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Bedroom from the Sagredo Palace, Abbondio Stazio Swiss, Wood, stucco, marble, glass, Italian, Venice — Bedroom from the Sagredo Palace
Abbondio Stazio
Carpoforo Mazzetti Tencalla
ca. 1720 or later

Goblet, Glass, enameled and gilded, Italian, Venice, Murano — Goblet
Italian, Venice, Murano
ca. 1475–1500 (modern foot)

Guitar, Matteo Sellas German, active Italy, Spruce, bone, parchment, snakewood, ivory, Italian — Guitar
Matteo Sellas
ca. 1630–50

Virginal, Wood, parchment, ivory, paint, Italian — Virginal
Italian
1540

Restello, Poplar. Carved, gilt; orangebole, blue and red tempera., Italian, Venice — Restello
Italian, Venice
early 16th century

Vita del Tintoretto, Carlo Ridolfi Italian, Illustrated book, Venice: Oddoni, 1642 — Vita del Tintoretto
Carlo Ridolfi
1642

Bononiensis de architectura libri quinque quibus cuncta fere architectonicae facultatis mysteria docte, perspicue . . ., Sebastiano Serlio Italian, Illustrated book — Bononiensis de architectura libri quinque quibus cuncta fere architectonicae facultatis mysteria docte, perspicue . . .
Sebastiano Serlio
1568–69

I quattro libri dell'architettura di Andrea Palladio . . ., Andrea Palladio Italian, Illustrated book, Venice: Domenico de'Franceschi, 1570 — I quattro libri dell'architettura di Andrea Palladio . . .
Andrea Palladio
1570

Il Ritratto di Venezia, Domenico Martinelli, Printed book, Venice: Presso Gio. Giacomo Hertz, 1684 — Il Ritratto di Venezia
Domenico Martinelli
1684

Orlando furioso di M. Lodouico Ariosto nuouamente adornato di figure di rame da Girolamo Porro Padouano ; et di altre cose che saranno notate nella sequente facciata, Ludovico Ariosto Italian — Orlando furioso di M. Lodouico Ariosto nuouamente adornato di figure di rame da Girolamo Porro Padouano ; et di altre cose che saranno notate nella sequente facciata
Multiple artists/makers
1584

Gli universali dei belli recami antichi, e moderni, ne i quali un pellegrino ingegno si di huomo come di donna, potra in questa nostra età con l'ago vertuosamente esercitarsi. Non anchora da alcuni altri dati in luce, 1537, Nicolò Zoppino Italian — Gli universali dei belli recami antichi, e moderni, ne i quali un pellegrino ingegno si di huomo come di donna, potra in questa nostra età con l'ago vertuosamente esercitarsi. Non anchora da alcuni altri dati in luce, 1537
Nicolò Zoppino
Ferdinando Ongania
1877

Opera nova composta per Domenico da Sera detto il Franciosino : dove si insegna a tutte le nobili & leggiadre giovenette di lavorare di ogni sorte di pñti, cusire, recamare, & far tutte qlle belle opere, che si appartengono alle virtuose fanciulle, e qua si dilettano di far cō le sue mani alcuna gentilezza, & e anchora molto utile a gli tessadri, che sogliono lavorare di seta, Matteo Pagano Italian — Opera nova composta per Domenico da Sera detto il Franciosino : dove si insegna a tutte le nobili & leggiadre giovenette di lavorare di ogni sorte di pñti, cusire, recamare, & far tutte qlle belle opere, che si appartengono alle virtuose fanciulle, e qua si dilettano di far cō le sue mani alcuna gentilezza, & e anchora molto utile a gli tessadri, che sogliono lavorare di seta
Multiple artists/makers
1879

La Basilica di San Marco in Venezia illustrata nella storia e nell'arte da scrittori veneziani : [volume 3], Camillo Boito — La Basilica di San Marco in Venezia illustrata nella storia e nell'arte da scrittori veneziani : [volume 3]
Camillo Boito
Ferdinando Ongania
1881

Armchair, Walnut, gilded; velvet, Italian — Armchair
Italian
mid-18th century

The Finding of Moses, Jacopo [Giacomo] Barozzi da Vignola Italian, Wood, Italian — The Finding of Moses
Jacopo [Giacomo] Barozzi da Vignola
Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli)
16th century

