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Designs for Chinoiserie Furniture: Three Tables and a Chair, Anonymous, Italian, 18th or early 19th century Italian, Leadpoint
Designs for Chinoiserie Furniture: Three Tables and a Chair
Anonymous, Italian, 18th or early 19th century
After Sir William Chambers
ca. 1800
Plans, Elevations, Sections, and Perspective Views of the Gardens and Buildings of Kew, Sir William Chambers British, born Sweden, Pen and ink, brush and wash, watercolor and gouache (bodycolor)
Plans, Elevations, Sections, and Perspective Views of the Gardens and Buildings of Kew
Architect Sir William Chambers
1763
Two Designs for an Overmantel Glass (Verso: Partial Floor plan), Sir William Chambers British, born Sweden, Pen and ink, brush and wash and watercolor, over graphite
Two Designs for an Overmantel Glass (Verso: Partial Floor plan)
Sir William Chambers
1743–96
View of the Menagerie at Kew, Thomas Sandby British, Watercolor
View of the Menagerie at Kew
Thomas Sandby
Architect Sir William Chambers
1763
View of the Wilderness at Kew, William Marlow British, Watercolor
View of the Wilderness at Kew
William Marlow
Architect Sir William Chambers
1763
General Plan of the Gardens at Kew, Sir William Chambers British, born Sweden, Watercolor, pen and ink
General Plan of the Gardens at Kew
Architect Sir William Chambers
1763
View of the Flower Garden and Aviary at Kew, Thomas Sandby British, Watercolor
View of the Flower Garden and Aviary at Kew
Thomas Sandby
Architect Sir William Chambers
1763
The Great Exotic Stove at Kew, Sir William Chambers British, born Sweden, Pen and ink, brush and wash, watercolor
The Great Exotic Stove at Kew
Architect Sir William Chambers
1763
View of the Lake and the Island from the Lawn at Kew, William Marlow British, Watercolor
View of the Lake and the Island from the Lawn at Kew
William Marlow
Architect Sir William Chambers
1763
View of the Palace from the Lawn at Kew, Joshua Kirby British, Pen and ink, brush and wash
View of the Palace from the Lawn at Kew
Joshua Kirby
Architect Sir William Chambers
1763
Design for a Girandole Mirror, an Oval Resting on an Oblong Base, Terminated by Two Superimposed Circular Frond-motifs, Topped with a Lion's Head from Which Hang Floral Swags and Pendants, Sir William Chambers British, born Sweden, Pen and watercolor
Design for a Girandole Mirror, an Oval Resting on an Oblong Base, Terminated by Two Superimposed Circular Frond-motifs, Topped with a Lion's Head from Which Hang Floral Swags and Pendants
Sir William Chambers
ca. 1775
Design for a Mausoleum, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, graphite
Design for a Mausoleum
Sir William Chambers
1740–1800
Design for an Oval Mirror, Surmounted by an Urn and Draped with Neoclassic Swags, Sir William Chambers British, born Sweden, Pen and gray ink, brush and gray wash and watercolor
Design for an Oval Mirror, Surmounted by an Urn and Draped with Neoclassic Swags
Sir William Chambers
1740–96
Design for a Chimneypiece with Ionic columns, a Frieze, and Cornice, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, over graphite
Design for a Chimneypiece with Ionic columns, a Frieze, and Cornice
Sir William Chambers
1743–96
Design for a Chimney-piece, for the Saloon, Milton Park, Northamptonshire, Sir William Chambers British, born Sweden, Pen and ink, brush and wash
Design for a Chimney-piece, for the Saloon, Milton Park, Northamptonshire
Sir William Chambers
1770–76
Design for a Chimneypiece with a Classical Cornice, for Ampthill Park, Bedfordshire, Dining Room, Sir William Chambers British, born Sweden, Pen and black ink, brush and wash, touches of watercolor
Design for a Chimneypiece with a Classical Cornice, for Ampthill Park, Bedfordshire, Dining Room
Sir William Chambers
ca. 1769
Design for Hall Chimney-piece, Charlemont House, Dublin, Sir William Chambers British, born Sweden, Pen and black ink, brush and gray wash
Design for Hall Chimney-piece, Charlemont House, Dublin
Sir William Chambers
1762
Design for a Chimneypiece, possibly for Melbourne House (now Albany), Piccadilly, London, Sir William Chambers British, born Sweden, Pen and black ink, brush and watercolor, graphite
Design for a Chimneypiece, possibly for Melbourne House (now Albany), Piccadilly, London
Sir William Chambers
1771–75 (?)
