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Death of the Strong Wicked Man, from "The Grave," a Poem by Robert Blair, William Blake British, Engraving
Death of the Strong Wicked Man, from "The Grave," a Poem by Robert Blair
Multiple artists/makers
March 1, 1813
Exhibition at Bullock's Museum of Bonaparte's Carriage Taken at Waterloo, Thomas Rowlandson British, Hand-colored etching
Exhibition at Bullock's Museum of Bonaparte's Carriage Taken at Waterloo
Thomas Rowlandson
Publisher Rudolph Ackermann, London
January 10, 1816
The Microcosm of London, or London in Miniature, Vol. II, William Henry Pyne British, Illustrations: hand-colored etching and aquatint
The Microcosm of London, or London in Miniature, Vol. II
Multiple artists/makers
1808–11
Le Brun Travested, or Caricatures of the Passions, Thomas Rowlandson British, Etching, printed in brown ink, some hand-colored
Le Brun Travested, or Caricatures of the Passions
Etcher Thomas Rowlandson
George Murgatroyd Woodward
Publisher Rudolph Ackermann, London
January–February 1800
An Artist Travelling in Wales, Thomas Rowlandson British, Hand-colored etching and aquatint
An Artist Travelling in Wales
After Thomas Rowlandson
Etcher Henri Merke
Publisher Rudolph Ackermann, London
February 10, 1799
The Grave, A Poem, William Blake British, Illustrations: etchings
The Grave, A Poem
Multiple artists/makers
1813
The Skeleton Re-Animated, Title Page to "The Grave," a Poem by Robert Blair, William Blake British, Engraving
The Skeleton Re-Animated, Title Page to "The Grave," a Poem by Robert Blair
Multiple artists/makers
March 1, 1813
Scene in a New Pantomime to be Performed at the Theatre Royal Paris, Thomas Rowlandson British, Hand-colored etching
Scene in a New Pantomime to be Performed at the Theatre Royal Paris
Thomas Rowlandson
Publisher Rudolph Ackermann, London
Subject Napoléon Bonaparte
April 12, 1815
Sleeping Tête à Tête, at a First Visit of Don Luigi's, Thomas Rowlandson British, Hand-colored etching and aquatint
Sleeping Tête à Tête, at a First Visit of Don Luigi's
Thomas Rowlandson
Author Lewis Engelbach
Publisher Rudolph Ackermann, London
June 1, 1815
Don Luigi Meets Donna Anna in the Museum, Thomas Rowlandson British, Hand-colored etching and aquatint
Don Luigi Meets Donna Anna in the Museum
Thomas Rowlandson
Author Lewis Engelbach
Publisher Rudolph Ackermann, London
June 1, 1815
Plate 5, from "World in Miniature", Thomas Rowlandson British, Hand-colored etching
Plate 5, from "World in Miniature"
Thomas Rowlandson
Publisher Rudolph Ackermann, London
1816
Plate 13, from "World in Miniature", Thomas Rowlandson British, Hand-colored etching
Plate 13, from "World in Miniature"
Thomas Rowlandson
Publisher Rudolph Ackermann, London
1816
Plate 14: Richardson's Show, from "World in Miniature", Thomas Rowlandson British, Hand-colored etching
Plate 14: Richardson's Show, from "World in Miniature"
Thomas Rowlandson
Publisher Rudolph Ackermann, London
1816
Plate 17, from "World in Miniature", Thomas Rowlandson British, Hand-colored etching
Plate 17, from "World in Miniature"
Thomas Rowlandson
Publisher Rudolph Ackermann, London
1816
Plate 19, from "World in Miniature", Thomas Rowlandson British, Hand-colored etching
Plate 19, from "World in Miniature"
Thomas Rowlandson
Publisher Rudolph Ackermann, London
1816
Plate 21, from "World in Miniature", Thomas Rowlandson British, Hand-colored etching
Plate 21, from "World in Miniature"
Thomas Rowlandson
Publisher Rudolph Ackermann, London
1816
Plate 22, from "World in Miniature", Thomas Rowlandson British, Hand-colored etching
Plate 22, from "World in Miniature"
Thomas Rowlandson
Publisher Rudolph Ackermann, London
1816
Plate 26: A Flying Wagon, from "World in Miniature", Thomas Rowlandson British, Hand-colored etching
Plate 26: A Flying Wagon, from "World in Miniature"
Thomas Rowlandson
Publisher Rudolph Ackermann, London
1816
Plate 27, from "World in Miniature", Thomas Rowlandson British, Hand-colored etching
Plate 27, from "World in Miniature"
Thomas Rowlandson
Publisher Rudolph Ackermann, London
1816
Plate 28, from "World in Miniature", Thomas Rowlandson British, Hand-colored etching
Plate 28, from "World in Miniature"
Thomas Rowlandson
Publisher Rudolph Ackermann, London
1816
Plate 29, from "World in Miniature", Thomas Rowlandson British, Hand-colored etching
Plate 29, from "World in Miniature"
Thomas Rowlandson
Publisher Rudolph Ackermann, London
1816
Plate 30: The Social Day, from "World in Miniature", Thomas Rowlandson British, Hand-colored etching
Plate 30: The Social Day, from "World in Miniature"
Thomas Rowlandson
Publisher Rudolph Ackermann, London
1816
