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Portrait of Nicolas Trigault in Chinese Costume, Peter Paul Rubens Flemish, Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper
Portrait of Nicolas Trigault in Chinese Costume
Peter Paul Rubens
1617
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters, Eugène Delacroix French, Watercolor over graphite on wove paper
Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters
Eugène Delacroix
1832
The Censer, Martin Schongauer German, Engraving
The Censer
Martin Schongauer
After/with Georg Schongauer
1470–1491
Sharecropper, Elizabeth Catlett American and Mexican, Linocut printed in green and black
Sharecropper
Elizabeth Catlett
1952 (published 1968–70)
Melencolia I, Albrecht Dürer German, Engraving
Melencolia I
Albrecht Dürer
1514
The Entrance Hall of the Regensburg Synagogue, Albrecht Altdorfer German, Etching
The Entrance Hall of the Regensburg Synagogue
Albrecht Altdorfer
1519
Adam and Eve, Albrecht Dürer German, Engraving
Adam and Eve
Albrecht Dürer
1504
Landscape with a Double Spruce, Albrecht Altdorfer German, Etching
Landscape with a Double Spruce
Albrecht Altdorfer
ca. 1521–22
Phaeton, from "The Four Disgracers", Hendrick Goltzius Netherlandish, Engraving
Phaeton, from "The Four Disgracers"
Hendrick Goltzius
After Cornelis Cornelisz van Haarlem
1588
Otto, Count of Nassau and his Wife Adelheid van Vianen, Bernard van Orley Netherlandish, Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso)
Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
1530–35
View of Heidelberg, Jan Brueghel the Elder Netherlandish, Pen and brown ink, brush and blue and brown wash, heightened with white; framing lines in pen and brown ink
View of Heidelberg
Jan Brueghel the Elder
ca. 1588–89
Diana and Actaeon, Bartholomeus Spranger Netherlandish, Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink
Diana and Actaeon
Bartholomeus Spranger
ca. 1580–85
Cottage among Trees, Rembrandt (Rembrandt van Rijn) Dutch, Pen and brown ink, brush and brown wash, on paper washed with brown
Cottage among Trees
Rembrandt (Rembrandt van Rijn)
ca. 1650
Dune Landscape with Oak Tree, Jacob van Ruisdael Dutch, Black chalk, brush and gray wash, and gouache; framing lines in pen and brown ink
Dune Landscape with Oak Tree
Jacob van Ruisdael
1650–55
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85
The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci Italian, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)
The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci
1510–13
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), Michelangelo Buonarroti Italian, Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo Buonarroti
ca. 1510–11
Scalinata della Trinità dei Monti, Giovanni Paolo Panini Italian, Pen and black ink, brush and gray wash, watercolor, over graphite
Scalinata della Trinità dei Monti
Giovanni Paolo Panini
ca. 1756–58
The Lake of Zug, Joseph Mallord William Turner British, Watercolor and bodycolor (gouache) with reductive techniques over graphite
The Lake of Zug
Joseph Mallord William Turner
1843
Lady Lilith, Dante Gabriel Rossetti British, Watercolor and gouache (bodycolor)
Lady Lilith
Dante Gabriel Rossetti
Henry Treffry Dunn
1867
Reading the News at the Weavers' Cottage, Adriaen van Ostade Dutch, Pen and brown ink, watercolor, white heightening, over traces of graphite; framing lines by the artist (?) in pen and brown ink and gold
Reading the News at the Weavers' Cottage
Adriaen van Ostade
1673
Hercules chasing Avarice from the Temple of the Muses, Ugo da Carpi Italian, Chiaroscuro woodcut from two blocks in green
Hercules chasing Avarice from the Temple of the Muses
Ugo da Carpi
After Baldassarre Tommaso Peruzzi
ca. 1520–27
Usuyuki, Jasper Johns American, Screenprint
Usuyuki
Jasper Johns
Publisher Jasper Johns
Publisher Simca Print Artists Inc.
1981
Tahitian Faces (Frontal View and Profiles), Paul Gauguin French, Charcoal on laid paper
Tahitian Faces (Frontal View and Profiles)
Paul Gauguin
ca. 1899
Two Draft Horses with a Sleeping Driver, Théodore Géricault French, Brush and brown and gray wash, over graphite
Two Draft Horses with a Sleeping Driver
Théodore Géricault
1820–22
Bacchanal with a Wine Vat, Andrea Mantegna Italian, Engraving and drypoint
Bacchanal with a Wine Vat
Andrea Mantegna
Before 1475
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, Marcantonio Raimondi Italian, Engraving
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1510–20
Astronomicum Caesareum, Michael Ostendorfer German, Hand-colored woodcuts
Astronomicum Caesareum
Michael Ostendorfer
Author Petrus Apianus
Printer Georg and Petrus Apianus
May 1540
Self-Portrait, from "The Iconography", Anthony van Dyck Flemish, Etching; first state of seven
Self-Portrait, from "The Iconography"
Anthony van Dyck
Sitter Anthony van Dyck
ca. 1640
Reclining Female Nude, Rembrandt (Rembrandt van Rijn) Dutch, Etching, drypoint, and engraving on Japanese paper; second of six states
Reclining Female Nude
Rembrandt (Rembrandt van Rijn)
1658
Woman Bathing (La Toilette), Mary Cassatt American, Drypoint and aquatint, printed in color from three plates; fourth state of four (Mathews & Shapiro)
Woman Bathing (La Toilette)
Mary Cassatt
Printer Jointly printed by the artist and Monsieur LeRoy
1890–91
The Frugal Repast, Pablo Picasso Spanish, Etching
The Frugal Repast
Pablo Picasso
Printer Louis Fort
Publisher Ambroise Vollard
1904, printed 1913
Icarus, plate VIII from the illustrated book "Jazz", Henri Matisse French, Pochoir
Icarus, plate VIII from the illustrated book "Jazz"
Multiple artists/makers
1947
Frank Johnson, Leader of the Brass Band of the 128th Regiment in Saratoga, with his wife, Helen, Auguste Edouart French, Cut paper silhouettes mounted on board
Frank Johnson, Leader of the Brass Band of the 128th Regiment in Saratoga, with his wife, Helen
Auguste Edouart
1842–44
Pink and Rose, William Morris British, Block-printed in distemper colors
Pink and Rose
Designer William Morris
Manufacturer Morris & Company
Printer Jeffrey & Co.
ca. 1890
Lucretia, Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)
Lucretia
Raphael (Raffaello Sanzio or Santi)
1508–10
Portrait of Alain de Coëtivy (1407–1474), Jean Fouquet French, Metalpoint, black chalk on white prepared paper
Portrait of Alain de Coëtivy (1407–1474)
Jean Fouquet
ca. 1451–55
Nocturne (Nocturne: The Thames at Battersea), James McNeill Whistler American, Lithotint with scraping on a prepared half-tint ground, printed in soft gray-black ink on pale blue laid chine mounted on ivory wove plate paper; second state of two (Chicago)
Nocturne (Nocturne: The Thames at Battersea)
James McNeill Whistler
1878
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
A Woman Seated at a Bench on the Avenue du Bois, Berthe Morisot French, Watercolor over traces of graphite
A Woman Seated at a Bench on the Avenue du Bois
Berthe Morisot
1885
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1435–38
The Raising of Lazarus, Jacques Bellange French, Pen and brown ink, brown wash
The Raising of Lazarus
Jacques Bellange
ca. 1606–8