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Department
Design for a Mausoleum, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, graphite
Design for a Mausoleum
Sir William Chambers
1740–1800
Design for a Chimneypiece with Ionic columns, a Frieze, and Cornice, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, over graphite
Design for a Chimneypiece with Ionic columns, a Frieze, and Cornice
Sir William Chambers
1743–96
Design for Hall Chimney-piece, Charlemont House, Dublin, Sir William Chambers British, born Sweden, Pen and black ink, brush and gray wash
Design for Hall Chimney-piece, Charlemont House, Dublin
Sir William Chambers
1762
Design for a Ceiling, Sir William Chambers British, born Sweden, Graphite, brush and pink and green wash
Design for a Ceiling
Sir William Chambers
1743–96
Design for Segment of an Octagonal Ceiling; Gower House, Whitehall, London, Sir William Chambers British, born Sweden, Pen and black ink, brush and gray wash
Design for Segment of an Octagonal Ceiling; Gower House, Whitehall, London
Sir William Chambers
John Yenn
ca. 1766–74
Mezzanine Window, Palazzo Madama, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, over graphite
Mezzanine Window, Palazzo Madama
Sir William Chambers
ca. 1750–55
Design for a Pier-glass, of Tall Oblong Form, the Border a Palmette Frieze, the Termination an Urn, Sir William Chambers British, born Sweden, Pen and ink, watercolor
Design for a Pier-glass, of Tall Oblong Form, the Border a Palmette Frieze, the Termination an Urn
Sir William Chambers
John Yenn
1740–1800
Design for a Chimneypiece, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, over graphite
Design for a Chimneypiece
After Sir William Chambers
1740–1800
Ornament in the Shape of a Cross, Sir William Chambers British, born Sweden, Graphite
Ornament in the Shape of a Cross
Office of Sir William Chambers
1743–96
Design for a Frame, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, over graphite
Design for a Frame
Office of Sir William Chambers
1743–1800
Partial Design for a Chimneypiece, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash
Partial Design for a Chimneypiece
Attributed to Sir William Chambers
1740–1800
Design for a Chimney-piece, for the Saloon, Milton Park, Northamptonshire, Sir William Chambers British, born Sweden, Pen and ink, brush and wash
Design for a Chimney-piece, for the Saloon, Milton Park, Northamptonshire
Sir William Chambers
1770–76
Design for a Chimneypiece with a Classical Cornice, for Ampthill Park, Bedfordshire, Dining Room, Sir William Chambers British, born Sweden, Pen and black ink, brush and wash, touches of watercolor
Design for a Chimneypiece with a Classical Cornice, for Ampthill Park, Bedfordshire, Dining Room
Sir William Chambers
ca. 1769
Design for a Chimneypiece, possibly for Melbourne House (now Albany), Piccadilly, London, Sir William Chambers British, born Sweden, Pen and black ink, brush and watercolor, graphite
Design for a Chimneypiece, possibly for Melbourne House (now Albany), Piccadilly, London
Sir William Chambers
1771–75 (?)
Design for a Chimneypiece with a Frieze with Floral Decoration and Capitals Decorated with Animals, Sir William Chambers British, born Sweden, Pen and brown ink over graphite
Design for a Chimneypiece with a Frieze with Floral Decoration and Capitals Decorated with Animals
Sir William Chambers
1743–96
Design for a Pedestal, for Richmond House, Whitehall, London, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash
Design for a Pedestal, for Richmond House, Whitehall, London
Circle of Sir William Chambers
ca. 1760
Design for Ceiling, either for 13 Berners Street, Westminster, London, or Whitton Park, Middlesex, Sir William Chambers British, born Sweden, Pen and brown ink, brush and wash
Design for Ceiling, either for 13 Berners Street, Westminster, London, or Whitton Park, Middlesex
Sir William Chambers
1765–66
Half Plan of a Ceiling with an Oval Center and Semicircular Ends, Sir William Chambers British, born Sweden, Pen and gray ink, brush and pink wash
Half Plan of a Ceiling with an Oval Center and Semicircular Ends
Sir William Chambers
1743–96
Design for the Gallery ceiling, Richmond House, Whitehall, London, Sir William Chambers British, born Sweden, Pen and ink, brush and wash, watercolor
Design for the Gallery ceiling, Richmond House, Whitehall, London
Sir William Chambers
1760
Capitoline, Antique Tripod, Sir William Chambers British, born Sweden, Pen and ink, brush and gray wash
Capitoline, Antique Tripod
Sir William Chambers
ca. 1750–55
Design for Three Stucco Frames, Sir William Chambers British, born Sweden, Pen and ink, brush and gray wash
Design for Three Stucco Frames
Sir William Chambers
ca. 1750–55
Elevation of the South, or River Front of the New Building at Somerset Place, Sir William Chambers British, born Sweden, Pen and ink, brush and wash
