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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 53 results for 93.26.15

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Window, Gypsum, stained glass — Window
17th century

Bronze patera (salver), Bronze, Etruscan — Bronze patera (salver)
Etruscan
ca. 550 BCE

The Lamentation, Petrus Christus Netherlandish, Oil on wood — The Lamentation
Petrus Christus
ca. 1450

A Musical Party, Gabriël Metsu Dutch, Oil on canvas — A Musical Party
Gabriël Metsu
1659

Iron fire-tongs, Iron, Etruscan — Iron fire-tongs
Etruscan
late 4th or early 3rd century BCE

Pataikos with two faces, Cupreous metal — Pataikos with two faces
664–30 B.C.

Window, Gypsum, stained glass — Window
17th century

Window, Gypsum, stained glass — Window
17th century

Window, Gypsum, stained glass — Window
probably 17th century

Window, Gypsum, stained glass — Window
17th century

Window, Gypsum, stained glass — Window
18th century

Window, Gypsum, stained glass — Window
18th century

Window, Gypsum, stained glass — Window
18th century

Window, Stained glass — Window
18th century

Window, Gypsum, stained glass — Window
17th century

Two gold beads, Gold, Greek? — Two gold beads
Greek?
possibly 4th–3rd century BCE

Sample, Cotton, French, Mulhausen — Sample
French, Mulhausen
ca. 1840

Furniture Hardware, Brass — Furniture Hardware
1670–1870

Wineglass (part of a service), Glass, gold, French — Wineglass (part of a service)
French
ca. 1840–70

Bust of Christ, Onyx or sardonyx, gold mount, Northern Italian — Bust of Christ
Northern Italian
ca. 1600

Portrait of a Woman, Frans Hals Dutch, Oil on canvas — Portrait of a Woman
Frans Hals
ca. 1650, reworked probably 18th century

Qur'an Manuscript, Opaque watercolor, ink, and gold on paper; gilt-stamped leather — Qur'an Manuscript
late 16th–early 17th century

Stamp seal (octagonal pyramid, worn) with divine symbols
, Feldspar (?), yellow black, Assyrian — Stamp seal (octagonal pyramid, worn) with divine symbols
Assyrian
late 8th–7th century BCE

Double convex discoid (bulla) seal engraved on two faces, Black steatite, Hittite — Double convex discoid (bulla) seal engraved on two faces
Hittite
ca. 1400–1200 BCE

Standing Bodhisattva, Schist, Pakistan (ancient region of Gandhara) — Standing Bodhisattva
Pakistan (ancient region of Gandhara)
ca. 3rd century

The Student, Julius Thiengen Bloch American, born Germany, Pen and brush and brown ink and brown ink wash on blue paper — The Student
Julius Thiengen Bloch
ca. 1942

Medal, Silver — Medal
1797

Snuffbox, Victoire Boisot (widow of Etienne Lucien Blerzy), Gold, enamel, French — Snuffbox
Victoire Boisot (widow of Etienne Lucien Blerzy)
ca. 1810

Prince Vessantara Gives Away His Chariot: Scene from a Vessantara Jataka, Color on paper, Thailand — Prince Vessantara Gives Away His Chariot: Scene from a Vessantara Jataka
Thailand
late 19th–20th century

Tusk amulet, Bone — Tusk amulet
ca. 3900–3500 B.C.

Alto Recorder in F

European

18th century

Parasol, silk, wood, American — Parasol
American
1905–15

Cepken, Cotton, metal wrapped thread; embroidered — Cepken
18th–19th century

Headband, [no medium available], American or European — Headband
American or European
late 19th–early 20th century

Coronet, [no medium available], American — Coronet
American
1860s

Collar, wool, American — Collar
American
1910–11

A triton family in the sea, with a mother and child seated on the back of a half-man, half-sea monster with a child blowing on a conch shell on his shoulders, Giovanni Battista Palumba Italian, Engraving — A triton family in the sea, with a mother and child seated on the back of a half-man, half-sea monster with a child blowing on a conch shell on his shoulders
Giovanni Battista Palumba
1500–1510

A poster advertising a sixth talk (October 14, 1938) in Mexico City supported by the Liga Pro-cultura Alemana relating to the Nazis, Jesús Escobedo Mexican, Lithograph in brown and black on buff paper backed on linen — A poster advertising a sixth talk (October 14, 1938) in Mexico City supported by the Liga Pro-cultura Alemana relating to the Nazis
Jesús Escobedo
Taller de Gráfica Popular, Mexico City
1938

The Last Song (El aria final), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink; composition outlined with pen and dark brown ink on all sides — The Last Song (El aria final)
Leonardo Alenza y Nieto
1807–45

The Two Carts, Allart van Everdingen Dutch, Engraving; second state of two — The Two Carts
Allart van Everdingen