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Ensemble, Comme des Garçons Japanese, (a) polyester, cotton, nylon, (b, c) cotton, nylon, (d, e) polyester, plastic (synthetic rubber), Japanese — Ensemble
Comme des Garçons
Rei Kawakubo
fall/winter 2017–18

Ensemble, Undercover Japanese, (a) silk, nylon, cotton, rayon, metal, glass, (b) silk, nylon, (c) silk, (d) nylon, metal, Japanese — Ensemble
Undercover
Jun Takahashi
fall/winter 2017–18

Densho, Leaded bronze (trace of antimony), Japanese — Densho
Japanese
19th century

Suzu, Wood, metal, Japanese — Suzu
Japanese
17th century

Sho, Bamboo, wood, metal, Japanese — Sho
Japanese
19th century

Ensemble, Comme des Garçons Japanese, (a) wool, (b) wool, polyester, (c, d) cotton, nylon, elastane, (e, f) leather, synthetic, Japanese — Ensemble
Comme des Garçons
Rei Kawakubo
spring/summer 2017

Ensemble, Comme des Garçons Japanese, (a–l, o, p, t, u, gg–kk) silk, polyester; (m, n, q–s, ll–ww) polyester, rayon, acrylic, nylon; (v–bb) rayon, polyester; (cc–ff) polyester, acetate; (xx, yy) cotton, acetate, nylon; (zz, aaa) cotton, acrylic, polyester, Japanese — Ensemble
Comme des Garçons
Rei Kawakubo
fall/winter 2016–17

Cosmetic Box (Tebako) with Chrysanthemum Flowers, Lacquered wood with gold, silver takamaki-e, hiramaki-e, gold, silver foil application on nashiji ground; gilt bronze fittings, Japan — Cosmetic Box (Tebako) with Chrysanthemum Flowers
Japan
first half of the 15th century

”Abiding nowhere, the awakened mind arises”, Musō Soseki Japanese, Hanging scroll; ink on paper, Japan — ”Abiding nowhere, the awakened mind arises”
Musō Soseki
early to mid-14th century

Moyō hinagata miyako no nishiki / [henshū Yamanaka Kichirobē], Kichirobe Yamanaka — Moyō hinagata miyako no nishiki / [henshū Yamanaka Kichirobē]
Kichirobe Yamanaka
1886

Din Kyū Re ten : asu eno kioku, Dinh Q. Lê American — Din Kyū Re ten : asu eno kioku
Dinh Q. Lê
2015

大高檀紙见本帖 — 大高檀紙见本帖
1875

Aozameta dōteikyō : Shigashū, Hideo Saitō — Aozameta dōteikyō : Shigashū
Hideo Saitō
Tatsuo Okada
1926

Daoist Master Fei Zhangfang, Sesson Shūkei Japanese, Hanging scroll; ink on paper, Japan — Daoist Master Fei Zhangfang
Sesson Shūkei
ca. 1555–61

Album surréaliste, Takiguchi Shuzo — Album surréaliste
Takiguchi Shuzo
1937

Yagi Kazuo sakuhinshū : tōban tsuki tokusōbon, Yagi Kazuo Japanese — Yagi Kazuo sakuhinshū : tōban tsuki tokusōbon
Yagi Kazuo
1980

Work #9, Aiko Miyawaki Japanese, Brass — Work #9
Aiko Miyawaki
1968

The Thirty-Six Poetic Immortals, Studio of Kano Takanobu Japanese, Pair of six-panel folding screens; ink, color, gold, and silver on paper, Japan — The Thirty-Six Poetic Immortals
Studio of Kano Takanobu
Konoe Nobutada
early 17th century

Sōken'an kinen meien zuroku, Ikedo Sōzaburō Japanese — Sōken'an kinen meien zuroku
Ikedo Sōzaburō
1926

Sencha hayashinan, Ryūkatei Ransui Japanese — Sencha hayashinan
Ryūkatei Ransui
1802

