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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 121 results
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Saint Jerome before a crucifix accompanied by a lion and three putti
Pietro Testa
ca. 1631–37
The garden of Venus, proof impression of upper left corner
Pietro Testa
ca. 1631–37
Saint Michael the Archangel crushing the demon underfoot
Anonymous, 18th century
1700–1800
The Adoration of the Magi, set before and architectural colonnade
Pietro Testa
ca 1650–60
Three Lucchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague
Johann Michael Feichtmayr the Elder
1691
Classical scene of figures gathered around an orator at right (possibly related to healing the lame)
Matthias Oesterreich
1752
The suicide of Dido who reclines on a pyre in centre, surrounded by many figures
Giovanni Cesare Testa
1650–55
The prophecy of Basilides; the priest on Mount Carmel divines the fate of the Roman Emperor Titus at the left, while Justice points to a vision of the dead Christ at the right
Giovanni Cesare Testa
ca. 1650
The Prodigal Son Seated on a Couch Being Served Wine, Revelers in the Background, a Monkey Wearing a Collar and Chain in the lower left
Pietro Testa
ca. 1645
An allegory of painting
François Collignon
17th century
The rest on the Flight into Egypt
Andrea Scacciati
1740–71
The Garden of Venus who reclines in the centre before a term of Pan and surrounded by cupids
Pietro Testa
ca. 1631–37
The Adoration of the Magi, set before and architectural colonnade
Pietro Testa
ca. 1640
Saint Sebastian being tied to a tree
Girolamo Pedrignani
1625–50
Venus and Adonis embracing after the hunt
Anonymous, 17th century
1650–1700
Diana on her Chariot, volume 2, plate 85 from "Monuments des Arts du Dessin"
Louise Bouteiller
1829
The Suicide of Dido
Pietro Testa
1650–1700
The sacrifice of Iphigenia
Arnold van Westerhout
1650–1700
The Departure of the Prodigal Son, Shown About to Mount a Horse
Pietro Testa
ca. 1645
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left
Pietro Testa
1648
The departure of the prodigal son, shown at about to mount his horse, from a series of four prints
Pietro Testa
ca. 1645
The suicide of Dido who reclines on a pyre in centre
Giovanni Cesare Testa
1650–55
The suicide of the philosopher Cato, who lies on his bed pulling out his innards watched by horrified disciples
Pietro Testa
1648
An allegory of Spring announced by the arrival of the sun, personfied by Apollo, in the sign of Gemini, after Testa
Georg Andreas Wolfgang
1650–1700
Putto at left reclining on sheaves of wheat, another at right carrying a sheave over his shoulder, an allegory of the seasons (Summer), an oval composition
Anonymous, 17th century
ca.1650–80
The martyrdom of Saint Erasmus who is prostrate having his innards removed
Anonymous, 17th century
1630–60
The Return of the Prodigal Son, Shown Embracing His Son
Pietro Testa
ca. 1645
Two figures representing Sloth and Poverty
Anonymous, 18th century
1700–1800
The Prophecy of Basilides
Giovanni Cesare Testa
ca. 1650
The deluge, figures being pulled from the water
Pietro Testa
ca. 1640–42
Venus giving Arms to Aeneas
Pietro Testa
ca. 1638–40
An allegory in honor of the arrival of Cardinal Franciotti as Bishop of Lucca
Pietro Testa
1680–1700
Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting
Pietro Testa
1612–50
The adoration of the shepherds who gather at left, angels holding a banderole upper right
Anonymous, 18th century
1700–1800
The martyrdom of Saint Angelo who in the upper left is being stabbed watched by horrified onlookers, from the 'Cabinet Crozat'
Anne Claude Philippe de Tubières, comte de Caylus
1729–64
Self portait as an artist, holding a drawing board and implement
Pietro Testa
ca. 1645
Putto at left holding an upturned cornucopia and a garland, another seated at the right holding an urn, an allegory of the seasons (Autumn), an oval composition
Anonymous, 17th century
ca.1650–80
Venus giving arms to Aeneas
Pietro Testa
ca. 1638–40
The Triumph of Painting; in the centre female figure representing Painting being crowned by the Three Graces rides a chariot toward Parnassus in the upper right, many other figures crowd the composition
Pietro Testa
ca. 1642
Putto at left by a fire, anther at right carrying wood, an allegory of the seasons (Winter) an oval composition
Anonymous, 17th century
ca.1650–80