Elevation of the South, or River Front of the New Building at Somerset Place
After Sir William Chambers
mid-18th–late 18th century
Design for a Classical Chimneypiece with Rams Heads, and Leda and the Swan, Sir William Chambers British, born Sweden, Pen and ink, brush and wash
Design for a Classical Chimneypiece with Rams Heads, and Leda and the Swan
Sir William Chambers
1745–1800
Design for a Pier-glass with Arched Head and Palmette Terminations, Sir William Chambers British, born Sweden, Pen and ink, brush and wash and watercolor
Design for a Pier-glass with Arched Head and Palmette Terminations
Sir William Chambers
1743–96
Design for a Frame, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, over graphite
Design for a Frame
Office of Sir William Chambers
1743–1800
Design for an Oval Mirror, Surmounted by an Urn and Draped with Neoclassic Swags, Sir William Chambers British, born Sweden, Pen and gray ink, brush and gray wash and watercolor
Design for an Oval Mirror, Surmounted by an Urn and Draped with Neoclassic Swags
Sir William Chambers
1740–96
Design for a Ceiling, an Oblong with an Oval Center, Sir William Chambers British, born Sweden, Pen and ink, brush and wash
Design for a Ceiling, an Oblong with an Oval Center
Sir William Chambers
1743–96
Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset, Sir William Chambers British, born Sweden, Graphite
Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset
Sir William Chambers
1770–74
Design for a Pier-glass for Adderbury House, Oxfordshire, for the Duke of Buccleuch, Sir William Chambers British, born Sweden, Pen and ink, watercolor
Design for a Pier-glass for Adderbury House, Oxfordshire, for the Duke of Buccleuch
Sir William Chambers
ca. 1768
Design for a Chimneypiece, Incorporating a Portrait of George III, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, over graphite
Design for a Chimneypiece, Incorporating a Portrait of George III
Sir William Chambers
1760–69
Design for a Pier-glass of Oblong Form, the Cresting a Scroll and Urn, Sir William Chambers British, born Sweden, Pen and ink, watercolor
Design for a Pier-glass of Oblong Form, the Cresting a Scroll and Urn
Sir William Chambers
1743–1800
Design for a Chimneypiece, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash
Design for a Chimneypiece
After Sir William Chambers
1743–1800
Design for a Chimneypiece in the Garden Hall, Manresa House, Roehampton, Surrey, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash
Design for a Chimneypiece in the Garden Hall, Manresa House, Roehampton, Surrey
After Sir William Chambers
ca. 1760
Design for a Chimneypiece with Scalloped Moldings, Sir William Chambers British, born Sweden, Pen and brown ink, brush and brown wash, over graphite
Design for a Chimneypiece with Scalloped Moldings
Sir William Chambers
1743–96
Design for a Ceiling, an Oval within a Square, having a Criss-cross Border to the Oval, for Ampthill Park, Bedfordshire, Sir William Chambers British, born Sweden, Pen and gray ink, brush and gray wash
Design for a Ceiling, an Oval within a Square, having a Criss-cross Border to the Oval, for Ampthill Park, Bedfordshire
Sir William Chambers
ca. 1769
Design for a Girandole Composed of Three Clasping Arrows and Candle-branches Terminating in Cockerel Heads, Sir William Chambers British, born Sweden, Pen and ink, brush and wash
Design for a Girandole Composed of Three Clasping Arrows and Candle-branches Terminating in Cockerel Heads
Sir William Chambers
1743–97
Antique Vase of Copper in the Capitol, Sir William Chambers British, born Sweden, Pen and ink, brush and gray wash
Antique Vase of Copper in the Capitol
Sir William Chambers
ca. 1750–55
Designs for Two Chimney-pieces in Lord Viscount Charlemont's Casino at Marino, Dublin, Sir William Chambers British, born Sweden, Pen and ink, brush and gray wash
Designs for Two Chimney-pieces in Lord Viscount Charlemont's Casino at Marino, Dublin
Sir William Chambers
ca. 1758–59
Design for a Chimney-piece, for Thomas Hollis of Lincoln's Inn, London, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, touches of watercolor
Design for a Chimney-piece, for Thomas Hollis of Lincoln's Inn, London
Sir William Chambers
after 1754
Design for a Chimneypiece, Sir William Chambers British, born Sweden, Pen and brown and black ink
Design for a Chimneypiece
After Sir William Chambers
1743–1800
Design for a Ceiling, Ampthill Park, Bedfordshire (Half plan), Sir William Chambers British, born Sweden, Pen and ink, brush and wash
Design for a Ceiling, Ampthill Park, Bedfordshire (Half plan)
Sir William Chambers
ca. 1769
Details of Ceilings, Villa Madama, St. Peter's and Madonna del Popolo, Sir William Chambers British, born Sweden, Pen and ink, brush and gray wash
Details of Ceilings, Villa Madama, St. Peter's and Madonna del Popolo
Sir William Chambers
ca. 1750–55