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"Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
"Farhad Carves a Milk Channel for Shirin", Folio 74 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE
"Marriage of Khusrau and Shirin", Folio 104 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
"Marriage of Khusrau and Shirin", Folio 104 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE
"Laila and Majnun in School", Folio 129 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
"Laila and Majnun in School", Folio 129 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE
Illuminated Frontispiece of a Bustan of Sa`di, Sultan Muhammad Nur Iranian, Folio: Ink, opaque watercolor, and gold on paper<br/>Binding: Leather
Illuminated Frontispiece of a Bustan of Sa`di
Calligrapher Sultan Muhammad Nur
dated 920 AH/1514 CE
Page of Calligraphy, Sultan Muhammad Nur Iranian, Ink, opaque watercolor, and gold on paper
Page of Calligraphy
Calligrapher Sultan Muhammad Nur
early 16th century
Overflap and Inside Cover of a Khamsa (Quintet) of Nizami of Ganja, Nizami, Binding: leather; embossed, gold, and color <br/>Manuscript: ink, opaque watercolor, and gold on paper
Overflap and Inside Cover of a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE
"Sultan Sanjar and the Old Woman", Folio 17 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
"Sultan Sanjar and the Old Woman", Folio 17 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE
"Khusrau Catches Sight of Shirin Bathing", Folio 50 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
"Khusrau Catches Sight of Shirin Bathing", Folio 50 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE
"Bahram Gur in the Dark Palace on Saturday", Folio 207 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper
"Bahram Gur in the Dark Palace on Saturday", Folio 207 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE
"Bahram Gur in the Yellow Palace on Sunday", Folio 213 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper
"Bahram Gur in the Yellow Palace on Sunday", Folio 213 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE
"Bahram Gur in the Turquoise Palace on Wednesday", Folio 216 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper
"Bahram Gur in the Turquoise Palace on Wednesday", Folio 216 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE
"Bahram Gur in the Red Palace on Tuesday", Folio 220 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
"Bahram Gur in the Red Palace on Tuesday", Folio 220 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE
"Bahram Gur in the Sandal Palace on Thursday", Folio 230 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper
"Bahram Gur in the Sandal Palace on Thursday", Folio 230 from a Khamsa (Quintet) of Nizami of Ganja
Author Nizami
Calligrapher Sultan Muhammad Nur
Painting by Shaikh Zada
dated 931 AH/1524–25 CE
"Bahram Gur in the White Palace on Friday", Folio 235 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Opaque watercolor, ink, and gold on paper
"Bahram Gur in the White Palace on Friday", Folio 235 from a Khamsa (Quintet) of Nizami of Ganja
Author Nizami
Calligrapher Sultan Muhammad Nur
Painted by Shaikh Zada
dated 931 AH/1524–25 CE
"Battle between Alexander and Darius", Folio 279 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
"Battle between Alexander and Darius", Folio 279 from a Khamsa (Quintet) of Nizami of Ganja
Author Nizami
Calligrapher Sultan Muhammad Nur
dated 931 AH/1524–25 CE
"Alexander at a Banquet", Folio 321b from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, silver, and gold on paper
"Alexander at a Banquet", Folio 321b from a Khamsa (Quintet) of Nizami of Ganja
Author Nizami
Calligrapher Sultan Muhammad Nur
dated 931 AH/1524–25 CE
Page of Calligraphy from the Bellini Album, Sultan Muhammad Nur Iranian, Ink, opaque watercolor, and gold on paper
Page of Calligraphy from the Bellini Album
Calligrapher Sultan Muhammad Nur
ca. 1600
Page of Calligraphy from the Bellini Album, Sultan Muhammad Nur Iranian, Ink, opaque watercolor, and gold on paper
Page of Calligraphy from the Bellini Album
Calligrapher Sultan Muhammad Nur
ca. 1600
"The Mi'raj or The Night Flight of Muhammad on his Steed Buraq", Folio 3v from a Bustan of Sa`di, Sultan Muhammad Nur Iranian, Ink, gold, and colors on paper
"The Mi'raj or The Night Flight of Muhammad on his Steed Buraq", Folio 3v from a Bustan of Sa`di
Calligrapher Sultan Muhammad Nur
ca. 1525–35
Anthology of Persian Poetry in Oblong Format (Safina), Sultan Muhammad Nur Iranian, Ink, watercolor, and gold on paper.<br/>Binding: leather
Anthology of Persian Poetry in Oblong Format (Safina)
Calligrapher Sultan Muhammad Nur
dated 905 AH/1499–1500 CE
"Khusrau Seated on his Throne", Folio 64 from a Khamsa (Quintet) of Nizami of Ganja, Nizami, Ink, opaque watercolor, and gold on paper
"Khusrau Seated on his Throne", Folio 64 from a Khamsa (Quintet) of Nizami of Ganja
Multiple artists/makers
dated 931 AH/1524–25 CE

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