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1-42 of 9,174 results for Aaron Martinet
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Hé c'est l'ami Carême!, Musée Grotesque No. 53, Aaron Martinet French, Hand-colored etching
Hé c'est l'ami Carême!, Musée Grotesque No. 53
Aaron Martinet
early 19th century
Le Goût du Jour ou Des Chinois du Boulevard Coblentz, from "Caricatures Parisiennes", Aaron Martinet French, Hand-colored etching
Le Goût du Jour ou Des Chinois du Boulevard Coblentz, from "Caricatures Parisiennes"
Aaron Martinet
Anonymous, French, 19th century
ca. 1815
Suite of rebuses
Aaron Martinet
19th century
L'entrée dans le Monde
Aaron Martinet
Delpech
19th century
J'ai été bien maltraité
Aaron Martinet
Feillet
19th century
Les Chapeaux à L'Irato, le suprême bon ton, no. 10; from "Caricatures Parisiennes"
Aaron Martinet
1815
Musée Grotesque, No. 24: Richesse et Misère, ou Rien qu'un
Aaron Martinet
19th century
La Pension de Jeunes Demoiselles
Aaron Martinet
19th century
Les Joueurs
Aaron Martinet
19th century
H ro ro ro ro o! (exclamation Anglaise)
Aaron Martinet
19th century
Le goût du jour, No. 25, le gastronôme après diner
Aaron Martinet
19th century
Recontre d'Anglais a Paris; Le Suprême Bon-Ton No. 23, Adrien Pierre Godefroy, Le Jeune French, Hand-colored etching
Recontre d'Anglais a Paris; Le Suprême Bon-Ton No. 23
Adrien Pierre Godefroy, Le Jeune
Aaron Martinet
ca. 1815
The Concave Petitioner: The Taste of the Day, no. 33 (Le Solliciteur Concave: Le Goût du Jour, No. 33), Anonymous, French, 19th century French, Hand-colored etching
The Concave Petitioner: The Taste of the Day, no. 33 (Le Solliciteur Concave: Le Goût du Jour, No. 33)
Anonymous, French, 19th century
Aaron Martinet
1817
The Convex Petitioner: The Taste of the Day, no. 34 (Le Solliciteur Convèxe: Le Goût du Jour, No. 34), Anonymous, French, 19th century French, Hand-colored etching
The Convex Petitioner: The Taste of the Day, no. 34 (Le Solliciteur Convèxe: Le Goût du Jour, No. 34)
Anonymous, French, 19th century
Aaron Martinet
1817
Le Goût du Jour, No. 21: Les Modernes Incroyables, from "Caricatures Parisiennes", Georges Jacques Gatine French, Hand-colored etching
Le Goût du Jour, No. 21: Les Modernes Incroyables, from "Caricatures Parisiennes"
Georges Jacques Gatine
Aaron Martinet
ca. 1815
L'Amour et les Graces Arrivant de Londres; Le Suprême Bon-Ton No. 24, Adrien Pierre Godefroy, Le Jeune French, Hand-colored etching
L'Amour et les Graces Arrivant de Londres; Le Suprême Bon-Ton No. 24
Adrien Pierre Godefroy, Le Jeune
Aaron Martinet
1815
Les Visites, Musée Grotesque, No. 21, Anonymous, French, 19th century French, Hand-colored etching
Les Visites, Musée Grotesque, No. 21
Anonymous, French, 19th century
Aaron Martinet
early 19th century
La Promenade en Bokei; Le Suprême Bon-Ton No. 26, Adrien Pierre Godefroy, Le Jeune French, Hand-colored etching
La Promenade en Bokei; Le Suprême Bon-Ton No. 26
Adrien Pierre Godefroy, Le Jeune
Aaron Martinet
1816
Well, Hello (Eh bonjour– donc–.), Charles Motte French, Hand-colored lithograph; proof with the publisher's address and the dash at the end of the inscription added by hand in pen and brown ink
Well, Hello (Eh bonjour– donc–.)
