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Bedroom from the Sagredo Palace, Abbondio Stazio Swiss, Wood, stucco, marble, glass, Italian, Venice — Bedroom from the Sagredo Palace
Abbondio Stazio
Carpoforo Mazzetti Tencalla
ca. 1720 or later

Goblet, Glass, enameled and gilded, Italian, Venice, Murano — Goblet
Italian, Venice, Murano
ca. 1475–1500 (modern foot)

Virginal, Wood, parchment, ivory, paint, Italian — Virginal
Italian
1540

Guitar, Matteo Sellas German, active Italy, Spruce, bone, parchment, snakewood, ivory, Italian — Guitar
Matteo Sellas
ca. 1630–50

Restello, Poplar. Carved, gilt; orangebole, blue and red tempera., Italian, Venice — Restello
Italian, Venice
early 16th century

Vita del Tintoretto, Carlo Ridolfi Italian, Illustrated book, Venice: Oddoni, 1642 — Vita del Tintoretto
Carlo Ridolfi
1642

Bononiensis de architectura libri quinque quibus cuncta fere architectonicae facultatis mysteria docte, perspicue . . ., Sebastiano Serlio Italian, Illustrated book — Bononiensis de architectura libri quinque quibus cuncta fere architectonicae facultatis mysteria docte, perspicue . . .
Sebastiano Serlio
1568–69

Orlando furioso di M. Lodouico Ariosto nuouamente adornato di figure di rame da Girolamo Porro Padouano ; et di altre cose che saranno notate nella sequente facciata, Ludovico Ariosto Italian — Orlando furioso di M. Lodouico Ariosto nuouamente adornato di figure di rame da Girolamo Porro Padouano ; et di altre cose che saranno notate nella sequente facciata
Multiple artists/makers
1584

La Basilica di San Marco in Venezia illustrata nella storia e nell'arte da scrittori veneziani : [volume 3], Camillo Boito — La Basilica di San Marco in Venezia illustrata nella storia e nell'arte da scrittori veneziani : [volume 3]
Camillo Boito
Ferdinando Ongania
1881

I quattro libri dell'architettura di Andrea Palladio . . ., Andrea Palladio Italian, Illustrated book, Venice: Domenico de'Franceschi, 1570 — I quattro libri dell'architettura di Andrea Palladio . . .
Andrea Palladio
1570

Il Ritratto di Venezia, Domenico Martinelli, Printed book, Venice: Presso Gio. Giacomo Hertz, 1684 — Il Ritratto di Venezia
Domenico Martinelli
1684

Opera nova composta per Domenico da Sera detto il Franciosino : dove si insegna a tutte le nobili & leggiadre giovenette di lavorare di ogni sorte di pñti, cusire, recamare, & far tutte qlle belle opere, che si appartengono alle virtuose fanciulle, e qua si dilettano di far cō le sue mani alcuna gentilezza, & e anchora molto utile a gli tessadri, che sogliono lavorare di seta, Matteo Pagano Italian — Opera nova composta per Domenico da Sera detto il Franciosino : dove si insegna a tutte le nobili & leggiadre giovenette di lavorare di ogni sorte di pñti, cusire, recamare, & far tutte qlle belle opere, che si appartengono alle virtuose fanciulle, e qua si dilettano di far cō le sue mani alcuna gentilezza, & e anchora molto utile a gli tessadri, che sogliono lavorare di seta
Multiple artists/makers
1879

Gli universali dei belli recami antichi, e moderni, ne i quali un pellegrino ingegno si di huomo come di donna, potra in questa nostra età con l'ago vertuosamente esercitarsi. Non anchora da alcuni altri dati in luce, 1537, Nicolò Zoppino Italian — Gli universali dei belli recami antichi, e moderni, ne i quali un pellegrino ingegno si di huomo come di donna, potra in questa nostra età con l'ago vertuosamente esercitarsi. Non anchora da alcuni altri dati in luce, 1537
Nicolò Zoppino
Ferdinando Ongania
1877

Venus Marina, Girolamo Campagna Italian, Bronze, Italian, Venice — Venus Marina
Girolamo Campagna
late 16th century–early 17th century

