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Department
Bandits on a Rocky Coast, Salvator Rosa Italian, Oil on canvas
Bandits on a Rocky Coast
Salvator Rosa
1655–60
The Dream of Aeneas, Salvator Rosa Italian, Oil on canvas
The Dream of Aeneas
Salvator Rosa
1660–65
Self-Portrait, Salvator Rosa Italian, Oil on canvas
Self-Portrait
Salvator Rosa
ca. 1647
Plate, Salvator Rosa Italian, Faience (tin-glazed earthenware), French, Sinceny
Plate
After an etching by Salvator Rosa
ca. 1733–37
Milo of Crotona, Salvator Rosa Italian, Pen and brown ink
Milo of Crotona
Salvator Rosa
1615–73
Three Figures around a globe, Salvator Rosa Italian, Pen and brown ink, brush and brown wash, over traces of black chalk
Three Figures around a globe
Salvator Rosa
1615–73
Figure studies: seated and standing men, Salvator Rosa Italian, Pen and brown ink, over traces of black chalk
Figure studies: seated and standing men
Traditionally attributed Salvator Rosa
1615–73
A warrior facing left wearing a plumed hat and holding a cane, from "Figurine", Salvator Rosa Italian, Etching
A warrior facing left wearing a plumed hat and holding a cane, from "Figurine"
Salvator Rosa
ca. 1656–57
The Fall of the Giants, Salvator Rosa Italian, Pen and brown ink, over charcoal
The Fall of the Giants
Salvator Rosa
ca. 1663
Two Standing Soldiers and Six other Figures, Salvator Rosa Italian, Pen and brown ink
Two Standing Soldiers and Six other Figures
Salvator Rosa
1615–73
Old Man Kneeling Facing Upper Left, Salvator Rosa Italian, Pen and brown ink, brown and gray wash, traces of red chalk
Old Man Kneeling Facing Upper Left
Salvator Rosa
1615–73
Landscape with hills and a lake, trees in right foreground., Salvator Rosa Italian, Pen and brown ink, on beige paper
Landscape with hills and a lake, trees in right foreground.
Salvator Rosa
1615–73
Two Men Seen Three- Quarter Length, Salvator Rosa Italian, Pen and brown ink, brown wash
Two Men Seen Three- Quarter Length
Salvator Rosa
1615–73
Marine landscape with figures, Salvator Rosa Italian, Pen and brown ink, brown and gray wash
Marine landscape with figures
Salvator Rosa
1615–73
Martyrdom of St. Andrew, Salvator Rosa Italian, Pen and brown ink, brown wash, over traces of black chalk
Martyrdom of St. Andrew
Salvator Rosa
1615–73
Five Figures in Fantastic Costumes with Two Dogs, Salvator Rosa Italian, Black ink on dark tan paper
Five Figures in Fantastic Costumes with Two Dogs
Salvator Rosa
1615–73
Studies of a Man's Head in Profile, and of a Standing Male Figure, Salvator Rosa Italian, Pen and brown ink, pale brown wash
Studies of a Man's Head in Profile, and of a Standing Male Figure
Salvator Rosa
St. Paul, Hermit, Salvator Rosa Italian, Pen and brown and black ink, brown wash, over black chalk, corrected and highlighted with gray gouache
St. Paul, Hermit
Salvator Rosa
1635–73
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,, Arthur Pond British, Engraving, etching, woodcut
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,
Multiple artists/makers
1732–69
The Prodigal Son, Richard Earlom British, Etching
The Prodigal Son
Artist and engraver Richard Earlom
After Salvator Rosa
Publisher John Boydell
1766
Soldiers, Salvator Rosa Italian, Etching
Soldiers
After Salvator Rosa
Engraver Richard Earlom
Publisher John Boydell
1766–67
The crucifixion of Polycrates the tyrant after his capture by the Persians , Salvator Rosa Italian, Etching

The crucifixion of Polycrates the tyrant after his capture by the Persians

Salvator Rosa
ca. 1662
Study for a Prometheus Bound (recto); slight sketch of head and shoulders of man in lead pencil (verso), Salvator Rosa Italian, Pen, brown ink and lead graphite
Study for a Prometheus Bound (recto); slight sketch of head and shoulders of man in lead pencil (verso)
