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The Smith's Yard, James McNeill Whistler  American, Transfer lithograph; only state (Chicago), as published; printed from a supplementary stone on medium-weight ivory wove paper with a smooth finish
James McNeill Whistler
Printer Thomas Robert Way
1895
The Savoy Pigeons, James McNeill Whistler  American, Transfer lithograph; only state (Chicago), from the published edition printed from a supplementary stone; printed in black ink on heavy cream laid paper
James McNeill Whistler
Printer Thomas Robert Way
1896
The Tyresmith, from "The Whirlwind", James McNeill Whistler  American, Transfer lithograph, printed in black ink on smooth ivory wove paper
James McNeill Whistler
Printer Thomas Robert Way
November 15, 1890
Whistler with the White Lock, Thomas Robert Way  British, Lithograph
Thomas Robert Way
After James McNeill Whistler
Sitter James McNeill Whistler
1890–1900 (?)
Arrangement in Grey and Black: Portrait of the Artist's Mother, Thomas Robert Way  British, Lithograph on chine collé; first state
Thomas Robert Way
After James McNeill Whistler
1892
Author Introduction and descriptions written by Henry Benjamin Wheatley
Illustrator Thomas Robert Way
Publisher George Bell & Sons
1898
Author Introduction and descriptions written by Henry Benjamin Wheatley
Author Preface and illustrations by Thomas Robert Way
Publisher George Bell & Sons
1899
Lithographer Thomas Robert Way
Publisher Printed and Published by Thomas Robert Way
1907
Multiple artists/makers
1895

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.