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The Censer, Martin Schongauer  German, Engraving
Martin Schongauer
After/with Georg Schongauer
1470–1491
Sharecropper, Elizabeth Catlett  American and Mexican, Linocut printed in green and black
Elizabeth Catlett
1952 (published 1968–70)
Melencolia I, Albrecht Dürer  German, Engraving
Albrecht Dürer
1514
Adam and Eve, Albrecht Dürer  German, Engraving
Albrecht Dürer
1504
Landscape with a Double Spruce, Albrecht Altdorfer  German, Etching
Albrecht Altdorfer
ca. 1521–22
Phaeton, from "The Four Disgracers", Hendrick Goltzius  Netherlandish, Engraving
Hendrick Goltzius
After Cornelis Cornelisz van Haarlem
1588
View of Heidelberg, Jan Brueghel the Elder  Netherlandish, Pen and brown ink, brush and blue and brown wash, heightened with white; framing lines in pen and brown ink
Jan Brueghel the Elder
ca. 1588–89
Diana and Actaeon, Bartholomeus Spranger  Netherlandish, Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink
Bartholomeus Spranger
ca. 1580–85
Cottage among Trees, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and brown ink, brush and brown wash, on paper washed with brown
Rembrandt (Rembrandt van Rijn)
ca. 1650
Dune Landscape with Oak Tree, Jacob van Ruisdael  Dutch, Black chalk, brush and gray wash, and gouache; framing lines in pen and brown ink
Jacob van Ruisdael
1650–55
Scalinata della Trinità dei Monti, Giovanni Paolo Panini  Italian, Pen and black ink, brush and gray wash, watercolor, over graphite
Giovanni Paolo Panini
ca. 1756–58
The Lake of Zug, Joseph Mallord William Turner  British, Watercolor and bodycolor (gouache) with reductive techniques over graphite
Joseph Mallord William Turner
1843
Lady Lilith, Dante Gabriel Rossetti  British, Watercolor and gouache (bodycolor)
Dante Gabriel Rossetti
Henry Treffry Dunn
1867
Hercules chasing Avarice from the Temple of the Muses, Ugo da Carpi  Italian, Chiaroscuro woodcut from two blocks in green
Ugo da Carpi
After Baldassarre Tommaso Peruzzi
ca. 1520–27
Usuyuki, Jasper Johns  American, Screenprint
Jasper Johns
Publisher Jasper Johns
Publisher Simca Print Artists Inc.
1981
Two Draft Horses with a Sleeping Driver, Théodore Géricault  French, Brush and brown and gray wash, over graphite
Théodore Géricault
1820–22
Bacchanal with a Wine Vat, Andrea Mantegna  Italian, Engraving and drypoint
Andrea Mantegna
Before 1475
Astronomicum Caesareum, Michael Ostendorfer  German, Hand-colored woodcuts
Michael Ostendorfer
Author Petrus Apianus
Printer Georg and Petrus Apianus
May 1540
Self-Portrait, from "The Iconography", Anthony van Dyck  Flemish, Etching; first state of seven
Anthony van Dyck
Sitter Anthony van Dyck
ca. 1640
Reclining Female Nude, Rembrandt (Rembrandt van Rijn)  Dutch, Etching, drypoint, and engraving on Japanese paper; second of six states
Rembrandt (Rembrandt van Rijn)
1658
Woman Bathing (La Toilette), Mary Cassatt  American, Drypoint and aquatint, printed in color from three plates; fourth state of four (Mathews & Shapiro)
Mary Cassatt
Printer Jointly printed by the artist and Monsieur LeRoy
1890–91
The Frugal Repast, Pablo Picasso  Spanish, Etching
Pablo Picasso
Printer Louis Fort
Publisher Ambroise Vollard
1904, printed 1913
Pink and Rose, William Morris  British, Block-printed in distemper colors
Designer William Morris
Manufacturer Morris & Company
Printer Jeffrey & Co.
ca. 1890
Lucretia, Raphael (Raffaello Sanzio or Santi)  Italian, Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)
Raphael (Raffaello Sanzio or Santi)
1508–10
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi  Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)  Italian, Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1435–38
The Raising of Lazarus, Jacques Bellange  French, Pen and brown ink, brown wash
Jacques Bellange
ca. 1606–8