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Bandits on a Rocky Coast, Salvator Rosa Italian, Oil on canvas
Bandits on a Rocky Coast
Salvator Rosa
1655–60
The Dream of Aeneas, Salvator Rosa Italian, Oil on canvas
The Dream of Aeneas
Salvator Rosa
1660–65
Self-Portrait, Salvator Rosa Italian, Oil on canvas
Self-Portrait
Salvator Rosa
ca. 1647
Plate, Salvator Rosa Italian, Faience (tin-glazed earthenware), French, Sinceny
Plate
After an etching by Salvator Rosa
ca. 1733–37
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,, Arthur Pond British, Engraving, etching, woodcut
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,
Multiple artists/makers
1732–69
An Apparition, Salvator Rosa Italian, Pen and brown ink, lightly washed
An Apparition
Salvator Rosa
1615–73
Death of Regulus, Salvator Rosa Italian, Pen and brown ink, brush and brown wash, on faded light green paper
Death of Regulus
After Salvator Rosa
1615–73
A Large Tree, Salvator Rosa Italian, Pen and brown ink, on brown paper
A Large Tree
Salvator Rosa
1615–73
Witches' Sabbath, Salvator Rosa Italian, Pen and brown ink, brush and brown wash
Witches' Sabbath
Salvator Rosa
1640–1649
Study for a Raising of Lazarus (recto); half-length study of bearded nude male figure, and a man and woman with donkey (verso), Salvator Rosa Italian, Red chalk highlighted with white chalk
Study for a Raising of Lazarus (recto); half-length study of bearded nude male figure, and a man and woman with donkey (verso)
Salvator Rosa
1615–73
Study for a Prometheus Bound (recto); slight sketch of head and shoulders of man in lead pencil (verso), Salvator Rosa Italian, Pen, brown ink and lead graphite
Study for a Prometheus Bound (recto); slight sketch of head and shoulders of man in lead pencil (verso)
Salvator Rosa
1615–73
Studies of Kneeling Figures, Salvator Rosa Italian, Pen and brown ink, brush and brown wash
Studies of Kneeling Figures
Salvator Rosa
1615–73
The Raising of Lazarus, Salvator Rosa Italian, Pen and brown ink, brush and brown wash, over a little black chalk
The Raising of Lazarus
Salvator Rosa
1615–73
Two Standing Men Gesticulating, Salvator Rosa Italian, Pen and brown ink. Pen scribbles on verso are indistinctly visible on recto
Two Standing Men Gesticulating
Salvator Rosa
1615–73
The Fall of the Giants, Salvator Rosa Italian, Pen and brown ink, over charcoal
The Fall of the Giants
Salvator Rosa
ca. 1663
The Prodigal Son Kneeling Repentant among Swine, Salvator Rosa Italian, Pen and brown ink, brown wash, on brownish paper
The Prodigal Son Kneeling Repentant among Swine
Salvator Rosa
1615–73
Milo of Crotona, Salvator Rosa Italian, Pen and brown ink
Milo of Crotona
Salvator Rosa
1615–73
Three Figures around a globe, Salvator Rosa Italian, Pen and brown ink, brush and brown wash, over traces of black chalk
Three Figures around a globe
Salvator Rosa
1615–73
Studies for a Figure Lifted from a Grave or Pit by Cords (recto); Further Study of the Same Figure (verso), Salvator Rosa Italian, Pen and brown ink (recto and verso)
Studies for a Figure Lifted from a Grave or Pit by Cords (recto); Further Study of the Same Figure (verso)
Salvator Rosa
1615–73
Turbaned Warrior Holding a Mace, Salvator Rosa Italian, Pen and brown ink, brown wash, over a little black chalk
Turbaned Warrior Holding a Mace
Salvator Rosa
1615–73
Figure studies: seated and standing men, Salvator Rosa Italian, Pen and brown ink, over traces of black chalk
Figure studies: seated and standing men
Traditionally attributed Salvator Rosa
1615–73
Two Standing Soldiers and Six other Figures, Salvator Rosa Italian, Pen and brown ink
Two Standing Soldiers and Six other Figures
Salvator Rosa
1615–73
Old Man Kneeling Facing Upper Left, Salvator Rosa Italian, Pen and brown ink, brown and gray wash, traces of red chalk
Old Man Kneeling Facing Upper Left
Salvator Rosa
1615–73
Landscape with hills and a lake, trees in right foreground., Salvator Rosa Italian, Pen and brown ink, on beige paper
Landscape with hills and a lake, trees in right foreground.
