门票
中文 (简体)
捐赠会员资格
门票
我们正在努力尽快翻译此页面。感谢您的理解。

Search for Art

1-42 of 213,083 results
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
1
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85
Sharecropper, Elizabeth Catlett American and Mexican, Linocut printed in green and black
Sharecropper
Elizabeth Catlett
1952 (published 1968–70)
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, Marcantonio Raimondi Italian, Engraving
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1510–20
The Censer, Martin Schongauer German, Engraving
The Censer
Martin Schongauer
After/with Georg Schongauer
1470–1491
Lucretia, Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)
Lucretia
Raphael (Raffaello Sanzio or Santi)
1508–10
Hypnerotomachia Poliphili, Francesco Colonna Italian, Printed book with woodcut illustrations
Hypnerotomachia Poliphili
Multiple artists/makers
December 1499
Snake Man, Alison Saar American, Color woodcut and lithograph
Snake Man
Alison Saar
Publisher Vinalhaven Press
1994
Portrait of Emma Hamilton, Angelica Kauffmann Swiss, Black and white chalk, on gray prepared paper
Portrait of Emma Hamilton
Angelica Kauffmann
Sitter Lady Emma Hamilton
1791
The Bearer of the Banner of the Canton Glarus, Urs Graf Swiss, Pen and brown ink
The Bearer of the Banner of the Canton Glarus
Urs Graf
1521
Study of Eleven Heads, Jacques de Gheyn II Netherlandish, Pen and three shades of brown ink with black chalk on laid paper; framing lines in pen and brown ink and graphite
Study of Eleven Heads
Jacques de Gheyn II
late 16th–early 17th century
The Lictors Bringing Brutus the Bodies of his Sons, Jacques Louis David French, Black chalk, pen and black and brown ink, brush and gray and brown wash, heightened with white gouache
The Lictors Bringing Brutus the Bodies of his Sons
Jacques Louis David
1787
Otto, Count of Nassau and his Wife Adelheid van Vianen, Bernard van Orley Netherlandish, Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso)
Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
1530–35
View of Heidelberg, Jan Brueghel the Elder Netherlandish, Pen and brown ink, brush and blue and brown wash, heightened with white; framing lines in pen and brown ink
View of Heidelberg
Jan Brueghel the Elder
ca. 1588–89
Diana and Actaeon, Bartholomeus Spranger Netherlandish, Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink
Diana and Actaeon
Bartholomeus Spranger
ca. 1580–85
Cottage among Trees, Rembrandt (Rembrandt van Rijn) Dutch, Pen and brown ink, brush and brown wash, on paper washed with brown
Cottage among Trees
Rembrandt (Rembrandt van Rijn)
ca. 1650
Dune Landscape with Oak Tree, Jacob van Ruisdael Dutch, Black chalk, brush and gray wash, and gouache; framing lines in pen and brown ink
Dune Landscape with Oak Tree
Jacob van Ruisdael
1650–55
The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci Italian, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)
The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci
1510–13
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), Michelangelo Buonarroti Italian, Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo Buonarroti
ca. 1510–11
Scalinata della Trinità dei Monti, Giovanni Paolo Panini Italian, Pen and black ink, brush and gray wash, watercolor, over graphite
Scalinata della Trinità dei Monti
Giovanni Paolo Panini
ca. 1756–58
The Lake of Zug, Joseph Mallord William Turner British, Watercolor and bodycolor (gouache) with reductive techniques over graphite
The Lake of Zug
Joseph Mallord William Turner
1843
Lady Lilith, Dante Gabriel Rossetti British, Watercolor and gouache (bodycolor)
Lady Lilith
Dante Gabriel Rossetti
Henry Treffry Dunn
1867
