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Alexander the Great Rescued from the River Cydnus, Pietro Testa Italian, Oil on canvas
Alexander the Great Rescued from the River Cydnus
Pietro Testa
ca. 1650
Allegory of Fortune, Pietro Testa Italian, Pen and brown ink, brush and brown wash, over black chalk, heightened with white
Allegory of Fortune
Attributed to Pietro Testa
1632–50
The Virgin Lamenting over the Dead Christ, Pietro Testa Italian, Pen and brown ink, on beige paper
The Virgin Lamenting over the Dead Christ
Pietro Testa
1612–50
Standing Male Figure Supporting a Shield, Pietro Testa Italian, Pen and brown ink, over a little black chalk, on beige paper
Standing Male Figure Supporting a Shield
Pietro Testa
1612–50
Nude Youth Running (recto); Standing Draped Old Man with Left Hand Upraised (verso), Pietro Testa Italian, Black chalk on gray paper (recto); black chalk with traces of white chalk (verso)
Nude Youth Running (recto); Standing Draped Old Man with Left Hand Upraised (verso)
Pietro Testa
1612–50
The Triumph of Galatea, Pietro Testa Italian, Pen and brown ink, over black chalk, on blue paper. Squared in black chalk
The Triumph of Galatea
Pietro Testa
1612–50
The Presentation of the Virgin in the Temple (recto); Another Design for the Same Composition (verso), Pietro Testa Italian, Pen and brown ink, brush and brown wash, on beige paper (recto); pen and brown ink (verso).
The Presentation of the Virgin in the Temple (recto); Another Design for the Same Composition (verso)
Pietro Testa
1612–50
Allegory of Penance and Death, Pietro Testa Italian, Pen and brown ink, over traces of black chalk
Allegory of Penance and Death
Pietro Testa
1612–50
A Seated Female Figure Surrounded by Nude Infants, Pietro Testa Italian, Pen and brown ink, some black ink, brush and gray wash, on brownish paper
A Seated Female Figure Surrounded by Nude Infants
Pietro Testa
1612–50
Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting, Pietro Testa Italian, Pen and brown ink, over black chalk. The sketch of Pegasus in black chalk only. Framing lines in pen and brown ink
Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting
Pietro Testa
1612–50
The Holy Family with Attendant Angels, Pietro Testa Italian, Pen and brown ink (recto); fragmentary copy in pen and brown ink of figures in Mantegna's engraving, the Senators (verso) (Bartsch, 8, pp. 234-235, no. 11)
The Holy Family with Attendant Angels
Pietro Testa
1612–50
The Sacrifice of Iphigenia, Pietro Testa Italian, Etching with drypoint
The Sacrifice of Iphigenia
Pietro Testa
Publisher Giovanni Giacomo De Rossi
ca. 1640–42
The Garden of Venus who reclines in the centre before a term of Pan and surrounded by cupids, Pietro Testa Italian, Etching
The Garden of Venus who reclines in the centre before a term of Pan and surrounded by cupids
Pietro Testa
ca. 1631–37
The garden of Venus, proof impression of upper left corner, Pietro Testa Italian, Etching; proof
The garden of Venus, proof impression of upper left corner
Pietro Testa
ca. 1631–37
The prodigal son seated on a couch being served wine, revelers in the background, a monkey wearing a collar and chain in the lower right, Anonymous, 17th century, Etching
The prodigal son seated on a couch being served wine, revelers in the background, a monkey wearing a collar and chain in the lower right
Anonymous, 17th century
After Pietro Testa
1650–1700
Three Lucchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague, Anonymous, 17th century, Etching
Three Lucchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague
Anonymous, 17th century
After Pietro Testa
1650–1700
The adoration of the Virgin and Christ Child, Anonymous, 18th century, Etching
The adoration of the Virgin and Christ Child
Anonymous, 18th century
After Pietro Testa
1700–1800
The Suicide of Dido, Pietro Testa Italian, Etching
The Suicide of Dido
After Pietro Testa
Publisher Vicenzo Billi
1650–1700
Stucco bas-relief with two male figures, Anonymous, 18th century, Etching
Stucco bas-relief with two male figures
Anonymous, 18th century
Pietro Testa
1700–1800
Saint Michael the Archangel crushing the demon underfoot, Anonymous, 18th century, Etching
Saint Michael the Archangel crushing the demon underfoot
Anonymous, 18th century
Pietro Testa
Publisher Vicenzo Billi
1700–1800
Io at the left as a cow, Jupiter on a cloud in the centre and Juno at the right with putti holding an eagle captive in the lower right, Pietro Santi Bartoli Italian, Etching
Io at the left as a cow, Jupiter on a cloud in the centre and Juno at the right with putti holding an eagle captive in the lower right
Pietro Santi Bartoli
After Pietro Testa
1650–90
Saint Sebastian being tied to a tree, Girolamo Pedrignani Italian, Etching
Saint Sebastian being tied to a tree
Girolamo Pedrignani
After (Attributed to) Pietro Testa
1625–50
Putto at left reclining on sheaves of wheat, another at right carrying a sheave over his shoulder, an allegory of the seasons (Summer), Anonymous, 17th century, Etching
Putto at left reclining on sheaves of wheat, another at right carrying a sheave over his shoulder, an allegory of the seasons (Summer)
Anonymous, 17th century
After Pietro Testa
ca. 1650–80