Charles Motte
Aaron Martinet
1821
Visit of a Clergyman to Bastide, Sausion, and Collard, Sébastien Coeuré French, Lithograph
Visit of a Clergyman to Bastide, Sausion, and Collard
Sébastien Coeuré
Aaron Martinet
ca. 1825
The ravaged poets' corner, from 'In the pub,' published in Le Charivari, January 7, 1864, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
The ravaged poets' corner, from 'In the pub,' published in Le Charivari, January 7, 1864
Multiple artists/makers
January 7, 1864
Adèlaïde... Il me semble que je vois... la comète! (Adelaide... I think I see the comet!), from "Croquis Parisiens", Honoré Daumier French, Lithograph; third state of three (Daumier)
Adèlaïde... Il me semble que je vois... la comète! (Adelaide... I think I see the comet!), from "Croquis Parisiens"
Multiple artists/makers
February 18, 1857
Walk-through of an influential critic, from 'Sketches from the Salon,' published in 'Le Charivari,' June 24, 1865, Honoré Daumier French, Lithograph on newsprint; second state (Delteil)
Walk-through of an influential critic, from 'Sketches from the Salon,' published in 'Le Charivari,' June 24, 1865
Multiple artists/makers
June 24, 1865
Des dames d'un demi-monde, mais n'ayant pas de demi-jupes, from Actualités, published in Le Charivari, May 11, 1855, Honoré Daumier French, Lithograph; second state of two (Delteil)
Des dames d'un demi-monde, mais n'ayant pas de demi-jupes, from Actualités, published in Le Charivari, May 11, 1855
Multiple artists/makers
May 11, 1855
Les allies s'apprètent à pousser les opérations du siège avec plus de vigueur que jamais…, from "Actualités", Honoré Daumier French, Lithograph; second state of two (Delteil)
Les allies s'apprètent à pousser les opérations du siège avec plus de vigueur que jamais…, from "Actualités"
Multiple artists/makers
February 26, 1855
The landscape painters, the first copies nature, the second copies the first, from 'The artists,' published in Le Charivari, May 12, 1865, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
The landscape painters, the first copies nature, the second copies the first, from 'The artists,' published in Le Charivari, May 12, 1865
Multiple artists/makers
May 12, 1865
We are approaching mid-November when the weather starts getting nasty, from 'The countryside gentlemen,' published in Le Charivari, November 28, 1864, Honoré Daumier French, Lithograph on newsprint; third state of three (Delteil)
We are approaching mid-November when the weather starts getting nasty, from 'The countryside gentlemen,' published in Le Charivari, November 28, 1864
Multiple artists/makers
November 28, 1864
Plaisanterie que se permettent maintenant les chevaux, dans le quatier des Champs-Élysées, No. 523 from series Actualités, Honoré Daumier French, Lithograph on newsprint
Plaisanterie que se permettent maintenant les chevaux, dans le quatier des Champs-Élysées, No. 523 from series Actualités
Multiple artists/makers
March 22, 1858
Je viens prévenir le roi Agamemnon qu'on va commencer le 4e acte..., from Croquis Dramatiques, published in Le Charivari, November 27, 1856, Honoré Daumier French, Lithograph; second state of two (Delteil)
Je viens prévenir le roi Agamemnon qu'on va commencer le 4e acte..., from Croquis Dramatiques, published in Le Charivari, November 27, 1856
Multiple artists/makers
November 27, 1856
At last, they are finally going to take care of us!, from 'News of the day,' published in Le Charivari, January 25, 1869, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
At last, they are finally going to take care of us!, from 'News of the day,' published in Le Charivari, January 25, 1869
Multiple artists/makers
January 25, 1869
Mr. Prudhomme: I shall never get into a compartment alone with a single traveler... principles of personal safety are contrary to that, from 'On the train,' published in Le Charivari, August 18, 1864, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
Mr. Prudhomme: I shall never get into a compartment alone with a single traveler... principles of personal safety are contrary to that, from 'On the train,' published in Le Charivari, August 18, 1864
Multiple artists/makers
August 18, 1864
Sudden showers in March, in Morocco, from "News of the Day", Honoré Daumier French, Lithograph on newsprint; second state of two
Sudden showers in March, in Morocco, from "News of the Day"
Multiple artists/makers
March 16, 1860
Absinthe: The first glass, the sixth glass, from 'The Chinese of Paris," published in Le Charivari, December 22, 1863, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
Absinthe: The first glass, the sixth glass, from 'The Chinese of Paris," published in Le Charivari, December 22, 1863
Multiple artists/makers
December 22, 1863
Ah, Théophile, what ghastly things I am reading about you, from 'These good Parisians,' published in Le Charivari, January 30, 1860, Honoré Daumier French, Lithograph on newsprint; second state of three (Delteil)
Ah, Théophile, what ghastly things I am reading about you, from 'These good Parisians,' published in Le Charivari, January 30, 1860
Multiple artists/makers
January 30, 1860
The politician's corner, from 'In the pub,' published in Le Charivari, January 5, 1864, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
The politician's corner, from 'In the pub,' published in Le Charivari, January 5, 1864
Multiple artists/makers
January 5, 1864
The ravaged poets' corner, from 'In the pub,' published in Le Charivari, January 7, 1864, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
The ravaged poets' corner, from 'In the pub,' published in Le Charivari, January 7, 1864
Multiple artists/makers
January 7, 1864
Come on... open your mouth!..., from 'The difficult moments of life,' published in Le Charivari, March 12, 1864, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
Come on... open your mouth!..., from 'The difficult moments of life,' published in Le Charivari, March 12, 1864
Multiple artists/makers
March 12, 1864
On the train, from 'The difficult moments of life,' published in Le Charivari, March 12, 1864, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
On the train, from 'The difficult moments of life,' published in Le Charivari, March 12, 1864
Multiple artists/makers
March 12, 1864
Sir, so far there are only five people here..., from 'Theater sketches,' published in Le Charivari, April 3, 1864, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
Sir, so far there are only five people here..., from 'Theater sketches,' published in Le Charivari, April 3, 1864
Multiple artists/makers
April 3, 1864
Well, my brave Englishman..., from 'News of the day,' published in Le Charivari, March 5, 1864, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
Well, my brave Englishman..., from 'News of the day,' published in Le Charivari, March 5, 1864
Multiple artists/makers
March 5, 1864
Don't worry, I'll take good care of your case, I am from Normandy, just like you, from 'Types and features,' published in Le Charivari, June 21, 1864, Honoré Daumier French, Lithograph on newsprint; third state of three (Delteil)
Don't worry, I'll take good care of your case, I am from Normandy, just like you, from 'Types and features,' published in Le Charivari, June 21, 1864
Multiple artists/makers
June 21, 1864
A difficult patron of the arts, from 'Exhibition sketches,' published in Le Charivari, June 17, 1864, Honoré Daumier French, Lithograph on newsprint; second state of two (Delteil)
A difficult patron of the arts, from 'Exhibition sketches,' published in Le Charivari, June 17, 1864
Multiple artists/makers
June 17, 1864