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Restello, Poplar. Carved, gilt; orangebole, blue and red tempera., Italian, Venice
Restello
Italian, Venice
early 16th century
Bedroom from the Sagredo Palace, Abbondio Stazio Swiss, Wood, stucco, marble, glass, Italian, Venice
Bedroom from the Sagredo Palace
Stuccowork probably by Abbondio Stazio
and Carpoforo Mazzetti Tencalla
ca. 1720 or later
Goblet, Glass, enameled and gilded, Italian, Venice, Murano
Goblet
Italian, Venice, Murano
ca. 1475–1500 (modern foot)
Guitar, Matteo Sellas German, active Italy, Spruce, bone, parchment, snakewood, ivory, Italian
Guitar
Attributed to Matteo Sellas
ca. 1630–50
Virginal, Wood, parchment, ivory, paint, Italian
Virginal
Italian
1540
Bononiensis de architectura libri quinque quibus cuncta fere architectonicae facultatis mysteria docte, perspicue . . ., Sebastiano Serlio Italian, Illustrated book
Bononiensis de architectura libri quinque quibus cuncta fere architectonicae facultatis mysteria docte, perspicue . . .
Author Sebastiano Serlio
1568–69
I quattro libri dell'architettura di Andrea Palladio . . ., Andrea Palladio Italian, Illustrated book, Venice: Domenico de'Franceschi, 1570
I quattro libri dell'architettura di Andrea Palladio . . .
Author Andrea Palladio
1570
Il Ritratto di Venezia, Domenico Martinelli, Printed book, Venice: Presso Gio. Giacomo Hertz, 1684
Il Ritratto di Venezia
Author Domenico Martinelli
1684
Descrizione degli' istromenti armonici d'ogni genere . . ., Filippo Buonanni Italian, Printed books, engraved plates, Presso Pietro Paolo Montignani-Mirabili
Descrizione degli' istromenti armonici d'ogni genere . . .
Author Filippo Buonanni
1806
Vita del Tintoretto, Carlo Ridolfi Italian, Illustrated book, Venice: Oddoni, 1642
Vita del Tintoretto
Author Carlo Ridolfi
1642
L'eschole de Salerne en vers burlesques & duo poemata macaronica: de bello huguenotico: et De gestis magnanimi & prudentissimi Baldi, Theophilo Folengo Italian
L'eschole de Salerne en vers burlesques & duo poemata macaronica: de bello huguenotico: et De gestis magnanimi & prudentissimi Baldi
Multiple artists/makers
1651
Orlando furioso di M. Lodouico Ariosto nuouamente adornato di figure di rame da Girolamo Porro Padouano ; et di altre cose che saranno notate nella sequente facciata, Ludovico Ariosto Italian
Orlando furioso di M. Lodouico Ariosto nuouamente adornato di figure di rame da Girolamo Porro Padouano ; et di altre cose che saranno notate nella sequente facciata
Multiple artists/makers
1584
La Basilica di San Marco in Venezia illustrata nella storia e nell'arte da scrittori veneziani : [volume 3], Camillo Boito
La Basilica di San Marco in Venezia illustrata nella storia e nell'arte da scrittori veneziani : [volume 3]
Editor Camillo Boito
Publisher Ferdinando Ongania
1881
Covered goblet, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a reticello", silver foil; silver-gilt mounts., probably Italian (Venice); mounts probably German (Augsburg)
Covered goblet
probably Italian (Venice); mounts probably German (Augsburg)
mid 16th century; ca. 1550–1600 (mounts); 19th-century? (lion finial)
Beaker, Colorless (slightly tan) nonlead glass. Blown, ice-glass technique, trailed, gilt., Italian (Venice) or façon de Venise, probably south Lowlands
Beaker
Italian (Venice) or façon de Venise, probably south Lowlands
late 16th–early 17th century
Liqueur glass, Colorless (slightly gray), opaque white, copper-flecked (goldstone or aventurine), and transparent blue nonlead glass. Blown, "vetro a retorti"., Italian (Venice)
Liqueur glass
Italian (Venice)
late 19th century
Goblet, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti"., Italian (Venice)
Goblet
Italian (Venice)
late 16th century
Stemmed cup (?), Colorless (slightly grayish tan) nonlead glass. Blown, pattern molded, trailed, gilt., Italian (Venice) or façon de Venise
Stemmed cup (?)
