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Pair of cassolettes, Willliam Hopkins Croft (British, ca. 1730–1811 London), Enamel on copper, gilt bronze, British, London
Pair of cassolettes
Enameler Willliam Hopkins Croft
probably after William Hamilton
1787
The Unfortunate Death of Major André, from Barnard's New, Complete and Authentic History of England, Jabez Goldar British, Etching and engraving
The Unfortunate Death of Major André, from Barnard's New, Complete and Authentic History of England
Multiple artists/makers
1782
The Conclusion of the Treaty of Troyes, Francesco Bartolozzi Italian, Stipple engraving; third state
The Conclusion of the Treaty of Troyes
Engraved by Francesco Bartolozzi
After William Hamilton
1788
Romeo and Juliet at the Masquerade (Shakespeare, Romeo and Juliet, Act 1, Scene 5), Francesco Bartolozzi Italian, Stipple engraving, and etching, printed in brown ink
Romeo and Juliet at the Masquerade (Shakespeare, Romeo and Juliet, Act 1, Scene 5)
Multiple artists/makers
June 15, 1785
Caractacus Delivered to Ostorius, Francesco Bartolozzi Italian, Etching and stipple engraving, printed in color; fourth state
Caractacus Delivered to Ostorius
Francesco Bartolozzi
After William Hamilton
Publisher Susannah Vivares
February 14, 1788
June, Francesco Bartolozzi Italian, Etching and engraving; third state
June
Francesco Bartolozzi
After William Hamilton
Publisher Thomas Macklin
July 10, 1789
Poetry and History Presenting Painting with Subjects, Francesco Bartolozzi Italian, Etching and engraving
Poetry and History Presenting Painting with Subjects
Francesco Bartolozzi
After William Hamilton
Publisher Thomas Macklin
1794
The Surrender of Earl Cornwallis (Lieutenant General of the British Army in North America) to General Washington & Count De Rochambeau, on the 19th of October, 1781, from Barnard's New, Complete and Authentic History of England, T. Thornton British, Engraving
The Surrender of Earl Cornwallis (Lieutenant General of the British Army in North America) to General Washington & Count De Rochambeau, on the 19th of October, 1781, from Barnard's New, Complete and Authentic History of England
Multiple artists/makers
1781–83, or 1791
Isabella and Angelo (Shakespeare, Measure for Measure, Act 2, Scene 2), James Fittler British, Engraving
Isabella and Angelo (Shakespeare, Measure for Measure, Act 2, Scene 2)
Multiple artists/makers
1794
The Death of Arthur, James Fittler British, Engraving
The Death of Arthur
Multiple artists/makers
1793
Rosalind, Oliver and Celia (Shakespeare, As You Like It, Act 4, Scene 6), Peltro William Tomkins British, Etching and engraving, hand-colored
Rosalind, Oliver and Celia (Shakespeare, As You Like It, Act 4, Scene 6)
Multiple artists/makers
1791
Mary, Queen of Scots signs the paper by which she resigns her crown to her infant son (from "History of England"), William Hamilton British, Etching and stipple engraving
Mary, Queen of Scots signs the paper by which she resigns her crown to her infant son (from "History of England")
Multiple artists/makers
May 1, 1787
John the Baptist and two men, with Christ, William Hamilton British, Pen and black ink, brush and brown wash over graphite
John the Baptist and two men, with Christ
William Hamilton
1770–80
A king with his horse, alarmed by ghostly women, William Hamilton British, Pen and brown ink, brush and brown and gray wash and watercolor, over graphite
A king with his horse, alarmed by ghostly women
William Hamilton
1770–80
A man in chains converses with a woman, William Hamilton British, Pen and brown and gray ink, brush and gray and brown wash, over graphite
A man in chains converses with a woman
William Hamilton
1770–80
Envy from Ovid's "House of Envy" (Book II, lines 760-796) (recto); A naked woman (verso), William Hamilton British, Recto: pen and black ink, brush and brown wash and watercolor, over graphite<br/>Verso: pen and brown ink and graphite
Envy from Ovid's "House of Envy" (Book II, lines 760-796) (recto); A naked woman (verso)
William Hamilton
1770–80
The Abduction of Deianira, William Hamilton British, Pen and black ink over graphite, with watercolor
The Abduction of Deianira
William Hamilton
1770–80
Amymone (?) with a lecherous satyr, William Hamilton British, Pen and black ink over graphite, with watercolor
Amymone (?) with a lecherous satyr
William Hamilton
1770–80
