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A sculpture of Joan of Arc, Luis G. Campa Mexican, Engraving
A sculpture of Joan of Arc
Printmaker Luis G. Campa
Printer Carlos Alvarado Lang
Publisher Imprenta Universitaria, Mexico City
ca. 1856 [reprinted 1938]
Colonne-affiches pour les Théâtres, menuiserie, fonte et zinc (Cie Morris) (Poster Column for Theatres, Housewares, Iron, and Zinc [Morris Company]), Charles Marville French, Albumen silver print from glass negative
On loan to The Met
Colonne-affiches pour les Théâtres, menuiserie, fonte et zinc (Cie Morris) (Poster Column for Theatres, Housewares, Iron, and Zinc [Morris Company])
Charles Marville
January 1876
Hôtel de la Marine, Charles Marville French, Albumen silver print from glass negative
On loan to The Met
Hôtel de la Marine
Charles Marville
1864–1870
Interior of Les Halles Centrales, Charles Marville French, Albumen silver print from glass negative
On loan to The Met
Interior of Les Halles Centrales
Charles Marville
1874
Passage de l’Opéra (Galerie de l’Horloge) (ninth arrondissement), Charles Marville French, Albumen silver print from glass negative
On loan to The Met
Passage de l’Opéra (Galerie de l’Horloge) (ninth arrondissement)
Charles Marville
ca. 1868
Passage de l’Opéra (de la rue Lepeletier) (ninth arrondissement), Charles Marville French, Albumen silver print from glass negative
On loan to The Met
Passage de l’Opéra (de la rue Lepeletier) (ninth arrondissement)
Charles Marville
ca. 1868
Marché aux veaux (Calf Market) (fifth arrondissement), Charles Marville French, Albumen silver print from glass negative
On loan to The Met
Marché aux veaux (Calf Market) (fifth arrondissement)
Charles Marville
ca. 1865
Coin du Boulevard Saint-Jacques (no. 66) (A Corner of the Boulevard Saint-Jacques, no. 66) (Marville’s studio, fourteenth arrondissement), Charles Marville French, Albumen silver print from glass negative
On loan to The Met
Coin du Boulevard Saint-Jacques (no. 66) (A Corner of the Boulevard Saint-Jacques, no. 66) (Marville’s studio, fourteenth arrondissement)
Charles Marville
1866–before April 1867
Percement de l'avenue de l'Opéra: Butte des Moulins (Construction of the avenue de l'Opéra: Butte des Moulins), Charles Marville French, Albumen silver print from glass negative
On loan to The Met
Percement de l'avenue de l'Opéra: Butte des Moulins (Construction of the avenue de l'Opéra: Butte des Moulins)
Charles Marville
December 1876
Percement de l'avenue de l'Opéra: chantier de la rue d'Argenteuil (Construction of the avenue de l'Opéra: Costruction Site of the rue d'Argenteuil), Charles Marville French, Albumen silver print from glass negative
On loan to The Met
Percement de l'avenue de l'Opéra: chantier de la rue d'Argenteuil (Construction of the avenue de l'Opéra: Costruction Site of the rue d'Argenteuil)
Charles Marville
December 1876
Percement de l'avenue de l'Opéra: Butte des Moulins (de la rue Saint-Roch) (Construction of the avenue de l'Opéra: the Butte des Moulins from the rue Saint-Roch), Charles Marville French, Albumen silver print from glass negative
On loan to The Met
Percement de l'avenue de l'Opéra: Butte des Moulins (de la rue Saint-Roch) (Construction of the avenue de l'Opéra: the Butte des Moulins from the rue Saint-Roch)
Charles Marville
December 1876
Percement de l'avenue de l'Opéra (Construction of the avenue de l'Opéra), Charles Marville French, Albumen silver print from glass negative
On loan to The Met
Percement de l'avenue de l'Opéra (Construction of the avenue de l'Opéra)
Charles Marville
December 1876
Carrières d’Amérique (espace compris entre le Boulevard Serrurier et la rue de Mexico) (The America Quarries,between the Boulevard Serrurier and the rue de Mexico), Charles Marville French, Albumen silver print from glass negative
On loan to The Met
Carrières d’Amérique (espace compris entre le Boulevard Serrurier et la rue de Mexico) (The America Quarries,between the Boulevard Serrurier and the rue de Mexico)
Charles Marville
before 1877
