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Der Hammer, Workers' Monthly, August 1934, Joseph Moissaye Olgin, Photomechanical relief print — Der Hammer, Workers' Monthly, August 1934
Multiple artists/makers
August 1934

A sculpture of Joan of Arc, Luis G. Campa Mexican, Engraving — A sculpture of Joan of Arc
Multiple artists/makers
ca. 1856 [reprinted 1938]

Coin du Boulevard Saint-Jacques (no. 66) (A Corner of the Boulevard Saint-Jacques, no. 66) (Marville’s studio, fourteenth arrondissement), Charles Marville French, Albumen silver print from glass negative — Coin du Boulevard Saint-Jacques (no. 66) (A Corner of the Boulevard Saint-Jacques, no. 66) (Marville’s studio, fourteenth arrondissement)
Charles Marville
1866–before April 1867

Urinoir à 3 Stalles (Chaussée du Maine) (Urinal with Three Stalls, chaussée du Maine), Charles Marville French, Albumen silver print from glass negative — Urinoir à 3 Stalles (Chaussée du Maine) (Urinal with Three Stalls, chaussée du Maine)
Charles Marville
1875–1876

Interior of Les Halles Centrales, Charles Marville French, Albumen silver print from glass negative — Interior of Les Halles Centrales
Charles Marville
1874

Passage de l’Opéra (Galerie de l’Horloge) (ninth arrondissement), Charles Marville French, Albumen silver print from glass negative — Passage de l’Opéra (Galerie de l’Horloge) (ninth arrondissement)
Charles Marville
ca. 1868

Passage de l’Opéra (de la rue Lepeletier) (ninth arrondissement), Charles Marville French, Albumen silver print from glass negative — Passage de l’Opéra (de la rue Lepeletier) (ninth arrondissement)
Charles Marville
ca. 1868

Marché aux veaux (Calf Market) (fifth arrondissement), Charles Marville French, Albumen silver print from glass negative — Marché aux veaux (Calf Market) (fifth arrondissement)
Charles Marville
ca. 1865

Boulevard Henri IV (de la rue de Sully) (fourth arrondissement), Charles Marville French, Albumen silver print from glass negative — Boulevard Henri IV (de la rue de Sully) (fourth arrondissement)
Charles Marville
ca. 1877

Candelabre console avec inscription des noms des rues (Candelabra with Street Signs) (Avenue de l'Opéra), Charles Marville French, Albumen silver print from glass negative — Candelabre console avec inscription des noms des rues (Candelabra with Street Signs) (Avenue de l'Opéra)
Charles Marville
1877–1878

Percement de l'avenue de l'Opéra: Butte des Moulins (Construction of the avenue de l'Opéra: Butte des Moulins), Charles Marville French, Albumen silver print from glass negative — Percement de l'avenue de l'Opéra: Butte des Moulins (Construction of the avenue de l'Opéra: Butte des Moulins)
Charles Marville
December 1876

Percement de l'avenue de l'Opéra: chantier de la rue d'Argenteuil (Construction of the avenue de l'Opéra: Costruction Site of the rue d'Argenteuil), Charles Marville French, Albumen silver print from glass negative — Percement de l'avenue de l'Opéra: chantier de la rue d'Argenteuil (Construction of the avenue de l'Opéra: Costruction Site of the rue d'Argenteuil)
Charles Marville
December 1876

Percement de l'avenue de l'Opéra: Butte des Moulins (de la rue Saint-Roch) (Construction of the avenue de l'Opéra: the Butte des Moulins from the rue Saint-Roch), Charles Marville French, Albumen silver print from glass negative — Percement de l'avenue de l'Opéra: Butte des Moulins (de la rue Saint-Roch) (Construction of the avenue de l'Opéra: the Butte des Moulins from the rue Saint-Roch)
Charles Marville
December 1876

Percement de l'avenue de l'Opéra (Construction of the avenue de l'Opéra), Charles Marville French, Albumen silver print from glass negative — Percement de l'avenue de l'Opéra (Construction of the avenue de l'Opéra)
Charles Marville
December 1876

Carrières d’Amérique (espace compris entre le Boulevard Serrurier et la rue de Mexico) (The America Quarries,between the Boulevard Serrurier and the rue de Mexico), Charles Marville French, Albumen silver print from glass negative — Carrières d’Amérique (espace compris entre le Boulevard Serrurier et la rue de Mexico) (The America Quarries,between the Boulevard Serrurier and the rue de Mexico)
Charles Marville
before 1877