An allegory of painting, who as an child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing, Pietro Testa Italian, Etching
An allegory of painting, who as an child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing
After Pietro Testa
Publisher François Collignon
1650–1700
The suicide of Dido lying on the pyre in the centre surrounded by figures, Anonymous, 18th century, Etching and aquatint in brown
The suicide of Dido lying on the pyre in the centre surrounded by figures
Anonymous, 18th century
After Pietro Testa
1780
The martyrdom of Saint Angelo who in the upper left is being stabbed watched by horrified onlookers, from the 'Cabinet Crozat', Anne Claude Philippe de Tubières, comte de Caylus French, Etching and aquatint imitating a chiaroscuro woodcut, printed in brown
The martyrdom of Saint Angelo who in the upper left is being stabbed watched by horrified onlookers, from the 'Cabinet Crozat'
Anne Claude Philippe de Tubières, comte de Caylus
After Pietro Testa
1729–64
The rest on the flight into Egypt (from A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters), Andrea Scacciati Italian, Etching and aquatint imitating a chiaroscuro woodcut, printed in green
The rest on the flight into Egypt (from A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters)
Multiple artists/makers
ca. 1750–60
The rest on the Flight into Egypt, Andrea Scacciati Italian, Etching and aquatint imitating a chiaroscuro woodcut printed in green
The rest on the Flight into Egypt
Andrea Scacciati
After Pietro Testa
1740–71
Three Lucchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague, Johann Michael Feichtmayr the Elder German, Etching
Three Lucchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague
Johann Michael Feichtmayr the Elder
After Pietro Testa
1691
Classical scene of figures gathered around an orator at right (possibly related to healing the lame), Matthias Oesterreich German, Etching
Classical scene of figures gathered around an orator at right (possibly related to healing the lame)
Matthias Oesterreich
After Pietro Testa
1752
Putto at left by a fire, anther at right carrying wood, an allegory of the seasons (Winter), Anonymous, 17th century, Etching
Putto at left by a fire, anther at right carrying wood, an allegory of the seasons (Winter)
Anonymous, 17th century
After Pietro Testa
ca. 1650–80
Putto at left holding an upturned cornucopia and a garland, another seated at the right holding an urn, an allegory of the seasons (Autumn), Anonymous, 17th century, Etching
Putto at left holding an upturned cornucopia and a garland, another seated at the right holding an urn, an allegory of the seasons (Autumn)
Anonymous, 17th century
After Pietro Testa
ca. 1650–80
Putto at the left hold aloft grapes, another seated at the right holding an urn, an allegory of the seasons (Summer), Anonymous, 17th century, Etching
Putto at the left hold aloft grapes, another seated at the right holding an urn, an allegory of the seasons (Summer)
Anonymous, 17th century
After Pietro Testa
ca. 1650–80
Saint Sebastian being tied to a tree, Girolamo Pedrignani Italian, Etching
Saint Sebastian being tied to a tree
Girolamo Pedrignani
After (Attributed to) Pietro Testa
The Virgin at the right with the Christ Child and St John the Baptist at left, a pyramid structure in the background, Anonymous, 18th century, Etching
The Virgin at the right with the Christ Child and St John the Baptist at left, a pyramid structure in the background
Anonymous, 18th century
After (Attributed to) Pietro Testa
1700–1800
Sacrifice of Isaac, Pietro Testa Italian, Etching
Sacrifice of Isaac
Pietro Testa
ca. 1645–50
The prodigal son seated at the base of a tree among swine, his gaze directed upward and his hands folded at his chest, surrounded by a wooded landscape and a pigsty, Pietro Testa Italian, Etching
The prodigal son seated at the base of a tree among swine, his gaze directed upward and his hands folded at his chest, surrounded by a wooded landscape and a pigsty
Pietro Testa
ca. 1640–50
Three Lucchese saints Sts Nicholas Tolentino, Nicholas of Bari and Roch interceding with the Virgin on behalf of the victims of the plague , Anonymous, 17th century, Etching

Three Lucchese saints Sts Nicholas Tolentino, Nicholas of Bari and Roch interceding with the Virgin on behalf of the victims of the plague

Anonymous, 17th century
After Pietro Testa
1650–1700
The death of Saint Pellegrino surrounded by many putti, Anonymous, 18th century, Etching
The death of Saint Pellegrino surrounded by many putti
Anonymous, 18th century
After Pietro Testa
1700–1800
Two figures representing Sloth and Poverty, Anonymous, 18th century, Etching
Two figures representing Sloth and Poverty
Anonymous, 18th century
Pietro Testa
1700–1800
Saint Peter standing in the centre surrounded by Apostles distraught at the death of Christ who is shown ascending from the tomb in the upper section, François Collignon French, Etching
Saint Peter standing in the centre surrounded by Apostles distraught at the death of Christ who is shown ascending from the tomb in the upper section
François Collignon
After Pietro Testa
1650–1700
The Prophecy of Basilides, Giovanni Cesare Testa Italian, Etching
The Prophecy of Basilides
Giovanni Cesare Testa
After Pietro Testa
ca. 1650