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The Holy Family with the Infant Saint John the Baptist, Perino del Vaga (Pietro Buonaccorsi) Italian, Oil on wood
The Holy Family with the Infant Saint John the Baptist
Perino del Vaga (Pietro Buonaccorsi)
ca. 1524–26
Jupiter and Juno: Study for the "Furti di Giove" Tapestries, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and dark brown ink, brush and brown and gray wash, highlighted with white gouache
Jupiter and Juno: Study for the "Furti di Giove" Tapestries
Perino del Vaga (Pietro Buonaccorsi)
ca. 1532–35
Plate depicting scene of Vulcan, Venus and Mars, Fra Xanto Avelli da Rovigo, Maiolica (tin-glazed earthenware), Italian, Urbino
Plate depicting scene of Vulcan, Venus and Mars
Figures painted by Fra Xanto Avelli da Rovigo
After a print by Giovanni Jacopo Caraglio
After a painting by Perino del Vaga (Pietro Buonaccorsi)
dated 1542
Minerva from the "Doria Grotesques", Perino del Vaga (Pietro Buonaccorsi) Italian, Wool, silk (17-19 warps per inch, 7-8 per cm.), Netherlandish, Brussels
Minerva from the "Doria Grotesques"
Designer Probably designed in the workshop of Perino del Vaga (Pietro Buonaccorsi)
Perhaps woven in the workshop of Joost van Herzeele
Designed 1545, woven ca. 1550
Neptune from the "Doria Grotesques", Perino del Vaga (Pietro Buonaccorsi) Italian, Wool and silk (7-8 warps per cm.), Netherlandish, probably Brussels
Neptune from the "Doria Grotesques"
Designer Designed by Perino del Vaga (Pietro Buonaccorsi)
Woven by Anonymous Workshop
designed 1545, woven ca. 1550
De dissectione partium corporis humani libri tres, Charles Estienne French, Woodcut
De dissectione partium corporis humani libri tres
Multiple artists/makers
1545
Seated Triton, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown wash, over black chalk; outlines partly incised
Seated Triton
Perino del Vaga (Pietro Buonaccorsi)
1545–47
Study for Allegorical Figure of Prudence, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and gray wash, over traces of black chalk
Study for Allegorical Figure of Prudence
Perino del Vaga (Pietro Buonaccorsi)
1501–47
Sketch for a wall panel in the Sala Paolina at Castel Sant' Angelo, Rome, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink
Sketch for a wall panel in the Sala Paolina at Castel Sant' Angelo, Rome
Copy after Perino del Vaga (Pietro Buonaccorsi)
ca. 1546
Virgin and Child Enthroned with Saint Anthony Abbot, Saint Peter, Saint Paul, Saint Julian the Hospitaler, Saint Roch, and Saint Mary Magdalen?, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, highlighted with white gouache, on brownish paper
Virgin and Child Enthroned with Saint Anthony Abbot, Saint Peter, Saint Paul, Saint Julian the Hospitaler, Saint Roch, and Saint Mary Magdalen?
Perino del Vaga (Pietro Buonaccorsi)
1522–23
Saints Peter and John Healing a Cripple at the Gate of the Temple, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, on brownish paper
Saints Peter and John Healing a Cripple at the Gate of the Temple
after Perino del Vaga (Pietro Buonaccorsi)
1501–47
Two Standing Male Figures, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and dark brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk, on brownish paper
Two Standing Male Figures
Perino del Vaga (Pietro Buonaccorsi)
1501–47
Six Studies of Animal Heads and of a Cartouche, Pellegrino Tibaldi Italian, Pen and brown ink, with head in upper left corner drawn in red chalk
Six Studies of Animal Heads and of a Cartouche
Pellegrino Tibaldi
Previously attributed to Perino del Vaga (Pietro Buonaccorsi)
1527–96
Presentation of the Virgin in the Temple (below), Abraham about to Sacrifice Isaac (above), Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, squared in black chalk, on brownish paper. The empty triangular corners are tinted in gray-green wash, the right diagonal border tinted in gray wash
Presentation of the Virgin in the Temple (below), Abraham about to Sacrifice Isaac (above)
Perino del Vaga (Pietro Buonaccorsi)
1520
Design for a Festival Float or Barge, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on faded blue paper
Design for a Festival Float or Barge
Circle of Perino del Vaga (Pietro Buonaccorsi)
Possibly by Prospero Fontana
ca. 1530–40
Kneeling, Seated and Standing Figures (recto); Seated, Kneeling and Reclining Figures (verso), Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, reworked with black ink (recto); pen and brown and black ink (verso)
Kneeling, Seated and Standing Figures (recto); Seated, Kneeling and Reclining Figures (verso)
Perino del Vaga (Pietro Buonaccorsi)
1501–47
Jupiter Appearing to Semele, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown wash, highlighted with yellow gouache, on brown-washed paper
Jupiter Appearing to Semele
Perino del Vaga (Pietro Buonaccorsi)
1501–47
Alexander Cutting the Gordian Knot, Study for a Fresco in the Castel Sant'Angelo, Rome, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and gray wash highlighted with white; squared in black chalk
Alexander Cutting the Gordian Knot, Study for a Fresco in the Castel Sant'Angelo, Rome
Perino del Vaga (Pietro Buonaccorsi)
1501–47
Saint Peter and Saint John Healing a Cripple at the Gate of the Temple, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, over black chalk (recto); pen and brown sketch of a right hand at upper left, and circle in red chalk at lower right (verso)
Saint Peter and Saint John Healing a Cripple at the Gate of the Temple
Perino del Vaga (Pietro Buonaccorsi)
1534–47
Allegory or Goddess (Juno?), Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink
Allegory or Goddess (Juno?)
