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Restello, Poplar. Carved, gilt; orangebole, blue and red tempera., Italian, Venice — Restello
Italian, Venice
early 16th century

Goblet, Glass, enameled and gilded, Italian, Venice, Murano — Goblet
Italian, Venice, Murano
ca. 1475–1500 (modern foot)

Bedroom from the Sagredo Palace, Abbondio Stazio Swiss, Wood, stucco, marble, glass, Italian, Venice — Bedroom from the Sagredo Palace
Abbondio Stazio
Carpoforo Mazzetti Tencalla
ca. 1720 or later

Virginal, Wood, parchment, ivory, paint, Italian — Virginal
Italian
1540

Guitar, Matteo Sellas German, active Italy, Spruce, bone, parchment, snakewood, ivory, Italian — Guitar
Matteo Sellas
ca. 1630–50

Orlando furioso di M. Lodouico Ariosto nuouamente adornato di figure di rame da Girolamo Porro Padouano ; et di altre cose che saranno notate nella sequente facciata, Ludovico Ariosto Italian — Orlando furioso di M. Lodouico Ariosto nuouamente adornato di figure di rame da Girolamo Porro Padouano ; et di altre cose che saranno notate nella sequente facciata
Multiple artists/makers
1584

Il Ritratto di Venezia, Domenico Martinelli, Printed book, Venice: Presso Gio. Giacomo Hertz, 1684 — Il Ritratto di Venezia
Domenico Martinelli
1684

Vita del Tintoretto, Carlo Ridolfi Italian, Illustrated book, Venice: Oddoni, 1642 — Vita del Tintoretto
Carlo Ridolfi
1642

Bononiensis de architectura libri quinque quibus cuncta fere architectonicae facultatis mysteria docte, perspicue . . ., Sebastiano Serlio Italian, Illustrated book — Bononiensis de architectura libri quinque quibus cuncta fere architectonicae facultatis mysteria docte, perspicue . . .
Sebastiano Serlio
1568–69

I quattro libri dell'architettura di Andrea Palladio . . ., Andrea Palladio Italian, Illustrated book, Venice: Domenico de'Franceschi, 1570 — I quattro libri dell'architettura di Andrea Palladio . . .
Andrea Palladio
1570

La Basilica di San Marco in Venezia illustrata nella storia e nell'arte da scrittori veneziani : [volume 3], Camillo Boito — La Basilica di San Marco in Venezia illustrata nella storia e nell'arte da scrittori veneziani : [volume 3]
Camillo Boito
Ferdinando Ongania
1881

Gli universali dei belli recami antichi, e moderni, ne i quali un pellegrino ingegno si di huomo come di donna, potra in questa nostra età con l'ago vertuosamente esercitarsi. Non anchora da alcuni altri dati in luce, 1537, Nicolò Zoppino Italian — Gli universali dei belli recami antichi, e moderni, ne i quali un pellegrino ingegno si di huomo come di donna, potra in questa nostra età con l'ago vertuosamente esercitarsi. Non anchora da alcuni altri dati in luce, 1537
Nicolò Zoppino
Ferdinando Ongania
1877

Opera nova composta per Domenico da Sera detto il Franciosino : dove si insegna a tutte le nobili & leggiadre giovenette di lavorare di ogni sorte di pñti, cusire, recamare, & far tutte qlle belle opere, che si appartengono alle virtuose fanciulle, e qua si dilettano di far cō le sue mani alcuna gentilezza, & e anchora molto utile a gli tessadri, che sogliono lavorare di seta, Matteo Pagano Italian — Opera nova composta per Domenico da Sera detto il Franciosino : dove si insegna a tutte le nobili & leggiadre giovenette di lavorare di ogni sorte di pñti, cusire, recamare, & far tutte qlle belle opere, che si appartengono alle virtuose fanciulle, e qua si dilettano di far cō le sue mani alcuna gentilezza, & e anchora molto utile a gli tessadri, che sogliono lavorare di seta
Multiple artists/makers
1879

The Last Kiss of Romeo and Juliet, Giovanni Beltrami Italian, Rock crystal; gilt bronze, Italian — The Last Kiss of Romeo and Juliet
Giovanni Beltrami
Francesco Hayez
crystal 1824, frame possibly contemporary

Wellhead, Limestone (Istrian limestone), Italian — Wellhead
Italian
late 14th–early 15th century

