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Bedroom from the Sagredo Palace, Abbondio Stazio  Swiss, Wood, stucco, marble, glass, Italian, Venice
Stuccowork probably by Abbondio Stazio
and Carpoforo Mazzetti Tencalla
ca. 1720 or later
Restello, Poplar. Carved, gilt; orangebole, blue and red tempera., Italian, Venice
Italian, Venice
early 16th century
Virginal, Wood, parchment, ivory, paint, Italian
Italian
1540
Guitar, Matteo Sellas  German, active Italy, Spruce, bone, parchment, snakewood, ivory, Italian
Attributed to Matteo Sellas
ca. 1630–50
Goblet, Glass, enameled and gilded, Italian, Venice, Murano
Italian, Venice, Murano
ca. 1475–1500 (modern foot)
Vita del Tintoretto, Carlo Ridolfi  Italian, Illustrated book, Venice: Oddoni, 1642
Author Carlo Ridolfi
1642
Il Ritratto di Venezia, Domenico Martinelli, Printed book, Venice: Presso Gio. Giacomo Hertz, 1684
Author Domenico Martinelli
1684
Jar with cover, Glass, Italian, Venice (Murano)
Italian, Venice (Murano)
16th century
Overdoor cresting, Gilded and painted wood, Italian, Venice
Italian, Venice
18th century
Pilgrim bottle with cover, Painted enamel on copper, partly gilt; gilt-brass, Italian, Venice
Italian, Venice
late 15th or early 16th century
Mars and Venus Trapped by Vulcan, Guglielmo della Porta  Italian, Gilt bronze, Italian
After Guglielmo della Porta
late 16th century
Francesco Bocchetta, Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)  Italian, Marble, Italian, Venice
Workshop of Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)
ca. 1565–90
Cantoria, Travertine, iron, Central Italian
Central Italian
first quarter 16th century
Tomb of Antonio Canova, Antonio Fabris  Italian, Bronze, Italian, Venice
Medalist: Antonio Fabris
1827
Cassone, Walnut, Italian, possibly Venice
Italian, possibly Venice
second half 16th century
Altar candlestick with busts in relief of Saints Peter and Paul (one of a pair), Vincenzo Grandi, Bronze, partially oil-gilt, Northern Italian
Workshop of Vincenzo Grandi
and Gian Gerolamo Grandi
mid-16th century
Venus Marina, Girolamo Campagna  Italian, Bronze, Italian, Venice
After a composition by Girolamo Campagna
late 16th century–early 17th century
Candlestand, Gessoed, painted, and partly gilded pine and walnut, Italian, Venice
Italian, Venice
ca. 1750
The Barbarigo Armorial, Wood, gilded and polychromed, Italian, Venice
Italian, Venice
late 16th century
Sanctuary lamp (Cesendello), Glass, enameled and gilt, Italian, Venice (Murano)
Italian, Venice (Murano)
late 15th or early 16th century
Cup with cover, Painted enamel on copper, partly gilt; gilt brass, Italian, Venice
Italian, Venice
late 15th or early 16th century
Ewer, Painted enamel on copper, partly gilt; gilt brass, Italian, Venice
Italian, Venice
late 15th–early 16th century
Assumption of the Virgin, Verre églomisé, silver parcel gilt, Italian
Italian
16th century
Frieze fragment, Marble, Italian
Italian
early 16th century
Frieze fragment, Marble, Italian
Italian
early 16th century
Pendant (one of a pair), Silver, niello, and gilt silver, probably Northern Italian
probably Northern Italian
second half 15th century
Pendant (one of a pair), Silver, niello, and gilt silver, probably Northern Italian
probably Northern Italian
second half 15th century
Pendant (one of a pair), Silver, niello, and gilt silver, probably Northern Italian
probably Northern Italian
second half 15th century
Elijah in the Fiery Chariot, Master of the Barbarigo Reliefs, Bronze, partially oil-gilt, Italian, Venice
Master of the Barbarigo Reliefs
ca. 1520
Lion Hunt, Moderno (Galeazzo Mondella)  Italian, Bronze, Italian
Moderno (Galeazzo Mondella)
16th century
Armchair, Walnut, gilded; velvet, Italian, Venice
Italian, Venice
mid-18th century
Armchair, Pine, carved, painted and gilded; velvet, Italian, Venice
Italian, Venice
mid-18th century
Ewer or cruet, Painted enamel on copper, partly gilt, Italian, Venice
Italian, Venice
late 15th or early 16th century