Design for a Chimneypiece with a Frieze with Floral Decoration and Capitals Decorated with Animals, Sir William Chambers British, born Sweden, Pen and brown ink over graphite
Design for a Chimneypiece with a Frieze with Floral Decoration and Capitals Decorated with Animals
Sir William Chambers
1743–96
Design for a Chimneypiece with Scalloped Moldings, Sir William Chambers British, born Sweden, Pen and brown ink, brush and brown wash, over graphite
Design for a Chimneypiece with Scalloped Moldings
Sir William Chambers
1743–96
Design for a Pedestal, for Richmond House, Whitehall, London, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash
Design for a Pedestal, for Richmond House, Whitehall, London
Circle of Sir William Chambers
ca. 1760
Design for a Ceiling, an Oblong with an Oval Center, Sir William Chambers British, born Sweden, Pen and ink, brush and wash
Design for a Ceiling, an Oblong with an Oval Center
Sir William Chambers
1743–96
Design for a Ceiling, an Oval within a Square, having a Criss-cross Border to the Oval, for Ampthill Park, Bedfordshire, Sir William Chambers British, born Sweden, Pen and gray ink, brush and gray wash
Design for a Ceiling, an Oval within a Square, having a Criss-cross Border to the Oval, for Ampthill Park, Bedfordshire
Sir William Chambers
ca. 1769
Design for Ceiling, either for 13 Berners Street, Westminster, London, or Whitton Park, Middlesex, Sir William Chambers British, born Sweden, Pen and brown ink, brush and wash
Design for Ceiling, either for 13 Berners Street, Westminster, London, or Whitton Park, Middlesex
Sir William Chambers
1765–66
Design for a Ceiling, Ampthill Park, Bedfordshire (Half plan), Sir William Chambers British, born Sweden, Pen and ink, brush and wash
Design for a Ceiling, Ampthill Park, Bedfordshire (Half plan)
Sir William Chambers
ca. 1769
Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset, Sir William Chambers British, born Sweden, Graphite
Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset
Sir William Chambers
1770–74
Design for a Ceiling, Sir William Chambers British, born Sweden, Graphite, brush and pink and green wash
Design for a Ceiling
Sir William Chambers
1743–96
Design for Segment of an Octagonal Ceiling; Gower House, Whitehall, London, Sir William Chambers British, born Sweden, Pen and black ink, brush and gray wash
Design for Segment of an Octagonal Ceiling; Gower House, Whitehall, London
Sir William Chambers
John Yenn
ca. 1766–74
Half Plan of a Ceiling with an Oval Center and Semicircular Ends, Sir William Chambers British, born Sweden, Pen and gray ink, brush and pink wash
Half Plan of a Ceiling with an Oval Center and Semicircular Ends
Sir William Chambers
1743–96
Design for the Gallery ceiling, Richmond House, Whitehall, London, Sir William Chambers British, born Sweden, Pen and ink, brush and wash, watercolor
Design for the Gallery ceiling, Richmond House, Whitehall, London
Sir William Chambers
1760
Design for a Pier-glass for Adderbury House, Oxfordshire, for the Duke of Buccleuch, Sir William Chambers British, born Sweden, Pen and ink, watercolor
Design for a Pier-glass for Adderbury House, Oxfordshire, for the Duke of Buccleuch
Sir William Chambers
ca. 1768
Design for a Girandole Composed of Three Clasping Arrows and Candle-branches Terminating in Cockerel Heads, Sir William Chambers British, born Sweden, Pen and ink, brush and wash
Design for a Girandole Composed of Three Clasping Arrows and Candle-branches Terminating in Cockerel Heads
Sir William Chambers
1743–97
Capitoline, Antique Tripod, Sir William Chambers British, born Sweden, Pen and ink, brush and gray wash
Capitoline, Antique Tripod
Sir William Chambers
ca. 1750–55
Antique Vase of Copper in the Capitol, Sir William Chambers British, born Sweden, Pen and ink, brush and gray wash
Antique Vase of Copper in the Capitol
Sir William Chambers
ca. 1750–55
Details of Ceilings, Villa Madama, St. Peter's and Madonna del Popolo, Sir William Chambers British, born Sweden, Pen and ink, brush and gray wash
Details of Ceilings, Villa Madama, St. Peter's and Madonna del Popolo
Sir William Chambers
ca. 1750–55
Detail of Ceiling, Palazzo Massimi, Sir William Chambers British, born Sweden, Pen and ink, brush and gray wash
Detail of Ceiling, Palazzo Massimi
Sir William Chambers
ca. 1750–55
Ceiling Vault of Palazzo Mattei, Rome, Sir William Chambers British, born Sweden, Pen and gray ink, brush and gray wash
Ceiling Vault of Palazzo Mattei, Rome
Sir William Chambers
1750–59
Ceiling of Staircase, Palazzo Mattei, Sir William Chambers British, born Sweden, Pen and ink, brush and gray wash
Ceiling of Staircase, Palazzo Mattei
Sir William Chambers
ca. 1750–55
Mezzanine Window, Palazzo Madama, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, over graphite
Mezzanine Window, Palazzo Madama
Sir William Chambers
ca. 1750–55
Design for Three Stucco Frames, Sir William Chambers British, born Sweden, Pen and ink, brush and gray wash
Design for Three Stucco Frames
Sir William Chambers
ca. 1750–55
Design for a Chimneypiece, Incorporating a Portrait of George III, Sir William Chambers British, born Sweden, Pen and brown ink, brush and gray wash, over graphite
Design for a Chimneypiece, Incorporating a Portrait of George III
Sir William Chambers
1760–69
Elevation of the South, or River Front of the New Building at Somerset Place, Sir William Chambers British, born Sweden, Pen and ink, brush and wash
Elevation of the South, or River Front of the New Building at Somerset Place
After Sir William Chambers
mid-18th–late 18th century

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