Icon of the Lamentation, Elephant ivory, Byzantine — Icon of the Lamentation
Byzantine
12th–13th century

Crucified Christ, Copper alloy, gilt, Italian — Crucified Christ
Italian
second half 14th century

Goblet, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti"., Italian (Venice) — Goblet
Italian (Venice)
late 16th century

Stemmed cup (?), Colorless (slightly grayish tan) nonlead glass. Blown, pattern molded, trailed, gilt., Italian (Venice) or façon de Venise — Stemmed cup (?)
Italian (Venice) or façon de Venise
probably 16th century

Covered goblet, Opalescent bluish white nonlead glass. Blown, pattern molded, trailed, pincered, applied parts., probably Italian (Venice) — Covered goblet
probably Italian (Venice)
probably late 19th century

Goblet, Colorless (slightly grayish) nonlead glass. Blown, pattern molded, trailed, enameled, gilt., Italian (Venice) — Goblet
Italian (Venice)
ca. 1500

Goblet, Colorless (slightly gray) and transparent dark blue nonlead glass. Blown, pattern molded, gilt., Italian (Venice) — Goblet
Italian (Venice)
ca. 1500

Covered bottle, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", applied, molded., Italian (Venice) — Covered bottle
Italian (Venice)
early 18th century

Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass. Blown, enameled, gilt., Italian (Venice) — Pilgrim flask
Italian
ca. 1500–1525

Drinking horn, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", trailed., Venetian or façon de Venise — Drinking horn
Venetian or façon de Venise
late 16th century

Jug, Transparent dark blue nonlead glass. Blown, enameled, gilt., Italian (Venice) — Jug
Italian (Venice)
ca. 1500–1510

Bowl, Transparent dark blue nonlead glass. Blown, enamaled, gilt., Italian (Venice) — Bowl
Italian (Venice)
ca. 1500

Bowl, Colorless (slightly gray) and transparent bright green nonlead glass. Blown, pattern molded, enameled, gilt., Italian (Venice) — Bowl
Italian (Venice)
ca. 1500–1525

Plate, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti"., Italian (Venice) — Plate
Italian (Venice)
late 17th or early 18th century

Plate, Colorless (slightly gray), opaque red-brown, and opaque white (slightly gray) nonlead glass. Blown, "vetro a retorti"., Italian (Venice) — Plate
Italian (Venice)
probably late 17th century

Bowl, Translucent amber nonlead glass with multicolored marbling on the exterior. Blown, Italian (probably Venice) — Bowl
Italian (probably Venice)
probably late 19th century

Footed bowl, Transparent dark blue nonlead glass. Blown, enameled, gilt., Italian (Venice) — Footed bowl
Italian (Venice)
ca. 1500–1525

Armorial tazza, Colorless (slightly gray) nonlead glass. Blown, enameled, gilt., Italian (Venice) — Armorial tazza
Italian (Venice)
ca. 1500–1525

Tazza, Colorless (slightly gray), bubbly nonlead glass. Blown, pattern molded, enameled, gilt., Italian (Venice) — Tazza
Italian (Venice)
ca. 1500–1525

Tazza, Colorless (slightly gray) nonlead glass. Blown, reverse painted, gilt (unfired)., Venetian or façon de Venise, probably Tyrolean; possibly Venice — Tazza
Venetian or façon de Venise, probably Tyrolean; possibly Venice
ca. 1570

Footed bowl, Colorless (purplish gray) nonlead glass. Blown, pattern molded, enameled, gilt., Italian (Venice) — Footed bowl
Italian (Venice)
ca. 1500–1525

Footed bowl, Translucent red nonlead glass with multicolored marbling on the exterior. Blown., Italian (Venice) — Footed bowl
Italian (Venice)
ca. 1500

Goblet, Colorless (slightly grayish tan) nonlead glass. Blown, pattern molded, enameled, gilt., Italian (Venice) — Goblet
Italian (Venice)
ca. 1500–1525

Goblet, Transparent brownish nonlead glass. Blown, enameled, gilt., Italian (probably Venice) — Goblet
Italian (probably Venice)
probably late 19th century

Goblet, Colorless (slightly gray) and turquoise blue nonlead glass. Blown, trailed, impressed, pincered., probably Italian (Venice) — Goblet
probably Italian (Venice)
late 19th century