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The Holy Family with the Infant Saint John the Baptist, Perino del Vaga (Pietro Buonaccorsi) Italian, Oil on wood
The Holy Family with the Infant Saint John the Baptist
Perino del Vaga (Pietro Buonaccorsi)
ca. 1524–26
Jupiter and Juno: Study for the "Furti di Giove" Tapestries, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and dark brown ink, brush and brown and gray wash, highlighted with white gouache
Jupiter and Juno: Study for the "Furti di Giove" Tapestries
Perino del Vaga (Pietro Buonaccorsi)
ca. 1532–35
Minerva from the "Doria Grotesques", Perino del Vaga (Pietro Buonaccorsi) Italian, Wool, silk (17-19 warps per inch, 7-8 per cm.), Netherlandish, Brussels
Minerva from the "Doria Grotesques"
Designer Probably designed in the workshop of Perino del Vaga (Pietro Buonaccorsi)
Perhaps woven in the workshop of Joost van Herzeele
Designed 1545, woven ca. 1550
Neptune from the "Doria Grotesques", Perino del Vaga (Pietro Buonaccorsi) Italian, Wool and silk (7-8 warps per cm.), Netherlandish, probably Brussels
Neptune from the "Doria Grotesques"
Designer Designed by Perino del Vaga (Pietro Buonaccorsi)
Woven by Anonymous Workshop
designed 1545, woven ca. 1550
Plate depicting scene of Vulcan, Venus and Mars, Fra Xanto Avelli da Rovigo, Maiolica (tin-glazed earthenware), Italian, Urbino
Plate depicting scene of Vulcan, Venus and Mars
Figures painted by Fra Xanto Avelli da Rovigo
After a print by Giovanni Jacopo Caraglio
After a painting by Perino del Vaga (Pietro Buonaccorsi)
dated 1542
De dissectione partium corporis humani libri tres, Charles Estienne French, Woodcut
De dissectione partium corporis humani libri tres
Multiple artists/makers
1545
Design for Candlestick or for a Crucifix Base, Perino del Vaga (Pietro Buonaccorsi) (studio) Italian, Pen and brown ink, brush and brown wash, over leadpoint
Design for Candlestick or for a Crucifix Base
Circle of Perino del Vaga (Pietro Buonaccorsi)
Attributed to Luzio Luzzi (also known as Luzio Romano, Luzio da Todi)
ca. 1540–47
Design of a Candlestick with Winged Figures at Base Surrounding Scenic Medallion, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown and gray wash
Design of a Candlestick with Winged Figures at Base Surrounding Scenic Medallion
Perino del Vaga (Pietro Buonaccorsi)
1521–47
Design for a Grotesque Wall Decoration, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink
Design for a Grotesque Wall Decoration
Perino del Vaga (Pietro Buonaccorsi)
1501–47
Design for Grotesque Wall Decoration, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink
Design for Grotesque Wall Decoration
Attributed to Perino del Vaga (Pietro Buonaccorsi)
early 16th century
Caryatid, after Perino del Vaga drawing in Albertina, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, wash.
Caryatid, after Perino del Vaga drawing in Albertina
Anonymous, Netherlandish, 16th century
After Perino del Vaga (Pietro Buonaccorsi)
ca. 1520
A panel of ornament with a woman holding a vase in centre, Master of the Die Italian, Engraving
A panel of ornament with a woman holding a vase in centre
Master of the Die
After Perino del Vaga (Pietro Buonaccorsi)
1532
Christ and the Daughter of the Centurion, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown wash, over traces of black chalk
Christ and the Daughter of the Centurion
After Perino del Vaga (Pietro Buonaccorsi)
Anonymous, Italian, 16th century
16th century
Study for Allegorical Figure of Prudence, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and gray wash, over traces of black chalk
Study for Allegorical Figure of Prudence
Perino del Vaga (Pietro Buonaccorsi)
1501–47
The coronation of the Virgin, Christ holding the crown over her head, God the Father blessing above, Master of the Die Italian, Engraving
The coronation of the Virgin, Christ holding the crown over her head, God the Father blessing above
Master of the Die
After Perino del Vaga (Pietro Buonaccorsi)
1532
The Assumption of the Virgin, below the apostles surround the tomb, Master of the Die Italian, Engraving
The Assumption of the Virgin, below the apostles surround the tomb
Master of the Die
After Perino del Vaga (Pietro Buonaccorsi)
1530–60
A panel of ornament with putti and other figures, Master of the Die Italian, Engraving
A panel of ornament with putti and other figures
Master of the Die
After Perino del Vaga (Pietro Buonaccorsi)
Publisher Antonio Salamanca
1530–60
A panel of ornament with putti, goat and other figures, Master of the Die Italian, Engraving
A panel of ornament with putti, goat and other figures
Master of the Die
After Perino del Vaga (Pietro Buonaccorsi)
Publisher Antonio Salamanca
1530–60
A panel of ornament with a putto in the centre holding a windmill, Master of the Die Italian, Engraving
A panel of ornament with a putto in the centre holding a windmill
Master of the Die
After Perino del Vaga (Pietro Buonaccorsi)
1532
A panel of ornament with a large jar in centre, putti and other figures, Master of the Die Italian, Engraving
A panel of ornament with a large jar in centre, putti and other figures
Master of the Die
After Perino del Vaga (Pietro Buonaccorsi)
Publisher Antonio Salamanca
1530–60
A panel of ornament, putti standing on cornucopia in lower section, Master of the Die Italian, Engraving
A panel of ornament, putti standing on cornucopia in lower section
