Tickets
English
DonateMembershipTickets

Search for Art

Search Tips
1-42 of 347 results for Salvator Rosa
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
Bandits on a Rocky Coast, Salvator Rosa Italian, Oil on canvas
Bandits on a Rocky Coast
Salvator Rosa
1655–60
The Dream of Aeneas, Salvator Rosa Italian, Oil on canvas
The Dream of Aeneas
Salvator Rosa
1660–65
Self-Portrait, Salvator Rosa Italian, Oil on canvas
Self-Portrait
Salvator Rosa
ca. 1647
Salvator Rosa frame, Poplar, Italian, Rome
Salvator Rosa frame
Italian, Rome
1770–80
Salvator Rosa frame, Poplar, Italian, Bologna
Salvator Rosa frame
Italian, Bologna
ca. 1770
Salvator Rosa frame, Pine, Italian, Piedmont
Salvator Rosa frame
Italian, Piedmont
mid-18th century
Salvator Rosa frame, Poplar, Italian, Rome
Salvator Rosa frame
Italian, Rome
ca. 1740
Salvator Rosa frame, Poplar back frame with ebonized pearwood upper moldings, Italian, Naples
Salvator Rosa frame
Italian, Naples
mid-18th century
Salvator Rosa frame, Poplar half-lapped back frame with ebonized pearwood upper moldings; nailed., Italian, Naples
Salvator Rosa frame
Italian, Naples
late 17th century
Salvator Rosa frame, Poplar back frame with brown polished upper molding, probably pearwood., Italian, Naples
Salvator Rosa frame
Italian, Naples
late 17th century
Salvator Rosa frame, Poplar, Italian, Naples
Salvator Rosa frame
Italian, Naples
1740–55
Salvator Rosa frame, Poplar, Italian, Naples
Salvator Rosa frame
Italian, Naples
early to mid-18th century
Salvator Rosa frame, Poplar, Italian, Rome
Salvator Rosa frame
Italian, Rome
late 18th century
Salvator Rosa frame, Poplar, Italian, Turin
Salvator Rosa frame
Italian, Turin
late 17th century
Plate, Salvator Rosa Italian, Faience (tin-glazed earthenware), French, Sinceny
Plate
After an etching by Salvator Rosa
ca. 1733–37
Salvator Rosa (wall) molding, Poplar, Italian, Rome (?)
Salvator Rosa (wall) molding
Italian, Rome (?)
early 18th century
Palatina-style Salvator Rosa frame, Poplar, Southern Italian
Palatina-style Salvator Rosa frame
Southern Italian
Late 18th century (?)
Palatina-style Salvator Rosa frame, Poplar, Southern Italian
Palatina-style Salvator Rosa frame
Southern Italian
style early 18th century, made late 18th century (?)
Palatina-style Salvator Rosa frame, Poplar, Southern Italy
Palatina-style Salvator Rosa frame
Southern Italy
late 17th century
Fragment of Salvator Rosa frame, Poplar, Italian, Naples
Fragment of Salvator Rosa frame
Italian, Naples
ca. 1660
The Genius of Salvator Rosa, Salvator Rosa Italian, Etching with drypoint
The Genius of Salvator Rosa
Salvator Rosa
ca. 1662
Salvator Rosa among the Brigands, Adolphe Pierre Riffaut French, Etching and aquatint on chine collé
Salvator Rosa among the Brigands
Multiple artists/makers
after 1844
An Apparition, Salvator Rosa Italian, Pen and brown ink, lightly washed
An Apparition
Salvator Rosa
1615–73
Death of Regulus, Salvator Rosa Italian, Pen and brown ink, brush and brown wash, on faded light green paper
Death of Regulus
After Salvator Rosa
1615–73
A Large Tree, Salvator Rosa Italian, Pen and brown ink, on brown paper
A Large Tree
Salvator Rosa
1615–73
Witches' Sabbath, Salvator Rosa Italian, Pen and brown ink, brush and brown wash
Witches' Sabbath
Salvator Rosa
1640–1649
Study for a Raising of Lazarus (recto); half-length study of bearded nude male figure, and a man and woman with donkey (verso), Salvator Rosa Italian, Red chalk highlighted with white chalk
Study for a Raising of Lazarus (recto); half-length study of bearded nude male figure, and a man and woman with donkey (verso)
Salvator Rosa
1615–73
Study for a Prometheus Bound (recto); slight sketch of head and shoulders of man in lead pencil (verso), Salvator Rosa Italian, Pen, brown ink and lead graphite
Study for a Prometheus Bound (recto); slight sketch of head and shoulders of man in lead pencil (verso)
Salvator Rosa
1615–73
Studies of Kneeling Figures, Salvator Rosa Italian, Pen and brown ink, brush and brown wash
Studies of Kneeling Figures
Salvator Rosa
1615–73
The Raising of Lazarus, Salvator Rosa Italian, Pen and brown ink, brush and brown wash, over a little black chalk
The Raising of Lazarus
Salvator Rosa
1615–73
Two Standing Men Gesticulating, Salvator Rosa Italian, Pen and brown ink. Pen scribbles on verso are indistinctly visible on recto
Two Standing Men Gesticulating
Salvator Rosa
1615–73
The Fall of the Giants, Salvator Rosa Italian, Pen and brown ink, over charcoal
The Fall of the Giants
Salvator Rosa
ca. 1663
The Prodigal Son Kneeling Repentant among Swine, Salvator Rosa Italian, Pen and brown ink, brown wash, on brownish paper
The Prodigal Son Kneeling Repentant among Swine
Salvator Rosa
1615–73
Milo of Crotona, Salvator Rosa Italian, Pen and brown ink
Milo of Crotona
Salvator Rosa
1615–73
Three Figures around a globe, Salvator Rosa Italian, Pen and brown ink, brush and brown wash, over traces of black chalk
Three Figures around a globe
Salvator Rosa
1615–73
Studies for a Figure Lifted from a Grave or Pit by Cords (recto); Further Study of the Same Figure (verso), Salvator Rosa Italian, Pen and brown ink (recto and verso)
Studies for a Figure Lifted from a Grave or Pit by Cords (recto); Further Study of the Same Figure (verso)
Salvator Rosa
1615–73
Turbaned Warrior Holding a Mace, Salvator Rosa Italian, Pen and brown ink, brown wash, over a little black chalk
Turbaned Warrior Holding a Mace
Salvator Rosa
1615–73
Figure studies: seated and standing men, Salvator Rosa Italian, Pen and brown ink, over traces of black chalk
Figure studies: seated and standing men
Traditionally attributed Salvator Rosa
1615–73
Two Standing Soldiers and Six other Figures, Salvator Rosa Italian, Pen and brown ink
Two Standing Soldiers and Six other Figures
Salvator Rosa
1615–73
Old Man Kneeling Facing Upper Left, Salvator Rosa Italian, Pen and brown ink, brown and gray wash, traces of red chalk
Old Man Kneeling Facing Upper Left
Salvator Rosa
1615–73
Landscape with hills and a lake, trees in right foreground., Salvator Rosa Italian, Pen and brown ink, on beige paper
Landscape with hills and a lake, trees in right foreground.
Salvator Rosa
1615–73
Two Men Seen Three- Quarter Length, Salvator Rosa Italian, Pen and brown ink, brown wash
Two Men Seen Three- Quarter Length
Salvator Rosa
1615–73

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.