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The Martyrdom of Saint Paul, Taddeo Zuccaro Italian, Pen and brown and gray ink, brown wash, over black chalk, heightened with white, on buff paper.
The Martyrdom of Saint Paul
Taddeo Zuccaro
ca. 1557–58
Saint Paul Restoring Eutychus to Life, Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash, heightened with white gouache, over black chalk, on gray paper
Saint Paul Restoring Eutychus to Life
Taddeo Zuccaro
1529–66
Standing Prophet in a Niche, Holding a Book, Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash, over black chalk
Standing Prophet in a Niche, Holding a Book
Taddeo Zuccaro
1529–66
Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso), Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash
Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso)
Taddeo Zuccaro
1529–66
Standing Nude Man (recto); Three Studies of Soldiers (verso), Taddeo Zuccaro Italian, Red chalk, highlighted with traces of white gouache (recto); red chalk (verso)
Standing Nude Man (recto); Three Studies of Soldiers (verso)
Taddeo Zuccaro
1550
Group of Six Reclining Nude Women (Nymphs Bathing) (recto); Sketch of a Leg (verso), Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash, traces of red chalk (recto), red chalk (verso)
Group of Six Reclining Nude Women (Nymphs Bathing) (recto); Sketch of a Leg (verso)
Taddeo Zuccaro
1529–66
Study for the Armistice between King Francis I of France and Emperor Charles V, fresco in the Palazzo Farnese, Caprarola, Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash, over black chalk
Study for the Armistice between King Francis I of France and Emperor Charles V, fresco in the Palazzo Farnese, Caprarola
After Taddeo Zuccaro
16th century
Roman Triumph, Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash
Roman Triumph
Circle of Taddeo Zuccaro
16th century
Design for a Cartouche with a Religious Subject in the Central Compartment, Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash, over leadpoint (?)
Design for a Cartouche with a Religious Subject in the Central Compartment
Attributed to Taddeo Zuccaro
or attributed to Federico Zuccaro (Zuccari)
16th century
Joseph and Potiphar's Wife, Taddeo Zuccaro Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk, on blue paper; traces of framing lines in pen and brown ink along upper and right borders
Joseph and Potiphar's Wife
Taddeo Zuccaro
ca. 1550
Assumption of the Virgin, Aliprando Caprioli Italian, Engraving
Assumption of the Virgin
Aliprando Caprioli
After Taddeo Zuccaro
1574–99
The Sea Battle in the Gulf of Morbihan, Taddeo Zuccaro Italian, Brush and red wash, highlighted with white gouache, over black chalk, and some compass construction
The Sea Battle in the Gulf of Morbihan
Workshop of Taddeo Zuccaro
16th century
Quarter Plan for a Coved Ceiling, Antenore Ridolfi Italian, Pen and brown ink, brush and two shades of brown and gray wash, and turquoise and green watercolor, over traces of red chalk
Quarter Plan for a Coved Ceiling
Antenore Ridolfi
with annotations by Taddeo Zuccaro
ca. 1561
Spring (Primavera) represented as a woman bearing a billowing drape and garlands, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Spring (Primavera) represented as a woman bearing a billowing drape and garlands, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
After Taddeo Zuccaro
ca. 1570–1615
Summer (Estate), represented as a robed woman bearing a horn of plenty, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Summer (Estate), represented as a robed woman bearing a horn of plenty, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
After Taddeo Zuccaro
ca. 1570–1615
Autumn (Autumnus), represented as a seated male figure bearing grapes in his right hand and a lidded vessel in his left hand, with a billowing drape and grape wreath, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Autumn (Autumnus), represented as a seated male figure bearing grapes in his right hand and a lidded vessel in his left hand, with a billowing drape and grape wreath, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
After Taddeo Zuccaro
ca. 1570–1615
Winter (Hyems), represented as a seated man crossing his arms across his chest, a spandrel-shaped composition from "The Four Seasons", Cherubino Alberti (Zaccaria Mattia) Italian, Engraving
Winter (Hyems), represented as a seated man crossing his arms across his chest, a spandrel-shaped composition from "The Four Seasons"
Cherubino Alberti (Zaccaria Mattia)
After Taddeo Zuccaro
ca. 1570–1615
The Coronation of the Virgin with St Lawrence, St Paul, St Peter and St Sixtus, Cornelis Cort Netherlandish, Engraving
The Coronation of the Virgin with St Lawrence, St Paul, St Peter and St Sixtus
Multiple artists/makers
1576
The Birth of Christ, who is held by the Virgin against a penumbra of light, adoring angels, and Joseph leading a donkey at left , Cherubino Alberti (Zaccaria Mattia) Italian, Engraving

The Birth of Christ, who is held by the Virgin against a penumbra of light, adoring angels, and Joseph leading a donkey at left

Cherubino Alberti (Zaccaria Mattia)
After Taddeo Zuccaro
1570–1615
The Conversion of Saint Paul with God the Father and Angels above , Cherubino Alberti (Zaccaria Mattia) Italian, Engraving; second state of two (Bartsch)

The Conversion of Saint Paul with God the Father and Angels above

Cherubino Alberti (Zaccaria Mattia)
After Taddeo Zuccaro
Publisher Carlo Losi
1575
Alexander the Great freeing Timoclea, from "Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat", Anne Claude Philippe de Tubières, comte de Caylus French, Etching and aquatint with tone woodblock
Alexander the Great freeing Timoclea, from "Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat"
Multiple artists/makers
ca. 1729–40
Illustri Fatti Farnesiani Coloriti Nel Real Palazzo di Caprarola
Multiple artists/makers
1748
The Birth of Mary
Multiple artists/makers
1568
The Presentation of the Virgin in the Temple
Cornelis Cort
After Taddeo Zuccaro
1570
The Presentation of the Virgin in the Temple
Cornelis Cort
After Taddeo Zuccaro
Publisher Giovanni Orlandi
1570
The Presentation of the Virgin in the Temple
Cornelis Cort
After Taddeo Zuccaro
1570
Holy Family with St Anne and St John the Baptist
Cornelis Cort
After Taddeo Zuccaro
1569
The Lamentation
Cornelis Cort
After Taddeo Zuccaro
1567
The Coronation of the Virgin with St Lawrence, St Paul, St Peter and St Sixtus
Multiple artists/makers
1576
The Coronation of the Virgin with St Lawrence, St Paul, St Peter and St Sixtus
Multiple artists/makers
1576
A Descent from the Cross with three other prints, volume 2, plate 80 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
Adoration of the Shepherds, volume 2, plate 107 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
Wilton album, folio 11c: Joseph and the Wife of Potiphar; Joseph on the right extricating himself from the woman's embrace
Attributed to Hendrik van der Borcht I
After Taddeo Zuccaro
Design formerly attributed to Parmigianino (Girolamo Francesco Maria Mazzola)
1600–1650
Wilton album, folio 51: A Pagan Religious Ceremony; eight male figures standing around a flaming altar, the figure on the right pouring libations on the flames
Bartolomeo Passerotti
Possibly after Taddeo Zuccaro
1550–60
Holy Family with Saint Anne and Saint John the Baptist
Multiple artists/makers
after 1569
Prophet from the Old Testament
Engraver Johann Conrad Krüger
After Hendrick Goltzius
After Taddeo Zuccaro
ca. 1760–90

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