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Department
De Florum Cultura, Giovanni Battista Ferrari Italian, Engraving, woodcut
De Florum Cultura
Multiple artists/makers
1633
The Virgin and Child with Saint Martina, Another Study of Saint Martina, Studies of a Head, and of an Arcade (recto); Figure Studies (verso), Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, over black chalk
The Virgin and Child with Saint Martina, Another Study of Saint Martina, Studies of a Head, and of an Arcade (recto); Figure Studies (verso)
Pietro da Cortona (Pietro Berrettini)
1596–1669
A Wind God, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk, highlighted with white, on brownish paper
A Wind God
Pietro da Cortona (Pietro Berrettini)
1669
Satyrs Supporting an Ornamental Motif, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink
Satyrs Supporting an Ornamental Motif
Pietro da Cortona (Pietro Berrettini)
1596–1669
Study for the Age of Bronze, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, over black chalk
Study for the Age of Bronze
Pietro da Cortona (Pietro Berrettini)
1637
Study for the Age of Bronze, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash, over black chalk
Study for the Age of Bronze
Pietro da Cortona (Pietro Berrettini)
1637
Study of Two Figures for the Age of Gold, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk, slightly reworked by the artist with the wet tip of the chalk stick
Study of Two Figures for the Age of Gold
Pietro da Cortona (Pietro Berrettini)
1637
The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura'), Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash, over black chalk
The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura')
Pietro da Cortona (Pietro Berrettini)
ca. 1633
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671), Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown paper
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671)
Pietro da Cortona (Pietro Berrettini)
ca. 1635
Study for the Allegory of Religion, Pietro da Cortona (Pietro Berrettini) Italian, Red chalk, glued onto a light cardboard mount
Study for the Allegory of Religion
Pietro da Cortona (Pietro Berrettini)
1629–39
Sea Battle, Pietro da Cortona (Pietro Berrettini) Italian, Brush and brown wash
Sea Battle
Pietro da Cortona (Pietro Berrettini)
1596–1669
Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peter's Basilica, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk, brush with brown and gray wash, highlighted with white gouache, on three sheets of brownish paper glued with overlapping joints
Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peter's Basilica
Pietro da Cortona (Pietro Berrettini)
1652
God the Father with Angels Holding Symbols of the Passion, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk
God the Father with Angels Holding Symbols of the Passion
Pietro da Cortona (Pietro Berrettini)
1647–51
Study of a Seated Youth for the Age of Gold, Pietro da Cortona (Pietro Berrettini) Italian, Black chalk
Study of a Seated Youth for the Age of Gold
Pietro da Cortona (Pietro Berrettini)
1637
The Virgin and Child with Saint Martina, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
The Virgin and Child with Saint Martina
Pietro da Cortona (Pietro Berrettini)
1596–1669
The Virgin Immaculate, Pietro da Cortona (Pietro Berrettini) Italian, Red chalk
The Virgin Immaculate
After Pietro da Cortona (Pietro Berrettini)
1596–1669
Studies for a Ceiling (recto and verso), Michel Corneille the Younger French, Pen and dark brown ink over traces of leadpoint (recto); pen and dark brown ink over leadpoint (verso)
Studies for a Ceiling (recto and verso)
Michel Corneille the Younger
Former Attribution Formerly attributed to Pietro da Cortona (Pietro Berrettini)
ca. 1660–80
Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner, Pietro da Cortona (Pietro Berrettini) , School of Italian, Pen and black ink, brush and black wash over traces of black chalk, highlighted with white and blue-gray gouache
Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner
Pietro da Cortona (Pietro Berrettini)
17th century
St. Michael Expurging Heresy, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, brush and brown wash over traces of black chalk
St. Michael Expurging Heresy
Attributed to Pietro da Cortona (Pietro Berrettini)
1596–1669
Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura, Lodovico Scalzi Italian, Etching
Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura
Multiple artists/makers
1599, 1647
Landscape with Wine Harvest, Pietro da Cortona (Pietro Berrettini) Italian, Brush and gray wash, touches of pen and brown ink, over traces of black chalk, with an illusionistic frame drawn in yellow and brown wash
Landscape with Wine Harvest
Pietro da Cortona (Pietro Berrettini)
ca. 1630
Saint Martina kneeling before the Virgin and Child, as the Child offers her a lily, François Spierre French, Engraving
Saint Martina kneeling before the Virgin and Child, as the Child offers her a lily
François Spierre
After Pietro da Cortona (Pietro Berrettini)
Dedicatee Cardinal Francesco Barberini
ca. 1664–79
Title page to "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome, Carlo Cesi Italian, Etching
Title page to "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Multiple artists/makers
ca. 1661
Christ Appearing to Mary in the Garden, Pietro da Cortona (Pietro Berrettini) Italian, Engraving
Christ Appearing to Mary in the Garden
After Pietro da Cortona (Pietro Berrettini)
Engraver William Walker
Publisher John Boydell
1766
The Adoration of the Shepherds, Pietro da Cortona (Pietro Berrettini) Italian, Pen and dark brown ink; traces of framing outlines in pen and brown ink
The Adoration of the Shepherds
Pietro da Cortona (Pietro Berrettini)
17th century
Men Digging and Constructing a Wall, Pietro da Cortona (Pietro Berrettini) Italian, Pen and brown ink, over black chalk
Men Digging and Constructing a Wall
Pietro da Cortona (Pietro Berrettini)
17th century
Sacrifice to Diana, Francesco Bartolozzi Italian, Etching and engraving
Sacrifice to Diana
Etcher Francesco Bartolozzi
After Pietro da Cortona (Pietro Berrettini)
Publisher Torre & Co.
