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A Mill with a Fortified Bridge, a Rowing Boat in the Foreground, Roelandt Savery Flemish, Pen and brown ink; framing lines in brown ink — A Mill with a Fortified Bridge, a Rowing Boat in the Foreground
Roelandt Savery
1596–1639

Mr. Richard Leveridge, Andreas van der Mijn British, born Belgium or Germany, Mezzotint — Mr. Richard Leveridge
Multiple artists/makers
ca. 1753

Jonas Witsen, Burgemeester der Stad Amsterdam, Jacob Houbraken Dutch, Etching and engraving — Jonas Witsen, Burgemeester der Stad Amsterdam
Jacob Houbraken
Frans van der Mijn
ca. 1749

Study of a Standing Man Holding a Jug in his Right Hand and a Raised Glass in his Left, Gerrit Adriaensz Berckheyde Dutch, Black and white chalk on blue paper; framing lines in black ink — Study of a Standing Man Holding a Jug in his Right Hand and a Raised Glass in his Left
Gerrit Adriaensz Berckheyde
1658–98

A Seated Lady, Jan de Bisschop Dutch, Pen and brown ink, brush and brown wash; framing lines in brown ink — A Seated Lady
Jan de Bisschop
mid 17th Century

Copy of an Antique Bas Relief: Dionysus Seated by a Table, Jan de Bisschop Dutch, Brush and brown wash over traces of black chalk; framing lines in brown ink — Copy of an Antique Bas Relief: Dionysus Seated by a Table
Jan de Bisschop
mid 17th Century

Three Studies of a Woman (recto); Woman from the Back, Study of Legs (verso), Abraham Bloemaert Netherlandish, Black chalk, brush and light gray wash (added later?), heightened with white chalk, some pen and brown ink for one of the women, on tan paper (recto); red chalk, red chalk counterproof (verso); framing lines in pen and brown ink both sides — Three Studies of a Woman (recto); Woman from the Back, Study of Legs (verso)
Abraham Bloemaert
1620-25

Betrayal of Christ, Leonaert Bramer Dutch, Brush and black ink, gray and black wash, with black chalk and some body color on prepared gray paper, laid down on another sheet — Betrayal of Christ
Leonaert Bramer
1637

Ceiling Design with Figures along a Lozenge-Shaped Balustrade (recto); Alternative Design with Groups of Figures along a Lozenge-Shaped Window (verso), Leonaert Bramer Dutch, Brush and gray and black ink, with gray wash; verso: brush and gray and some black ink, with gray wash on yellow prepared paper — Ceiling Design with Figures along a Lozenge-Shaped Balustrade (recto); Alternative Design with Groups of Figures along a Lozenge-Shaped Window (verso)
Leonaert Bramer
1628–74

Men on a Balcony (recto); Old Man Pointing to a Book Held by a Boy (verso), Leonaert Bramer Dutch, Pen and brown ink, brush and gray and black ink, with gray wash, over traces of black chalk; double framing lines in brown ink on lower, left and upper edges; verso: brush and black ink — Men on a Balcony (recto); Old Man Pointing to a Book Held by a Boy (verso)
Leonaert Bramer
mid 17th Century

A Design for a Ceiling Decoration with Figures Looking down from a Pillared Gallery (recto); Figure Sketches (verso), Leonaert Bramer Dutch, Black chalk, pen and brown ink, brush and gray ink, with gray wash and some red chalk; verso: red chalk — A Design for a Ceiling Decoration with Figures Looking down from a Pillared Gallery (recto); Figure Sketches (verso)
Leonaert Bramer
mid 17th Century

A Peasant Woman and a Donkey Crossing a Stream, Karel Dujardin Dutch, Pen and brown ink, with brush and gray and some brown wash, over red chalk; traces of a framing line in black ink along the upper edge (trimmed) — A Peasant Woman and a Donkey Crossing a Stream
Karel Dujardin
second half 17th century

The Baker's Children Playing, Cornelis Dusart Dutch, Pen and brown ink, brush and brown wash, over traces of black chalk; laid down on another sheet of paper — The Baker's Children Playing
Cornelis Dusart
1680–04

