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Alexander the Great Rescued from the River Cydnus, Pietro Testa Italian, Oil on canvas
Alexander the Great Rescued from the River Cydnus
Pietro Testa
ca. 1650
Allegory of Fortune, Pietro Testa Italian, Pen and brown ink, brush and brown wash, over black chalk, heightened with white
Allegory of Fortune
Attributed to Pietro Testa
1632–50
The Virgin Lamenting over the Dead Christ, Pietro Testa Italian, Pen and brown ink, on beige paper
The Virgin Lamenting over the Dead Christ
Pietro Testa
1612–50
Standing Male Figure Supporting a Shield, Pietro Testa Italian, Pen and brown ink, over a little black chalk, on beige paper
Standing Male Figure Supporting a Shield
Pietro Testa
1612–50
Nude Youth Running (recto); Standing Draped Old Man with Left Hand Upraised (verso), Pietro Testa Italian, Black chalk on gray paper (recto); black chalk with traces of white chalk (verso)
Nude Youth Running (recto); Standing Draped Old Man with Left Hand Upraised (verso)
Pietro Testa
1612–50
The Triumph of Galatea, Pietro Testa Italian, Pen and brown ink, over black chalk, on blue paper. Squared in black chalk
The Triumph of Galatea
Pietro Testa
1612–50
The Presentation of the Virgin in the Temple (recto); Another Design for the Same Composition (verso), Pietro Testa Italian, Pen and brown ink, brush and brown wash, on beige paper (recto); pen and brown ink (verso).
The Presentation of the Virgin in the Temple (recto); Another Design for the Same Composition (verso)
Pietro Testa
1612–50
Allegory of Penance and Death, Pietro Testa Italian, Pen and brown ink, over traces of black chalk
Allegory of Penance and Death
Pietro Testa
1612–50
A Seated Female Figure Surrounded by Nude Infants, Pietro Testa Italian, Pen and brown ink, some black ink, brush and gray wash, on brownish paper
A Seated Female Figure Surrounded by Nude Infants
Pietro Testa
1612–50
Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting, Pietro Testa Italian, Pen and brown ink, over black chalk. The sketch of Pegasus in black chalk only. Framing lines in pen and brown ink
Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting
Pietro Testa
1612–50
The Holy Family with Attendant Angels, Pietro Testa Italian, Pen and brown ink (recto); fragmentary copy in pen and brown ink of figures in Mantegna's engraving, the Senators (verso) (Bartsch, 8, pp. 234-235, no. 11)
The Holy Family with Attendant Angels
Pietro Testa
1612–50
The Garden of Charity, Pietro Testa Italian, Etching
The Garden of Charity
Pietro Testa
ca. 1631–37
The Adoration of the Magi, set before and architectural colonnade, Pietro Testa Italian, Etching
The Adoration of the Magi, set before and architectural colonnade
Pietro Testa
ca. 1640
The Sacrifice of Iphigenia, Pietro Testa Italian, Etching with drypoint
The Sacrifice of Iphigenia
Pietro Testa
Publisher Giovanni Giacomo De Rossi
ca. 1640–42
The Garden of Venus who reclines in the centre before a term of Pan and surrounded by cupids, Pietro Testa Italian, Etching
The Garden of Venus who reclines in the centre before a term of Pan and surrounded by cupids
Pietro Testa
ca. 1631–37
The garden of Venus, proof impression of upper left corner, Pietro Testa Italian, Etching; proof
The garden of Venus, proof impression of upper left corner
Pietro Testa
ca. 1631–37
Sacrifice of Isaac, Pietro Testa Italian, Etching
Sacrifice of Isaac
Pietro Testa
ca. 1645–50
The prodigal son seated at the base of a tree among swine, his gaze directed upward and his hands folded at his chest, surrounded by a wooded landscape and a pigsty, Pietro Testa Italian, Etching
The prodigal son seated at the base of a tree among swine, his gaze directed upward and his hands folded at his chest, surrounded by a wooded landscape and a pigsty
Pietro Testa
ca. 1640–50
Venus Giving Arms to Aeneas, Pietro Testa Italian, Etching
Venus Giving Arms to Aeneas
Pietro Testa
ca. 1638–40
An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing, Pietro Testa Italian, Etching
An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing
Pietro Testa
Publisher Giovanni Giacomo De Rossi
1637–38
Study for a pendentive depicting Justice and Charity, Giovanni Cesare Testa Italian, Etching
Study for a pendentive depicting Justice and Charity
Giovanni Cesare Testa
After Pietro Testa
1637–38
The dead Christ accompanied by angels at right, Giovanni Cesare Testa Italian, Etching
The dead Christ accompanied by angels at right
