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String Composition No. 50, Sue Fuller American, Plastic thread, painted Masonite, and aluminum frame
String Composition No. 50
Sue Fuller
1952–53
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Drypoint and soft-ground etching, printed in color, on heavy ivory wove paper
The Coiffure, after Mary Cassatt
Multiple artists/makers
1975
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching, printed in ochre on wove paper; (impression from first soft-ground plate)
The Coiffure, after Mary Cassatt
Multiple artists/makers
1975
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching, printed in red on wove paper (impression from the second soft-ground plate)
The Coiffure, after Mary Cassatt
Multiple artists/makers
1975
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching, printed in ochre and rose on wove paper (impression of first and second soft-ground plates)
The Coiffure, after Mary Cassatt
Multiple artists/makers
1975
The Coiffure, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching and drypoint, printed in brown, ochre, and rose on wove paper
The Coiffure, after Mary Cassatt
Multiple artists/makers
1975
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Drypoint printed in black with touch of red on white wove (Arches) paper ("master plate"), with corrections in pencil
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in black, green, brown, and red on white wove (Arches) paper (First color plate)
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in brown, blue, yellow, red, and black on white wove (Arches) paper: Second color plate
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Drypoint and soft-ground etching, printed in black, ochre, yellow, and blue on white wove (Arches) paper: Master plate and second color plate
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in black and yellow
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg, Soft-ground etching printed in color on white wove paper (Arches) from three plates
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
In the Omnibus, after Mary Cassatt, Janet Lee Kadesky Ruttenberg , artist/engraver/printer, Drypoint and soft-ground etching, printed in color
In the Omnibus, after Mary Cassatt
Multiple artists/makers
1975–77
Hen, Sue Fuller American, Soft-ground etching and engraving
Hen
Sue Fuller
1945
Zebra, Sue Fuller American, Relief print
Zebra
Sue Fuller
1946
Fabulous City
Sue Fuller
1949
Cityscape
Sue Fuller
1950
New York, New York!
Sue Fuller
1950
Fancy Fowl
Sue Fuller
1946
Bat
Sue Fuller
1946
The Emperor's Jewels
Sue Fuller
1944
Untitled
Sue Fuller
1944
Untitled (Christmas Card)
Sue Fuller
1946
Letter from Sue Fuller to Hyatt Mayor
Sue Fuller
1946
Christmas '47
Sue Fuller
1947

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