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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 65 results for 93.26.9

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Window, Gypsum, stained glass — Window
18th century

Bronze patera (salver), Bronze, Etruscan — Bronze patera (salver)
Etruscan
ca. 550 BCE

Plate, Tin-glazed earthenware, British, Lambeth — Plate
British, Lambeth
1717

Luster Bowl with Two Running Hares, Earthenware; luster-painted on opaque white glaze — Luster Bowl with Two Running Hares
10th century

Bronze patera (shallow bowl), Bronze, Etruscan — Bronze patera (shallow bowl)
Etruscan
late 4th century BCE

Portrait of a Man, Frans Hals Dutch, Oil on canvas — Portrait of a Man
Frans Hals
early 1650s

Window, Stained glass — Window
18th century

Window, Gypsum, stained glass — Window
18th century

Window, Gypsum, stained glass — Window
17th century

Window, Stained glass, gypsum — Window
17th century

Window, Gypsum, stained glass — Window
18th century

Window, Gypsum, stained glass — Window
18th century

Window, Gypsum, stained glass — Window
18th century

Window, Gypsum, stained glass — Window
18th century

3.26.92, Frank Lobdell American, Hardground etching with aquatint and sugarlift aquatint; 9/20 — 3.26.92
Multiple artists/makers
1992

ca. 2124–1580 B.C.

Emiliano Zapata, Diego Rivera Mexican, Lithograph — Emiliano Zapata
Multiple artists/makers
1932

Sample, Cotton, French, Mulhausen — Sample
French, Mulhausen
ca. 1840

Furniture Hardware, Brass — Furniture Hardware
1670–1870

Snuffbox, Victoire Boisot (widow of Etienne Lucien Blerzy), Gold, enamel, French — Snuffbox
Victoire Boisot (widow of Etienne Lucien Blerzy)
ca. 1810

Box, Tortoiseshell, silver, probably Italian, Naples — Box
probably Italian, Naples
early 18th century

Box, Horn and copper gilt (?), Italian — Box
Italian
19th century

Snuffbox with calendar and saints' days for 1758, Anthony Tregent, Copper, enamel, British, probably London — Snuffbox with calendar and saints' days for 1758
Anthony Tregent
1757

Neptune Driving over Waves, Pelchinger (unrecorded carver, possibly act. Rome), Sardonyx, possibly Italian, Rome — Neptune Driving over Waves
Pelchinger
late 18th century

Manuscript Leaf from a Book of Hours Showing an Illuminated Initial D and Christ Bearing the Cross, Parchment, tempera, ink, metal leaf, French — Manuscript Leaf from a Book of Hours Showing an Illuminated Initial D and Christ Bearing the Cross
French
1390–1400

Oracle bone fragment, Inscribed bone, China — Oracle bone fragment
China

Handkerchief, Silk mull, French — Handkerchief
French
19th century

Handkerchief, Silk mull, French — Handkerchief
French
19th century

Lotus shaped terminal for collar, Gold — Lotus shaped terminal for collar
332–30 B.C.

[53 Stereographic Views of Music Stand, Central Park, New York], Various, American American, Albumen silver prints — [53 Stereographic Views of Music Stand, Central Park, New York]
Various, American
1850s–1910s

Collar, wool, American — Collar
American
1910–11

Fichu, [no medium available], American — Fichu
American
1910–11

Portrait of a Woman, Frans Hals Dutch, Oil on canvas — Portrait of a Woman
Frans Hals
ca. 1650, reworked probably 18th century

The Pilgrim with the Dog, Allart van Everdingen Dutch, Engraving; first state of four — The Pilgrim with the Dog
Allart van Everdingen

A Summerland, David Lucas British, Mezzotint on chine collé; proof before published state — A Summerland
David Lucas
John Constable
1829

Wild Woman Holding a Shield with a Lion's Head, Martin Schongauer German, Engraving — Wild Woman Holding a Shield with a Lion's Head
Martin Schongauer
1470–1491

Speculum humanae salvationis cum speculo S. Mariae Virginis, Günther Zainer at the Monastery of SS. Ulrich & Afra, Augsburg German, Woodcut — Speculum humanae salvationis cum speculo S. Mariae Virginis
Multiple artists/makers
ca. 1473

Boy with Chihuahua, Diego Rivera Mexican, Lithograph — Boy with Chihuahua
Multiple artists/makers
1932

The Fruits of Labor, Diego Rivera Mexican, Lithograph — The Fruits of Labor
Multiple artists/makers
1932

He Leaves Them in Good Shape (Buenos los deja), Leonardo Alenza y Nieto Spanish, Pen and dark brown ink; composition outlined with pen and dark brown ink on all sides — He Leaves Them in Good Shape (Buenos los deja)
Leonardo Alenza y Nieto
1807–45