Plate 31, from "World in Miniature", Thomas Rowlandson British, Hand-colored etching
Plate 31, from "World in Miniature"
Thomas Rowlandson
Publisher Rudolph Ackermann, London
1816
Plate 32, from "World in Miniature", Thomas Rowlandson British, Hand-colored etching
Plate 32, from "World in Miniature"
Thomas Rowlandson
Publisher Rudolph Ackermann, London
1816
Plate 33, from "World in Miniature", Thomas Rowlandson British, Hand-colored etching
Plate 33, from "World in Miniature"
Thomas Rowlandson
Publisher Rudolph Ackermann, London
1816
Plate 34, from "World in Miniature", Thomas Rowlandson British, Hand-colored etching
Plate 34, from "World in Miniature"
Thomas Rowlandson
Publisher Rudolph Ackermann, London
1816
Plate 35, from "World in Miniature", Thomas Rowlandson British, Hand-colored etching
Plate 35, from "World in Miniature"
Thomas Rowlandson
Publisher Rudolph Ackermann, London
1816
Plate 38, from "World in Miniature", Thomas Rowlandson British, Hand-colored etching
Plate 38, from "World in Miniature"
Thomas Rowlandson
Publisher Rudolph Ackermann, London
1816
Searched by the Douaniers on the French Frontiers, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", Thomas Rowlandson British, Hand-colored etching and aquatint
Searched by the Douaniers on the French Frontiers, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution"
Multiple artists/makers
1821
Consulting the Prophet, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", Thomas Rowlandson British, Hand-colored etching and aquatint
Consulting the Prophet, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution"
Multiple artists/makers
1821
The Prophet discovering himself and exposing the deception, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", Thomas Rowlandson British, Hand-colored etching and aquatint
The Prophet discovering himself and exposing the deception, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution"
Multiple artists/makers
1821
The Arrival in Paris, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", Thomas Rowlandson British, Hand-colored etching and aquatint
The Arrival in Paris, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution"
Multiple artists/makers
1820
The Embrace, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", Thomas Rowlandson British, Hand-colored etching and aquatint
The Embrace, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution"
Multiple artists/makers
1817–21
At Avignon, First Sight of Clara, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", Thomas Rowlandson British, Hand-colored etching and aquatint
At Avignon, First Sight of Clara, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution"
Multiple artists/makers
December 1, 1817
At the Tomb of Laura, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", Thomas Rowlandson British, Hand-colored etching and aquatint
At the Tomb of Laura, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution"
Multiple artists/makers
1817–21
Auction of Relics at Avignon, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", Thomas Rowlandson British, Hand-colored etching and aquatint
Auction of Relics at Avignon, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution"
Multiple artists/makers
1821
A Prisoner at Avignon, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", Thomas Rowlandson British, Hand-colored etching and aquatint
A Prisoner at Avignon, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution"
Multiple artists/makers
1820
Mistakes at Cavaillon, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", Thomas Rowlandson British, Hand-colored etching and aquatint
Mistakes at Cavaillon, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution"
Multiple artists/makers
January 1, 1822
The Sacred Page Displayed, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", Thomas Rowlandson British, Hand-colored etching and aquatint
The Sacred Page Displayed, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution"
Multiple artists/makers
1821
The Inn at Marseilles, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution", Thomas Rowlandson British, Hand-colored etching and aquatint
The Inn at Marseilles, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution"
Multiple artists/makers
January 1, 1822
Title page, from "The Vicar of Wakefield", Thomas Rowlandson British, Letterpress
Title page, from "The Vicar of Wakefield"
Multiple artists/makers
1817
Frontispiece: The Vicar of Wakefield, from "The Vicar of Wakefield", Thomas Rowlandson British, Hand-colored etching and aquatint
Frontispiece: The Vicar of Wakefield, from "The Vicar of Wakefield"
Multiple artists/makers
May 1, 1817