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Design for a Frieze Ornamented with Musical Instruments, Thomas Hardwick  British, Pen and ink, brush and wash
Attributed to Thomas Hardwick
late 18th–early 19th century
Design for a Corinthian Entablature for the Duke of Richmond, either for Richmond House, Whitehall, London, or Goodwood, Sussex, Thomas Hardwick  British, Pen and black and brown ink
Thomas Hardwick
late 18th–early 19th century
Plaque with Ornamentation, Thomas Hardwick  British
Attributed to Thomas Hardwick
1776–79
Study of a Classical Rosette, Thomas Hardwick  British
Attributed to Thomas Hardwick
1776–79
Study of a Classical Rosette, Thomas Hardwick  British
Attributed to Thomas Hardwick
1776–79
Classical Study, Thomas Hardwick  British, Red chalk
Attributed to Thomas Hardwick
1776–79
Study of Classical Ornament and Detail, Thomas Hardwick  British, Pen and red chalk
Attributed to Thomas Hardwick
1776–79
Segment of Circular Celing Vault, Palazzo Mattei, Rome, Thomas Hardwick  British, Graphite
Attributed to Thomas Hardwick
1776–79
Sketch of Two Friezes, Palazzo Mattei, Thomas Hardwick  British, Graphite
Attributed to Thomas Hardwick
1776–79
Classical Ceiling Moldings with Floral Ornament, Thomas Hardwick  British, Graphite
Attributed to Thomas Hardwick
1776–79
Classical Molding with Floral Elements, Thomas Hardwick  British, Red chalk
Attributed to Thomas Hardwick
1776–79
Antique Roman Sculpture with Nude Winged Boy at the Center and Leaves and Vines, Thomas Hardwick  British, Graphite
Attributed to Thomas Hardwick
1776–79
Classical Molding with Human Head at the Center Surrounded by Leaves and Vines, Thomas Hardwick  British, Graphite
Attributed to Thomas Hardwick
1776–79
Classical Molding with Human Head, Leaves, Vines and Empty Roundels (recto); Detail of Classical Molding with Eagle In front of a Wreath with Ribbon Below (verso), Thomas Hardwick  British, Graphite
Attributed to Thomas Hardwick
1776–79
Classical Border Elements with Vines and Leaves, Thomas Hardwick  British, Graphite
Attributed to Thomas Hardwick
1776–79
Classical Design Element with Leaves and Vines, Thomas Hardwick  British, Graphite
Attributed to Thomas Hardwick
1776–79
Border Design from a Classical Frieze, Decorated with Vines and Leaves, Thomas Hardwick  British, Graphite
Attributed to Thomas Hardwick
1776–79
Sketch of a Classical Pedestal, Thomas Hardwick  British, Graphite
Attributed to Thomas Hardwick
1776–79
Sketch of a Classical Pedestal, Thomas Hardwick  British, Graphite
Attributed to Thomas Hardwick
1776–79
Sketch of a Classical Pedestal, Thomas Hardwick  British, Graphite
Attributed to Thomas Hardwick
1776–79
Sketch of a Classical Pedestal with Griffins, Thomas Hardwick  British, Graphite
Attributed to Thomas Hardwick
1776–79
Classical Sculpture of a Lion, Front and Side Views, Thomas Hardwick  British, Graphite
Attributed to Thomas Hardwick
1776–79
Classical Sculpture of a Lion and Two Rosettes, Thomas Hardwick  British, Graphite
Attributed to Thomas Hardwick
1776–79
Classical Frieze with Griffins and Candleabra, and Molding Details, Thomas Hardwick  British, Graphite
Attributed to Thomas Hardwick
1776–79
Two Frieze Designs: Decorated with Birds, Reptiles and Vines, Griffins and Vases, Thomas Hardwick  British, Graphite
Attributed to Thomas Hardwick
1776–79
Three Frieze Designs with Young Satyrs, Leaves, Vines, and Putti, Thomas Hardwick  British, Graphite
Attributed to Thomas Hardwick
1776–79
A Vase and Classical Monuments Carved with Hooded Women Carrying Urns, Two Females Embracing Beneath a Vase and Two Nude Female Figures Supporting a Vase, Thomas Hardwick  British, Graphite
Attributed to Thomas Hardwick
1776–79
Elevation of a University Senate House, Thomas Hardwick  British, Graphite, pen and ink, watercolor
Thomas Hardwick
ca. 1800
Multiple artists/makers
1748–92
Multiple artists/makers
1814
Multiple artists/makers
1814

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.