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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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Plate 8: The conspirators punished by the Medici
Pietro Santi Bartoli
ca. 1655–76
Man Carrying Bread in a Basket, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 35
Giuseppe Maria Mitelli
1660
A triumphal procession of a Roman emperor, riding in a carriage at center, with captive kings at right
Giovanni Lanfranco
ca. 1640
Plate 8: Conspirators against the Medici with members of the Cavalry on rearing horses, from a series of 15 plates depicting designs for the wainscotting under the Vatican tapestries in the Sistine Chapel
Pietro Santi Bartoli
1650–75
Charlatan on His Stage, Holding a Snake, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 25
Giuseppe Maria Mitelli
printed 1740
Plate 16: Lot leaving Sodom with his wife and daughters, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Cesare Fantetti
1675
Justice, at top being crowned by a putti at left, holding balances in her right hand, a woman holding her breasts below, after frescoed pendentives of the Cardinal Virtues (1627–30) by Domenichino in the church of San Carlo ai Catinari, Rome
Pietro del Po
ca. 1650–92
Palazzi di Roma de Piu Celebri Architetti Disegnati da Pietro Ferrerio Pittore e Architetto
Pietro Ferrerio
1655
Joseph kneeling in front of the Pharoah, after Raphael's Stanza di Eliodoro, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli
1650–70
The Genius of Castiglione
Giovanni Benedetto Castiglione (Il Grechetto)
ca. 1645–47 (published 1648)
Young man resting his head in his left hand, from a series of twenty engravings after Guercino's Libro dei disegni
Francesco Curti
1635–40
The Mocking of the Prisoners
Giorgio Ghisi
ca. 1540 (republished 1605)
Sisygambis kneeling before Alexander the Great, surrounded by female attendants and soldiers, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Conrad Lauwers
ca. 1677
Men unloading goods from a ship, man holding a basket with an infant at left, after Polidoro da Caravaggio
Pietro Santi Bartoli
1650–91
Plate 18: A satyr attempts to climb onto an ichthyocentaur, who faces a Triton, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Pietro Santi Bartoli
1650–77
Plate 10: Three figures at left and two figures running at right, after a lost fresco in the basamento of Bay 9 in the Vatican Loggia
Pietro Santi Bartoli
1650–77
Four eyes and two mouths and noses, from a series of twenty-two engravings after Guercino's drawing book, Book on the Principles of Drawing, plate 3
Oliviero Gatti
1619
Plate 6: Allegory with Hercules chasing off the Harpies as Justice and Plenty aid the poor, from "Barberinae aulae fornix"
Anonymous, Italian, 17th century
ca. 1677
Plate 8: Two female figures holding left hands with three satyrs at right, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Pietro Santi Bartoli
1650–77
Plate 21: Four rows of details from the Farnese gallery; across the top, four small paintings illustrating Hercules and the hydra, Minerva and Prometheus, Arion riding a dolphin, and Hercules and Prometheus; below, two roundels at each side with the personifications of Charity and Justice, at center two paintings depicting Peleus and Thetis and two tritons fighting; below, three busts, and along the bottom, four classical sculptures standing; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
Minerva seated on the left holding a shield, reaching out to Cecrops on the right, who holds a large tree; after Pietro da Cortona's lunette in the Sala di Giove in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1647–1691
Polyphemus Pursuing Aeneas's Fleet, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
Plate 46: The judgment of Solomon, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"
Pietro Aquila
1675
Young man in profile, wearing a hat and facing to the left, from a series of twenty engravings after Guercino's "Libro dei disegni"
Francesco Curti
1635–40
Assembly of the Gods at Olympus; Jupiter at center with Venus to his left, introducing Aeneas at far left, plate 9 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
The Greeks Dragging Cassandra Out of the Temple, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
Plate 5: The Florentines plundering the Palazzo Medici carrying off sculpture, books etc
Pietro Santi Bartoli
ca. 1655–76
Palazzi di Roma de Piu Celebri Architetti (Dedication)
Pietro Ferrerio
1655
Man Subduing a Harpy, as It Turns Towards Him with Its Mouth Open, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
1663
Presentation in the Temple
F. de Louvement
mid-17th century
Fisherman, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 37
Giuseppe Maria Mitelli
1660
Battle scene depicting the victory of Alexander over Darius
Pietro Aquila
ca. 1650–92
Plate 9: Two female figures dancing, the one on the right holding out both of her hands to hold the one on the left's right hand, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie
Pietro Santi Bartoli
1650–77
The Vestal Virgins and the sacred fire, a veiled woman seated at left and another maintaining the fire at center and covering her face, a young woman at far left retrieving more wood, various figures gathered at right
Pietro Aquila
ca. 1670–90
Palazzo delli Reverendi Monici di San Paolo (Palazzo San Calisto in Trastevere)
Pietro Ferrerio
1655
Section of stucco and frescoed frieze above the cornice from the Camera of Venus in the Pitti Palace, Florence, stitched together with "Barberinae aulae fornix"
Charles Delahaye
ca. 1677
Prudence, at top holding a mirror and looking upwards, two putti at left holding a snake and money, an old man below holding an hourglass, after frescoed pendentives of the Cardinal Virtues (1627–30) by Domenichino in the church of San Carlo ai Catinari, Rome
Pietro del Po
ca. 1650–92
Plate 11: Bathsheba interceding with David for Solomon, from Genesis 27, after a lost fresco in the basamento of Bay 11 of the Vatican Loggia
Pietro Santi Bartoli
1650–77
Composition with stucco ornaments of a man and a woman, viewed from the rear, plate 7 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Le Fontane di Roma nelle Piazze e Luoghi publici della Citta (...)
Giovanni Battista Falda
1665–69