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Judgment of Paris, Simon Francis Ravenet, the elder  French, Enameled copper, British, Battersea
Multiple artists/makers
ca. 1753–56
George William Frederick, Prince of Wales (later King George III), Simon Francis Ravenet, the elder  French, Enamel on copper, transfer printed, British, Battersea
Multiple artists/makers
ca. 1753–56
Danaë and the Shower of Gold, Simon Francis Ravenet, the elder  French, Enamel on copper, transfer printed and overenameled, British, Battersea, London
Engraver Simon Francis Ravenet, the elder
Designer possibly James Gwim
Manufactory York House
ca. 1753–56
Venus Begging Arms From Vulcan, Simon Francis Ravenet, the elder  French, Enamel on copper; transfer-printed, British, Battersea, London
Engraver after Simon Francis Ravenet, the elder
Designer possibly James Gwim
Manufactory York House
ca. 1753–56
Britannia giving coins to Science and the Arts, Simon Francis Ravenet, the elder  French, Enameled copper, British, Battersea
Multiple artists/makers
ca. 1753–56
Britannia giving coins to Science and the Arts, Simon Francis Ravenet, the elder  French, Enamel on copper, British, Battersea (lid) and British, Birmingham (base)
Multiple artists/makers
ca. 1753–56
Laocoon and the Trojan Horse, Simon Francis Ravenet, the elder  French, Enamel on copper, British, Battersea
Engraver Simon Francis Ravenet, the elder
Designer possibly James Gwim
Manufactory York House
ca. 1753–56
Perseus and Andromeda, Simon Francis Ravenet, the elder  French, Enamel on copper, British, Battersea
Engraver Simon Francis Ravenet, the elder
Designer possibly James Gwim
Manufactory York House
ca. 1753–56
The Fortune Teller, Simon Francis Ravenet, the elder  French, Enamel on copper, British, Battersea
Multiple artists/makers
ca. 1753–56
Danae and the Shower of Gold, Simon Francis Ravenet, the elder  French, Enamel on copper, British, Battersea
Engraver Simon Francis Ravenet, the elder
Designer possibly James Gwim
Manufactory York House
ca. 1753–56

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.