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Recueil d'Ornemens A l'Usage des Jeunes Artistes qui se destinent à la décoration des bâtimens, Gilles Paul Cauvet French, Etching, engraving
Recueil d'Ornemens A l'Usage des Jeunes Artistes qui se destinent à la décoration des bâtimens
Multiple artists/makers
1777
Recueil d'Ornemens à l'usage des jeunes artistes, Gilles Paul Cauvet French, Engraving, etching
Recueil d'Ornemens à l'usage des jeunes artistes
Multiple artists/makers
1777
View of Spoleto, Joseph Vernet French, Engraving
View of Spoleto
After Joseph Vernet
Engraver Pietro Antonio Martini
ca. 1770
View of Port Ercole, Joseph Vernet French, Engraving
View of Port Ercole
After Joseph Vernet
Engraver Pietro Antonio Martini
ca. 1750–1800
The End of the Fishing, Joseph Vernet French, Engraving; first state of two
The End of the Fishing
After Joseph Vernet
Engraver Pietro Antonio Martini
Engraver Jacques Philippe Le Bas
ca. 1765
The Village Fountain, Joseph Vernet French, Engraving; first state of two
The Village Fountain
After Joseph Vernet
Engraver Pietro Antonio Martini
Engraver Jacques Philippe Le Bas
ca. 1750–1800
The Delights of Summer, Joseph Vernet French, Engraving
The Delights of Summer
After Joseph Vernet
Engraver Pietro Antonio Martini
1772
Termosiris Teaching Telemachus to Follow the Example of Apollo, Pietro Antonio Martini Italian, Etching and Engraving
Termosiris Teaching Telemachus to Follow the Example of Apollo
Etched by Pietro Antonio Martini
Engraved by Jean-Baptiste Patas
After François Boucher
View of the Salon of 1785, Pietro Antonio Martini Italian, Etching
View of the Salon of 1785
Pietro Antonio Martini
1785
Exposition au Salon du Louvre en 1787, Pietro Antonio Martini Italian, Etching and engraving
Exposition au Salon du Louvre en 1787
Pietro Antonio Martini
After Johann Heinrich Ramberg
1787
Roland Furieux, Poëme Héroique de l'Arioste, Ludovico Ariosto Italian, Engraving
Roland Furieux, Poëme Héroique de l'Arioste
Multiple artists/makers
1775–76
The Morning Toilet (La Petite Toilette), from "Le Monument du Costume", Pietro Antonio Martini Italian, Etching and engraving
The Morning Toilet (La Petite Toilette), from "Le Monument du Costume"
Etcher Pietro Antonio Martini
After Jean Michel Moreau le Jeune
1745–97
Illustration to Canto XXXVIII, stanza LXXXII, from "Orlando Furioso"
Multiple artists/makers
18th century
Sixieme Cahier de Sujets Arabesques, à l'usages des Artistes
Multiple artists/makers
18th century
Arabesque Panel from "Recueil d'Ornemens a l'usage des Jeunes Artistes"
Artist and publisher Gilles Paul Cauvet
Etcher Etched by Pietro Antonio Martini
1777
Portraits of Their Majesty's and the Royal Family Viewing the Exhibition of the Royal Academy, 1788
Multiple artists/makers
March 6, 1789
The Exhibition of the Royal Academy, 1787
Multiple artists/makers
July 1, 1787
Facsimile Reproduction of La Dame du Palais de la Reine (The Maid of Honor), from Le Monument du Costume
Multiple artists/makers
19th century
Vignette on page 215 of Volume V, from the 1774 Edition of Emile ou de l'Education par J.-J. Rousseau Citoyen de Genèvre, part of Collection Complette des oeuvres de J. J. Rousseau, Londres. 1774.
Pietro Antonio Martini
After Jean Michel Moreau le Jeune
Author Jean Jacques Rousseau
1779
Les Précautions (The Precautions), from "Le Monument du Costume"
Multiple artists/makers
1777
Les Précautions (The Precautions), from "Le Monument du Costume"
Multiple artists/makers
1777
Facsimile Reproduction of Les Précautions (The Precautions), from Le Monument du Costume
Multiple artists/makers
20th century
Orlando Furioso
Multiple artists/makers
1773
Roland Furieux, Poëme Héroique de l'Arioste
Multiple artists/makers
1775–78
Roland Furieux, Poëme Héroique de l'Arioste
Multiple artists/makers
1775–76
Declaration de la Grossesse (Announcement of Pregnancy), from "Le Monument du Costume"
Etcher Pietro Antonio Martini
After Jean Michel Moreau le Jeune
Author Related author Restif de La Bretonne
1776
La Dame du Palais de la Reine (The Lady in Waiting to the Queen), from "Le Monument du Costume"
Etcher Pietro Antonio Martini
After Jean Michel Moreau le Jeune
1777
Vignette, Volume IV, Canto XXVIII, Page 171, from "Orlando Furioso"
Multiple artists/makers
1773–74
Vignette opposite Page 1 of Volume I, from "Les Egaremens de l'amour ou Lettres de Fanéli et de Milfort. Par M. Imbert. A Amsterdam. Et se trouve à Paris. Chez Delalain Libraire, rue de la Comédie Française. MDCCLXXVI"
Multiple artists/makers
1776
Vignette, Canto XXXVIII, Stanza LXXXII, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.
Pietro Antonio Martini
After Giovanni Battista Cipriani
Author Ludovico Ariosto
1774
Vignette, Volume IV, Canto XXVIII, Page 171, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII.
Pietro Antonio Martini
After Jean Michel Moreau le Jeune
Author Ludovico Ariosto
1773–74