Boulevard Henri IV (de la rue de Sully) (fourth arrondissement), Charles Marville French, Albumen silver print from glass negative
On loan to The Met
Boulevard Henri IV (de la rue de Sully) (fourth arrondissement)
Charles Marville
ca. 1877
Vue d'ensemble des carrières. Amorce du nouveau marché de la rue de Mexico (View of the Quarries, Start of the New Market of the rue de Mexico) (twentieth arrondissement), Charles Marville French, Albumen silver print from glass negative
On loan to The Met
Vue d'ensemble des carrières. Amorce du nouveau marché de la rue de Mexico (View of the Quarries, Start of the New Market of the rue de Mexico) (twentieth arrondissement)
Charles Marville
before 1877
Avenue du Commandeur (de la rue d’Alésia) (fourteenth arrondissement), Charles Marville French, Albumen silver print from glass negative
On loan to The Met
Avenue du Commandeur (de la rue d’Alésia) (fourteenth arrondissement)
Charles Marville
1877–1878
Haut de la rue Champlain (vue prise à droit) (Top of the rue Champlain) (View to the Right) (twentieth arrondissement), Charles Marville French, Albumen silver print from glass negative
On loan to The Met
Haut de la rue Champlain (vue prise à droit) (Top of the rue Champlain) (View to the Right) (twentieth arrondissement)
Charles Marville
1877–1878
Urinoir à 3 Stalles (Chaussée du Maine) (Urinal with Three Stalls, chaussée du Maine), Charles Marville French, Albumen silver print from glass negative
On loan to The Met
Urinoir à 3 Stalles (Chaussée du Maine) (Urinal with Three Stalls, chaussée du Maine)
Charles Marville
1875–1876
Urinoir (système Jennings) plateau de l'Ambigu (Urinal, Jennings System, plateau de l'Ambigu), Charles Marville French, Albumen silver print from glass negative
On loan to The Met
Urinoir (système Jennings) plateau de l'Ambigu (Urinal, Jennings System, plateau de l'Ambigu)
Charles Marville
1876
Candelabre console avec inscription des noms des rues (Candelabra with Street Signs) (Avenue de l'Opéra), Charles Marville French, Albumen silver print from glass negative
On loan to The Met
Candelabre console avec inscription des noms des rues (Candelabra with Street Signs) (Avenue de l'Opéra)
Charles Marville
1877–1878
On loan to The Met
Impasse de l’Essai (du marché aux chevaux) (Impasse de l’Essai from the Horse Market) (fifth arrondissement)
Charles Marville
ca. 1868
On loan to The Met
Rue des Saules (eighteenth arrondissement)
Charles Marville
ca. 1877
On loan to The Met
Lampost, Entrance to the École des Beaux-Arts
Charles Marville
ca. 1870
On loan to The Met
Lamppost, Entrance to the École des Beaux-Arts
Charles Marville
ca. 1870
On loan to The Met
Abri mobile de marchands de journaux, menuiserie (Mobile Shelter for Vendors of Newspapers and Housewares)
Charles Marville
February 1876
Design for the Town Hall of Vienna, Lorenz Spenning, Pen and black ink, over blind ruling with stylus, guided by compass and straightedge, on parchment
On loan to The Met
Design for the Town Hall of Vienna
Lorenz Spenning
ca. 1455
Elevation of the Tower of the Dom (imperial cathedral) in Frankfurt am Main (Drawing C), Nikolaus Quecke German, Pen and brown ink, over blind ruling with stylus, guided by compass and straightedge
On loan to The Met
Elevation of the Tower of the Dom (imperial cathedral) in Frankfurt am Main (Drawing C)
Nikolaus Quecke
ca. 1494–97
Partial Elevation of the Facade of Strasbourg Cathedral (Drawing A'), Erwin von Steinbach German, Pen and brown ink on parchment
On loan to The Met
Partial Elevation of the Facade of Strasbourg Cathedral (Drawing A')
Attributed to Erwin von Steinbach
Partially after Master Rudolph the Elder
ca. 1260–70
Partial Elevation and Plan of the Facade of Strasbourg Cathedral, Michel de Fribourg German, Pen and black ink, over blind ruling with stylus, guided by compass and straightedge, on parchment
On loan to The Met
Partial Elevation and Plan of the Facade of Strasbourg Cathedral
Attributed to Michel de Fribourg
Attributed to Claus de Lohre
1380–1400
