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Annibale Carracci Introduces Painting to Apollo and Minerva, Pietro Aquila Italian, Etching and engraving
Annibale Carracci Introduces Painting to Apollo and Minerva
Pietro Aquila
After Carlo Maratti
Publisher Giovanni Giacomo De Rossi
1674
Frontispiece with oval portrait of Raphael, with three allegorical figures of the Arts supporting the tablet at center, Pietro Aquila Italian, Etching
Frontispiece with oval portrait of Raphael, with three allegorical figures of the Arts supporting the tablet at center
Multiple artists/makers
1675
Portrait of Queen Christina of Sweden framed by a wreath, an elaborate cartouche below flanked by two lions, title page to "Images from the New Testament after Raphael" (Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis)
Pietro Aquila
Publisher Giovanni Giacomo De Rossi
1675
Frammenti di Ornati per li Giovani Principianti nel Disegno (Fragments of Ornament for the Young Students of Design)
Multiple artists/makers
1783
Stucco Work with Hercules on Funeral Pyre and Wrestling Serpent in Cradle
Pietro Aquila
After Annibale Carracci
ca. 1670–73
Hercules at the Crossroads
Pietro Aquila
After Annibale Carracci
ca. 1670–73
Frontispiece: Dedication to Francesco Maria Phoebeo, Bishop of Tarsus; at center the personification of art painting a portrait of the patron, surrounded by classical gods; from the Galeriae Farnesianae Icones
Pietro Aquila
after Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Plate 4: Perseus holding the Gorgon's head before an army of his enemies, who turn to stone, from "Galeriae Farnesianae Icones"
Pietro Aquila
After Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Plate 2: Andromeda bound to a rock; Perseus flying above on Pegasus, holding the Gorgon's head, from "Galeriae Farnesianae Icones"
Pietro Aquila
After Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Plate 18: A door frame with a painting of a girl and a unicorn; above, a classical bust of a man in a niche, from "Galeriae Farnesianae Icones"
Multiple artists/makers
ca. 1674
Plate 19: Detail of a wall of the Farnese gallery; classical statues of Bacchus and Mercury in a niche at lower left and right, above, a scene of Callisto turning into a bear at left and a classical bust of a man at right, from "Galeriae Farnesianae Icones"
Pietro Aquila
After Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Plate 14: Four corner-pieces from the ceiling of the Farnese gallery depicting the struggles of Eros and Anteros, from "Galeriae Farnesianae Icones"
Pietro Aquila
After Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Plate 3: Polyphemus throwing a rock at Acis and Galatea at center; above, Zeus as an eagle, holding Ganymedes, from "Galeriae Farnesianae Icones"
Pietro Aquila
After Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Plate 12: The triumphal procession of Bacchus and Ariadne, led by Silenus and accompanied by revellers, Satyrs and Maenads, from "Galeriae Farnesianae Icones"
Pietro Aquila
After Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Plate 17: Detail of a wall from the Farnese gallery; two classical statues, a nude male at left and Apollo with his lyre at right; above, a bust of a man (Seneca?) at left, and a painting of Diana discovering the pregnancy of Callisto at right, from "Galeriae Farnesianae Icones"
Pietro Aquila
After Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Frontispiece: Dedication to Francesco Maria Phoebeo, Bishop of Tarsus; at center the personification of art painting a portrait of the patron, surrounded by classical gods; from the Galeriae Farnesianae Icones
Pietro Aquila
after Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Fictitious funeral monument of Annibale Carracci; portrait of Carracci on a plinth, surrounded by laurel leaves and trumpets; from the Galeriae Farnesianae Icones
Pietro Aquila
after Carlo Maratti
Publisher Giovanni Giacomo De Rossi
ca. 1674
Title page to "Galeriae Farnesianae Icones"
Pietro Aquila
After Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Plate 10: Three mythological scenes set inside architectural framework; at left, Leander swimming across Hellespont to Hero; at center, Hercules playing a tambourine with Iole; at right, Pan pursuing Syrinx, from "Galeriae Farnesianae Icones"
Pietro Aquila
After Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Plate 9: Aurora abducting Cephalus, from "Galeriae Farnesianae Icones"
Pietro Aquila
After Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Plate 13: Pan offering a bundle of white wool to Diana, from "Galeriae Farnesianae Icones"
Pietro Aquila
After Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Plate 11: Paris receiving the Apple of Discord from Mercury, from "Galeriae Farnesianae Icones"
Pietro Aquila
After Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Plate 7: In frame at center, Diana embracing a sleeping Endymion; in roundel to the left, Orpheus in the underworld, looking back at Eurydice; in roundel to the right, the rape of Europa, from "Galeriae Farnesianae Icones"
