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Half-Length Study for a Portrait of a Young Man, Pietro Antonio Novelli Italian, Pen and brown ink, gray wash, with touches of pink and blue in the face
Half-Length Study for a Portrait of a Young Man
Pietro Antonio Novelli
mid-18th–early 19th century
Saint John the Evangelist (?), Pietro Antonio Novelli Italian, Pen and dark brown ink
Saint John the Evangelist (?)
Pietro Antonio Novelli
Former Attribution Francesco Fontebasso
before 1755
A Venetian Family Portrait Group, Pietro Antonio Novelli Italian, Pen and brown ink, wash, heightened with white, on paper covered with brown wash
A Venetian Family Portrait Group
Pietro Antonio Novelli
after 1750
Design for a Trade Card, Pietro Antonio Novelli Italian, Pen and brown ink, gray wash
Design for a Trade Card
Pietro Antonio Novelli
mid-18th century
Allegorical Figure of a Woman, Pietro Antonio Novelli Italian, Pen and light brown wash, heightened with white, on paper covered with light brown wash
Allegorical Figure of a Woman
Pietro Antonio Novelli
ca. 1745–55
A Seated Slave, Pietro Antonio Novelli Italian, Pen and black ink, gray wash, over black chalk
A Seated Slave
Pietro Antonio Novelli
mid-18th–early 19th century
A Bearded Monk Showing a Portable Altar to a Praying Child, with an Old Woman Kneeling, Pietro Antonio Novelli Italian, Pen and brown ink, wash
A Bearded Monk Showing a Portable Altar to a Praying Child, with an Old Woman Kneeling
Pietro Antonio Novelli
mid-18th–early 19th century
Il Goffredo ovvero Gerusalemme liberata, Torquato Tasso Italian, Printed book with intaglio illustration.
Il Goffredo ovvero Gerusalemme liberata
Multiple artists/makers
1760–61
Diana Visiting the Sleeping Endymion, Pietro Antonio Novelli Italian, Pen and brown ink, brush and gray wash, over black chalk; framing lines in pen and brown ink
Diana Visiting the Sleeping Endymion
Pietro Antonio Novelli
1729–1804
Chained Nude Prisoner, after Pietro Tacca, Pietro Antonio Novelli Italian, Pen and black ink, brush with brown, gray, and black wash, highlighted with white gouache, over black chalk, on violet prepared paper faded to light pink
Chained Nude Prisoner, after Pietro Tacca
Pietro Antonio Novelli
After Pietro Tacca
1729–1804
Satirical drawing: Artist Painting an Old Lady's Portrait, Pietro Antonio Novelli Italian, Pen and gray ink, brush and gray wash, and gray, brown, red, blue, yellow and green watercolor. Framing lines in pen and brown ink
Satirical drawing: Artist Painting an Old Lady's Portrait
attributed to Pietro Antonio Novelli
1729–1804
Head of a Man, Pietro Antonio Novelli Italian, Pen and black ink
Head of a Man
In the manner of Pietro Antonio Novelli
n.d.
Saint Paul the Hermit and Saint Anthony Abbot conversing in a landscape, after Pietro Antonio Novelli, Francesco Novelli Italian, Etching
Saint Paul the Hermit and Saint Anthony Abbot conversing in a landscape, after Pietro Antonio Novelli
Etcher Francesco Novelli
After Pietro Antonio Novelli
ca. 1784–1836
Compendio delle vite de' pittori veneziani istorici più rinomati del presente secolo con suoi ritratti tratti dal naturale delineati ed incisi
Multiple artists/makers
1762
Meeting of Saint Paul the Hermit and Saint Anthony Abbot
Pietro Antonio Novelli
1761
Opera di Dante Alighieri, Vols. I-IV
Multiple artists/makers
1757–58
La perfezione religiosa: canti IX per la solenne vestizione nel monistero di S. Benedetto in Padova delle nobili signore contesse Orsola e Cecilia sorelle Santonini
Multiple artists/makers
1763
L'Aminta, favola boschereccia
Author Torquato Tasso
Publisher Antonio Zatta
after Pietro Antonio Novelli
1762
Portrait of Pietro Antonio Novelli in a decorative border, from "Compendio delle vite de' pittori veneziani istorici più rinomati del presente secolo con suoi ritratti tratti dal naturale delineati ed incisi"
Alessandro Longhi
Sitter Pietro Antonio Novelli
Publisher Alessandro Longhi
1762
Portrait of Gerard Sagredo
Marco Alvise Pitteri
After Pietro Antonio Novelli
1740–86
Portrait of Gerard Sagredo
Marco Alvise Pitteri
After Pietro Antonio Novelli
1740–86
A woman seated before a mirror, a sick man in bed and demons issuing from the mouth of hell
Giuliano Zuliani
After Pietro Antonio Novelli
ca. 1750–1800
View of Venice, the Grand Canal with gondolas and boats at center, Church of the Scalzi at right and Santa Croce at left; border decorated with grotesque motifs and Neptune on his seahorse chariot below
Marco Sebastiano Giampiccoli
Border by Pietro Antonio Novelli
After Canaletto (Giovanni Antonio Canal)
ca. 1730–1804

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