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Ensemble, Junya Watanabe Japanese, synthetic, cotton, metal, Japanese
Ensemble
Designer Junya Watanabe
fall/winter 2009–10
Ensemble, Comme des Garçons Japanese, (a–l, o, p, t, u, gg–kk) silk, polyester; (m, n, q–s, ll–ww) polyester, rayon, acrylic, nylon; (v–bb) rayon, polyester; (cc–ff) polyester, acetate; (xx, yy) cotton, acetate, nylon; (zz, aaa) cotton, acrylic, polyester, Japanese
Ensemble
Design House Comme des Garçons
Designer Rei Kawakubo
fall/winter 2016–17
Ensemble, Comme des Garçons Japanese, (a) wool, (b) wool, polyester, (c, d) cotton, nylon, elastane, (e, f) leather, synthetic, Japanese
Ensemble
Design House Comme des Garçons
Designer Rei Kawakubo
spring/summer 2017
Ensemble, Undercover Japanese, (a) silk, nylon, cotton, rayon, metal, glass, (b) silk, nylon, (c) silk, (d) nylon, metal, Japanese
Ensemble
Design House Undercover
Designer Jun Takahashi
fall/winter 2017–18
Female Shinto Deity, Japanese bigleaf magnolia with traces of color, Japan
Female Shinto Deity
Japan
ca. mid-11th–mid-12th century
Untitled, Kazuko Miyamoto Japanese, String and nails
Untitled
Kazuko Miyamoto
1977
"Flying Saucer", Issey Miyake Japanese, polyester, Japanese
"Flying Saucer"
Designer Issey Miyake
Design House Miyake Design Studio
spring/summer 1994
”Abiding nowhere, the awakened mind arises”, Musō Soseki Japanese, Hanging scroll; ink on paper, Japan
”Abiding nowhere, the awakened mind arises”
Musō Soseki
early to mid-14th century
Yagi Kazuo sakuhinshū : tōban tsuki tokusōbon, Yagi Kazuo Japanese
Yagi Kazuo sakuhinshū : tōban tsuki tokusōbon
Yagi Kazuo
1980
Aozameta dōteikyō : Shigashū, Hideo Saitō
Aozameta dōteikyō : Shigashū
Author Hideo Saitō
Illustrator Tatsuo Okada
1926
Cosmetic Box (Tebako) with Chrysanthemum Flowers, Lacquered wood with gold, silver takamaki-e, hiramaki-e, gold, silver foil application on nashiji ground; gilt bronze fittings, Japan
Cosmetic Box (Tebako) with Chrysanthemum Flowers
Japan
first half of the 15th century
Ensemble, Junya Watanabe Japanese, polyester, Japanese
Ensemble
Designer Junya Watanabe
fall/winter 2000–2001
Dress, Issey Miyake Japanese, polyester, linen, Japanese
Dress
Designer Issey Miyake
Design House Miyake Design Studio
spring/summer 1990
Daoist Master Fei Zhangfang, Sesson Shūkei Japanese, Hanging scroll; ink on paper, Japan
Daoist Master Fei Zhangfang
Sesson Shūkei
ca. 1555–61
Work #9, Aiko Miyawaki Japanese, Brass
Work #9
Aiko Miyawaki
1968
No. 43, Yoshio Sekine Japanese, Oil on canvas
No. 43
Yoshio Sekine
1965
Robe (Kosode) with Floral Roundels, Figured satin-weave silk with tie-dyeing, silk embroidery, and couched gold thread, Japan
Robe (Kosode) with Floral Roundels
Japan
ca. 1670s
Sutra Box (Kyōbako) with Sun and Clouds, Lacquered wood with gold hiramaki-e; gilt bronze fittings, Japan
Sutra Box (Kyōbako) with Sun and Clouds
Japan
late 14th–early 15th century
The Thirty-Six Poetic Immortals, Studio of Kano Takanobu Japanese, Pair of six-panel folding screens; ink, color, gold, and silver on paper, Japan
The Thirty-Six Poetic Immortals
Painting by Studio of Kano Takanobu
Inscriptions by Konoe Nobutada
early 17th century
Wedding dress, Yohji Yamamoto Japanese, a) cotton, nylon, silk; b) cotton, nylon, Japanese
Wedding dress
Designer Yohji Yamamoto
spring/summer 2000
Pouring vessel (kendi) with landscape, Hard-paste porcelain painted with cobalt blue under transparent glaze (Hizen ware), Japanese, for European market
Pouring vessel (kendi) with landscape
Japanese, for European market
1660–80
Plate with a vase of flowers, Hard-paste porcelain with colored enamels over transparent glaze and gilded (Hizen ware; Imari type), Japanese, for European market
Plate with a vase of flowers
Japanese, for European market
ca. 1770
