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Scrapbook of Drawings and Prints, Gideon Saint British, Pen and ink, engraving and etching
Scrapbook of Drawings and Prints
Gideon Saint
ca. 1760
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85
The Censer, Martin Schongauer German, Engraving
The Censer
Martin Schongauer
After/with Georg Schongauer
1470–1491
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, Marcantonio Raimondi Italian, Engraving
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1510–20
Lucretia, Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)
Lucretia
Raphael (Raffaello Sanzio or Santi)
1508–10
Sharecropper, Elizabeth Catlett American and Mexican, Linocut printed in green and black
Sharecropper
Elizabeth Catlett
1952 (published 1968–70)
Reading the News at the Weavers' Cottage, Adriaen van Ostade Dutch, Pen and brown ink, watercolor, white heightening, over traces of graphite; framing lines by the artist (?) in pen and brown ink and gold
Reading the News at the Weavers' Cottage
Adriaen van Ostade
1673
Phaeton, from "The Four Disgracers", Hendrick Goltzius Netherlandish, Engraving
Phaeton, from "The Four Disgracers"
Hendrick Goltzius
After Cornelis Cornelisz van Haarlem
1588
Still-Life with a Watermelon and Pomegranates, Paul Cézanne French, Watercolor over graphite on laid paper
Still-Life with a Watermelon and Pomegranates
Paul Cézanne
1900–1906
Portrait of Nicolas Trigault in Chinese Costume, Peter Paul Rubens Flemish, Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper
Portrait of Nicolas Trigault in Chinese Costume
Peter Paul Rubens
1617
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1435–38
Angel of the Revelation (Book of Revelation, chapter 10), William Blake British, Watercolor, pen and black ink, brush and wash, over traces of graphite
Angel of the Revelation (Book of Revelation, chapter 10)
William Blake
ca. 1803–5
The Entombment, Sir Edward Burne-Jones British, Green, blue, brown and touches of reddish bodycolor, heightened with white gouache (bodycolor)
The Entombment
Sir Edward Burne-Jones
1879
Hercules chasing Avarice from the Temple of the Muses, Ugo da Carpi Italian, Chiaroscuro woodcut from two blocks in green
Hercules chasing Avarice from the Temple of the Muses
Ugo da Carpi
After Baldassarre Tommaso Peruzzi
ca. 1520–27
Nocturne (Nocturne: The Thames at Battersea), James McNeill Whistler American, Lithotint with scraping on a prepared half-tint ground, printed in soft gray-black ink on pale blue laid chine mounted on ivory wove plate paper; second state of two (Chicago)
Nocturne (Nocturne: The Thames at Battersea)
James McNeill Whistler
1878
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
Amya Petitioning Faustus for the Custody of Saint Mamas, Jean Cousin the Elder French, Pen and brown ink, brush and gray wash, with white gouache, over black chalk
Amya Petitioning Faustus for the Custody of Saint Mamas
Jean Cousin the Elder
ca. 1543
A Woman Seated at a Bench on the Avenue du Bois, Berthe Morisot French, Watercolor over traces of graphite
A Woman Seated at a Bench on the Avenue du Bois
Berthe Morisot
1885
Lindisfarne Castle, Holy Island, Northumberland, Thomas Girtin British, Watercolor and bodycolor (gouache)
Lindisfarne Castle, Holy Island, Northumberland
Thomas Girtin
1796–97
Loggia of the Ducal Palace, Venice, John Ruskin British, Watercolor over graphite
Loggia of the Ducal Palace, Venice
John Ruskin
1849–50
Sunset, Eugène Delacroix French, Pastel on blue laid paper
Sunset
Eugène Delacroix
ca. 1850
Armor, Odilon Redon French, Charcoal and conté crayon
Armor
Odilon Redon
1891
Germain-Augustin and Rose de Saint-Aubin, Drawn by Their Uncle, Gabriel de Saint-Aubin French, Brush and gray wash, over black chalk and graphite
Germain-Augustin and Rose de Saint-Aubin, Drawn by Their Uncle
Gabriel de Saint-Aubin
1766
Mascarade à la Grecque; Suite des Vases; and [Cheminées], Ennemond Alexandre Petitot French, Etching
Mascarade à la Grecque; Suite des Vases; and [Cheminées]
Ennemond Alexandre Petitot
Etched and published by Benigno Bossi
Dedicatee Dedicated to Marquis de Felino
1771, 1764
Hypnerotomachia Poliphili, Francesco Colonna Italian, Printed book with woodcut illustrations
Hypnerotomachia Poliphili
Multiple artists/makers
December 1499
Landscape, Edgar Degas French, Monotype in oil colors, heightened with pastel
Landscape
Edgar Degas
1892
Snake Man, Alison Saar American, Color woodcut and lithograph
Snake Man
Alison Saar
Publisher Vinalhaven Press
1994
Liverpool Shipping, Edward Alexander Wadsworth British, Woodcut on Japanese paper
Liverpool Shipping
Edward Alexander Wadsworth
1918
The Lictors Bringing Brutus the Bodies of his Sons, Jacques Louis David French, Black chalk, pen and black and brown ink, brush and gray and brown wash, heightened with white gouache
The Lictors Bringing Brutus the Bodies of his Sons
Jacques Louis David
1787
Still Life with Flowers, a Snail and Insects, Joris Hoefnagel Netherlandish, Watercolor, gouache, and shell gold on vellum
Still Life with Flowers, a Snail and Insects
Joris Hoefnagel
1589
The Archangel Gabriel announcing the birth of Christ, Lucas van Leyden Netherlandish, Pen and brown ink; squared in black chalk; framing lines in pen and brown ink
The Archangel Gabriel announcing the birth of Christ
Lucas van Leyden
1520s
Nocturne: Palaces, James McNeill Whistler American, Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper.
Nocturne: Palaces
James McNeill Whistler
1879–80
The Bearer of the Banner of the Canton Glarus, Urs Graf Swiss, Pen and brown ink
The Bearer of the Banner of the Canton Glarus
Urs Graf
1521
Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces, Albrecht Dürer German, Woodcut
Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces
Albrecht Dürer
After Leonardo da Vinci
before 1521
Study of a Seated Woman Seen from Behind (Marie-Gabrielle Capet), Adélaïde Labille-Guiard French, Red, black, and white chalk on toned laid paper
Study of a Seated Woman Seen from Behind (Marie-Gabrielle Capet)
Adélaïde Labille-Guiard
Sitter Marie Gabrielle Capet
1789
Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn) Dutch, Drypoint printed on vellum
Christ Crucified between the Two Thieves: The Three Crosses
Rembrandt (Rembrandt van Rijn)
1653
Eastern Coast of Rügen with Shepherd, Caspar David Friedrich German, Brown ink and wash over pencil, with white opaque watercolor, on wove paper; partial framing line in brown-black ink
Eastern Coast of Rügen with Shepherd
Caspar David Friedrich
1805–6
Moulin Rouge: La Goulue, Henri de Toulouse-Lautrec French, Lithograph printed in four colors; three sheets of wove paper
Moulin Rouge: La Goulue
Henri de Toulouse-Lautrec
Printer Affiches Américaines, Charles Lévy
1891
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20
Édouard Manet, Seated, Holding His Hat, Edgar Degas French, Graphite and black chalk
Édouard Manet, Seated, Holding His Hat
Edgar Degas
Sitter Edouard Manet
ca. 1868
The Connoisseur, Honoré Daumier French, Pen and ink, wash, watercolor, lithographic crayon, and gouache over black chalk on wove paper
The Connoisseur
Honoré Daumier
ca. 1860–65
Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)