–25
Head of man in Profile to Left, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Red chalk (face) and black chalk (hair, beard, and eyes)
Head of man in Profile to Left
Attributed to Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and gray-brown wash, over traces of leadpoint and some stylus ruling (recto); printed Jupiter enthroned with attendant eagle (verso)
Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–27
Head of a Man in Profile to Right, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, over black chalk
Head of a Man in Profile to Right
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
Bishop Saint in Bust-Length (Cartoon for an Altarpiece), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Brush and brown wash over black chalk
Bishop Saint in Bust-Length (Cartoon for an Altarpiece)
Parmigianino (Girolamo Francesco Maria Mazzola)
1529–30
Seated Figure of Mercury, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Black chalk
Seated Figure of Mercury
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–26
Horses, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink; framing lines in pen and brown ink on mount
Horses
Parmigianino (Girolamo Francesco Maria Mazzola)
Former Attribution Formerly attributed to Francesco Allegrini
1530–40
Studies of Figures, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, over black chalk, on yellow-brown paper
Studies of Figures
Imitator of Parmigianino (Girolamo Francesco Maria Mazzola)
16th century
Man seated viewed from behind (Narcissus), Antonio da Trento Italian, Chiaroscuro woodcut printed from two blocks in brown
Man seated viewed from behind (Narcissus)
Antonio da Trento
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30
Madonna and Child, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and engraving
Madonna and Child
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27
St. James Major, Anonymous, Italian?, 16th century Italian, Etching
St. James Major
Anonymous, Italian?, 16th century
After Parmigianino (Girolamo Francesco Maria Mazzola)
mid-1520s or later
Cupid Sleeping, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching
Cupid Sleeping
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30
The Adoration of the Shepherds, Giovanni Jacopo Caraglio Italian, Engraving
The Adoration of the Shepherds
Engraved by Giovanni Jacopo Caraglio
After Parmigianino (Girolamo Francesco Maria Mazzola)
n.d.
Marriage of the Virgin, Giovanni Jacopo Caraglio Italian, Engraving
Marriage of the Virgin
Engraved by Giovanni Jacopo Caraglio
Designed by Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1525–26
Madonna and Child with St. John, Aegidius Sadeler II Netherlandish, Engraving
Madonna and Child with St. John
Aegidius Sadeler II
After Parmigianino (Girolamo Francesco Maria Mazzola)
Infant Hercules asleep, Wenceslaus Hollar Bohemian, Etching, second state of four
Infant Hercules asleep
Etcher Wenceslaus Hollar
After Parmigianino (Girolamo Francesco Maria Mazzola)
1625–77
Infant Hercules asleep, Wenceslaus Hollar Bohemian, Etching; third state of four, the plate is reduced in size in this state
Infant Hercules asleep
Etcher Wenceslaus Hollar
After Parmigianino (Girolamo Francesco Maria Mazzola)
1625–77
Head of a young girl, Wenceslaus Hollar Bohemian, Etching; only state
Head of a young girl
Etcher Wenceslaus Hollar
After Parmigianino (Girolamo Francesco Maria Mazzola)
1645
St. James Major, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and drypoint
St. James Major
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27
Entombment Facing Left, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with drypoint; first state of two
Entombment Facing Left
Parmigianino (Girolamo Francesco Maria Mazzola)
1529–30
Entombment Facing Right, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with drypoint and engraving; first state of two
Entombment Facing Right
Parmigianino (Girolamo Francesco Maria Mazzola)
1529–30
Lucretia Preparing to Kill Herself, Enea Vico Italian, Engraving; first state before address of Salamanca
Lucretia Preparing to Kill Herself
Engraver Enea Vico
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1542–43
Proserpine Changing Aesculapius into an Owl, Enea Vico Italian, Engraving
Proserpine Changing Aesculapius into an Owl
Enea Vico
After Parmigianino (Girolamo Francesco Maria Mazzola)
1548
Old Woman Spinning, Enea Vico Italian, Engraving
Old Woman Spinning
Engraved by Enea Vico
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1543–44
The Adoration of the Shepherds, Giovanni Jacopo Caraglio Italian, Etching
The Adoration of the Shepherds
Etched by Giovanni Jacopo Caraglio
Designed by Parmigianino (Girolamo Francesco Maria Mazzola)
Diogenes, Giovanni Jacopo Caraglio Italian, Engraving
Diogenes
Engraved by Giovanni Jacopo Caraglio
After Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527
Girl with a Crucifix, Guido Reni Italian, Etching
Girl with a Crucifix
Guido Reni
Designed by Parmigianino (Girolamo Francesco Maria Mazzola)
The Mystic Marriage of St. Catherine, Giulio Bonasone Italian, Engraving
The Mystic Marriage of St. Catherine
Giulio Bonasone
After Parmigianino (Girolamo Francesco Maria Mazzola)
Mercury Presenting a Panpipe to Minerva, Giulio Bonasone Italian, Engraving
Mercury Presenting a Panpipe to Minerva
Giulio Bonasone
After Parmigianino (Girolamo Francesco Maria Mazzola)
The Lovers, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching; second state of two
The Lovers
Parmigianino (Girolamo Francesco Maria Mazzola)
1527–30
Mary with the Child and Joseph, Johann Sadeler I Netherlandish, Engraving
Mary with the Child and Joseph
Johann Sadeler I
After Parmigianino (Girolamo Francesco Maria Mazzola)
16th century
Holy Family, John Smith British
Holy Family
Printmaker John Smith
After Parmigianino (Girolamo Francesco Maria Mazzola)
1684
Madonna and Child, Battista Angolo del Moro Italian, Engraving
Madonna and Child
Engraved by Battista Angolo del Moro
After Parmigianino (Girolamo Francesco Maria Mazzola)
Mystic Marriage of St. Catherine, Marco Angolo del Moro Italian
Mystic Marriage of St. Catherine
Marco Angolo del Moro
After Parmigianino (Girolamo Francesco Maria Mazzola)
Mystic Marriage of St. Catherine, Marco Angolo del Moro Italian
Mystic Marriage of St. Catherine
Marco Angolo del Moro
After Parmigianino (Girolamo Francesco Maria Mazzola)
Judith, Giulio Bonasone Italian, Engraving
Judith
Giulio Bonasone
After Parmigianino (Girolamo Francesco Maria Mazzola)
Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Red chalk
Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1522
Left Third of a Martyrdom of Saint Peter and Saint Paul, Antonio da Trento Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache over traces of chalk
Left Third of a Martyrdom of Saint Peter and Saint Paul
After Antonio da Trento
After Parmigianino (Girolamo Francesco Maria Mazzola)
1508–ca. 1550
Diversarum Iconum..., Anton Maria Zanetti the Elder Italian, Chiaroscuro woodcuts and engravings
Diversarum Iconum...
Multiple artists/makers
ca. 1749
Justice Holding Scales, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink
Justice Holding Scales
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40
Woman Extending Her Right Arm Towards an Altar, Master F. P. Italian, Etching
Woman Extending Her Right Arm Towards an Altar
Master F. P.
Possibly after Parmigianino (Girolamo Francesco Maria Mazzola)
16th century