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1-42 of 424 results for Francisco Goya
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1
Portrait of Francisco Goya, from "The Portfolio", Louis Lucas French, Etching
Portrait of Francisco Goya, from "The Portfolio"
Etcher Louis Lucas
After Vicente López y Portaña
Sitter Goya (Francisco de Goya y Lucientes)
1879
Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink
Self-Portrait
Goya (Francisco de Goya y Lucientes)
Sitter Goya (Francisco de Goya y Lucientes)
ca. 1796
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20
Portrait of Francisco Goya, from "The Portfolio"
Louis Lucas
After Vicente López y Portaña
Sitter Goya (Francisco de Goya y Lucientes)
June 1879
Plate 31 of "La Tauromaquia": Banderillas with firecrackers, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 31 of "La Tauromaquia": Banderillas with firecrackers
Goya (Francisco de Goya y Lucientes)
1816
Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous
Goya (Francisco de Goya y Lucientes)
1816
Plate C: The dogs let loose on the bull, from "Tauromaquia", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate C: The dogs let loose on the bull, from "Tauromaquia"
Goya (Francisco de Goya y Lucientes)
ca. 1816
A picador caught by a bull, from the "Bulls of Bordeaux", Goya (Francisco de Goya y Lucientes) Spanish, Crayon lithograph and scraper
A picador caught by a bull, from the "Bulls of Bordeaux"
Goya (Francisco de Goya y Lucientes)
Publisher Cyprien Charles Marie Nicolas Gaulon
1825
Plate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint
Plate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike
Goya (Francisco de Goya y Lucientes)
1816
Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, lavis, drypoint, burin
Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon
Goya (Francisco de Goya y Lucientes)
1816
Plate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull
Goya (Francisco de Goya y Lucientes)
1816
Plate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte', Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'
Goya (Francisco de Goya y Lucientes)
1816
Plate 19 of "La Tauromaquia": Another madness of his in the same ring, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint and burin
Plate 19 of "La Tauromaquia": Another madness of his in the same ring
Goya (Francisco de Goya y Lucientes)
1816
Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
Goya (Francisco de Goya y Lucientes)
1816
Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls
Goya (Francisco de Goya y Lucientes)
1816
Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia"
Goya (Francisco de Goya y Lucientes)
1816
Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid
Goya (Francisco de Goya y Lucientes)
1816
The Bullfight, plates 1-33 (La Tauromaquia); First edition, 1816, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint, burin, and burnishing
The Bullfight, plates 1-33 (La Tauromaquia); First edition, 1816
Goya (Francisco de Goya y Lucientes)
1816
Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse
Goya (Francisco de Goya y Lucientes)
1816
'Barbarous Entertainment', a blind guitarist on the horns of a bull, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint on laid paper
'Barbarous Entertainment', a blind guitarist on the horns of a bull
Goya (Francisco de Goya y Lucientes)
1800–1804 (published 1828–67)
Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas
Goya (Francisco de Goya y Lucientes)
1816
A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"
Goya (Francisco de Goya y Lucientes)
1816
Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules
Goya (Francisco de Goya y Lucientes)
1816
The Custody of a Prisoner Does Not Call for Torture (La seguridad de un reo no exige tormento), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burin ('Goya' inscribed in pencil lower right, not in the artist's hand)
The Custody of a Prisoner Does Not Call for Torture (La seguridad de un reo no exige tormento)
Goya (Francisco de Goya y Lucientes)
ca. 1815; published ca. 1859
Portrait of Francisco Goya, seated, holding a palette and brush, from "Gazette des Beaux-Arts"
Multiple artists/makers
December 1875
Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid
Goya (Francisco de Goya y Lucientes)
1816
Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint
Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms
Goya (Francisco de Goya y Lucientes)
1816
Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid
Goya (Francisco de Goya y Lucientes)
1816
Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull
Goya (Francisco de Goya y Lucientes)
1816
Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure
Goya (Francisco de Goya y Lucientes)
1816
The agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia", Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint
The agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia"
Goya (Francisco de Goya y Lucientes)
1816
A bad night (Mala noche), plate 36 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
A bad night (Mala noche), plate 36 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799
Out hunting for teeth (A caza des dientes), plate 12 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
Out hunting for teeth (A caza des dientes), plate 12 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799
Tantalus (Tantalo), plate 9 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
Tantalus (Tantalo), plate 9 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799
It is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
It is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799
A pretty piece of advice (Bellos consejos), plate 15 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
A pretty piece of advice (Bellos consejos), plate 15 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799
Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint
Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799
Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)
Goya (Francisco de Goya y Lucientes)
1799
The Caprices (Los Caprichos), plates 1-80, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint, and burin
The Caprices (Los Caprichos), plates 1-80
Goya (Francisco de Goya y Lucientes)
1799
'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burin
'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)
Goya (Francisco de Goya y Lucientes)
Publisher Gazette des Beaux-Arts
ca. 1815 (published after 1867)
'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto), Goya (Francisco de Goya y Lucientes) Spanish, Etching
'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto)
Goya (Francisco de Goya y Lucientes)
ca. 1815 (published 1859)

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