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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 4,720 results for Salvator Rosa

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The Dream of Aeneas, Salvator Rosa Italian, Oil on canvas — The Dream of Aeneas
Salvator Rosa
1660–65

Bandits on a Rocky Coast, Salvator Rosa Italian, Oil on canvas — Bandits on a Rocky Coast
Salvator Rosa
1655–60

Plate, Salvator Rosa Italian, Faience (tin-glazed earthenware), French, Sinceny — Plate
Salvator Rosa
ca. 1733–37

Salvator Rosa frame, Poplar back frame with ebonized pearwood upper moldings, Italian, Naples — Salvator Rosa frame
Italian, Naples
mid-18th century

Salvator Rosa frame, Poplar back frame with brown polished upper molding, probably pearwood., Italian, Naples — Salvator Rosa frame
Italian, Naples
late 17th century

Salvator Rosa frame, Poplar, Italian, Naples — Salvator Rosa frame
Italian, Naples
early to mid-18th century

Salvator Rosa frame, Poplar, Italian, Turin — Salvator Rosa frame
Italian, Turin
late 17th century

Salvator Rosa frame, Pine, Italian, Piedmont — Salvator Rosa frame
Italian, Piedmont
mid-18th century

Salvator Rosa frame, Poplar, Italian, Bologna — Salvator Rosa frame
Italian, Bologna
ca. 1770

Salvator Rosa frame, Poplar half-lapped back frame with ebonized pearwood upper moldings; nailed., Italian, Naples — Salvator Rosa frame
Italian, Naples
late 17th century

Salvator Rosa frame, Poplar, Italian, Rome — Salvator Rosa frame
Italian, Rome
1770–80

Salvator Rosa frame, Poplar, Italian, Naples — Salvator Rosa frame
Italian, Naples
1740–55

Salvator Rosa frame, Poplar, Italian, Rome — Salvator Rosa frame
Italian, Rome
late 18th century

Salvator Rosa frame, Poplar, Italian, Rome — Salvator Rosa frame
Italian, Rome
ca. 1740

Self-Portrait, Salvator Rosa Italian, Oil on canvas — Self-Portrait
Salvator Rosa
ca. 1647

Salvator Rosa (wall) molding, Poplar, Italian, Rome (?) — Salvator Rosa (wall) molding
Italian, Rome (?)
early 18th century

Palatina-style Salvator Rosa frame, Poplar, Southern Italian — Palatina-style Salvator Rosa frame
Southern Italian
style early 18th century, made late 18th century (?)

Palatina-style Salvator Rosa frame, Poplar, Southern Italian — Palatina-style Salvator Rosa frame
Southern Italian
Late 18th century (?)

Palatina-style Salvator Rosa frame, Poplar, Southern Italy — Palatina-style Salvator Rosa frame
Southern Italy
late 17th century

Fragment of Salvator Rosa frame, Poplar, Italian, Naples — Fragment of Salvator Rosa frame
Italian, Naples
ca. 1660

Salvator Rosa among the Brigands, Adolphe Pierre Riffaut French, Etching and aquatint on chine collé — Salvator Rosa among the Brigands
Multiple artists/makers
after 1844

The Genius of Salvator Rosa, Salvator Rosa Italian, Etching with drypoint — The Genius of Salvator Rosa
Salvator Rosa
ca. 1662

The Fall of the Giants, Salvator Rosa Italian, Etching with drypoint — The Fall of the Giants
Salvator Rosa
1663

Figure studies: seated and standing men, Salvator Rosa Italian, Pen and brown ink, over traces of black chalk — Figure studies: seated and standing men
Salvator Rosa
1615–73

The Prodigal Son Kneeling Repentant among Swine, Salvator Rosa Italian, Pen and brown ink, brown wash, on brownish paper — The Prodigal Son Kneeling Repentant among Swine
Salvator Rosa
1615–73

Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand, Salvator Rosa Italian, Etching and drypoint — Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand
Salvator Rosa
ca. 1663–64

Saint William of Maleval, hands tied with rope fastened to a tree, Salvator Rosa Italian, Etching and Drypoint — Saint William of Maleval, hands tied with rope fastened to a tree
Salvator Rosa
1661

A Large Tree, Salvator Rosa Italian, Pen and brown ink, on brown paper — A Large Tree
Salvator Rosa
1615–73

St. Paul, Hermit, Salvator Rosa Italian, Pen and brown and black ink, brown wash, over black chalk, corrected and highlighted with gray gouache — St. Paul, Hermit
Salvator Rosa
1635–73

Soldiers, Salvator Rosa Italian, Etching — Soldiers
Multiple artists/makers
1766–67

Studies for Standing and Seated Figures, Salvator Rosa Italian, Pen and brown ink, brush and gray and brown wash, over leadpoint or graphite — Studies for Standing and Seated Figures
Salvator Rosa
1634–45

The death of Marcus Atilius Regulus, showng being nailed into a tub by the Carthaginians, Salvator Rosa Italian, Etching — The death of Marcus Atilius Regulus, showng being nailed into a tub by the Carthaginians
Salvator Rosa
ca. 1661–62

The crucifixion of Polycrates the tyrant after his capture by the Persians
, Salvator Rosa Italian, Etching — The crucifixion of Polycrates the tyrant after his capture by the Persians
Salvator Rosa
ca. 1662

The Prodigal Son, Salvator Rosa Italian, Etching; early state — The Prodigal Son
Multiple artists/makers
1781

Two Standing Soldiers and Six other Figures, Salvator Rosa Italian, Pen and brown ink — Two Standing Soldiers and Six other Figures
Salvator Rosa
1615–73

Old Man Kneeling Facing Upper Left, Salvator Rosa Italian, Pen and brown ink, brown and gray wash, traces of red chalk — Old Man Kneeling Facing Upper Left
Salvator Rosa
1615–73

Landscape with hills and a lake, trees in right foreground., Salvator Rosa Italian, Pen and brown ink, on beige paper — Landscape with hills and a lake, trees in right foreground.
Salvator Rosa
1615–73

Two Men Seen Three- Quarter Length, Salvator Rosa Italian, Pen and brown ink, brown wash — Two Men Seen Three- Quarter Length
Salvator Rosa
1615–73

Marine landscape with figures, Salvator Rosa Italian, Pen and brown ink, brown and gray wash — Marine landscape with figures
Salvator Rosa
1615–73

Martyrdom of St. Andrew, Salvator Rosa Italian, Pen and brown ink, brown wash, over traces of black chalk — Martyrdom of St. Andrew
Salvator Rosa
1615–73