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The Paradise Lost of John Milton with Illustrations by John Martin, John Martin British, Illustrations: mezzotint
The Paradise Lost of John Milton with Illustrations by John Martin
Multiple artists/makers
1846
Set of the 24 illustrations for Milton's Paradise Lost
John Martin
Author John Milton
Publisher Septimus Prowett
1826–27
Examples of Ornamental Sculpture in Architecture. Drawn from the Originals of Bronze Marble and Terra Cot[a] in Greece, Asia Minor, and Italy.
Multiple artists/makers
1818–21
Punch and Judy, with Illustrations Drawn and Engraved by George Cruikshank: Accompanied by the Dialogue of the Puppet-Show, an Account of Its Origin, and of Puppet-Plays in England
Multiple artists/makers
1828
Satan on the Burning Lake (Paradise Lost of Milton, Book 1, line 192)
Multiple artists/makers
1825
Satan Viewing the Ascent to Heaven (Paradise Lost of Milton, Book 3, line 501)
Multiple artists/makers
1825
Satan Presiding at the Infernal Council (Paradise Lost of Milton, Book 2, Line 1)
Multiple artists/makers
1825
The Conflict Between Satan and Death (Paradise Lost of Milton, Book 2, line 727)
Multiple artists/makers
1824–25
Eve's Dream – Satan Aroused (Paradise Lost of Milton, Book 4, line 813)
Multiple artists/makers
1826
The Angels Guarding Paradise at Night (Paradise Lost of Milton, Book 4, line 866)
Multiple artists/makers
1825
Raphael Conversing with Adam and Eve (Paradise Lost of Milton, Book 5, line 519)
Multiple artists/makers
1826
Satan Tempting Eve (Paradise Lost of Milton, Book 9, line 780)
Multiple artists/makers
1826
Adam Hearing the Voice of the Almighty (Paradise Lost of Milton, Book 10, line 108)
Multiple artists/makers
1826
Adam Reproving Eve (Paradise Lost of Milton, line 863)
Multiple artists/makers
1826
Paradise – With the Approach of the Archangel Raphael (Paradise Lost of Milton, Book 5, line 308)
John Martin
Publisher Septimus Prowett
Printer James Lahee
1825

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.