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Design for a Reredos or Frame and Setting for an Altar Painting, Pomarancio (Cristoforo Roncalli)  Italian, Pen and brown ink, brush and brown wash
Pomarancio (Cristoforo Roncalli)
1552–1626
God the Father, Pomarancio (Cristoforo Roncalli)  Italian, Red chalk; squared in red chalk
Pomarancio (Cristoforo Roncalli)
1553–1626
The Holy Family with Angels, Pomarancio (Cristoforo Roncalli)  Italian, Black chalk highlighted with white chalk on blue paper
Pomarancio (Cristoforo Roncalli)
1603–5
Flying Angel, Pomarancio (Cristoforo Roncalli)  Italian, Red and some black chalk; squared in red chalk
Attributed to Pomarancio (Cristoforo Roncalli)
1553–1626
Study for Lower Part of Torso and Legs of a Young Boy, Pomarancio (Cristoforo Roncalli)  Italian, Black chalk, traces of red chalk
Pomarancio (Cristoforo Roncalli)
1568–1640
Virgin and Child, and Saint John the Baptist (recto); Summary sketches, possibly the Virgin and Child (verso), Jacob de Backer  Netherlandish, Brown and black oil with white heightening (recto); black chalk (verso)
Attributed to Jacob de Backer
Former Attribution Pomarancio (Cristoforo Roncalli)
ca. 1580–90
Allegory relating to the Pamphili family, Johann Friedrich Greuter  German, Engraving
Johann Friedrich Greuter
After Pomarancio (Cristoforo Roncalli)
ca. 1610–62
Allegory relating to the Medici family, Johann Friedrich Greuter  German, Engraving
Johann Friedrich Greuter
After Pomarancio (Cristoforo Roncalli)
ca. 1610–62
Ottavio Leoni (Il Padovano)
Sitter Pomarancio (Cristoforo Roncalli)
1623
Ottavio Leoni (Il Padovano)
Sitter Pomarancio (Cristoforo Roncalli)
1623