Pietro Aquila
After Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Plate 15: Six naked telamones divided by door frames, each seen crouching inside of a niche, from "Galeriae Farnesianae Icones"
Pietro Aquila
After Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Plate 16: Detail of a wall from the Farnese gallery; at bottom set in a niche, a classical sculpture of Bacchus holding Cupid; above, two small fresco paintings set inside frames, one depicting an emblem the other the fall of Icarus; to the left in a roundel, the personification of Fortitude holding a pillar and caressing a lion, from "Galeriae Farnesianae Icones"
Pietro Aquila
After Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Plate 21: Four rows of details from the Farnese gallery; across the top, four small paintings illustrating Hercules and the hydra, Minerva and Prometheus, Arion riding a dolphin, and Hercules and Prometheus..., from "Galeriae Farnesianae Icones"
Multiple artists/makers
ca. 1674
Plate 20: Detail of a wall from the Farnese gallery; a statue of a naked male carrying a young Bacchus in a niche at bottom; above, a painting of Mercury handing a lyre to Apollo; to the right, the personification of Temperance in a roundel, from "Galeriae Farnesianae Icones"
Multiple artists/makers
ca. 1674
Plate 8: Detail of a wall from the Farnese gallery; at center, Venus reclining in bed with Cupid and Anchises; in a roundel at left, Salmacis and Hermaphroditus embracing; in roundel to the right, Pan wrestling with Cupid, from "Galeriae Farnesianae Icones"
Pietro Aquila
After Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Plate 5: Detail of a wall from the Farnese gallery; at center, Juno joining Zeus in bed, a peacock to the side; in a roundel to the left, Apollo slaying Marsyas; in a roundel to the right, Boreas kidnapping Areithya, from "Galeriae Farnesianae Icones"
Pietro Aquila
After Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Plate 1: Detail of a wall from the Farnese gallery; in central frame, Polyphemus seated on a rock playing the pipes, Galatea approaching at right, in a carriage carried by dolphins; above, a scene with Hyacinthus and Apollo, from "Galeriae Farnesianae Icones"
Pietro Aquila
After Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Plate 6: Galatea being carried off by a sea-creature, surrounded by other figures, putti and sea-monsters, from "Galeriae Farnesianae Icones"
Pietro Aquila
After Annibale Carracci
Publisher Giovanni Giacomo De Rossi
ca. 1674
Plate 3: Hercules bearing the globe of Atlas, flanked by two reclining astronomers; from Imagines Farnesiani Cubiculi Cum ipsarum monocromatibus et ornamentis
Pietro Aquila
after Annibale Carracci
Publisher Giovanni Giacomo De Rossi
1670–92
Plate 4: Hercules resting, wrapped in the hide of the Nemean lion; to the left is the Erymanthian wild boar, the three-headed dog Cerberus, the hind of Ceryneia, and a harpy seated on a pedestal; from Imagines Farnesiani Cubiculi Cum ipsarum monocromatibus et ornamentis
Pietro Aquila
after Annibale Carracci
Publisher Giovanni Giacomo De Rossi
1670–92
Sacrifice of Polyxena, after Pietro da Cortona
Pietro Aquila
after Pietro da Cortona (Pietro Berrettini)
Publisher Giovanni Giacomo De Rossi
ca. 1674–92
The triumph of Bacchus; a procession of maenads and fauns led by Silenus, Bacchus in a chariot behind; after Pietro da Cortona
Pietro Aquila
after Pietro da Cortona (Pietro Berrettini)
Publisher Giovanni Giacomo De Rossi
1670–92
The sacrifice to Diana; men gathering with their spoils from the hunt to offer to the goddess; after Pietro da Cortona
Pietro Aquila
after Pietro da Cortona (Pietro Berrettini)
Publisher Giovanni Giacomo De Rossi
1670–92
Oval portrait of Raphael, crowned with a laurel wreath by Fame, below three allegorical figures personifying the Arts support a tablet with the epigraph of Raphael, frontispiece to "Images from the New Testament after Raphael" (Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis)
Pietro Aquila
Intermediary draughtsman Carlo Maratti
Publisher Giovanni Giacomo De Rossi
1675
Plate 37: The crossing of the Jordan, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Pietro Aquila
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1675
Plate 38: The storming of Jericho, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Pietro Aquila
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1675
Plate 39: Joshua stopping the sun and the moon, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Pietro Aquila
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1675
Plate 40: The distribution of the promised land, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Pietro Aquila
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1675
Plate 41: Samuel anointing David, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Pietro Aquila
After Raphael (Raffaello Sanzio or Santi)
Publisher Giovanni Giacomo De Rossi
1675

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