Altar candlestick with busts in relief of Saints Peter and Paul (one of a pair), Vincenzo Grandi, Bronze, partially oil-gilt, Northern Italian — Altar candlestick with busts in relief of Saints Peter and Paul (one of a pair)
Vincenzo Grandi
Gian Gerolamo Grandi
mid-16th century

Bowl decorated with a fish-scale pattern, Glass, Italian, Venice (Murano) — Bowl decorated with a fish-scale pattern
Italian, Venice (Murano)
1475–1600

Francesco Bocchetta, Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) Italian, Marble, Italian, Venice — Francesco Bocchetta
Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)
ca. 1565–90

Cantoria, Travertine, iron, Central Italian — Cantoria
Central Italian
first quarter 16th century

Gondola prow in the shape of a doge's cap, Iron, partly gilded, Italian, Venice — Gondola prow in the shape of a doge's cap
Italian, Venice
18th century

Wall bracket for a hanging lantern, Wrought iron and tin, partly gilded, Italian, probably Venice — Wall bracket for a hanging lantern
Italian, probably Venice
early 18th century

Seated satyr with an inkwell and a candlestick, Bronze, Northern Italian — Seated satyr with an inkwell and a candlestick
Northern Italian
ca. 1530–40

Hercules and Antaeus, Bronze, with red-brown natural patina, and remains of dark brown lacquer., possibly Italian — Hercules and Antaeus
possibly Italian
probably 19th century

Trotting horse, Giambologna Netherlandish, Bronze, with remains of red-brown lacquer, Italian — Trotting horse
Giambologna
18th–19th century?

Doorknocker, Bronze, iron (hammer and suspension loop), Italian, Venice — Doorknocker
Italian, Venice
late 16th century or later

Pair of double-headed monsters, Bronze, with black lacquer patina, Italian, possibly Venice — Pair of double-headed monsters
Italian, possibly Venice
late 17th century

Standing cup, Glass, enameled and gilt, Italian, Venice (Murano) — Standing cup
Italian, Venice (Murano)
ca. 1530

Alchemist and his Assistant, Hard-paste porcelain, probably Italian — Alchemist and his Assistant
probably Italian
ca. 1770–75

Cameo with the Head of a Satyr, Sardonyx with gold mount, probably Italian — Cameo with the Head of a Satyr
probably Italian
late 18th or early 19th century

Annunciation, Niccolò Roccatagliata Italian, Bronze, Italian, Venice — Annunciation
Niccolò Roccatagliata
early 17th century

Juno and the peacock, Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) Italian, Bronze, Italian, Venice — Juno and the peacock
Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)
late 16th century

Reliquary glass, Glass, Italian, Venice (Murano) — Reliquary glass
Italian, Venice (Murano)
19th century

Sword with Scabbard, Steel, gold, wood, velvet, Italian, Venice — Sword with Scabbard
Italian, Venice
ca. 1575

Glaive of the Rota Family, Steel, gold, wood, Italian, Venice — Glaive of the Rota Family
Italian, Venice
ca. 1600

Two-Hand Sword, Steel, gold, wood, Italian, Venice — Two-Hand Sword
Italian, Venice
ca. 1570

Falchion, Steel, gold, textile, Italian, Venice — Falchion
Italian, Venice
ca. 1490

Armchair, Walnut, gilded; velvet, Italian, Venice — Armchair
Italian, Venice
mid-18th century

Armchair, Pine, carved, painted and gilded; velvet, Italian, Venice — Armchair
Italian, Venice
mid-18th century

Bowl, Venezia-Murano Company Italian, Glass, mosaic, Italian, Venice (Murano) — Bowl
Venezia-Murano Company
ca. 1875–78

Desk (Secretary), Pine; carved, painted, gilded, and varnished linden wood decorated with colored decoupage prints; mirror glass; the inside of the fall front lined with silk not original to the secretary, Italian, Venice — Desk (Secretary)
Italian, Venice
ca. 1730–35

Cassone, Walnut, Italian, possibly Venice — Cassone
Italian, possibly Venice
second half 16th century