Madonna and Child, Giovanni Maria Morlaiter Italian, Terracotta, Italian, Venice — Madonna and Child
Giovanni Maria Morlaiter
mid-18th century

Overdoor cresting, Gilded and painted wood, Italian, Venice — Overdoor cresting
Italian, Venice
18th century

Lengths of brocatelle used as wall covering, Silk and hemp, Italian, Venice — Lengths of brocatelle used as wall covering
Italian, Venice
18th century

Sanctuary lamp (Cesendello), Glass, enameled and gilt, Italian, Venice (Murano) — Sanctuary lamp (Cesendello)
Italian, Venice (Murano)
late 15th or early 16th century

Pope Clement X, Girolamo Lucenti, Bronze, Italian — Pope Clement X
Girolamo Lucenti
Gian Lorenzo Bernini
ca. 1670

Assumption of the Virgin, Verre églomisé, silver parcel gilt, Italian — Assumption of the Virgin
Italian
16th century

Pendant (one of a pair), Silver, niello, and gilt silver, probably Northern Italian — Pendant (one of a pair)
probably Northern Italian
second half 15th century

Pendant (one of a pair), Silver, niello, and gilt silver, probably Northern Italian — Pendant (one of a pair)
probably Northern Italian
second half 15th century

Pendant (one of a pair), Silver, niello, and gilt silver, probably Northern Italian — Pendant (one of a pair)
probably Northern Italian
second half 15th century

Elijah in the Fiery Chariot, Master of the Barbarigo Reliefs, Bronze, partially oil-gilt, Italian, Venice — Elijah in the Fiery Chariot
Master of the Barbarigo Reliefs
ca. 1520

Lion Hunt, Moderno (Galeazzo Mondella) Italian, Bronze, Italian — Lion Hunt
Moderno (Galeazzo Mondella)
16th century

Arms of Pope Pius IV (Giovanni Angelo Medici of Milan, reigned 1559–65), Marble, Italian — Arms of Pope Pius IV (Giovanni Angelo Medici of Milan, reigned 1559–65)
Italian
mid-16th century

Wineglass, Glass, blown with applied decoration, Italian, Venice (Murano) or façon de Venise possibly Dutch — Wineglass
Italian, Venice (Murano) or façon de Venise possibly Dutch
17th century

Perfume bottle, Chalcedony and aventurine glass, blown with gilded bronze mount and stopper, Italian, Venice (Murano) — Perfume bottle
Italian, Venice (Murano)
17th–18th century

Jar with cover, Glass, Italian, Venice (Murano) — Jar with cover
Italian, Venice (Murano)
16th century

Alexander the Great (?), Turquoise, enamel, gold, probably Italian — Alexander the Great (?)
probably Italian
ring: mid-16th century; cameo: early Hellenistic 4th century BCE

Virgin and child, Niccolò Roccatagliata Italian, Bronze, Italian, Venice — Virgin and child
Niccolò Roccatagliata
early 17th century

Madonna and Child, Pietro Lombardo (or Pietro di Martino da Carona) Italian, Relief: stone, traces of gilding; Frame: stone painted blue and gilded in parts, Italian, Venice — Madonna and Child
Pietro Lombardo (or Pietro di Martino da Carona)
ca. 1495

Console table (one of a pair), Wood, partly gilded and painted; marble, Italian, Venice — Console table (one of a pair)
Italian, Venice
ca. 1715–25

Cup with cover, Painted enamel on copper, partly gilt; gilt brass, Italian, Venice — Cup with cover
Italian, Venice
late 15th or early 16th century

Ewer, Painted enamel on copper, partly gilt; gilt brass, Italian, Venice — Ewer
Italian, Venice
late 15th–early 16th century

Frieze fragment, Marble, Italian — Frieze fragment
Italian
early 16th century

Frieze fragment, Marble, Italian — Frieze fragment
Italian
early 16th century

Arms of Pope Julius II (Giuliano della Rovere, reigned 1503–13), Marble, Italian — Arms of Pope Julius II (Giuliano della Rovere, reigned 1503–13)
Italian
early 16th century

Seated Hercules in the act of shooting at the stymphalian birds, Vittore Gambello Italian, Bronze, Italian, Venice — Seated Hercules in the act of shooting at the stymphalian birds
Vittore Gambello
ca. 1515–20