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Armchair (Fauteuil à la reine) for Louise-Élisabeth of Parma, Nicolas-Quinibert Foliot, Carved and gilded oak; original silk-velvet upholstery and gold trim, French, Paris and Italian, Parma
Nicolas-Quinibert Foliot
Designer Possibly after a design by Pierre Contant d'Ivry
ca. 1749
Grande Galerie carpet no. 38 (Fame and Fortitude), Savonnerie Manufactory, Wool, knotted and cut pile (symmetrical knot, 90 knots per square inch), French, Paris
Manufactory Savonnerie Manufactory
ca. 1675
Boiserie from the Palais Paar, 30 Wollzeile, Vienna, Austria, Isidor Canevale, Carved, painted, and gilded pine; plaster; gilt bronze; mirror glass; oak flooring, Austrian, Vienna
Designer Designed by architect Isidor Canevale
Carved by Johann Georg Leithner
ca. 1765–72, with later additions
Fireback, Iron, French
French
ca. 1765
Armchair (bergère) (one of a pair), Louis I Cresson  French, Carved and gilded beechwood, French, Paris
possibly by Louis I Cresson
ca. 1765
Dog kennel, Claude I Sené  French, Gilded beech and pine; silk and velvet, French
Claude I Sené
ca. 1775–80
Wall clock (pendule en cartel), Jean Godde l'aîné  French, Case: gilded bronze, oak, and tortoiseshell on brass marquetry on oak; Dial: white enamel and gilded brass with blued-steel hands; Movement: brass and steel, French, Paris
Clockmaker: Jean Godde l'aîné
Case maker: Charles Cressent
ca. 1740–45
Pair of andirons, Gilt bronze, French
French
ca. 1765
Candelabrum (one of a pair), Villeroy  French, Soft-paste porcelain, gilt-bronze mounts, French, Villeroy
Factory Villeroy
ca. 1740–48, mounts ca. 1740–50
Candelabrum (one of a pair), Villeroy  French, Soft-paste porcelain, gilt-bronze mounts, French, Villeroy
Factory Villeroy
ca. 1740–48, mounts ca. 1740–50
Writing table (table à écrire), Bernard II van Risenburgh, Oak veneered with tulipwood, kingwood, amaranth, mahogany, ebony, mother-of-pearl, stained horn; gilt-bronze mounts; modern velvet, French, Paris
Bernard II van Risenburgh
ca. 1755
Inkstand (écritoire), Villeroy  French, Soft-paste porcelain, gilt-bronze mounts, French, Villeroy
Factory Villeroy
Mounts attributed to Jean-Joseph de Saint Germain
ca. 1740–48
Sofa (canapé à confidents), Jean-Jacques Pothier, Carved and gilded beech, modern silk lampas, French
Jean-Jacques Pothier
ca. 1765
Twelve-light chandelier, Giovanni Battista Metellino  Italian, Gilt steel (gilding not original) and rock crystal, Italian, Milan
attributed to Giovanni Battista Metellino
first quarter 18th century
Shovel (part of a set), Steel, gilt bronze, French
French
ca. 1730–60
Tongs (part of a set), Steel, gilt bronze, French
French
ca. 1730–60
Filing cabinet (cartonnier) (part of a set), Joseph Baumhauer  French, Oak veneered with tulipwood, purplewood, casuarina wood, kingwood, gilt-bronze mounts, French
attributed to Joseph Baumhauer
ca. 1770
Inkwell, Gilt bronze, French
French
ca. 1760
Writing table (part of a set), Joseph Baumhauer  French, Oak, veneered with tulipwood, purplewood, casuarina wood, and kingwood; gilt-bronze mounts, gilt-tooled leather, French
Joseph Baumhauer
ca. 1770
Mantel clock, Case: carved and gilded wood; Revolving rings for hours and minutes: gilded brass; Movement: brass and steel, probably Austrian
probably Austrian
ca. 1780–90
Chimneypiece, Brèche d’Alep marble, French
French
ca. 1765–70
Histoire du Roi Henri Le Grand, Hardouin de Perefixe  French, Paper, leather, French
Hardouin de Perefixe
1767
Three-light candelabra (candélabre or girandole) (one of a pair), Johann Joachim Kändler  German, Hard-paste porcelain; gilt-bronze mounts, German, Meissen with French, Paris mounts
Modeler Model for bittern attributed to Johann Joachim Kändler
Manufactory Meissen Manufactory
ca. 1750
Three-light candelabra (candélabra or girandole) (one of a pair), Johann Joachim Kändler  German, Hard-paste porcelain; gilt-bronze mounts, German, Meissen with French, Paris mounts
Modeler Model for bittern attributed to Johann Joachim Kändler
Manufactory Meissen Manufactory
ca. 1750
Armchair (bergère) (one of a pair), Louis I Cresson  French, Carved and gilded beechwood, French, Paris
possibly by Louis I Cresson
ca. 1765
Portrait of a General Officer, Hyacinthe Rigaud  French, Oil on canvas
Hyacinthe Rigaud
ca. 1710
Pedal Harp, Renault & Chatelain, Wood, various materials, French
Manufacturer Renault & Chatelain
second half 18th century
Longcase equation regulator, Ferdinand Berthoud  French, Oak veneered with satinwood and kingwood; gilt-bronze mounts, glass, enamel, steel, and brass, French
Clockmaker: Ferdinand Berthoud
Case maker: Balthazar Lieutaud
ca. 1752
On loan to The Met
Jacques Dautriche
ca. 1770
On loan to The Met
Jacques Dautriche
ca. 1770

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