A figure in armor, William Hamilton British, Pen and brown ink, brush and brown wash, over graphite
A figure in armor
William Hamilton
1770–80
Classical military subject, William Hamilton British, Pen and brown ink, brush and brown wash, over graphite
Classical military subject
William Hamilton
1770–80
Historical subject with men and a boy near a ship (recto). Anatomical study of a foot (verso), William Hamilton British, Recto: pen and black ink, brush and brown wash and watercolor, over graphite<br/>Verso: pen and black ink, brush and wash, over graphite
Historical subject with men and a boy near a ship (recto). Anatomical study of a foot (verso)
William Hamilton
1770–80
Male with a staff in a storm (recto). Anatomical studies of a foot (verso), William Hamilton British, Recto: pen and black ink, brush and gray wash, over graphite<br/>Verso: pen and brown ink
Male with a staff in a storm (recto). Anatomical studies of a foot (verso)
William Hamilton
Subject May relate to William Shakespeare
1770–80
Woman sheltering a child in a landscape, William Hamilton British, Pen and brown ink, brush and gray wash, over graphite
Woman sheltering a child in a landscape
William Hamilton
1770–80
"To you I give myself, for I am yours" (Shakespeare, As You Like It, Act 5, Scene 4), Peter Simon British, Etching and engraving
"To you I give myself, for I am yours" (Shakespeare, As You Like It, Act 5, Scene 4)
Multiple artists/makers
September 29, 1792
The Resentment of Queen Catherine (Paul de Rapin, History of England), John Ogborne British, Stipple engraving with etching
The Resentment of Queen Catherine (Paul de Rapin, History of England)
Engraver John Ogborne
After William Hamilton
Publisher John Thane
1790
Prince Arthur Giving Welcome to the Archduke of Austria, etc. (Shakespeare, King John, Act 2, Scene 1), John Ogborne British, Stipple engraving
Prince Arthur Giving Welcome to the Archduke of Austria, etc. (Shakespeare, King John, Act 2, Scene 1)
Multiple artists/makers
1791
The Princess, Rosaline, etc. (Shakespeare, Love's Labour Lost, Act 4, Scene 1), Thomas Ryder I British, Etching and engraving
The Princess, Rosaline, etc. (Shakespeare, Love's Labour Lost, Act 4, Scene 1)
Multiple artists/makers
first published 1793; reissued 1852
Hero Fainting in Church (Shakespeare, Much Ado About Nothing, Act 4, Scene 1), Peter Simon British, Stipple engraving
Hero Fainting in Church (Shakespeare, Much Ado About Nothing, Act 4, Scene 1)
Multiple artists/makers
first published 1789; reissued 1852
Prince Edmund, surnam'd Ironside and Algitha, Francesco Bartolozzi Italian, Stipple engraving, printed in reddish-brown ink
Prince Edmund, surnam'd Ironside and Algitha
Engraver Francesco Bartolozzi
After William Hamilton
Publisher James Birchall
1786
The Conclusion of the Treaty of Troye, Where Henry the V, King of England, Receives the Princess of France in Marriage, William Hamilton British, Stipple engraving with etching, printed with some color
The Conclusion of the Treaty of Troye, Where Henry the V, King of England, Receives the Princess of France in Marriage
William Hamilton
Engraver R. Gerard
Publisher Madame Breton
1788
The Seasons
Multiple artists/makers
1797
Paradise Lost
Multiple artists/makers
1802
The Rape of the Lock, an Heroi-Comical Poem
Multiple artists/makers
1798
Gray's Elegy
Multiple artists/makers
1799
Anne, Countess Cowper
Multiple artists/makers
January 12, 1798
Genius Unveiling Nature, Ticket for Walker's Lectures
Engraver Francesco Bartolozzi
After William Hamilton
1794
Ma Chère Ami
Etcher Attributed to Francesco Bartolozzi
After William Hamilton
1765–1800
The Goblin Story
Artist and publisher Peltro William Tomkins
after William Hamilton
Author illustration to James Thomson
July 1, 1795
Apotheosis of the French Royal Family
Multiple artists/makers
January 21, 1799
Apotheosis of the French Royal Family
Multiple artists/makers
1799
Charles, Earl Cornwallis, Lieutenant Général des Armées et Forces de sa Majesté Britannique dans l'Amérique (Charles, Earl Cornwallis, Lieutenant General of the Armies and Forces of his British Majesty in America)
Multiple artists/makers
1777–80
The American General Lee taken Prisoner by Lieutentant Colonel Harcourt of the English Army, in Morris Country, New Jersey, 1776, from Barnard's "New, Complete & Authentic History of England"
Multiple artists/makers
1781–83

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