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Horse and Rider, Tsukioka Yoshitoshi Japanese, Triptych of woodblock prints; ink and color on paper, Japan
Horse and Rider
Tsukioka Yoshitoshi
Masakiyo’s Challenging Battle, from Taiheiki (Chronicle of great peace), Tsukioka Yoshitoshi Japanese, Triptych of woodblock prints (nishiki-e); ink and color on paper, Japan
Masakiyo’s Challenging Battle, from Taiheiki (Chronicle of great peace)
Tsukioka Yoshitoshi
10th month of 1866
Illustration of Cavalry, Infantry and Soldiers Retreating (Kiheitai, hoheitai, daichōren no zu), Tsukioka Yoshitoshi Japanese, Triptych of woodblock prints; ink and color on paper, Japan
Illustration of Cavalry, Infantry and Soldiers Retreating (Kiheitai, hoheitai, daichōren no zu)
Tsukioka Yoshitoshi
8th month, 1867
Postal Hōchi Newspaper no. 645, Englishman raping a wine shopkeeper's daughter (Yūbin Hōchi shinbun, roppyaku yonjū gogō), Tsukioka Yoshitoshi Japanese, Woodblock print; ink and color on paper, Japan
Postal Hōchi Newspaper no. 645, Englishman raping a wine shopkeeper's daughter (Yūbin Hōchi shinbun, roppyaku yonjū gogō)
Tsukioka Yoshitoshi
August, 1875
Twenty-Four Hours at Shinbashi/Yanagibashi: 12 Noon. (Shinyanagi nijūyo-ji, gozen jūni-ji), Tsukioka Yoshitoshi Japanese, Woodblock print; ink and color on paper, Japan
Twenty-Four Hours at Shinbashi/Yanagibashi: 12 Noon. (Shinyanagi nijūyo-ji, gozen jūni-ji)
Tsukioka Yoshitoshi
1880
Collection of Desires, Wish for Foreign Travel (Mitate Tai zukushi-yōkō ga shitai), Tsukioka Yoshitoshi Japanese, Woodblock print; ink and color on paper, Japan
Collection of Desires, Wish for Foreign Travel (Mitate Tai zukushi-yōkō ga shitai)
Tsukioka Yoshitoshi
January, 1878
Plum Blossoms in the Forrest of Ikuta, from the series Bravery-Beauty of the four seasons (Buyū setsugekka no uchi-Ikuta no mori, Ebira no ume), Tsukioka Yoshitoshi Japanese, Triptych of woodblock prints; ink and color on paper, Japan
Plum Blossoms in the Forrest of Ikuta, from the series Bravery-Beauty of the four seasons (Buyū setsugekka no uchi-Ikuta no mori, Ebira no ume)
Tsukioka Yoshitoshi
1867
Fudō Myōō Threatening a Novice, Tsukioka Yoshitoshi Japanese, Triptych of woodblock prints; ink and color on paper, Japan
Fudō Myōō Threatening a Novice
Tsukioka Yoshitoshi
1885
Illustration of Steam Locomotive Tracks at Takanawa, from the series Famous Places in Tokyo (Tōkyō meishō Takanawa-jōki kikansha no zen zu), Tsukioka Yoshitoshi Japanese, Triptych of woodblock prints; ink and color on paper, Japan
Illustration of Steam Locomotive Tracks at Takanawa, from the series Famous Places in Tokyo (Tōkyō meishō Takanawa-jōki kikansha no zen zu)
Tsukioka Yoshitoshi
1872
Kurahashi Densuke Kiyohara Takeyuki, Tsukioka Yoshitoshi Japanese, Woodblock print; ink and color on paper, Japan
Kurahashi Densuke Kiyohara Takeyuki
Tsukioka Yoshitoshi
19th century
Waking Up: A Girl of the Kōka Era (1844–1848), Tsukioka Yoshitoshi Japanese, Woodblock print; ink and color on paper, Japan
Waking Up: A Girl of the Kōka Era (1844–1848)
Tsukioka Yoshitoshi
1888
Illustration of a Large French Port Trading with Many Nations (Furansukoku oominato shokoku kōeki zu), Tsukioka Yoshitoshi Japanese, Triptych of woodblock prints; ink and color on paper, Japan
Illustration of a Large French Port Trading with Many Nations (Furansukoku oominato shokoku kōeki zu)
Tsukioka Yoshitoshi
4th month, 1866
Maneuvers by Three Categories of French and English Soldiers (Furansu Igirisu sanhei ōchōren no zu), Tsukioka Yoshitoshi Japanese, Triptych of woodblock prints; ink and color on paper, Japan
Maneuvers by Three Categories of French and English Soldiers (Furansu Igirisu sanhei ōchōren no zu)
Tsukioka Yoshitoshi
8th month, 1867
Maneuvers by Three Categories of French and English Soldiers (Furansu Igirisu sanhei ōchōren no zu), Tsukioka Yoshitoshi Japanese, Triptych of woodblock prints; ink and color on paper, Japan
Maneuvers by Three Categories of French and English Soldiers (Furansu Igirisu sanhei ōchōren no zu)
Tsukioka Yoshitoshi
8th month, 1867