A View of the Herenstraat in Voorburg, Seen from the Oosteinde, Paulus Constantijn La Fargue Dutch, Pen and brown ink, with brush and brown wash, over traces of graphite; framing lines in brown ink — A View of the Herenstraat in Voorburg, Seen from the Oosteinde
Paulus Constantijn La Fargue
1757

A Classical Landscape with Travelers by a Lake, Jan van Huysum Dutch, Red chalk; lower border tinted with gray wash; framing lines in black chalk along the image — A Classical Landscape with Travelers by a Lake
Jan van Huysum
1702–49

View of Castle Te Blotinghe, near The Hague, Roelant Roghman Dutch, Black chalk and brush and gray wash — View of Castle Te Blotinghe, near The Hague
Roelant Roghman
1646–92

A Witches' Sabbath, Cornelis Saftleven Dutch, Black chalk, with brush and gray wash; framing line in black ink; laid down on another sheet of paper — A Witches' Sabbath
Cornelis Saftleven
1627–81

Study of a Seated Peasant Woman, Viewed from Behind and to the Left, Herman Saftleven II Dutch, Black chalk, with brush and brown wash — Study of a Seated Peasant Woman, Viewed from Behind and to the Left
Herman Saftleven II
1629–85

The Sacrifice of Manoah, Aert Schouman Netherlandish, Watercolor, with pen and brown ink, over a sketch in black chalk; two sets of framing lines in brown ink — The Sacrifice of Manoah
Aert Schouman
1741

A Green Woodpecker and a Sparrow in a Tree, Aert Schouman Netherlandish, Watercolor and body-color, over traces of graphite; framing lines in graphite — A Green Woodpecker and a Sparrow in a Tree
Aert Schouman
mid-17th–late 17th century

A Fleet of Men-o-War with Figures on the Shore, Hendrick (Cornelisz) Vroom Netherlandish, Pen and brown ink; framing lines in brown ink — A Fleet of Men-o-War with Figures on the Shore
Hendrick (Cornelisz) Vroom
1583–1640

Landscape with the Ruins of the Church of Heelsum, Anthonie Waterloo Dutch, Black chalk, brush and gray wash, with some pen and brown ink — Landscape with the Ruins of the Church of Heelsum
Anthonie Waterloo
ca. 1656–58

The Winsertor on the Messberg Hamburg (recto); View of the City Walls of Hamburg (verso), Anthonie Waterloo Dutch, Black chalk, pen and gray and some brown ink, brush and gray wash; framing lines in brown ink (recto); brush and gray wash (verso) — The Winsertor on the Messberg Hamburg (recto); View of the City Walls of Hamburg (verso)
Anthonie Waterloo
ca. 1658-60

A Wooded Landscape with Travelers Crossing a Small Bridge over a River, Anthonie Waterloo Dutch, Black chalk, watercolor and gouache on pale blue paper; framing lines in black ink and in black chalk — A Wooded Landscape with Travelers Crossing a Small Bridge over a River
Anthonie Waterloo
1629–90

Landscape with a Traveler Crossing a Bridge (recto); Sketches of a Gate, a Bridge, and a Town Hall (verso), Anthonie Waterloo Dutch, Black chalk, watercolor and gouache; framing lines in black ink (recto); black chalk (verso) — Landscape with a Traveler Crossing a Bridge (recto); Sketches of a Gate, a Bridge, and a Town Hall (verso)
Anthonie Waterloo
1629–90

Self-portrait within a Decorative Allegorical Surround, Jacob de Wit Dutch, Pen and brown and gray ink, brush and gray wash, with some body color, over traces of graphite; framing lines in gray ink; outlines indented for transfer; laid down on another piece of paper — Self-portrait within a Decorative Allegorical Surround
Jacob de Wit
1725–51

Portrait with Ornamental Embellishments, Jacob Houbraken Dutch, Engraving — Portrait with Ornamental Embellishments
Jacob Houbraken
Jacob de Wit
1728–51

View in an Italianate Courtyard (courtyard with stairs and a round arch), Thomas Wijck Dutch, Pen and brown ink, brush and gray wash, over black chalk; framing lines in black ink — View in an Italianate Courtyard (courtyard with stairs and a round arch)
Thomas Wijck
1643

Variae antiquitates Romanae, sive ruinae, ad vivum delineatae

Multiple artists/makers

1618

Nieu Amsterdam, at New Yorck

Carel Allard

Thomas Doesburgh

ca. 1700