The Temple of Dendur will be closed on Tuesday, June 9 and Thursday, June 11.

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Queen Charlotte, Thomas Gainsborough  British, Oil on canvas
Thomas Gainsborough
Jug, Worcester factory  British, Soft-paste porcelain, British, Worcester
Multiple artists/makers
ca. 1760
Charles Rousseau Burney (1747–1819), Thomas Gainsborough  British, Oil on canvas
Thomas Gainsborough
ca. 1780
A Boy with a Cat—Morning, Thomas Gainsborough  British, Oil on canvas
Thomas Gainsborough
1787
Wooded Upland Landscape, Thomas Gainsborough  British, Oil on canvas
Thomas Gainsborough
probably 1783
The Painter's Daughter Mary (1750–1826), Thomas Gainsborough  British, Oil on canvas
Copy after Thomas Gainsborough
mid-19th century
Wooded Landscape with a Man Crossing a Bridge, Thomas Gainsborough  British, Black and white chalk, brush and gray ink, gray wash and with body color on tan paper
Thomas Gainsborough
early 1780s
Mountain Landscape with a Castle and a Boatman, Thomas Gainsborough  British, Black and white chalk with stumping on blue wove paper
Thomas Gainsborough
mid-to-late 1780s
Mountain Landscape with Figures and Buildings, Thomas Gainsborough  British, Black and white chalk with stumping, on blue-gray paper
Thomas Gainsborough
mid-to-late 1780s
Landscape with Figures, George Frost  British, Graphite, brush and gray wash
Possibly by George Frost
Formerly attributed to Thomas Gainsborough
18th or early 19th century
Girl and Pigs, Richard Earlom  British, Mezzotint
Richard Earlom
After Thomas Gainsborough
Publisher John Boydell
1783
Portrait of a young woman seated, Thomas Gainsborough  British, Black chalk with touches of red wash
Thomas Gainsborough
ca. 1760
Wooded Landscape with Riders, Thomas Gainsborough  British, Aquatint; second state of two
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
August 1, 1797
Wooded Landscape with Figures and Cows at a Watering Place (The Watering Place), Thomas Gainsborough  British, Soft-ground etching with aquatint; second state of two
Thomas Gainsborough
Publisher John & Josiah Boydell
August 1, 1797
Landscape, Thomas Gainsborough  British, Soft-ground etching on blue paper with touches of white chalk
After Thomas Gainsborough
18th–19th century
Wooded Landscape with Herdsmen Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle, Thomas Gainsborough  British, Hand-colored soft-ground etching and aquatint; third state of three
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
1797
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church, Thomas Gainsborough  British, Hand-colored soft-ground etching and aquatint; fourth state of four
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
August 1, 1797
Wooded Landscape with Two Country Carts and Figures, Thomas Gainsborough  British, Hand-colored soft-ground etching and aquatint; second state of two
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
August 1, 1797
The Right Honorable Charles Pratt, 1st Earl Camden, Lord Chancellor, Francesco Bartolozzi  Italian, Stipple engraving and etching; fifth state
Francesco Bartolozzi
After Thomas Gainsborough
Sitter Portrait of Charles Pratt, 1st Earl Camden
1795
Francesco d' Ageno, Francesco Bartolozzi  Italian, Etching and stipple engraving; second state of two
Multiple artists/makers
1785–90
Ignatius Sancho, Francesco Bartolozzi  Italian, Stipple engraving and etching; third(?) state of three
Multiple artists/makers
1802
A clump of trees, Thomas Gainsborough  British, Graphite, brush and gray wash
Thomas Gainsborough
ca. 1757
Shore scene with cattle, boats in shallow water behind, or, Cattle, River side, Thomas Rowlandson  British, Soft-ground etching with aquatint
Etcher Thomas Rowlandson
After Thomas Gainsborough
1783–89
Landscape with cattle and figures; sketch for the Rustic Courtship, Gainsborough Dupont  British, Graphite
Gainsborough Dupont
Formerly attributed to Thomas Gainsborough
1755–97
Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church, Thomas Gainsborough  British, Soft-ground etching; third state
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
August 1, 1797
Wooded Landscape with Herdsmen and Cows, Thomas Gainsborough  British, Aquatint (sugar-lift process), printed in brown ink
Thomas Gainsborough
Publisher Republished by John & Josiah Boydell
August 1, 1797
Wooded Landscape with Herdsmen and Cows, Thomas Gainsborough  British, Aquatint with soft-ground etching, printed in gray ink; third state of three
Thomas Gainsborough
Publisher John & Josiah Boydell
August 1, 1797
Wooded Landscape with Two Country Carts and Figures, Thomas Gainsborough  British, Soft-ground etching, printed in gray ink; second state of two
Thomas Gainsborough
Publisher John & Josiah Boydell
August 1, 1797