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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 121 results
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Putto at left by a fire, anther at right carrying wood, an allegory of the seasons (Winter) an oval composition
Anonymous, 17th century
ca.1650–80
The Sacrifice of Iphigenia
Pietro Testa
ca. 1640–42
The deluge, figures being pulled from the water
Pietro Testa
ca. 1640–42
The return of the Prodigal Son
Anonymous, 17th century
1650–1700
Venus Giving Arms to Aeneas
Pietro Testa
ca. 1638–40
Standing Male Figure Supporting a Shield
Pietro Testa
1612–50
Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting
Pietro Testa
1612–50
The school of painting (Il Liceo della Pittura)
Pietro Testa
ca. 1638
The prodigal son seated on a couch being served wine, revelers in the background, a monkey wearing a collar and chain in the lower left, from a series of four prints
Pietro Testa
ca. 1645
The sacrifice of Iphigenia
Arnold van Westerhout
1650–1700
Self portait as an artist, holding a drawing board and implement
Pietro Testa
ca. 1645
The Return of the Prodigal Son, Shown Embracing His Son
Pietro Testa
ca. 1645
The Prodigal Son Seated on a Couch Being Served Wine, Revelers in the Background, a Monkey Wearing a Collar and Chain in the lower left
Pietro Testa
ca. 1645
Three Luchese saints interceding with the Virgin for the victims of the plague
Pietro Testa
ca. 1630–31
Venus and Adonis, surrounded by many putti, reclining after the hunt, with a dead boar in the lower right
Pietro Testa
1631–37
The Academy of Painting (Il Liceo della Pittura), after Pietro Testa
Pietro Testa
ca. 1685–1700
The sacrifice of Isaac by his father Abraham
Pietro Testa
ca. 1640–42
Diana on her Chariot, volume 2, plate 85 from "Monuments des Arts du Dessin"
Louise Bouteiller
1829
Self-Portrait
Pietro Testa
ca. 1645
The rest on the Flight into Egypt
Andrea Scacciati
1740–71
Venus and Adonis, surrounded by many putti, reclining after the hunt, with a dead boar in the lower right
Pietro Testa
ca. 1631–37
The adoration of the shepherds who gather at left, angels holding a banderole upper right
Anonymous, 18th century
1700–1800
Sinorix carried from the temple of Artemis trying to escape the effects of the poisoning
Pietro Testa
ca. 1640
The Holy Family fed by Angels
Pietro Testa
ca. 1642–44
St. Carlo Borromeo surrounded by angels
Pietro Testa
1650–70
An allegory of Autumn, Apollo is in the sign of Scorpio above, and below appears a Bacchic scene of revelry, from "The Four Seasons"
Pietro Testa
ca. 1642–44
The Holy Family attended by Angels
Pietro Testa
ca. 1642–44
The death of Saint Pellegrino surrounded by many putti
Anonymous, 18th century
1700–1800
An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing
Pietro Testa
1637–38
The Holy Family with Attendant Angels
Pietro Testa
1612–50
Study for a pendentive depicting Justice and Charity
Giovanni Cesare Testa
1637–38
Three Lucchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague
Anonymous, 17th century
1650–1700
The Adoration of the Magi, set before and architectural colonnade
Pietro Testa
ca 1650–60
Allegory of Penance and Death
Pietro Testa
1612–50
Mary Magdalene in the desert, a cross borne by angels at the right
Pietro Testa
ca. 1630
The Holy Family with the infant Saint John holding an apple
Pietro Testa
ca. 1630
Stucco bas-relief with two male figures
Anonymous, 18th century
1700–1800
An allegory of painting, who as an child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing
Pietro Testa
1650–1700
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left
Pietro Testa
1648

Three Lucchese saints Sts Nicholas Tolentino, Nicholas of Bari and Roch interceding with the Virgin on behalf of the victims of the plague

Anonymous, 17th century
1650–1700