Design for the Entrance Portal of Regensburg Cathedral, Wenzel Roriczer German, Pen and black ink, over blind ruling with stylus, guided by compass and straightedge, on parchment
On loan to The Met
Design for the Entrance Portal of Regensburg Cathedral
Possibly by Wenzel Roriczer
ca. 1390–1410
Partial Elevation of the South Tower of the Stephansdom (Saint Stephen’s Cathedral), Vienna, Peter of Prachatitz Central European, Pen and ink, over blind ruling with stylus, guided by compass and straightedge, on parchment
On loan to The Met
Partial Elevation of the South Tower of the Stephansdom (Saint Stephen’s Cathedral), Vienna
Attributed to Peter of Prachatitz
ca. 1400–1410
Elevation of the Tower of the Dom (imperial cathedral) in Frankfurt am Main (Drawing A), Michael Kurtze German, Pen with brown and black ink, and reddish-brown wash on paper
On loan to The Met
Elevation of the Tower of the Dom (imperial cathedral) in Frankfurt am Main (Drawing A)
Michael Kurtze
possibly after Madern Gerthener
ca. 1434–38
Four Tracery Studies for Arched Windows, Lorenz Spenning or Workshop, Pen and black ink, over blind ruling with stylus, guided by compass and straightedge, on parchment
On loan to The Met
Four Tracery Studies for Arched Windows
Lorenz Spenning
ca. 1455–60
Tracery Study for a Balustrade, Lorenz Spenning or Workshop, Pen and black ink, over blind ruling with stylus, guided by compass and straightedge, on parchment
On loan to The Met
Tracery Study for a Balustrade
Lorenz Spenning
ca. 1460
Studies of Tracery Variations, Madern Gerthener, Pen and brown ink, over blind ruling with stylus, guided by compass and straightedge, on paper
On loan to The Met
Studies of Tracery Variations
Attributed to Madern Gerthener
ca. 1410–15
Design for the Saint Lawrence Portal on the North Side of Strasbourg Cathedral, Jakob von Landshut, Pen and ink, over blind ruling with stylus, guided by compass and straightedge, on paper
On loan to The Met
Design for the Saint Lawrence Portal on the North Side of Strasbourg Cathedral
Jakob von Landshut
1494
Fragment of the Openwork Spire, West Tower, Ulm Minster (Drawing B), Bernard Winkler, Pen and black ink, over blind ruling with stylus, guided by compass and straightedge, on parchment
On loan to The Met
Fragment of the Openwork Spire, West Tower, Ulm Minster (Drawing B)
Bernard Winkler
ca. 1512–18
Design for a Mount of Olives Monument for the City of Ulm, Matthaus Böblinger, Pen and black ink, over blind ruling with stylus, guided by compass, on parchment
On loan to The Met
Design for a Mount of Olives Monument for the City of Ulm
Matthaus Böblinger
1474
Portrait of the Architect Mathes (Matthäus) Roriczer, Hans Holbein the Elder German, Silverpoint on gray-white prepared paper, later partially covered with gray body color and dark gray-brown ink
On loan to The Met
Portrait of the Architect Mathes (Matthäus) Roriczer
Hans Holbein the Elder
Sitter Matthes (Matthäus) Roriczer
ca. 1490–93
Partial Elevation of the Facade of Strasbourg Cathedral with its North Tower (Drawing B'), Erwin von Steinbach German, Pen and black and brown ink, over blind ruling with stylus, guided by compass and straightedge, on parchment
On loan to The Met
Partial Elevation of the Facade of Strasbourg Cathedral with its North Tower (Drawing B')
After Erwin von Steinbach
ca. 1278–1300
Design for the Crossing Tower of Rouen Cathedral, Roulland le Roux German, Pen and black ink with gray wash, over traces of metalpoint and blind ruling with stylus, guided by compass and straightedge, on parchment; wood spool
On loan to The Met
Design for the Crossing Tower of Rouen Cathedral
Attributed to Roulland le Roux
Attributed to Pierre des Aubeaux
1516; later wood spool
Cross Section of the Northern Half of the Choir and Flying Buttresses of the Cathedral of Saint Vitus (Veitsdom), Prague, Peter Parler, Pen and black ink, over blind ruling with stylus, guided by compass and straightedge, on parchment
On loan to The Met
Cross Section of the Northern Half of the Choir and Flying Buttresses of the Cathedral of Saint Vitus (Veitsdom), Prague
Peter Parler
ca. 1360