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24 results for Andrea del Sarto (Andrea d'Agnolo)
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The Holy Family with the Young Saint John the Baptist, Andrea del Sarto (Andrea d'Agnolo) Italian, Oil on wood
The Holy Family with the Young Saint John the Baptist
Andrea del Sarto (Andrea d'Agnolo)
ca. 1528
Portrait of a Man, Andrea del Sarto (Andrea d'Agnolo) Italian, Oil on canvas, transferred from wood
Portrait of a Man
Andrea del Sarto (Andrea d'Agnolo)
1528–29
Studies of a Head and a Hand, Andrea del Sarto (Andrea d'Agnolo) Italian, Red chalk
Studies of a Head and a Hand
Andrea del Sarto (Andrea d'Agnolo)
1510
Woman and Child Kneeling (recto); Head of Child (verso), Andrea del Sarto (Andrea d'Agnolo) Italian, Pen and brown ink (recto and verso)
Woman and Child Kneeling (recto); Head of Child (verso)
After Andrea del Sarto (Andrea d'Agnolo)
16th century
The Birth of Saint John the Baptist, Andrea del Sarto (Andrea d'Agnolo) Italian, Pen and brown ink, brush and brown wash, highlighted with Chinese white of brown paper
The Birth of Saint John the Baptist
After Andrea del Sarto (Andrea d'Agnolo)
16th century
Studies of Hands, Andrea del Sarto (Andrea d'Agnolo) Italian, Red chalk. Lined
Studies of Hands
Andrea del Sarto (Andrea d'Agnolo)
ca. 1517
Study for the Head of Julius Caesar, Andrea del Sarto (Andrea d'Agnolo) Italian, Red chalk
Study for the Head of Julius Caesar
Andrea del Sarto (Andrea d'Agnolo)
ca. 1520–21
Virgin kneeling before Christ, Pierre Brebiette French, Etching
Virgin kneeling before Christ
Pierre Brebiette
Designed by Andrea del Sarto (Andrea d'Agnolo)
1610–42
Virgin and Child with Saint Catherine, Francis of Assisi and John the Baptist, Giovanni Battista Bonacina Italian, Engraving
Virgin and Child with Saint Catherine, Francis of Assisi and John the Baptist
Giovanni Battista Bonacina
After Andrea del Sarto (Andrea d'Agnolo)
1640–70
The Body of Christ Supported by Three Angels, Agostino Veneziano (Agostino dei Musi) Italian, Engraving
The Body of Christ Supported by Three Angels
Agostino Veneziano (Agostino dei Musi)
After Andrea del Sarto (Andrea d'Agnolo)
1516
Saint John the Baptist, Gioan Battista Nocchi Italian, Engraving
Saint John the Baptist
Gioan Battista Nocchi
After Andrea del Sarto (Andrea d'Agnolo)
ca. 1843
Virgin and child, Edmond Douet French, Chiaroscuro woodcut
Virgin and child
Edmond Douet
After Andrea del Sarto (Andrea d'Agnolo)
ca. 1530
The Entombment of Christ
Pietro Antonio Leone Bettelini
After Andrea del Sarto (Andrea d'Agnolo)
ca. 1811
Two Men Standing
Printmaker John B. Skippe
After Andrea del Sarto (Andrea d'Agnolo)
1783
The Visitation, Enea Vico Italian, Engraving
The Visitation
Multiple artists/makers
1561
The Naming of St. John the Baptist, plate 7 from "Schola Italica Picturae"
Camillo Tinti
After Andrea del Sarto (Andrea d'Agnolo)
Publisher Gavin Hamilton
1771
The Vineyard Owner Hiring Labourers
Cesare Roberti
After Cornelis Cort
After Andrea del Sarto (Andrea d'Agnolo)
1563
Assumption of the Virgin, seated on clouds above and surrounded by angels, the Apostles gathered around her sarcophagus below
Fra Antonio Lorenzini
Intermediary draftsman Francesco Petrucci
After Andrea del Sarto (Andrea d'Agnolo)
ca. 1685–1740
Assumption of the Virgin, seated on clouds above and surrounded by angels, the Apostles gathered around her sarcophagus below
Fra Antonio Lorenzini
Intermediary draftsman Francesco Petrucci
After Andrea del Sarto (Andrea d'Agnolo)
ca. 1685–1740
The Holy Family with St. Elizabeth and John the Baptist as a Child
Lucas Vorsterman I
After Andrea del Sarto (Andrea d'Agnolo)
Dedicatee Aletheia Talbot, Countess of Arundel
Labourers planting a Vine, volume 2, plate 73 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
Old Italian Masters, II, Engraved by Timothy Cole, Japan Proofs
Multiple artists/makers
1892
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Multiple artists/makers
1764–73
Seventy-Five Portraits of Celebrated Painters, From "Authentic Originals"
Multiple artists/makers
1817

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