Dish with rocks, flowers, and birds, Hard-paste porcelain with colored enamels under transparent glaze (Hizen ware; Imari type), Japanese, for European market
Dish with rocks, flowers, and birds
Japanese, for European market
1710–30
Bottle with flowers of the four seasons, Hard-paste porcelain painted with colored enamels over transparent glaze (Hizen ware; Imari type), Japanese, for European, probably Dutch, market
Bottle with flowers of the four seasons
Japanese, for European, probably Dutch, market
ca. 1710
Teapot with cover, Hard-paste porcelain with enamel decoration, Japanese, for European market
Teapot with cover
Japanese, for European market
18th century
Dish with the Chinese story of Sima Guang, Hard-paste porcelain painted with colored enamels over transparent glaze (Hizen ware; Kakiemon type), Japanese, for European market
Dish with the Chinese story of Sima Guang
Japanese, for European market
ca. 1700–1720
Incense burner (koro), Hard-paste porcelain painted with cobalt blue under and colored enamels over transparent glaze (Hizen ware; Kakiemon type), Japanese, for European market
Incense burner (koro)
Japanese, for European market
late 17th century
Plate with Japanese court woman and birds, Hard-paste porcelain painted with colored enamels over transparent glaze (Hizen ware; Imari type), Japanese, for European market
Plate with Japanese court woman and birds
Japanese, for European market
1710–30
Dish with dragon, Hard-paste porcelain painted with colored enamels over transparent glaze (Hizen ware; Kakiemon type), Japanese, for European market
Dish with dragon
Japanese, for European market
1680–1700
Dish with tiger and bamboo, Hard-paste porcelain painted with cobalt blue under transparent glaze (Hizen ware; Kakiemon type), Japanese, for European market
Dish with tiger and bamboo
Japanese, for European market
ca. 1720
Saucer with butterflies, Hard-paste porcelain painted with colored enamels over transparent glaze (Hizen ware; Kakiemon type), Japanese, for European market
Saucer with butterflies
Japanese, for European market
ca. 1700–1710
Blade and Mounting for a Sword (Katana), Naotane Taikei Japanese, Steel, wood, lacquer, rayskin (samé), silk, iron, copper-gold alloy (shakudō), copper, gold, silver, Japanese
Blade and Mounting for a Sword (Katana)
Swordsmith Blade inscribed by Naotane Taikei
Decorator Engraving on blade attributed to Honjō Yoshitane
Fittings maker Sword guard (tsuba) inscribed by Yukinaka
blade, dated 1839; mounting, 19th century
Armor (<i>Gusoku</i>), Yukinoshita Sadaiyé Japanese, Iron, lacquer, silk, gilt copper, Japanese
Armor (Gusoku)
Armorer Inscribed by Yukinoshita Sadaiyé
17th century
仏胴 “Buddha” Cuirass (<i>Hotoke-Dō</i>), Iron, silk, Japanese
仏胴 “Buddha” Cuirass (Hotoke-Dō)
Japanese
16th or early 17th century
Blade for a Double-Edged Sword (<i>Ken</i>), Steel, Japanese
Blade for a Double-Edged Sword (Ken)
Japanese
5th century
Stirrup (<i>Wa Abumi</i>), Iron, possibly Japanese
Stirrup (Wa Abumi)
possibly Japanese
ca. 5th century
Ceremonial Spearhead (<i>Tsukushi Boko</i>), Bronze, Japanese
Ceremonial Spearhead (Tsukushi Boko)
Japanese
probably 1st–2nd century CE
Helmet in the Shape of a Crouching Rabbit, Iron, lacquer, silver, gold, leather, silk, Japanese
Helmet in the Shape of a Crouching Rabbit
Japanese
17th century
Hand Cannon, Kazuki Nobumichi Japanese, Iron, gold, silver, wood, brass, Japanese
Hand Cannon
Gunsmith Inscribed by Kazuki Nobumichi
barrel late 18th–early 19th century; stock, dated 1865
Armor (<i>Gusoku</i>), Myōchin Munesuke Japanese, Iron, lacquer, silk, copper, gold, Japanese
Armor (Gusoku)
Armorer Signed by Myōchin Munesuke
early 18th century
Helmet, Iron, lacquer, silk, Japanese
Helmet
Japanese
17th century
Spearhead, Bronze, possibly Japanese
Spearhead
possibly Japanese
unknown

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