The Spirit of Akugenta Yoshihira Strikes Nanba Jirō during Kiyomori’s Visit to Nunobiki Waterfall, Tsukioka Yoshitoshi Japanese, Triptych of woodblock-printed books (nishiki-e); ink and color on paper, Japan
The Spirit of Akugenta Yoshihira Strikes Nanba Jirō during Kiyomori’s Visit to Nunobiki Waterfall
Tsukioka Yoshitoshi
1868
Banzuiin Chōbei, from the series Story of Brocades of the East in the Floating World (Azuma no hana ukiyo kōdan - Banzuiin Chōbei), Tsukioka Yoshitoshi Japanese, Woodblock print; ink and color on paper, Japan
Banzuiin Chōbei, from the series Story of Brocades of the East in the Floating World (Azuma no hana ukiyo kōdan - Banzuiin Chōbei)
Tsukioka Yoshitoshi
10th month, 1867
Twenty-Four Hours at Shinbashi/Yanagibashi: 12 Noon. (Shinyanagi nijūyo-ji, gozen jūni-ji), Tsukioka Yoshitoshi Japanese, Woodblock print; ink and color on paper, Japan
Twenty-Four Hours at Shinbashi/Yanagibashi: 12 Noon. (Shinyanagi nijūyo-ji, gozen jūni-ji)
Tsukioka Yoshitoshi
1880
Moon in the Flame from the Series One Hundred Images of the Moon (Tsuki hyaku sugata-enchūgetsu), Tsukioka Yoshitoshi Japanese, Woodblock print; ink and color on paper, Japan
Moon in the Flame from the Series One Hundred Images of the Moon (Tsuki hyaku sugata-enchūgetsu)
Tsukioka Yoshitoshi
February, 1886
Chronicle of the Imperial Restoration (Kōkoku isshin kenbunshi), Tsukioka Yoshitoshi Japanese, Woodblock print; ink and color on paper, Japan
Chronicle of the Imperial Restoration (Kōkoku isshin kenbunshi)
Tsukioka Yoshitoshi
June, 1876
Hideyoshi and His Troops Leaving Nagoya Camp (Mashiba Hideyoshi kō nagoya jin saki te no shoshō kuridashi no zu), Tsukioka Yoshitoshi Japanese, Triptych of woodblock prints; ink and color on paper, Japan
Hideyoshi and His Troops Leaving Nagoya Camp (Mashiba Hideyoshi kō nagoya jin saki te no shoshō kuridashi no zu)
Tsukioka Yoshitoshi
19th century
Fifty-three Stations of Suehiro: Warrior Looks at Passing Steamship, Tsukioka Yoshitoshi Japanese, Woodblock print; ink and color on paper, Japan
Fifty-three Stations of Suehiro: Warrior Looks at Passing Steamship
Tsukioka Yoshitoshi
ca. 1865
Illustration of the Police Superintendent and his men Receiving Wine (Keishi kakutai e sake tamawaru mono no zu), Tsukioka Yoshitoshi Japanese, Triptych of woodblock prints; ink and color on paper, Japan
Illustration of the Police Superintendent and his men Receiving Wine (Keishi kakutai e sake tamawaru mono no zu)
Tsukioka Yoshitoshi
September 1877
Police Superintendant's Party: A Gift of Food and Drink, Tsukioka Yoshitoshi Japanese, Woodblock print; ink and color on paper, Japan
Police Superintendant's Party: A Gift of Food and Drink
Tsukioka Yoshitoshi
September 1877
Feeling Warm, Tsukioka Yoshitoshi Japanese, Woodblock print; ink and color on paper, Japan
Feeling Warm
Tsukioka Yoshitoshi
1888
Teasing the Cat, Tsukioka Yoshitoshi Japanese, Woodblock print; ink and color on paper, Japan
Teasing the Cat
Tsukioka Yoshitoshi
1888
Illustration of Ladies-in-waiting boarding at a station (Kanjo sutēshon chakusha zu), Tsukioka Yoshitoshi Japanese, Woodblock print; ink and color on paper, Japan
Illustration of Ladies-in-waiting boarding at a station (Kanjo sutēshon chakusha zu)
Tsukioka Yoshitoshi
1879
Murasaki Shikibu at Ishiyamadera Temple, based on the print “The Moon at Ishiyama,” from the series One Hundred Aspects of the Moon (Tsuki hyakushi: Ishiyama no tsuki), Tsukioka Yoshitoshi Japanese, Hanging scroll; ink and color on silk, Japan
Murasaki Shikibu at Ishiyamadera Temple, based on the print “The Moon at Ishiyama,” from the series One Hundred Aspects of the Moon (Tsuki hyakushi: Ishiyama no tsuki)
Tsukioka Yoshitoshi
ca. 1892
The Spirit of the Deceased Yūgao Entwined in Moonflower Vines, based on the print “The Lady of the Evening Faces,” from the series One Hundred Aspects of the Moon (Tsuki hyakushi: Genji Yūgao no maki) , Tsukioka Yoshitoshi Japanese, Hanging scroll; ink and color on silk, Japan

The Spirit of the Deceased Yūgao Entwined in Moonflower Vines, based on the print “The Lady of the Evening Faces,” from the series One Hundred Aspects of the Moon (Tsuki hyakushi: Genji Yūgao no maki)

Tsukioka Yoshitoshi
ca. 1892