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Six Studies of Animal Heads and of a Cartouche, Pellegrino Tibaldi Italian, Pen and brown ink, with head in upper left corner drawn in red chalk
Six Studies of Animal Heads and of a Cartouche
Pellegrino Tibaldi
Previously attributed to Perino del Vaga (Pietro Buonaccorsi)
1527–96
Seated satyr, with enlarged head of same (recto); Head of a woman (verso), Pellegrino Tibaldi Italian, Pen and brown ink, brush and brown wash, with traces of highlighting in white gouache on faded blue paper (recto); black chalk and charcoal highlighted with traces of white chalk (?) (verso)
Seated satyr, with enlarged head of same (recto); Head of a woman (verso)
Pellegrino Tibaldi
1527–96
Saint John the Baptist Baptizing the Multitude, Pellegrino Tibaldi Italian, Pen and brown ink, brush and brown wash
Saint John the Baptist Baptizing the Multitude
Pellegrino Tibaldi
1554–56
Design for a Wall Elevation with Grotesques, Anonymous, Italian, second half of the 16th century Italian, Pen and brown ink, brush and brown wash; some stylus ruling; highlighted with white gouache; on blue paper
Design for a Wall Elevation with Grotesques
Anonymous, Italian, second half of the 16th century
Circle of Pellegrino Tibaldi
ca. 1540–70
Study for the Figure of Aeolus, Pellegrino Tibaldi Italian, Red chalk
Study for the Figure of Aeolus
Pellegrino Tibaldi
1549–51
Tobias and the Angel, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Tobias and the Angel
Cherubino Alberti (Zaccaria Mattia)
After Pellegrino Tibaldi
1575
Plate 5: view of the ceiling with its ornaments and frescoed paintings, Bartolomeo Crivellari Italian, Etching
Plate 5: view of the ceiling with its ornaments and frescoed paintings
Multiple artists/makers
1756
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left, Sebastiano Gamma Italian, Etching and engraving
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left
Multiple artists/makers
1756
Design of a fireplace, Giovanni Battista Brustolon Italian, Etching
Design of a fireplace
Giovanni Battista Brustolon
After Pellegrino Tibaldi
1756
Plate 6: Ulysses driving a burning stake into Polyphemus' eye, Bartolomeo Crivellari Italian, Etching and engraving
Plate 6: Ulysses driving a burning stake into Polyphemus' eye
Multiple artists/makers
1756
Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins, Bartolomeo Crivellari Italian, Etching and engraving
Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins
Multiple artists/makers
1756
Plate 8: Ulysses receiving the winds in a leather bag from Aeolus, Bartolomeo Crivellari Italian, Etching and engraving
Plate 8: Ulysses receiving the winds in a leather bag from Aeolus
Multiple artists/makers
1756
Plate 9: the Greeks opening the bag of wind, thinking there is gold inside, driving their vessel to the island of Circe, Bartolomeo Crivellari Italian, Etching and engraving
Plate 9: the Greeks opening the bag of wind, thinking there is gold inside, driving their vessel to the island of Circe
Multiple artists/makers
1756
Plate 10: Ulysses compelling Circe to restore his companions' human shapes, which she had changed into monsters, Bartolomeo Crivellari Italian, Etching and engraving
Plate 10: Ulysses compelling Circe to restore his companions' human shapes, which she had changed into monsters
Multiple artists/makers
1756
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left, Bartolomeo Crivellari Italian, Etching and engraving
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left
Multiple artists/makers
1756
Plate 15: mythological figure wearing a helmet and holding a shield, Bartolomeo Crivellari Italian, Etching and engraving
Plate 15: mythological figure wearing a helmet and holding a shield
Multiple artists/makers
1756
Plate 16: mythological figure holding a mirror, Bartolomeo Crivellari Italian, Etching and engraving
Plate 16: mythological figure holding a mirror
Multiple artists/makers
1756
Plate 17: two nude figures wearing veils, Bartolomeo Crivellari Italian, Etching and engraving
Plate 17: two nude figures wearing veils
Multiple artists/makers
1756
Plate 18: two nude figures wearing veils, seen from behind, Bartolomeo Crivellari Italian, Etching and engraving
Plate 18: two nude figures wearing veils, seen from behind
Multiple artists/makers
1756
Plate 19: figure seen from behind with left hand raised, Bartolomeo Crivellari Italian, Etching and engraving
Plate 19: figure seen from behind with left hand raised
Multiple artists/makers
1756
Plate 20: bearded figure, half clothed, Bartolomeo Crivellari Italian, Etching and engraving
Plate 20: bearded figure, half clothed
Multiple artists/makers
1756
Plate 21: two nude figures wearing veils, seen from behind, Bartolomeo Crivellari Italian, Etching and engraving
Plate 21: two nude figures wearing veils, seen from behind
Multiple artists/makers
1756
Plate 22: two nude figures wearing veils, Bartolomeo Crivellari Italian, Etching and engraving
Plate 22: two nude figures wearing veils
Multiple artists/makers
1756
Plate 24: Ulysses's companions stealing the oxen sacred to Apollo, Bartolomeo Crivellari Italian, Etching and engraving
Plate 24: Ulysses's companions stealing the oxen sacred to Apollo
Multiple artists/makers
1756
Plate 25: a shipwreck, Bartolomeo Crivellari Italian, Etching and engraving
Plate 25: a shipwreck
Multiple artists/makers
1756
Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea, Bartolomeo Crivellari Italian, Etching and engraving
Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea
Multiple artists/makers
1756
Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck, Bartolomeo Crivellari Italian, Etching and engraving
Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck
Multiple artists/makers
1756
A standing man in a niche holding an open book, Bartolomeo Crivellari Italian, Etching and engraving
A standing man in a niche holding an open book
Multiple artists/makers
1756
A standing man in a niche reaching forward with one arm, Bartolomeo Crivellari Italian, Etching and engraving
A standing man in a niche reaching forward with one arm
Multiple artists/makers
1756
A standing man in a niche with his elbow resting on a column, Bartolomeo Crivellari Italian, Etching and engraving
A standing man in a niche with his elbow resting on a column
Multiple artists/makers
1756
A standing man in a niche looking toward the left, Bartolomeo Crivellari Italian, Etching and engraving
A standing man in a niche looking toward the left
Multiple artists/makers
1756
Minerva assisting Prometheus as he attempts to scale the heavens, Bartolomeo Crivellari Italian, Etching and engraving
Minerva assisting Prometheus as he attempts to scale the heavens
Multiple artists/makers
1756
Three bearded men, one wearing fur, Bartolomeo Crivellari Italian, Etching and engraving
Three bearded men, one wearing fur
Multiple artists/makers
1756
Plate 40: the division of the elect from the reprobate, Bartolomeo Crivellari Italian, Etching and engraving
Plate 40: the division of the elect from the reprobate
Multiple artists/makers
1756
Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children, Bartolomeo Crivellari Italian, Etching and engraving
Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children
Multiple artists/makers
1756
Eighty-two prints engraved by F. Bartolozzi, etc., from the original drawings of Guercino in the collection of His Majesty, vol. I / Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Multiple artists/makers
1792–98
Juvenis ascultans seni de divinis admonenti (My Son attend unto my Wisdom, and bow thine Ear to my Understanding (Proverbs V)): Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Multiple artists/makers
1793–98

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