Italian (Venice) or façon de Venise
probably 16th century
Bowl, Transparent dark blue nonlead glass. Blown, enamaled, gilt., Italian (Venice)
Bowl
Italian (Venice)
ca. 1500
Footed bowl, Colorless (purplish gray) nonlead glass. Blown, pattern molded, enameled, gilt., Italian (Venice)
Footed bowl
Italian (Venice)
ca. 1500–1525
Footed bowl, Translucent red nonlead glass with multicolored marbling on the exterior. Blown., Italian (Venice)
Footed bowl
Italian (Venice)
ca. 1500
Vase, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti"., Italian (Venice)
Vase
Italian (Venice)
probably late 19th century, possibly late 18th century
Dessert glass(?), Opalescent bluish white nonlead glass. Blown, pattern molded, trailed., Italian (Venice)
Dessert glass(?)
Italian (Venice)
probably late 17th century
Cassone, Walnut, poplar, wrought iron., North Italian (Venice)
Cassone
North Italian (Venice)
ca. 1500–1525
Pilasters, Marble (Carrara and Parian marble), North Italian
Pilasters
North Italian
10th–11th century
Hairpin, Lamp-worked glass, gilt, with copper pins, probably Italian (Venice); possibly Innsbruck
Hairpin
probably Italian (Venice); possibly Innsbruck
19th century
Cruet, Colorless (slightly grayish tan) and transparent turquoise blue nonlead glass. Blown, pattern molded, trailed, pincered., Italian (Venice)
Cruet
Italian (Venice)
17th century
Plate, Colorless (slightly grayish tan) and opaque white nonlead glass. Blown, "vetro a retorti"., Italian (Venice)
Plate
Italian (Venice)
mid-17th–early 18th century
Covered goblet, Opalescent bluish white nonlead glass. Blown, pattern molded, trailed, pincered, applied parts., probably Italian (Venice)
Covered goblet
probably Italian (Venice)
probably late 19th century
Goblet, Colorless (slightly grayish) nonlead glass. Blown, pattern molded, trailed, enameled, gilt., Italian (Venice)
Goblet
Italian (Venice)
ca. 1500
Goblet, Colorless (slightly gray) and transparent dark blue nonlead glass. Blown, pattern molded, gilt., Italian (Venice)
Goblet
Italian (Venice)
ca. 1500
Footed bowl, Transparent dark blue nonlead glass. Blown, enameled, gilt., Italian (Venice)
Footed bowl
Italian (Venice)
ca. 1500–1525
Armorial tazza, Colorless (slightly gray) nonlead glass. Blown, enameled, gilt., Italian (Venice)
Armorial tazza
Italian (Venice)
ca. 1500–1525
Tazza, Colorless (slightly gray), bubbly nonlead glass. Blown, pattern molded, enameled, gilt., Italian (Venice)
Tazza
Italian (Venice)
ca. 1500–1525
Tazza, Colorless (slightly gray) nonlead glass. Blown, enameled, gilt., Italian (Venice)
Tazza
Italian (Venice)
ca. 1500–1525
Tazza, Colorless (slightly tan) and transparent turquoise blue nonlead glass. Blown, trailed, diamond-point (scratch) engraved., Italian (Venice) or façon de Venise, northern European
Tazza
Italian (Venice) or façon de Venise, northern European
17th century
Tazza, Colorless (slightly gray) and opaque white nonlead glass. Blown, "vetro a retorti", pincered., Venetian or façon de Venise
Tazza
Venetian or façon de Venise
first half 16th century
Cassetta frame, Poplar back frame with walnut upper moldings., Italian, Venice
Cassetta frame
Italian, Venice
ca. 1520
Sansovino-style frame, Pine back frame with lime upper moldings. Gilt; dark red-brown bole, blue background., Venetian
Sansovino-style frame
Venetian
ca. 1570, adapted ca. 1960
Hairpin, Lamp-worked glass, gilt, with copper pins, probably Italian (Venice); possibly Innsbruck
Hairpin
probably Italian (Venice); possibly Innsbruck
19th century
Hairpin, Lamp-worked colorless glass, gilt, wth clear trailed decoration and green and red "jewels," and copper wire., probably Italian (Venice); possibly Innsbruck
Hairpin
probably Italian (Venice); possibly Innsbruck
19th century
Footed bowl, Colorless (strong grayish tan), bubbly nonlead glass. Blown, enameled, gilt., Italian (Venice)
Footed bowl
Italian (Venice)
ca. 1500–1525