Giovanni Cesare Testa
After Pietro Testa
1650–55
Study for a pendentive depicting Justice and Charity, Giovanni Cesare Testa Italian, Etching
Study for a pendentive depicting Justice and Charity
Giovanni Cesare Testa
After Pietro Testa
1630–50
The dream of St Joseph, who is sleeping at the right, the Virgin and Child by a cross surrounded by angels and many putti and with God the Father above, Pietro Testa Italian, Etching
The dream of St Joseph, who is sleeping at the right, the Virgin and Child by a cross surrounded by angels and many putti and with God the Father above
Pietro Testa
Publisher Giovanni Giacomo De Rossi
ca. 1635–37
St. Carlo Borromeo surrounded by angels, Pietro Testa Italian, Etching
St. Carlo Borromeo surrounded by angels
After Pietro Testa
Publisher François Collignon
1650–70
Saint Jerome before a crucifix accompanied by a lion and three putti, Pietro Testa Italian, Etching
Saint Jerome before a crucifix accompanied by a lion and three putti
Pietro Testa
Publisher Giovanni Giacomo De Rossi
ca. 1631–37
Three Luchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague, Pietro Testa Italian, Etching
Three Luchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague
Pietro Testa
Publisher Giovanni Giacomo De Rossi
ca. 1630–31
The prodigal son seated on a couch being served wine, revelers in the background, a monkey wearing a collar and chain in the lower left, from a series of four prints, Pietro Testa Italian, Etching
The prodigal son seated on a couch being served wine, revelers in the background, a monkey wearing a collar and chain in the lower left, from a series of four prints
Pietro Testa
ca. 1645
The Holy Family with the infant Saint John holding an apple, Pietro Testa Italian, Etching
The Holy Family with the infant Saint John holding an apple
Pietro Testa
ca. 1630
An allegory of the rest on the flight into egypt, Giovanni Cesare Testa Italian, Etching
An allegory of the rest on the flight into egypt
Giovanni Cesare Testa
After Pietro Testa
Publisher Giovanni Giacomo De Rossi
1650–55
The martyrdom of Saint Erasmus who is prostrate having his innards removed, Anonymous, 17th century, Etching
The martyrdom of Saint Erasmus who is prostrate having his innards removed
Anonymous, 17th century
After Pietro Testa
Publisher Giovanni Giacomo De Rossi
1630–60
The sacrifice of Isaac by his father Abraham, Pietro Testa Italian, Etching
The sacrifice of Isaac by his father Abraham
Pietro Testa
ca. 1640–42
The departure of the prodigal son, shown at about to mount his horse, from a series of four prints, Pietro Testa Italian, Etching
The departure of the prodigal son, shown at about to mount his horse, from a series of four prints
Pietro Testa
ca. 1645
The garden of charity, woman representing Charity at right surrounded by children, Pietro Testa Italian, Etching
The garden of charity, woman representing Charity at right surrounded by children
Pietro Testa
ca. 1631–37
Saint Jerome before a crucifix accompanied by a lion and three putti, Pietro Testa Italian, Etching
Saint Jerome before a crucifix accompanied by a lion and three putti
Pietro Testa
ca. 1631–37
The Sacrifice of Isaac by his Father Abraham, Pietro Testa Italian, Etching
The Sacrifice of Isaac by his Father Abraham
Pietro Testa
ca. 1640–42
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left, Pietro Testa Italian, Etching
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left
Pietro Testa
1648
The Holy Family attended by Angels, Pietro Testa Italian, Etching
The Holy Family attended by Angels
Pietro Testa
Publisher Giovanni Giacomo De Rossi
ca. 1642–44
The Return of the Prodigal Son, Shown Embracing His Son, Pietro Testa Italian, Etching
The Return of the Prodigal Son, Shown Embracing His Son
Pietro Testa
ca. 1645
The Departure of the Prodigal Son, Shown About to Mount a Horse, Pietro Testa Italian, Etching
The Departure of the Prodigal Son, Shown About to Mount a Horse
Pietro Testa
ca. 1645
The Prodigal Son Seated on a Couch Being Served Wine, Revelers in the Background, a Monkey Wearing a Collar and Chain in the lower left, Pietro Testa Italian, Etching
The Prodigal Son Seated on a Couch Being Served Wine, Revelers in the Background, a Monkey Wearing a Collar and Chain in the lower left
Pietro Testa
ca. 1645
The Prodigal Son Among the Swine, Pietro Testa Italian, Etching
The Prodigal Son Among the Swine
Pietro Testa
ca. 1645

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.