Salvator Rosa
1615–73
Two Men Seen Three- Quarter Length, Salvator Rosa Italian, Pen and brown ink, brown wash
Two Men Seen Three- Quarter Length
Salvator Rosa
1615–73
Marine landscape with figures, Salvator Rosa Italian, Pen and brown ink, brown and gray wash
Marine landscape with figures
Salvator Rosa
1615–73
Martyrdom of St. Andrew, Salvator Rosa Italian, Pen and brown ink, brown wash, over traces of black chalk
Martyrdom of St. Andrew
Salvator Rosa
1615–73
Five Figures in Fantastic Costumes with Two Dogs, Salvator Rosa Italian, Black ink on dark tan paper
Five Figures in Fantastic Costumes with Two Dogs
Salvator Rosa
1615–73
Studies of a Man's Head in Profile, and of a Standing Male Figure, Salvator Rosa Italian, Pen and brown ink, pale brown wash
Studies of a Man's Head in Profile, and of a Standing Male Figure
Salvator Rosa
St. Paul, Hermit, Salvator Rosa Italian, Pen and brown and black ink, brown wash, over black chalk, corrected and highlighted with gray gouache
St. Paul, Hermit
Salvator Rosa
1635–73
Witches' Sabbath (recto); Figures Gathered around a tree (verso), Salvator Rosa Italian, Pen and brown ink, brush and brown wash (recto and verso); framing lines in black chalk
Witches' Sabbath (recto); Figures Gathered around a tree (verso)
Salvator Rosa
1615–73
Study for a Judgment of Paris and Other Figure Studies, Salvator Rosa Italian, Pen and brown ink, over black chalk
Study for a Judgment of Paris and Other Figure Studies
Salvator Rosa
1615–73
The Prodigal Son, Salvator Rosa Italian, Gray, black and brown wash, black and white chalk
The Prodigal Son
imitator of Salvator Rosa
1615–73
Shepherd holding a flute and two other figures in a landscape, Salvator Rosa Italian, Etching and drypoint
Shepherd holding a flute and two other figures in a landscape
Salvator Rosa
ca. 1660–61
Landscape with a figure seated on a rock, Salvator Rosa Italian, Etching
Landscape with a figure seated on a rock
Salvator Rosa
ca. 1640
Praying male penitent in the wilderness, Salvator Rosa Italian, Etching and drypoint
Praying male penitent in the wilderness
Salvator Rosa
ca. 1640
Three ox skulls, two horse skulls, and a grotesque head, study for "Democritus in Meditation", Salvator Rosa Italian, Etching and drypoint
Three ox skulls, two horse skulls, and a grotesque head, study for "Democritus in Meditation"
Salvator Rosa
1662
Two ox skulls and a portion of a third, study for "Democritus in Meditation", Salvator Rosa Italian, Etching
Two ox skulls and a portion of a third, study for "Democritus in Meditation"
Salvator Rosa
1662
Three human skulls, study for "Democritus in Meditation", Salvator Rosa Italian, Etching
Three human skulls, study for "Democritus in Meditation"
Salvator Rosa
1662
Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand, Salvator Rosa Italian, Etching and drypoint
Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand
Salvator Rosa
ca. 1663–64
Saint William of Maleval, hands tied with rope fastened to a tree, Salvator Rosa Italian, Etching and Drypoint
Saint William of Maleval, hands tied with rope fastened to a tree
Salvator Rosa
1661
Apollo and the Cumaean Sibyl, Salvator Rosa Italian, Etching and drypoint
Apollo and the Cumaean Sibyl
Salvator Rosa
ca. 1661

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.