Master of the Die
After Perino del Vaga (Pietro Buonaccorsi)
Publisher Antonio Salamanca
1530–60
Combat between Amazons and men in front of architectural arcades, an oval composition with weapons, headgear, and bodies strewn along the bottom margin, Enea Vico Italian, Engraving
Combat between Amazons and men in front of architectural arcades, an oval composition with weapons, headgear, and bodies strewn along the bottom margin
Enea Vico
Possibly after Perino del Vaga (Pietro Buonaccorsi)
1543
Seated Neptune holding a conch shell to his mouth, accompanied by a seated triton and another emerging from the water at bottom right, Giorgio Ghisi Italian, Engraving
Seated Neptune holding a conch shell to his mouth, accompanied by a seated triton and another emerging from the water at bottom right
Attributed to Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
Thetis Standing with Two Tritons, Anonymous, Italian?, 16th century Italian, Engraving
Thetis Standing with Two Tritons
Anonymous, Italian?, 16th century
Former Attribution Formerly attributed to Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
Thetis Seated with a Triton, Anonymous, Italian?, 16th century Italian, Engraving
Thetis Seated with a Triton
Anonymous, Italian?, 16th century
Former Attribution Formerly attributed to Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
16th century
Venus and Vulcan Seated on a Bed and Three Putti, Giorgio Ghisi Italian, Engraving
Venus and Vulcan Seated on a Bed and Three Putti
Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
mid-1550s
Venus and Vulcan at the Forge, Giorgio Ghisi Italian, Engraving
Venus and Vulcan at the Forge
Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
mid-1550s
Thetis Seated with a Triton, Anonymous, Italian?, 16th century Italian, Engraving
Thetis Seated with a Triton
Anonymous, Italian?, 16th century
Former Attribution Formerly attributed to Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
Venus and Vulcan at the Forge, Giorgio Ghisi Italian, Engraving
Venus and Vulcan at the Forge
Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
ca. 1555
Thetis Standing with Two Tritons, Anonymous, Italian?, 16th century Italian, Engraving
Thetis Standing with Two Tritons
Anonymous, Italian?, 16th century
Former Attribution Formerly attributed to Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
Neptune Seated Blowing a Conch Shell, Anonymous, 16th century, Engraving
Neptune Seated Blowing a Conch Shell
Anonymous, 16th century
Former Attribution Formerly attributed to Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
16th century
Neptune Between Two Sea Horses, Anonymous, Italian?, 16th century Italian, Engraving
Neptune Between Two Sea Horses
Anonymous, Italian?, 16th century
Former Attribution Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
ca. 1560–80
St Paul overcoming the viper, within an architectual setting, an oval composition, Giulio Bonasone Italian, Engraving
St Paul overcoming the viper, within an architectual setting, an oval composition
Giulio Bonasone
After Perino del Vaga (Pietro Buonaccorsi)
ca. 1540–70
Saint Mark writing his Gospel, a winged lion at the right, Giulio Bonasone Italian, Engraving
Saint Mark writing his Gospel, a winged lion at the right
Giulio Bonasone
After Perino del Vaga (Pietro Buonaccorsi)
1531–76
Ixion attempting to seduce Juno, surrounded by clouds with ruins below, Giovanni Jacopo Caraglio Italian, Engraving
Ixion attempting to seduce Juno, surrounded by clouds with ruins below
Attributed to Giovanni Jacopo Caraglio
After Perino del Vaga (Pietro Buonaccorsi)
ca. 1520–39
Thetis Seated with a Triton, Anonymous, Italian?, 16th century Italian, Engraving
Thetis Seated with a Triton
Anonymous, Italian?, 16th century
Former Attribution Formerly attributed to Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
16th century
Thetis Standing with Two Tritons, Anonymous, Italian?, 16th century Italian, Engraving
Thetis Standing with Two Tritons
Anonymous, Italian?, 16th century
Former Attribution Formerly attributed to Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
The Triumph of Bacchus, Anonymous, Italian?, 16th century Italian, Engraving
The Triumph of Bacchus
Anonymous, Italian?, 16th century
Former Attribution Formerly attributed to Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
16th century
The Triumph of Bacchus, Anonymous, Italian?, 16th century Italian, Engraving
The Triumph of Bacchus
Anonymous, Italian?, 16th century
Former Attribution Formerly attributed to Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
16th century
Two Designs for a Flower Pedestal, Guglielmo della Porta Italian, Pen and brown ink, brush and purple wash
Two Designs for a Flower Pedestal
Guglielmo della Porta
Previously attributed to Perino del Vaga (Pietro Buonaccorsi)
ca. 1550–70
Christ at the table of Simon the Pharisee, Mary Magdalene washing his feet with her hair, Marcantonio Raimondi Italian, Engraving
Christ at the table of Simon the Pharisee, Mary Magdalene washing his feet with her hair
Marcantonio Raimondi
Designed by Raphael (Raffaello Sanzio or Santi)
Or (?) Perino del Vaga (Pietro Buonaccorsi)
ca. 1520–25
Allegory or Goddess (Juno?), Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink
Allegory or Goddess (Juno?)
Copy after Perino del Vaga (Pietro Buonaccorsi)
16th century