1776
The holy trinity with Saint Michael vanquishing a six-headed dragon, frontispiece to 'Missale Romanum ex decreto sacrosancti Concilii tridentini restitutum', Pietro da Cortona (Pietro Berrettini) Italian, Engraving
The holy trinity with Saint Michael vanquishing a six-headed dragon, frontispiece to 'Missale Romanum ex decreto sacrosancti Concilii tridentini restitutum'
After Pietro da Cortona (Pietro Berrettini)
François Spierre
ca. 1662
Diana in Her Chariot (La Lune sur son char), Claude Mellan French, Engraving
Diana in Her Chariot (La Lune sur son char)
Claude Mellan
After Pietro da Cortona (Pietro Berrettini)
Author From book written by Giovanni Battista Ferrari
1633
Allegory in Honor of the Roman College Founded by the Borghese Family, Claude Mellan French, Engraving; third state of three
Allegory in Honor of the Roman College Founded by the Borghese Family
Claude Mellan
After Pietro da Cortona (Pietro Berrettini)
1615–88
Title Page, from "Barberinae aulae fornix", Anonymous, Italian, 17th century Italian, Engraving
Title Page, from "Barberinae aulae fornix"
Multiple artists/makers
ca. 1677
An allegorical composition with Charity and prisoners in chains, Jacques Blondeau Flemish, Engraving
An allegorical composition with Charity and prisoners in chains
Jacques Blondeau
After Pietro da Cortona (Pietro Berrettini)
Publisher Giovanni Giacomo De Rossi
1677
Leaf from Aedes Walpolianae mounted with two prints: (a): Three Soldiers; (b): Christ Appearing to Mary in the Garden, Richard Earlom British, Engraving
Leaf from Aedes Walpolianae mounted with two prints: (a): Three Soldiers; (b): Christ Appearing to Mary in the Garden
Multiple artists/makers
18th–19th century
Plate 7: Allegory of Justice with griffin of Manlius Toquatus, from "Barberinae aulae fornix", Anonymous, Italian, 17th century Italian, Engraving
Plate 7: Allegory of Justice with griffin of Manlius Toquatus, from "Barberinae aulae fornix"
Multiple artists/makers
ca. 1677
Barberinae aulae fornix, Anonymous, Italian, 17th century Italian, Engraving
Barberinae aulae fornix
Multiple artists/makers
ca. 1677
Plate 9: Allegory of Temperance with a unicorn and Publius Scipio Africanus at bottom, from "Barberinae aulae fornix", Anonymous, Italian, 17th century Italian, Engraving
Plate 9: Allegory of Temperance with a unicorn and Publius Scipio Africanus at bottom, from "Barberinae aulae fornix"
Multiple artists/makers
ca. 1677
Plate 6: Allegory with Hercules chasing off the Harpies as Justice and Plenty aid the poor, from "Barberinae aulae fornix", Anonymous, Italian, 17th century Italian, Engraving
Plate 6: Allegory with Hercules chasing off the Harpies as Justice and Plenty aid the poor, from "Barberinae aulae fornix"
Multiple artists/makers
ca. 1677
Minerva depicted at top with a shield and arrow vanquishing the Giants below, from "Barberinae aulae fornix", Anonymous, Italian, 17th century Italian, Engraving
Minerva depicted at top with a shield and arrow vanquishing the Giants below, from "Barberinae aulae fornix"
Multiple artists/makers
ca. 1677
Faith, Hope, and Charity, Dominique Barrière French, Etching and engraving
Faith, Hope, and Charity
Dominique Barrière
After Pietro da Cortona (Pietro Berrettini)
1630?–78
Allegorical scene with a sacrificial lamb, Giovanni Battista Bonacina Italian, Etching and engraving
Allegorical scene with a sacrificial lamb
Giovanni Battista Bonacina
After Pietro da Cortona (Pietro Berrettini)
1640–70
The Sacrifice of Polyxena, after Pietro da Cortona, Jean Robert Ango French, Black chalk
The Sacrifice of Polyxena, after Pietro da Cortona
Jean Robert Ango
After Pietro da Cortona (Pietro Berrettini)
ca. 1759–70
Design for the Coat of Arms of a Cardinal with three Angels, Pietro da Cortona (Pietro Berrettini) Italian, Red chalk
Design for the Coat of Arms of a Cardinal with three Angels
Attributed to Pietro da Cortona (Pietro Berrettini)
Possibly by Giovanni Francesco Romanelli
Purchased as Anonymous, Italian, 17th century
ca. 1640–60

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