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Bandits on a Rocky Coast, Salvator Rosa Italian, Oil on canvas
Bandits on a Rocky Coast
Salvator Rosa
1655–60
The Dream of Aeneas, Salvator Rosa Italian, Oil on canvas
The Dream of Aeneas
Salvator Rosa
1660–65
Self-Portrait, Salvator Rosa Italian, Oil on canvas
Self-Portrait
Salvator Rosa
ca. 1647
Plate, Salvator Rosa Italian, Faience (tin-glazed earthenware), French, Sinceny
Plate
After an etching by Salvator Rosa
ca. 1733–37
Salvator Rosa, from "Fifteen Etchings Dedicated to Sir Joshua Reynolds", John Hamilton Mortimer British, Etching
Salvator Rosa, from "Fifteen Etchings Dedicated to Sir Joshua Reynolds"
Artist and publisher Etched and published by John Hamilton Mortimer
Dedicatee Sir Joshua Reynolds
Subject Salvator Rosa
December 8, 1778
Salvator Rosa, from "Fifteen Etchings Dedicated to Sir Joshua Reynolds", John Hamilton Mortimer British, Etching
Salvator Rosa, from "Fifteen Etchings Dedicated to Sir Joshua Reynolds"
John Hamilton Mortimer
Dedicatee Sir Joshua Reynolds
Subject Salvator Rosa
December 8, 1778
Male figure holding a flute reclining on a rock and pointing over the heads of two children, from "The Triton Group", Salvator Rosa Italian, Etching and drypoint
Male figure holding a flute reclining on a rock and pointing over the heads of two children, from "The Triton Group"
Salvator Rosa
ca. 1660–61
Five battling tritons, from "The Triton Group", Salvator Rosa Italian, Etching with drypoint
Five battling tritons, from "The Triton Group"
Salvator Rosa
ca. 1660–61
Piping satyr and two fauns, from "The Triton Group", Salvator Rosa Italian, Etching with drypoint
Piping satyr and two fauns, from "The Triton Group"
Salvator Rosa
ca. 1660–61
The crucifixion of Polycrates the tyrant after his capture by the Persians , Salvator Rosa Italian, Etching

The crucifixion of Polycrates the tyrant after his capture by the Persians

Salvator Rosa
ca. 1662
The death of Marcus Atilius Regulus, showng being nailed into a tub by the Carthaginians, Salvator Rosa Italian, Etching
The death of Marcus Atilius Regulus, showng being nailed into a tub by the Carthaginians
Salvator Rosa
ca. 1661–62
The Prodigal Son, Salvator Rosa Italian, Etching; early state
The Prodigal Son
Multiple artists/makers
1781
Leaf from Aedes Walpolianae mounted with a print and a drawing (a): Head in Profile of Prodigal Son; (b): The Wagonner (after Peter Paul Rubens) in Jean-Paul Mariette mount, Richard Earlom British, (a): Engraving; (b): watercolor, graphite and black ink
Leaf from Aedes Walpolianae mounted with a print and a drawing (a): Head in Profile of Prodigal Son; (b): The Wagonner (after Peter Paul Rubens) in Jean-Paul Mariette mount
Multiple artists/makers
1620–1766
Leaf from Aedes Walpolianae mounted with two prints: (a): Three Soldiers; (b): Christ Appearing to Mary in the Garden, Richard Earlom British, Engraving
Leaf from Aedes Walpolianae mounted with two prints: (a): Three Soldiers; (b): Christ Appearing to Mary in the Garden
Multiple artists/makers
18th–19th century
Old Man with a Long Beard Holding a Stick or Sword-hilt, Captain William E. Baillie Irish, Etching and drypoint; first state before letters
Old Man with a Long Beard Holding a Stick or Sword-hilt
Captain William E. Baillie
After Salvator Rosa
1763
Studies for Standing and Seated Figures, Salvator Rosa Italian, Pen and brown ink, brush and gray and brown wash, over leadpoint or graphite
Studies for Standing and Seated Figures
Salvator Rosa
1634–45
The Genius of Salvator Rosa, Salvator Rosa Italian, Etching with drypoint
The Genius of Salvator Rosa
Salvator Rosa
ca. 1662
Democritus in Meditation, Salvator Rosa Italian, Etching with drypoint
Democritus in Meditation
Salvator Rosa
1662
The Prodigal Son, Richard Earlom British, Etching
The Prodigal Son
Artist and engraver Richard Earlom
After Salvator Rosa
Publisher John Boydell
1766
Death of Regulus, Salvator Rosa Italian, Pen and brown ink, brush and brown wash, on faded light green paper