Chokunyū juen zuroku, Tanomura Chokunyū Japanese — Chokunyū juen zuroku
Tanomura Chokunyū
1881

Sutra Box (Kyōbako) with Sun and Clouds, Lacquered wood with gold hiramaki-e; gilt bronze fittings, Japan — Sutra Box (Kyōbako) with Sun and Clouds
Japan
late 14th–early 15th century

Hikō kannō, Onchi Koshiro Japanese — Hikō kannō
Onchi Koshiro
1934

Spatial poem. No. 3 : a fluxcalender, Mieko (Chieko) Shiomi Japanese — Spatial poem. No. 3 : a fluxcalender
Mieko (Chieko) Shiomi
Monday, January 1, 1968 – Sunday, December 31, 1972

No. 43, Yoshio Sekine Japanese, Oil on canvas — No. 43
Yoshio Sekine
1965

Robe (Kosode) with Floral Roundels, Figured satin-weave silk with tie-dyeing, silk embroidery, and couched gold thread, Japan — Robe (Kosode) with Floral Roundels
Japan
ca. 1670s

Zaō Gongen, Gilt bronze with incised decoration, Japan — Zaō Gongen
Japan
11th century

Irises at Yatsuhashi (Eight Bridges), Ogata Kōrin Japanese, Pair of six-panel folding screens; ink and color on gold leaf on paper, Japan — Irises at Yatsuhashi (Eight Bridges)
Ogata Kōrin
after 1709

Illustrated Legends of the Kitano Tenjin Shrine (Kitano Tenjin engi emaki), Set of five handscrolls; ink, color, and cut gold leaf (kirikane) on paper, Japan — Illustrated Legends of the Kitano Tenjin Shrine (Kitano Tenjin engi emaki)
Japan
late 13th century

Rough Waves, Ogata Kōrin Japanese, Two-panel folding screen; ink, color, and gold leaf on paper, Japan — Rough Waves
Ogata Kōrin
ca. 1704–9

Female Shinto Deity, Japanese bigleaf magnolia with traces of color, Japan — Female Shinto Deity
Japan
ca. mid-11th–mid-12th century

Sword Guard (Tsuba), Iron, copper, Japanese — Sword Guard (Tsuba)
Japanese
late 14th century

Storage Case (Karabitsu), Wood with layers of black and red lacquer (Negoro ware); gilt-bronze fittings, Japan — Storage Case (Karabitsu)
Japan
1422

Sake vessel (Heishi), Wood with layers of black and red lacquer (Negoro ware), Japan — Sake vessel (Heishi)
Japan
late 16th century

Pair of Negoro Lacquer Candlesticks, Wood with layers of black and red lacquer (Negoro ware), Japan — Pair of Negoro Lacquer Candlesticks
Japan
late 16th century

Saddle (Kura) with Stylized Flowers, Saddle: Gold maki-e with black lacquer decoration:<br/>Pommel: lacquered wood with gold and silver takamaki-e and hiramaki-e on black ground; seat: nashiji (“pear-skin” ground), Japan — Saddle (Kura) with Stylized Flowers
Japan
Saddle: Muromachi period (1392–1573), dated 1491 (Entoku 3); lacquer decoration: Edo period (1615–1868), 17th century

Sword with Scabbard Mounts, Iron, gilt copper, silver, probably Japanese — Sword with Scabbard Mounts
probably Japanese
6th century

Sword with Scabbard Mounts, Iron, gilt copper, wood, Japanese — Sword with Scabbard Mounts
Japanese
6th century

Sword with Scabbard Mounts, Iron, bronze, copper, gold, silver, Japanese — Sword with Scabbard Mounts
Japanese
6th century

Cuirass (Armor for the Torso and Hips) and Greaves (Lower Leg Defenses), Iron, silver, gold, copper alloy, leather, wood, textile, Japanese — Cuirass (Armor for the Torso and Hips) and Greaves (Lower Leg Defenses)
Japanese
probably late 18th–early 19th century