Angel of the Revelation (Book of Revelation, chapter 10), William Blake British, Watercolor, pen and black ink, brush and wash, over traces of graphite
Angel of the Revelation (Book of Revelation, chapter 10)
William Blake
ca. 1803–5
Hercules chasing Avarice from the Temple of the Muses, Ugo da Carpi Italian, Chiaroscuro woodcut from two blocks in green
Hercules chasing Avarice from the Temple of the Muses
Ugo da Carpi
After Baldassarre Tommaso Peruzzi
ca. 1520–27
Nocturne (Nocturne: The Thames at Battersea), James McNeill Whistler American, Lithotint with scraping on a prepared half-tint ground, printed in soft gray-black ink on pale blue laid chine mounted on ivory wove plate paper; second state of two (Chicago)
Nocturne (Nocturne: The Thames at Battersea)
James McNeill Whistler
1878
The Entombment, Sir Edward Burne-Jones British, Green, blue, brown and touches of reddish bodycolor, heightened with white gouache (bodycolor)
The Entombment
Sir Edward Burne-Jones
1879
Portrait of Nicolas Trigault in Chinese Costume, Peter Paul Rubens Flemish, Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper
Portrait of Nicolas Trigault in Chinese Costume
Peter Paul Rubens
1617
A Woman Seated at a Bench on the Avenue du Bois, Berthe Morisot French, Watercolor over traces of graphite
A Woman Seated at a Bench on the Avenue du Bois
Berthe Morisot
1885
Phaeton, from "The Four Disgracers", Hendrick Goltzius Netherlandish, Engraving
Phaeton, from "The Four Disgracers"
Hendrick Goltzius
After Cornelis Cornelisz van Haarlem
1588
Loggia of the Ducal Palace, Venice, John Ruskin British, Watercolor over graphite
Loggia of the Ducal Palace, Venice
John Ruskin
1849–50
Liverpool Shipping, Edward Alexander Wadsworth British, Woodcut on Japanese paper
Liverpool Shipping
Edward Alexander Wadsworth
1918
Accident, Robert Rauschenberg American, Lithograph
Accident
Robert Rauschenberg
1963
Nocturne: Palaces, James McNeill Whistler American, Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper.
Nocturne: Palaces
James McNeill Whistler
1879–80
Landscape, Edgar Degas French, Monotype in oil colors, heightened with pastel
Landscape
Edgar Degas
1892
Mountain Valley with a Plateau, Hercules Segers Dutch, Line etching, drypoint, and metal punch printed in blue-green, on a yellow-green ground, colored with brush; second state of two
Mountain Valley with a Plateau
Hercules Segers
ca. 1625–30
Self-Portrait, turned slightly to the left, Käthe Kollwitz German, Pen and different shades of gray-black ink
Self-Portrait, turned slightly to the left
Käthe Kollwitz
ca. 1893
Scrapbook of Drawings and Prints, Gideon Saint British, Pen and ink, engraving and etching
Scrapbook of Drawings and Prints
Gideon Saint
ca. 1760
Eastern Coast of Rügen with Shepherd, Caspar David Friedrich German, Brown ink and wash over pencil, with white opaque watercolor, on wove paper; partial framing line in brown-black ink
Eastern Coast of Rügen with Shepherd
Caspar David Friedrich
1805–6
Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn) Dutch, Drypoint printed on vellum
Christ Crucified between the Two Thieves: The Three Crosses
Rembrandt (Rembrandt van Rijn)
1653
Mascarade à la Grecque; Suite des Vases; and [Cheminées], Ennemond Alexandre Petitot French, Etching
Mascarade à la Grecque; Suite des Vases; and [Cheminées]
Ennemond Alexandre Petitot
Etched and published by Benigno Bossi
Dedicatee Dedicated to Marquis de Felino
1771, 1764
Reading the News at the Weavers' Cottage, Adriaen van Ostade Dutch, Pen and brown ink, watercolor, white heightening, over traces of graphite; framing lines by the artist (?) in pen and brown ink and gold
Reading the News at the Weavers' Cottage
Adriaen van Ostade
1673
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1435–38