Death of Regulus
After Salvator Rosa
1615–73
A Large Tree, Salvator Rosa Italian, Pen and brown ink, on brown paper
A Large Tree
Salvator Rosa
1615–73
Studies of Kneeling Figures, Salvator Rosa Italian, Pen and brown ink, brush and brown wash
Studies of Kneeling Figures
Salvator Rosa
1615–73
Milo of Crotona, Salvator Rosa Italian, Pen and brown ink
Milo of Crotona
Salvator Rosa
1615–73
Figure studies: seated and standing men, Salvator Rosa Italian, Pen and brown ink, over traces of black chalk
Figure studies: seated and standing men
Traditionally attributed Salvator Rosa
1615–73
Two Standing Soldiers and Six other Figures, Salvator Rosa Italian, Pen and brown ink
Two Standing Soldiers and Six other Figures
Salvator Rosa
1615–73
Old Man Kneeling Facing Upper Left, Salvator Rosa Italian, Pen and brown ink, brown and gray wash, traces of red chalk
Old Man Kneeling Facing Upper Left
Salvator Rosa
1615–73
A man pulling a net with two figures behind him, from "Figurine", Salvator Rosa Italian, Etching and Drypoint
A man pulling a net with two figures behind him, from "Figurine"
Salvator Rosa
ca. 1656–57
Five Figures in Fantastic Costumes with Two Dogs, Salvator Rosa Italian, Black ink on dark tan paper
Five Figures in Fantastic Costumes with Two Dogs
Salvator Rosa
1615–73
Studies of a Man's Head in Profile, and of a Standing Male Figure, Salvator Rosa Italian, Pen and brown ink, pale brown wash
Studies of a Man's Head in Profile, and of a Standing Male Figure
Salvator Rosa
Three human skulls, study for "Democritus in Meditation", Salvator Rosa Italian, Etching
Three human skulls, study for "Democritus in Meditation"
Salvator Rosa
1662
Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand, Salvator Rosa Italian, Etching and drypoint
Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand
Salvator Rosa
ca. 1663–64
Two Standing Men Gesticulating, Salvator Rosa Italian, Pen and brown ink. Pen scribbles on verso are indistinctly visible on recto
Two Standing Men Gesticulating
Salvator Rosa
1615–73
The Fall of the Giants, Salvator Rosa Italian, Pen and brown ink, over charcoal
The Fall of the Giants
Salvator Rosa
ca. 1663
The Prodigal Son Kneeling Repentant among Swine, Salvator Rosa Italian, Pen and brown ink, brown wash, on brownish paper
The Prodigal Son Kneeling Repentant among Swine
Salvator Rosa
1615–73
Studies for a Figure Lifted from a Grave or Pit by Cords (recto); Further Study of the Same Figure (verso), Salvator Rosa Italian, Pen and brown ink (recto and verso)
Studies for a Figure Lifted from a Grave or Pit by Cords (recto); Further Study of the Same Figure (verso)
Salvator Rosa
1615–73
Turbaned Warrior Holding a Mace, Salvator Rosa Italian, Pen and brown ink, brown wash, over a little black chalk
Turbaned Warrior Holding a Mace
Salvator Rosa
1615–73
Landscape with hills and a lake, trees in right foreground., Salvator Rosa Italian, Pen and brown ink, on beige paper
Landscape with hills and a lake, trees in right foreground.
Salvator Rosa
1615–73
St. Paul, Hermit, Salvator Rosa Italian, Pen and brown and black ink, brown wash, over black chalk, corrected and highlighted with gray gouache
St. Paul, Hermit
Salvator Rosa
1635–73
Three ox skulls, two horse skulls, and a grotesque head, study for "Democritus in Meditation", Salvator Rosa Italian, Etching and drypoint
Three ox skulls, two horse skulls, and a grotesque head, study for "Democritus in Meditation"
Salvator Rosa
1662
Saint William of Maleval, hands tied with rope fastened to a tree, Salvator Rosa Italian, Etching and Drypoint
Saint William of Maleval, hands tied with rope fastened to a tree
Salvator Rosa
1661
Apollo and the Cumaean Sibyl, Salvator Rosa Italian, Etching and drypoint
Apollo and the Cumaean Sibyl
Salvator Rosa
ca. 1661
Male nude lying on his side with his right arm behind his back, Salvator Rosa Italian, Etching
Male nude lying on his side with his right arm behind his back
Salvator Rosa
ca. 1635–40