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Scrapbook of Drawings and Prints, Gideon Saint British, Pen and ink, engraving and etching — Scrapbook of Drawings and Prints
Gideon Saint
ca. 1760

Honus Wagner, Pittsburgh, National League, from the White Border series (T206) for the American Tobacco Company, American Tobacco Company, Commercial lithograph — Honus Wagner, Pittsburgh, National League, from the White Border series (T206) for the American Tobacco Company
American Tobacco Company
1909–11

Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces, Albrecht Dürer German, Woodcut — Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces
Albrecht Dürer
Leonardo da Vinci
before 1521

Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring — Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80

Jupiter and Juno: Study for the "Furti di Giove" Tapestries, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and dark brown ink, brush and brown and gray wash, highlighted with white gouache — Jupiter and Juno: Study for the "Furti di Giove" Tapestries
Perino del Vaga (Pietro Buonaccorsi)
ca. 1532–35

Study of a Seated Woman Seen from Behind (Marie-Gabrielle Capet), Adélaïde Labille-Guiard French, Red, black, and white chalk on toned laid paper — Study of a Seated Woman Seen from Behind (Marie-Gabrielle Capet)
Adélaïde Labille-Guiard
Marie Gabrielle Capet
1789

Still Life with Flowers, a Snail and Insects, Joris Hoefnagel Netherlandish, Watercolor, gouache, and shell gold on vellum — Still Life with Flowers, a Snail and Insects
Joris Hoefnagel
1589

Hypnerotomachia Poliphili, Francesco Colonna Italian, Printed book with woodcut illustrations — Hypnerotomachia Poliphili
Multiple artists/makers
December 1499

The Lictors Bringing Brutus the Bodies of his Sons, Jacques Louis David French, Black chalk, pen and black and brown ink, brush and gray and brown wash, heightened with white gouache — The Lictors Bringing Brutus the Bodies of his Sons
Jacques Louis David
1787

Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn) Dutch, Drypoint printed on vellum — Christ Crucified between the Two Thieves: The Three Crosses
Rembrandt (Rembrandt van Rijn)
1653

Eastern Coast of Rügen with Shepherd, Caspar David Friedrich German, Brown ink and wash over pencil, with white opaque watercolor, on wove paper; partial framing line in brown-black ink — Eastern Coast of Rügen with Shepherd
Caspar David Friedrich
1805–6

Mascarade à la Grecque; Suite des Vases; and [Cheminées], Ennemond Alexandre Petitot French, Etching — Mascarade à la Grecque; Suite des Vases; and [Cheminées]
Multiple artists/makers
1771, 1764

The Archangel Gabriel announcing the birth of Christ, Lucas van Leyden Netherlandish, Pen and brown ink; squared in black chalk; framing lines in pen and brown ink — The Archangel Gabriel announcing the birth of Christ
Lucas van Leyden
1520s

Nocturne: Palaces, James McNeill Whistler American, Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper. — Nocturne: Palaces
James McNeill Whistler
1879–80

Landscape, Edgar Degas French, Monotype in oil colors, heightened with pastel — Landscape
Edgar Degas
1892

Portrait of Emma Hamilton, Angelica Kauffmann Swiss, Black and white chalk, on gray prepared paper — Portrait of Emma Hamilton
Angelica Kauffmann
Lady Emma Hamilton
1791

Mountain Valley with a Plateau, Hercules Segers Dutch, Line etching, drypoint, and metal punch printed in blue-green, on a yellow-green ground, colored with brush; second state of two — Mountain Valley with a Plateau
Hercules Segers
ca. 1625–30

The Bearer of the Banner of the Canton Glarus, Urs Graf Swiss, Pen and brown ink — The Bearer of the Banner of the Canton Glarus
Urs Graf
1521

Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters, Eugène Delacroix French, Watercolor over graphite on wove paper — Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters
Eugène Delacroix
1832

Christ Carrying the Cross, Martin Schongauer German, Engraving — Christ Carrying the Cross
Martin Schongauer
ca. 1475–80

Melencolia I, Albrecht Dürer German, Engraving — Melencolia I
Albrecht Dürer
1514

The Entrance Hall of the Regensburg Synagogue, Albrecht Altdorfer German, Etching — The Entrance Hall of the Regensburg Synagogue
Albrecht Altdorfer
1519

Sunset, Eugène Delacroix French, Pastel on blue laid paper — Sunset
Eugène Delacroix
ca. 1850

Usuyuki, Jasper Johns American, Screenprint — Usuyuki
Jasper Johns
Simca Print Artists Inc.
1981

Lindisfarne Castle, Holy Island, Northumberland, Thomas Girtin British, Watercolor and bodycolor (gouache) — Lindisfarne Castle, Holy Island, Northumberland
Thomas Girtin
1796–97

Bacchanal with a Wine Vat, Andrea Mantegna Italian, Engraving and drypoint — Bacchanal with a Wine Vat
Andrea Mantegna
Before 1475

The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, Marcantonio Raimondi Italian, Engraving — The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
Marcantonio Raimondi
Raphael (Raffaello Sanzio or Santi)
ca. 1510–20

Astronomicum Caesareum, Michael Ostendorfer German, Hand-colored woodcuts — Astronomicum Caesareum
Multiple artists/makers
May 1540

Self-Portrait, from "The Iconography", Anthony van Dyck Flemish, Etching; first state of seven — Self-Portrait, from "The Iconography"
Anthony van Dyck
ca. 1640

Reclining Female Nude, Rembrandt (Rembrandt van Rijn) Dutch, Etching, drypoint, and engraving on Japanese paper; second of six states — Reclining Female Nude
Rembrandt (Rembrandt van Rijn)
1658

Still-Life with a Watermelon and Pomegranates, Paul Cézanne French, Watercolor over graphite on laid paper — Still-Life with a Watermelon and Pomegranates
Paul Cézanne
1900–1906

Otto, Count of Nassau and his Wife Adelheid van Vianen, Bernard van Orley Netherlandish, Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso) — Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
1530–35

View of Heidelberg, Jan Brueghel the Elder Netherlandish, Pen and brown ink, brush and blue and brown wash, heightened with white; framing lines in pen and brown ink — View of Heidelberg
Jan Brueghel the Elder
ca. 1588–89

Diana and Actaeon, Bartholomeus Spranger Netherlandish, Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink — Diana and Actaeon
Bartholomeus Spranger
ca. 1580–85

Cottage among Trees, Rembrandt (Rembrandt van Rijn) Dutch, Pen and brown ink, brush and brown wash, on paper washed with brown — Cottage among Trees
Rembrandt (Rembrandt van Rijn)
ca. 1650

Dune Landscape with Oak Tree, Jacob van Ruisdael Dutch, Black chalk, brush and gray wash, and gouache; framing lines in pen and brown ink — Dune Landscape with Oak Tree
Jacob van Ruisdael
1650–55

Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso) — Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85

The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci Italian, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo) — The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci
1510–13

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), Michelangelo Buonarroti Italian, Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso) — Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo Buonarroti
ca. 1510–11

Scalinata della Trinità dei Monti, Giovanni Paolo Panini Italian, Pen and black ink, brush and gray wash, watercolor, over graphite — Scalinata della Trinità dei Monti
Giovanni Paolo Panini
ca. 1756–58