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Portrait of Nicolas Trigault in Chinese Costume, Peter Paul Rubens Flemish, Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper
Portrait of Nicolas Trigault in Chinese Costume
Peter Paul Rubens
1617
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters, Eugène Delacroix French, Watercolor over graphite on wove paper
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters
Eugène Delacroix
1832
The Censer, Martin Schongauer German, Engraving
The Censer
Martin Schongauer
After/with Georg Schongauer
1470–1491
Sharecropper, Elizabeth Catlett American and Mexican, Linocut printed in green and black
Sharecropper
Elizabeth Catlett
1952 (published 1968–70)
Adam and Eve, Albrecht Dürer German, Engraving
Adam and Eve
Albrecht Dürer
1504
Melencolia I, Albrecht Dürer German, Engraving
Melencolia I
Albrecht Dürer
1514
Landscape with a Double Spruce, Albrecht Altdorfer German, Etching
Landscape with a Double Spruce
Albrecht Altdorfer
ca. 1521–22
The Entrance Hall of the Regensburg Synagogue, Albrecht Altdorfer German, Etching
The Entrance Hall of the Regensburg Synagogue
Albrecht Altdorfer
1519
Christ Carrying the Cross, Martin Schongauer German, Engraving
Christ Carrying the Cross
Martin Schongauer
ca. 1475–80
Nocturne (Nocturne: The Thames at Battersea), James McNeill Whistler American, Lithotint with scraping on a prepared half-tint ground, printed in soft gray-black ink on pale blue laid chine mounted on ivory wove plate paper; second state of two (Chicago)
Nocturne (Nocturne: The Thames at Battersea)
James McNeill Whistler
1878
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
A Woman Seated at a Bench on the Avenue du Bois, Berthe Morisot French, Watercolor over traces of graphite
A Woman Seated at a Bench on the Avenue du Bois
Berthe Morisot
1885
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1435–38
Tahitian Faces (Frontal View and Profiles), Paul Gauguin French, Charcoal on laid paper
Tahitian Faces (Frontal View and Profiles)
Paul Gauguin
ca. 1899
Two Draft Horses with a Sleeping Driver, Théodore Géricault French, Brush and brown and gray wash, over graphite
Two Draft Horses with a Sleeping Driver
Théodore Géricault
1820–22
Usuyuki, Jasper Johns American, Screenprint
Usuyuki
Jasper Johns
Publisher Jasper Johns
Publisher Simca Print Artists Inc.
1981
Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912, Léon Bakst Russian, born present day Belarus, Watercolor and gold and silver paints over graphite
Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912
Léon Bakst
1922
The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine), Jean Auguste Dominique Ingres French, Graphite
The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine)
Jean Auguste Dominique Ingres
Patron Prince Wenzel von Kaunitz-Rietberg
1818
Music-Making Angels, Albrecht Dürer German, Pen and brown ink
Music-Making Angels
Albrecht Dürer
1521
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; undivided plate, only state
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Dedicatee Joseph Smith
1741
Bacchanal, Nicolas Poussin French, Pen and brown ink, brush and brown wash, over faint black chalk
Bacchanal
Nicolas Poussin
ca. 1635–36
Otto, Count of Nassau and his Wife Adelheid van Vianen, Bernard van Orley Netherlandish, Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso)
Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
1530–35
View of Heidelberg, Jan Brueghel the Elder Netherlandish, Pen and brown ink, brush and blue and brown wash, heightened with white; framing lines in pen and brown ink
View of Heidelberg
Jan Brueghel the Elder
ca. 1588–89
Diana and Actaeon, Bartholomeus Spranger Netherlandish, Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink
Diana and Actaeon
Bartholomeus Spranger
ca. 1580–85
Cottage among Trees, Rembrandt (Rembrandt van Rijn) Dutch, Pen and brown ink, brush and brown wash, on paper washed with brown
Cottage among Trees
Rembrandt (Rembrandt van Rijn)
ca. 1650
Dune Landscape with Oak Tree, Jacob van Ruisdael Dutch, Black chalk, brush and gray wash, and gouache; framing lines in pen and brown ink
Dune Landscape with Oak Tree
Jacob van Ruisdael
1650–55
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85
The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci Italian, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)
The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci
1510–13
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), Michelangelo Buonarroti Italian, Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo Buonarroti
ca. 1510–11
Scalinata della Trinità dei Monti, Giovanni Paolo Panini Italian, Pen and black ink, brush and gray wash, watercolor, over graphite
Scalinata della Trinità dei Monti
Giovanni Paolo Panini
ca. 1756–58
The Lake of Zug, Joseph Mallord William Turner British, Watercolor and bodycolor (gouache) with reductive techniques over graphite
The Lake of Zug
Joseph Mallord William Turner
1843
Lady Lilith, Dante Gabriel Rossetti British, Watercolor and gouache (bodycolor)
Lady Lilith
Dante Gabriel Rossetti
Henry Treffry Dunn
1867
Reading the News at the Weavers' Cottage, Adriaen van Ostade Dutch, Pen and brown ink, watercolor, white heightening, over traces of graphite; framing lines by the artist (?) in pen and brown ink and gold
Reading the News at the Weavers' Cottage
Adriaen van Ostade
1673
Hercules chasing Avarice from the Temple of the Muses, Ugo da Carpi Italian, Chiaroscuro woodcut from two blocks in green
Hercules chasing Avarice from the Temple of the Muses
Ugo da Carpi
After Baldassarre Tommaso Peruzzi
ca. 1520–27
The Raising of Lazarus, Jacques Bellange French, Pen and brown ink, brown wash
The Raising of Lazarus
Jacques Bellange
ca. 1606–8
Corridor in the Asylum, Vincent van Gogh Dutch, Brush and oils over black chalk on pink laid paper
Corridor in the Asylum
Vincent van Gogh
September 1889
Portrait of Charlotte Duchesne, Philippe de Champaigne French, Black chalk, heightened with white, with touches of red chalk
Portrait of Charlotte Duchesne
Philippe de Champaigne
ca. 1628
Queen Esther Approaching the Palace of Ahasuerus, Claude Lorrain (Claude Gellée) French, Pen and brown ink, brush and brown wash, heightened with white, over black chalk
Queen Esther Approaching the Palace of Ahasuerus
Claude Lorrain (Claude Gellée)
1658
Bacchanal with a Wine Vat, Andrea Mantegna Italian, Engraving and drypoint
Bacchanal with a Wine Vat
Andrea Mantegna
Before 1475
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, Marcantonio Raimondi Italian, Engraving
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1510–20
Astronomicum Caesareum, Michael Ostendorfer German, Hand-colored woodcuts
Astronomicum Caesareum
Michael Ostendorfer
Author Petrus Apianus
Printer Georg and Petrus Apianus
May 1540
Self-Portrait, from "The Iconography", Anthony van Dyck Flemish, Etching; first state of seven
Self-Portrait, from "The Iconography"
Anthony van Dyck
Sitter Anthony van Dyck
ca. 1640