Copy after Perino del Vaga (Pietro Buonaccorsi)
16th century
Christ and the Daughter of the Centurion, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown wash, over traces of black chalk
Christ and the Daughter of the Centurion
After Perino del Vaga (Pietro Buonaccorsi)
Anonymous, Italian, 16th century
16th century
Christ at the table of Simon the Pharisee, Mary Magdalene washing his feet with her hair, Marcantonio Raimondi Italian, Engraving
Christ at the table of Simon the Pharisee, Mary Magdalene washing his feet with her hair
Marcantonio Raimondi
Designed by Raphael (Raffaello Sanzio or Santi)
Or (?) Perino del Vaga (Pietro Buonaccorsi)
ca. 1520–25
Naked man walking to the right carrying a column base, Marcantonio Raimondi Italian, Engraving
Naked man walking to the right carrying a column base
Multiple artists/makers
ca. 1517–20
Design for Candlestick or for a Crucifix Base, Perino del Vaga (Pietro Buonaccorsi) (studio) Italian, Pen and brown ink, brush and brown wash, over leadpoint
Design for Candlestick or for a Crucifix Base
Circle of Perino del Vaga (Pietro Buonaccorsi)
Attributed to Luzio Luzzi (also known as Luzio Romano, Luzio da Todi)
ca. 1540–47
Design of a Candlestick with Winged Figures at Base Surrounding Scenic Medallion, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink, brush and brown and gray wash
Design of a Candlestick with Winged Figures at Base Surrounding Scenic Medallion
Perino del Vaga (Pietro Buonaccorsi)
1521–47
Design for a Grotesque Wall Decoration, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink
Design for a Grotesque Wall Decoration
Perino del Vaga (Pietro Buonaccorsi)
1501–47
Design for Grotesque Wall Decoration, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and brown ink
Design for Grotesque Wall Decoration
Attributed to Perino del Vaga (Pietro Buonaccorsi)
early 16th century
Caryatid, after Perino del Vaga drawing in Albertina, Anonymous, Netherlandish, 16th century Netherlandish, Pen and brown ink, wash.
Caryatid, after Perino del Vaga drawing in Albertina
Anonymous, Netherlandish, 16th century
After Perino del Vaga (Pietro Buonaccorsi)
ca. 1520
A panel of ornament with a woman holding a vase in centre, Master of the Die Italian, Engraving
A panel of ornament with a woman holding a vase in centre
Master of the Die
After Perino del Vaga (Pietro Buonaccorsi)
1532
Ixion attempting to seduce Juno, surrounded by clouds with ruins below, Giovanni Jacopo Caraglio Italian, Engraving
Ixion attempting to seduce Juno, surrounded by clouds with ruins below
Attributed to Giovanni Jacopo Caraglio
After Perino del Vaga (Pietro Buonaccorsi)
ca. 1520–39
The Holy Family, Wenceslaus Hollar Bohemian, Etching, only state
The Holy Family
Etcher Wenceslaus Hollar
After Perino del Vaga (Pietro Buonaccorsi)
Publisher Hendrik van der Borcht II
1642
Fall of the Giants, Jupiter in the clouds overhead striking the Giants with lightning, Girolamo Fagiuoli Italian, Engraving
Fall of the Giants, Jupiter in the clouds overhead striking the Giants with lightning
Girolamo Fagiuoli
After Perino del Vaga (Pietro Buonaccorsi)
ca. 1539–49
Neptune Calming the Tempest Raised Against the Fleet of Aeneas, Giulio Bonasone (in Bartsch, but questioned) Italian, Engraving
Neptune Calming the Tempest Raised Against the Fleet of Aeneas
Attributed to Giulio Bonasone
Attributed to Girolamo Fagiuoli
After Perino del Vaga (Pietro Buonaccorsi)
Venus and Vulcan Seated on a Bed and Three Putti, Giorgio Ghisi Italian, Engraving
Venus and Vulcan Seated on a Bed and Three Putti
Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
mid-1550s
Venus and Vulcan at the Forge, Giorgio Ghisi Italian, Engraving
Venus and Vulcan at the Forge
Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
mid-1550s
Thetis Seated with a Triton, Anonymous, Italian?, 16th century Italian, Engraving
Thetis Seated with a Triton
Anonymous, Italian?, 16th century
Former Attribution Formerly attributed to Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
Venus and Vulcan at the Forge, Giorgio Ghisi Italian, Engraving
Venus and Vulcan at the Forge
Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
ca. 1555
Thetis Seated with a Triton, Anonymous, Italian?, 16th century Italian, Engraving
Thetis Seated with a Triton
Anonymous, Italian?, 16th century
Former Attribution Formerly attributed to Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
16th century
Thetis Standing with Two Tritons, Anonymous, Italian?, 16th century Italian, Engraving
Thetis Standing with Two Tritons
Anonymous, Italian?, 16th century
Former Attribution Formerly attributed to Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
Thetis Standing with Two Tritons, Anonymous, Italian?, 16th century Italian, Engraving
Thetis Standing with Two Tritons
Anonymous, Italian?, 16th century
Former Attribution Formerly attributed to Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
Neptune Seated Blowing a Conch Shell, Anonymous, 16th century, Engraving
Neptune Seated Blowing a Conch Shell
Anonymous, 16th century
Former Attribution Formerly attributed to Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
16th century
Neptune Between Two Sea Horses, Anonymous, Italian?, 16th century Italian, Engraving
Neptune Between Two Sea Horses
Anonymous, Italian?, 16th century
Former Attribution Giorgio Ghisi
After Perino del Vaga (Pietro Buonaccorsi)
ca. 1560–80

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