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Stage Set Design of Circular Ballroom with Chandelier (recto); Rough Sketch of Stage Design (verso), Salvador Alarma Tastás Spanish, Pen and dark brown ink, brush and brown wash, over graphite, highlighted with white gouache, on paper prepared with gray incidental color (recto); graphite on unprepared buff-colored paper (verso) — Stage Set Design of Circular Ballroom with Chandelier (recto); Rough Sketch of Stage Design (verso)
Salvador Alarma Tastás
1870–1941

Stage Set Design; Left Half of Elaborate Baroque-Rococo Style Proscenium Opening (recto); Several Sketches of Name Plaques and Wreaths, framed by Swags, with names "Verdi" and "Aida" (verso), Salvador Alarma Tastás Spanish, Graphite on gray paper, measuring lines in graphite (recto); pen and brown ink, graphite (verso) — Stage Set Design; Left Half of Elaborate Baroque-Rococo Style Proscenium Opening (recto); Several Sketches of Name Plaques and Wreaths, framed by Swags, with names "Verdi" and "Aida" (verso)
Salvador Alarma Tastás
1870–1941

Stage Set Design: A Square Hall with Rounded Archways and Cupola in Oriental Style with Thin Columns, Salvador Alarma Tastás Spanish, Black chalk on tan paper — Stage Set Design: A Square Hall with Rounded Archways and Cupola in Oriental Style with Thin Columns
Salvador Alarma Tastás
1870–1941

Stage Set Design: View of a Baldacchino seen through Rounded Arch with Pendentive and Column, Salvador Alarma Tastás Spanish, Black chalk over graphite on tan paper — Stage Set Design: View of a Baldacchino seen through Rounded Arch with Pendentive and Column
Salvador Alarma Tastás
1870–1941

Project for Mesoamerican Style Arch with Grotesques and Horns (recto); Sketch for a set design (verso), Salvador Alarma Tastás Spanish, Graphite on tan paper — Project for Mesoamerican Style Arch with Grotesques and Horns (recto); Sketch for a set design (verso)
Salvador Alarma Tastás
1870–1941

Stage Set Design: Interior of a Camouflaged African Shelter or Military Post with Carts and Bucrania, Salvador Alarma Tastás Spanish, Pen and black and gray ink, over traces of blue pencil; double framing lines in pen and black ink — Stage Set Design: Interior of a Camouflaged African Shelter or Military Post with Carts and Bucrania
Salvador Alarma Tastás
1870–1941

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