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Giardino de gl' Ill.me Sig. Mattei (Villa Mattei)

Giovanni Giacomo De Rossi

1620s

Cheese Vendor, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 3

Giuseppe Maria Mitelli

printed 1740

The martyrdom of Saint Erasmus who is prostrate having his innards removed

Anonymous, 17th century

1630–60

Catafalque for Cardinal Pietro Aldobrandini in Santa Maria sopra Minerva, Rome; from 'Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura'

Domenico Parasacchi

1621

Palazzo Pontificio (Palazzo Quirinale)

Pietro Ferrerio

1655

Six Eye Studies, from a series of twenty-two engravings after Guercino's drawing book, Book on the Principles of Drawing

Oliviero Gatti

1619

Donkey Driver with His Herd, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 32

Giuseppe Maria Mitelli

printed 1740

Fontana del Sig. Prencipe di Pallestrina (...). From 'La Fontane di Roma nelle Piazze e Luoghi Publici (...)'.

Giovanni Battista Falda

1691 or after

Palazzi di Roma de Piu Celebri Architetti Disegnati da Pietro Ferrerio Pittore e Architetto

Pietro Ferrerio

1655

Torso of a man, from a series of twenty-two engravings after Guercino's drawing book, Book on the Principles of Drawing, plate 13

Oliviero Gatti

1619

Vulcan seated at center, his head resting on his arm, with two cyclopes at far left; from 'Heroicae Virtutis Imagines' after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence

Cornelis Bloemaert

ca. 1677

Plate 25: Joseph telling his brothers about his dream, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"

Cesare Fantetti

1675

Triumph of Divine Providence, plate 5 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome

Pietro da Cortona (Pietro Berrettini)

ca. 1645–50

Plate 13: Cardinal Giovanni de' Medici travels to Rome to participate to the conclave with a procession of clergymen led by Giovanni de' Medici meeting a soldier outside of the city, with a procession behind him, from a series of 15 plates depicting designs for the wainscotting under the Vatican tapestries in the Sistine Chapel

Pietro Santi Bartoli

1650–75

Assembly of the Gods at Olympus; Jupiter at center with Venus to his left, introducing Aeneas at far left, plate 9 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome

Carlo Cesi

ca. 1661

Apollo as a young man, naked and reclining holding a lyre, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence

Cornelis Bloemaert

ca. 1677

Plate 46: The judgment of Solomon, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"

Pietro Aquila

1675

Minerva battling the giants, plate 4 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome

Pietro da Cortona (Pietro Berrettini)

ca. 1677

Moses receiving the tablets of the law on Mount Sinai, after Raphael's Stanza di Eliodoro, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries

Pietro Santi Bartoli

1650–70

The Nativity

Francesco Giovane

1630–69

Plate 38: The storming of Jericho, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"

Pietro Aquila

1675

Vendor of Chicken Heads and Livers, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 5

Giuseppe Maria Mitelli

1660

Plate 37: Orestes holding a dagger and standing before of one of the Erinyes, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie

Pietro Santi Bartoli

1650–77

Plate 16: Detail of a wall from the Farnese gallery; at bottom set in a niche, a classical sculpture of Bacchus holding Cupid; above, two small fresco paintings set inside frames, one depicting an emblem the other the fall of Icarus; to the left in a roundel, the personification of Fortitude holding a pillar and caressing a lion; from the Galeriae Farnesianae Icones

Pietro Aquila

ca. 1674

Man's leg and the bust of a child holding a veil, from a series of twenty-two engravings after Guercino's drawing book, Book on the Principles of Drawing, plate 11

Oliviero Gatti

1619

Man Subduing a Harpy, Seated on the Harpy, with His Hand Pulling at her Turban, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII

Giuseppe Maria Mitelli

1663

Palazzo della Sapienza

Pietro Ferrerio

1655

Bust of a man looking upward, from a series of twenty-two engravings after Guercino's drawing book, Book on the Principles of Drawing, plate 16

Oliviero Gatti

1619

Fortitude, at top wearing a helmet and holding a sword and shield, two putti on a cannon at left, a half-nude man holding an arrow atop a lion below, after frescoed pendentives of the Cardinal Virtues (1627–30) by Domenichino in the church of San Carlo ai Catinari, Rome

Pietro del Po

ca. 1650–92

Plate 29: Pharaoh's daughter and her attendants find baby Moses in a basket at the riverbank, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"

Cesare Fantetti

1675

Plate 31: Moses parting the Red Sea, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"

Cesare Fantetti

1675

Annibale Carracci Introduces Painting to Apollo and Minerva

Pietro Aquila

1674

Man Carrying a Butchered Pig, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 21

Giuseppe Maria Mitelli

1660

Simon Magus attempting to fly as Saints Peter and Paul, Emperor Nero, and two soldiers look on, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries

Pietro Santi Bartoli

1650–70

Le Fontane delle Ville di Frascati nel Tuscolano (...)

Giovanni Battista Falda

1665–69

Two Biblical Scenes: The Apostles Showing Christ their Swords at left, after Raphael's Stanza della Segnatura and the Pope Celebrates Mass with Four Priests,after Raphael's Stanza di Eliodoro, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries

Pietro Santi Bartoli

1650–70

Composition with stucco ornaments of a man and a woman, viewed from the rear, plate 7 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome

Carlo Cesi

ca. 1661

Plate 13: Pan offering a bundle of white wool to Diana; from the Galeriae Farnesianae Icones

Pietro Aquila

ca. 1674

Young boy holding a bird, from a series of twenty engravings after Guercino's Libro dei disegni

Francesco Curti

1635–40

The Virgin and Child seated beneath a canopy, flanked by Saint Roch at left and Saint Sebastian at right, after Barocci

Cornelis Bloemaert

ca. 1623–84

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