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Bedroom from the Sagredo Palace, Abbondio Stazio  Swiss, Wood, stucco, marble, glass, Italian, Venice
Abbondio Stazio
Carpoforo Mazzetti Tencalla
ca. 1720 or later
Goblet, Glass, enameled and gilded, Italian, Venice, Murano
Italian, Venice, Murano
ca. 1475–1500 (modern foot)
Restello, Poplar. Carved, gilt; orangebole, blue and red tempera., Italian, Venice
Italian, Venice
early 16th century
Virginal, Wood, parchment, ivory, paint, Italian
Italian
1540
Guitar, Matteo Sellas  German, active Italy, Spruce, bone, parchment, snakewood, ivory, Italian
Matteo Sellas
ca. 1630–50
La Basilica di San Marco in Venezia illustrata nella storia e nell'arte da scrittori veneziani : [volume 3], Camillo Boito
Camillo Boito
Ferdinando Ongania
1881
Vita del Tintoretto, Carlo Ridolfi  Italian, Illustrated book, Venice: Oddoni, 1642
Carlo Ridolfi
1642
Bononiensis de architectura libri quinque quibus cuncta fere architectonicae facultatis mysteria docte, perspicue . . ., Sebastiano Serlio  Italian, Illustrated book
Sebastiano Serlio
1568–69
I quattro libri dell'architettura di Andrea Palladio . . ., Andrea Palladio  Italian, Illustrated book, Venice: Domenico de'Franceschi, 1570
Andrea Palladio
1570
Il Ritratto di Venezia, Domenico Martinelli, Printed book, Venice: Presso Gio. Giacomo Hertz, 1684
Domenico Martinelli
1684
Orlando furioso di M. Lodouico Ariosto nuouamente adornato di figure di rame da Girolamo Porro Padouano ; et di altre cose che saranno notate nella sequente facciata, Ludovico Ariosto  Italian
Multiple artists/makers
1584
Gli universali dei belli recami antichi, e moderni, ne i quali un pellegrino ingegno si di huomo come di donna, potra in questa nostra età con l'ago vertuosamente esercitarsi. Non anchora da alcuni altri dati in luce, 1537, Nicolò Zoppino  Italian
Nicolò Zoppino
Ferdinando Ongania
1877
Opera nova composta per Domenico da Sera detto il Franciosino : dove si insegna a tutte le nobili & leggiadre giovenette di lavorare di ogni sorte di pñti, cusire, recamare, & far tutte qlle belle opere, che si appartengono alle virtuose fanciulle, e qua si dilettano di far cō le sue mani alcuna gentilezza, & e anchora molto utile a gli tessadri, che sogliono lavorare di seta, Matteo Pagano  Italian
Multiple artists/makers
1879
Tomb of Antonio Canova, Antonio Fabris  Italian, Bronze, Italian, Venice
Antonio Fabris
1827
Warrior (Musketeer), Bronze, Italian, possibly Venice
Italian, possibly Venice
17th century
Cassone (one of a pair), Walnut, Italian
Italian
second half 16th century
Cantoria, Travertine, iron, Central Italian
Central Italian
first quarter 16th century
Altar candlestick with busts in relief of Saints Peter and Paul (one of a pair), Vincenzo Grandi, Bronze, partially oil-gilt, Northern Italian
Vincenzo Grandi
Gian Gerolamo Grandi
mid-16th century
Altar candlestick with busts in relief of Saints Peter and Paul (one of a pair), Vincenzo Grandi, Bronze, partially oil-gilt, Northern Italian
Vincenzo Grandi
Gian Gerolamo Grandi
mid-16th century
Gondola prow in the shape of a doge's cap, Iron, partly gilded, Italian, Venice
Italian, Venice
18th century
Saint Sebastian, Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)  Italian, Bronze, Italian, Venice
Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)
1566
Pluto and Cerberus, Tiziano Aspetti  Italian, Bronze, dark brown patina, Italian, Venice
Tiziano Aspetti
ca. 1588
Seated Hercules in the act of shooting at the stymphalian birds, Vittore Gambello  Italian, Bronze, Italian, Venice
Vittore Gambello
ca. 1515–20
Venus Marina, Girolamo Campagna  Italian, Bronze, Italian, Venice
Girolamo Campagna
late 16th century–early 17th century
Bowl decorated with a fish-scale pattern, Glass, Italian, Venice (Murano)
Italian, Venice (Murano)
1475–1600
Francesco Bocchetta, Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)  Italian, Marble, Italian, Venice
Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa)
ca. 1565–90
Pilgrim bottle with cover, Painted enamel on copper, partly gilt; gilt-brass, Italian, Venice
Italian, Venice
late 15th or early 16th century
Ewer or cruet, Painted enamel on copper, partly gilt, Italian, Venice
Italian, Venice
late 15th or early 16th century
Mars and Venus Trapped by Vulcan, Guglielmo della Porta  Italian, Gilt bronze, Italian
Guglielmo della Porta
late 16th century
Cassone, Walnut, Italian, possibly Venice
Italian, possibly Venice
second half 16th century
Candlestand, Gessoed, painted, and partly gilded pine and walnut, Italian, Venice
Italian, Venice
ca. 1750
The Barbarigo Armorial, Wood, gilded and polychromed, Italian, Venice
Italian, Venice
late 16th century
Hercules and Antaeus, Bronze, with red-brown natural patina, and remains of dark brown lacquer., possibly Italian
possibly Italian
probably 19th century
Trotting horse, Giambologna  Netherlandish, Bronze, with remains of red-brown lacquer, Italian
Giambologna
18th–19th century?
Triumph of Neptune, Alvise of Padua, Bronze, Italian, Venice
Alvise of Padua
ca. 1515–25
Cameo with the Head of a Satyr, Sardonyx with gold mount, probably Italian
probably Italian
late 18th or early 19th century
A Young Warrior, Tullio Lombardo , and workshop Italian, White marble, Italian, Venice
Tullio Lombardo
1490s
Adam, Tullio Lombardo  Italian, Marble, Italian, Venice
Tullio Lombardo
ca. 1490–95
Seated satyr with an inkwell and a candlestick, Bronze, Northern Italian
Northern Italian
ca. 1530–40
Doorknocker, Bronze, iron (hammer and suspension loop), Italian, Venice
Italian, Venice
late 16th century or later