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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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Composition with stucco ornaments from "Heroicae Virtutis Imagines", after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Charles Delahaye
ca. 1677
Di Bologna l'Arti per via D'An.ibal' Ca.rac
Giuseppe Maria Mitelli
printed 1740
Le Fontane delle Ville di Frascati nel Tuscolano (...)
Giovanni Battista Falda
1665–69
'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis', after Raphael
Pietro Aquila
1675
Young boy holding a bird, from a series of twenty engravings after Guercino's Libro dei disegni
Francesco Curti
1635–40
A young woman, with a veil on her head, looking upward, from a series of twenty engravings after Guercino's Libro dei disegni
Francesco Curti
1635–40
Plate 8: Israelites Collecting Manna, from Exodus 15 and 16, after a lost fresco in the basamento of Bay 8 of the Vatican Loggia
Pietro Santi Bartoli
1650–77
Plate 21: A nymph riding an ichthyocentaur, who fights against a Triton, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Pietro Santi Bartoli
1650–77
Plate 3: Cardinal de' Medici fleeing Florence in the guise of a monk with a giant in a cave at left, from a series of 15 plates depicting designs for the wainscotting under the Vatican tapestries in the Sistine Chapel
Pietro Santi Bartoli
1650–75
Man Carrying Bread in a Basket, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 35
Giuseppe Maria Mitelli
1660
Aeneas Offers a Sacrifice to Apollo, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
The Holy Family with angels at right and overhead
Giovanni Battista Beinaschi
1652
Christ appearing to Saint Peter after the Resurrection (Domine Quo Vadis), after Raphael's Stanza dell'incendio del Borgo, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli
1650–70
Plate 9: Noah watching over three men as they build the ark; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael
Cesare Fantetti
1675
Plate 16: Detail of a wall from the Farnese gallery; at bottom set in a niche, a classical sculpture of Bacchus holding Cupid; above, two small fresco paintings set inside frames, one depicting an emblem the other the fall of Icarus; to the left in a roundel, the personification of Fortitude holding a pillar and caressing a lion; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
Plate 12: The triumphal procession of Bacchus and Ariadne, led by Silenus and accompanied by revellers, Satyrs and Maenads; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
Coriolanus rejecting the prayers of the Roman people, the general seated on a throne at left surrounded by soldiers, three Romans kneeling in front of him
Charles Delahaye
ca. 1660–91
Plate 3: Polyphemus throwing a rock at Acis and Galatea at center; above, Zeus as an eagle, holding Ganymedes; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
The Raising of Lazarus
Giovanni Battista Pasqualini
1621
Palazzo Barberini
Pietro Ferrerio
1655
Palazzo de Ghigi alla Lungara (Villa Farnesina)
Pietro Ferrerio
1655
Plate 5: figures unloading goods from a boat at the right
Pietro Santi Bartoli
ca. 1660–90
Le Fontane del Giardino Estense in Tivoli con li Loro Prospetti, e Vedute della Cascata del Fiume Aniene
Giovanni Francesco Venturini
1691 or after
Plate 18: A door frame with a painting of a girl and a unicorn; above, a classical bust of a man in a niche; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
Two Well Cleaners, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 27
Giuseppe Maria Mitelli
1660
Adoration of the Shepherds
Giuseppe Maria Mitelli
1654–1718
Title page to a Series of Cartouches
Agostino (Stanzani) Mitelli
1643–77
Cleopatra on the left with three female attendants, Augustus on the right with two soldiers behind him; after Pietro da Cortona's lunette in the Sala di Venere in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1656–79
Man Subduing a Harpy, with His Two Hands Bearing Down on the Harpy's Head, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
Two apostles and five youths, a torch at center, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642
Palazzo del Cardinale Alesandrino (Palazzo Valentini-floor plan)
Pietro Ferrerio
1655
Admiranda romananum antiquitatum ac veteris sculpturae vestigia
Pietro Santi Bartoli
1693
Two legs of a man in a kneeling position, from a series of twenty-two engravings after Guercino's drawing book, Book on the Principles of Drawing, plate 20
Oliviero Gatti
1619
Villa Pamphilia Eiusque Palatium Cum Suis Prospectious, Statuae, Fontes, Vivaria, Theatra...
Giovanni Battista Falda
ca. 1670–75
Veduta del Palazzo dal Piano del Giardino con le sue Fontane, from 'La Fontane di Roma nelle Piazze e Luoghi Publici (...)', part 4, 'Le Fontane del Giardino Estense in Tivoli' (plate 3)
Giovanni Francesco Venturini
1691 or after
Man Carrying a Barrel of Wine, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 36
Giuseppe Maria Mitelli
printed 1740
Freggi dell'Architettura da Agostino Mitelli Pittore
Agostino (Stanzani) Mitelli
ca. 1648–91
Plate 4: Perseus holding the Gorgon's head before an army of his enemies, who turn to stone; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
The young prince leads warriors toward their enemy's ships, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Marte of the Palazzo Pitti, Florence
Jacques Blondeau
ca. 1677
Fruit Seller, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 22
Giuseppe Maria Mitelli
printed 1740