Vue d'ensemble des carrières. Amorce du nouveau marché de la rue de Mexico (View of the Quarries, Start of the New Market of the rue de Mexico) (twentieth arrondissement), Charles Marville French, Albumen silver print from glass negative — Vue d'ensemble des carrières. Amorce du nouveau marché de la rue de Mexico (View of the Quarries, Start of the New Market of the rue de Mexico) (twentieth arrondissement)
Charles Marville
before 1877

Avenue du Commandeur (de la rue d’Alésia) (fourteenth arrondissement), Charles Marville French, Albumen silver print from glass negative — Avenue du Commandeur (de la rue d’Alésia) (fourteenth arrondissement)
Charles Marville
1877–1878

Haut de la rue Champlain (vue prise à droit) (Top of the rue Champlain) (View to the Right) (twentieth arrondissement), Charles Marville French, Albumen silver print from glass negative — Haut de la rue Champlain (vue prise à droit) (Top of the rue Champlain) (View to the Right) (twentieth arrondissement)
Charles Marville
1877–1878

Urinoir (système Jennings) plateau de l'Ambigu (Urinal, Jennings System, plateau de l'Ambigu), Charles Marville French, Albumen silver print from glass negative — Urinoir (système Jennings) plateau de l'Ambigu (Urinal, Jennings System, plateau de l'Ambigu)
Charles Marville
1876

Colonne-affiches pour les Théâtres, menuiserie, fonte et zinc (Cie Morris) (Poster Column for Theatres, Housewares, Iron, and Zinc [Morris Company]), Charles Marville French, Albumen silver print from glass negative — Colonne-affiches pour les Théâtres, menuiserie, fonte et zinc (Cie Morris) (Poster Column for Theatres, Housewares, Iron, and Zinc [Morris Company])
Charles Marville
January 1876

Hôtel de la Marine, Charles Marville French, Albumen silver print from glass negative — Hôtel de la Marine
Charles Marville
1864–1870

On loan to The Met

Abri mobile de marchands de journaux, menuiserie (Mobile Shelter for Vendors of Newspapers and Housewares)

Charles Marville

February 1876

On loan to The Met

Impasse de l’Essai (du marché aux chevaux) (Impasse de l’Essai from the Horse Market) (fifth arrondissement)

Charles Marville

ca. 1868

On loan to The Met

Rue des Saules (eighteenth arrondissement)

Charles Marville

ca. 1877

On loan to The Met

Lampost, Entrance to the École des Beaux-Arts

Charles Marville

ca. 1870

On loan to The Met

Lamppost, Entrance to the École des Beaux-Arts

Charles Marville

ca. 1870

Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88

Sesando, Bamboo, teak wood, palm (Borassus flabellifera), wire, Javanese (Timorese) — Sesando
Javanese (Timorese)
late 19th century

Harpsichord, Michele Todini , designer Italian, Wood, gilt, ebony, ivory, parchment, Italian (Roman) — Harpsichord
Multiple artists/makers
ca. 1670

Sarangi, Wood, ivory, parchment, metal, Indian — Sarangi
Indian
ca. 1900

Chongak Kayagum, Kim Kwang Ju Korean, Wood, silk, cotton, Korean — Chongak Kayagum
Kim Kwang Ju
ca. 1980

Bassoon, Dominique Antony Porthaux French, Maple, brass, French — Bassoon
Dominique Antony Porthaux
1790–1800

Eroro, Brass, Benin — Eroro
Benin
19th century

English Horn, H. Grenser German, Wood, ivory, brass, German — English Horn
H. Grenser
before 1807

Goqing, Wood, metal, stone, Chinese — Goqing
Chinese
19th century

Ennanga, Ganda, Wood, vegetal fiber, snake skin, hide, Ganda people — Ennanga
Ganda
19th century

O-daiko, Kodenji Hayashi Japanese, Wood, metal, cloisonné, hide, silk, padding, Japanese — O-daiko
Kodenji Hayashi
ca. 1873

Shō, Bamboo wood, metal, Japanese — Shō
Japanese
19th century

Koto (箏), Various woods, ivory, metal, nylon, tortoiseshell, abalone, lacquerwork, Japanese — Koto (箏)
Japanese
20th century

Accordion, Alexandre Pere & Fils, Wood, metal, mastic, brass, tortoiseshell, gilt brass, mother-of-pearl, silver foil, French — Accordion
Alexandre Pere & Fils
1850–55