Salvator Rosa
1615–73
Studies of Kneeling Figures, Salvator Rosa Italian, Pen and brown ink, brush and brown wash
Studies of Kneeling Figures
Salvator Rosa
1615–73
The Raising of Lazarus, Salvator Rosa Italian, Pen and brown ink, brush and brown wash, over a little black chalk
The Raising of Lazarus
Salvator Rosa
1615–73
Two Standing Men Gesticulating, Salvator Rosa Italian, Pen and brown ink. Pen scribbles on verso are indistinctly visible on recto
Two Standing Men Gesticulating
Salvator Rosa
1615–73
Witches' Sabbath (recto); Figures Gathered around a tree (verso), Salvator Rosa Italian, Pen and brown ink, brush and brown wash (recto and verso); framing lines in black chalk
Witches' Sabbath (recto); Figures Gathered around a tree (verso)
Salvator Rosa
1615–73
Study for a Judgment of Paris and Other Figure Studies, Salvator Rosa Italian, Pen and brown ink, over black chalk
Study for a Judgment of Paris and Other Figure Studies
Salvator Rosa
1615–73
The Prodigal Son, Salvator Rosa Italian, Gray, black and brown wash, black and white chalk
The Prodigal Son
imitator of Salvator Rosa
1615–73
An Apparition, Salvator Rosa Italian, Pen and brown ink, lightly washed
An Apparition
Salvator Rosa
1615–73
Death of Regulus, Salvator Rosa Italian, Pen and brown ink, brush and brown wash, on faded light green paper
Death of Regulus
After Salvator Rosa
1615–73
A Large Tree, Salvator Rosa Italian, Pen and brown ink, on brown paper
A Large Tree
Salvator Rosa
1615–73
Witches' Sabbath, Salvator Rosa Italian, Pen and brown ink, brush and brown wash
Witches' Sabbath
Salvator Rosa
1640–1649
Study for a Raising of Lazarus (recto); half-length study of bearded nude male figure, and a man and woman with donkey (verso), Salvator Rosa Italian, Red chalk highlighted with white chalk
Study for a Raising of Lazarus (recto); half-length study of bearded nude male figure, and a man and woman with donkey (verso)
Salvator Rosa
1615–73
The Prodigal Son Kneeling Repentant among Swine, Salvator Rosa Italian, Pen and brown ink, brown wash, on brownish paper
The Prodigal Son Kneeling Repentant among Swine
Salvator Rosa
1615–73
Studies for a Figure Lifted from a Grave or Pit by Cords (recto); Further Study of the Same Figure (verso), Salvator Rosa Italian, Pen and brown ink (recto and verso)
Studies for a Figure Lifted from a Grave or Pit by Cords (recto); Further Study of the Same Figure (verso)
Salvator Rosa
1615–73
Turbaned Warrior Holding a Mace, Salvator Rosa Italian, Pen and brown ink, brown wash, over a little black chalk
Turbaned Warrior Holding a Mace
Salvator Rosa
1615–73
The death of Marcus Atilius Regulus, showng being nailed into a tub by the Carthaginians, Salvator Rosa Italian, Etching
The death of Marcus Atilius Regulus, showng being nailed into a tub by the Carthaginians
Salvator Rosa
ca. 1661–62
Salvator Rosa, from "Fifteen Etchings Dedicated to Sir Joshua Reynolds", John Hamilton Mortimer British, Etching
Salvator Rosa, from "Fifteen Etchings Dedicated to Sir Joshua Reynolds"
Artist and publisher Etched and published by John Hamilton Mortimer
Dedicatee Sir Joshua Reynolds
Subject Salvator Rosa
December 8, 1778
Salvator Rosa, from "Fifteen Etchings Dedicated to Sir Joshua Reynolds", John Hamilton Mortimer British, Etching
Salvator Rosa, from "Fifteen Etchings Dedicated to Sir Joshua Reynolds"
John Hamilton Mortimer
Dedicatee Sir Joshua Reynolds
Subject Salvator Rosa
December 8, 1778
Five battling tritons, from "The Triton Group", Salvator Rosa Italian, Etching with drypoint
Five battling tritons, from "The Triton Group"
Salvator Rosa
ca. 1660–61
Piping satyr and two fauns, from "The Triton Group", Salvator Rosa Italian, Etching with drypoint
Piping satyr and two fauns, from "The Triton Group"
Salvator Rosa
ca. 1660–61