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Watch, Jacques Goullons French, Case and dial of enameled gold; hand of steel; movement of brass, partly gilded, and steel
Watch
Jacques Goullons
ca. 1645–48
Standing Cup and Cover Supported by an Enchained Turk, Jade (nephrite), aragonite, chalcedony, banded agate, gold, silver gilt, diamonds, rubies, garnets, enamel, and paint., German, perhaps Frankfurt-am-Main
Standing Cup and Cover Supported by an Enchained Turk
German, perhaps Frankfurt-am-Main
ca. 1705–11
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation., Reinhold Vasters (frame) German, Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass.
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
Italian
second half 16th century (panels); ca. 1865–90 (frame)
Pendant with the Baptism of Christ, Enameled gold, rubies, amethyst, crystal and pearls., probably Austro-Hungarian (Transylvania?) or German
Pendant with the Baptism of Christ
probably Austro-Hungarian (Transylvania?) or German
second half 19th century, and 1920–34
The Deposition, Rock crystal. Cut, polished, reverse painted, reverse gilt., Italian
The Deposition
Italian
late 16th century
Snuffbox, Gold and enamel, Swiss
Snuffbox
Swiss
ca. 1785
Female Bust, Joseph-Charles Marin, Terracotta, on green marble pedastal.
Female Bust
Joseph-Charles Marin
ca. 1795
Covered jug, Hard-paste porcelain, German, Meissen
Covered jug
German, Meissen
ca. 1760
Italian , Milan, third quarter of the 16th century, and, Rock crystal, cut on the wheel, enameled gold and diamonds.
Italian
Reinhold Vasters
third quarter 16th century and ca. 1865–95
A Female Saint (possibly Rosalia), Colorless nonlead glass. Cut, polished, reverse gilt, painted., probably Bohemia or Lower Austria
A Female Saint (possibly Rosalia)
probably Bohemia or Lower Austria
second half 18th century
Self-sacrifice of Marcus Curtius, Paulus Willemsz. van Vianen Netherlandish, Gilt copper alloy; incused cast, German, Munich
Self-sacrifice of Marcus Curtius
Paulus Willemsz. van Vianen
ca. 1596–1600
Cup with Three Dragon Heads, Reinhold Vasters and German, Rock crystal, cut on the wheel, enameled gold, rubies, and diamonds.
Cup with Three Dragon Heads
Reinhold Vasters
possibly Alfred André
ca. 1865–95 and 1902–7
Jar, Probably almost colorless glass. Blown (the body blown in a dip mold), the rim finished at the furnace., Islamic
Jar
Islamic
7th–11th century
Adoration of the Shepherds, Rock crystal. Cut, polished, reverse painted, reverse gilt., Italian
Adoration of the Shepherds
Italian
late 16th century
Mercury, Haly workshop, Opaque white, pink, tan, black, olive green, and waxlike colorless glass; copper and iron wire. Lampworked., probably French (Nevers)
Mercury
possibly Haly workshop
last half 18th century
Snuffbox with Pastoral Scenes, Jean Marie Tiron (called Tiron de Nanteuil) French, Gold and enamel
Snuffbox with Pastoral Scenes
Jean Marie Tiron (called Tiron de Nanteuil)
1764–65
Hairpin, Lamp-worked glass, gilt, with copper pins, probably Italian (Venice); possibly Innsbruck
Hairpin
probably Italian (Venice); possibly Innsbruck
19th century
Hairpin, Lamp-worked colorless glass, gilt, wth clear trailed decoration and green and red "jewels," and copper wire., probably Italian (Venice); possibly Innsbruck
Hairpin
probably Italian (Venice); possibly Innsbruck
19th century
Saint Francis de Sales, Haly workshop, Opaque white, dark amethyst ("black"), pink, brown, dark brown, black, yellow-orange, light blue, dark blue-green, green, dark green, olive green, and waxlike colorless glass; copper and iron wire. Lampworked., probably French (Nevers)
Saint Francis de Sales
possibly Haly workshop
last half 18th century
The Supper at Emmaus, Figures and flowers of lampworked glass (opaque white, pink, lavender, green, brown, purple, black, blue, light blue, and colorless), cardboard, paper, shells, glass mirror plate, glass chips, imitation leather (paper), cloth, paint, composition material, wire, fabric. Assembled., probably French (Nevers)
The Supper at Emmaus
probably French (Nevers)
18th century
The Crucifixion and the Entombment, Figures of lampworked glass (opaque white, black, red, yellow, brown, pink, green, light green, blue, bright blue, light blue, gold aventurine, and colorless), cardboard, papier-mâché, glass mirror plate, glass seed beads, shells, paper, ivory(?), wire, wood, cork, paint. Assembled., probably French (Nevers)
The Crucifixion and the Entombment
probably French (Nevers)
18th century
The Good Shepherd, Haly workshop, Figures of lampworked glass (opaque white, pink, black, blue, green, waxlike colorless, and transparent amethyst), papier-mâché, wood, mirror plate, paper, composition material, paint, metal sequins, metal wire. Assembled., probably French (Nevers)
The Good Shepherd
possibly Haly workshop
last half 18th century
Hat Badge: Woman Choosing Between Youth and Old Age, Gold, gold filigree and enamel, probably Flemish (Malines)
Hat Badge: Woman Choosing Between Youth and Old Age
probably Flemish (Malines)
ca. 1520
Snuffbox with Trellis Patterns, Enameled copper with silver rims, French
Snuffbox with Trellis Patterns
French
1745–50
Pendant with the Virgin of the Immaculate Conception, Gold, enamel and pearls., Spanish
Pendant with the Virgin of the Immaculate Conception
Spanish
first third of the 17th century
Snuffbox with a Portrait of a Woman, Papier-mâchè with horn veneer, gilt-copper alloy, vellum, tortoiseshell, French
Snuffbox with a Portrait of a Woman
French
ca. 1785
Octagonal table, Walnut, carved., Italian (?) or American (United States?)
Octagonal table
Italian (?) or American (United States?)
early 20th century
"Ewer" in the Form of a Sea Monster Ridden by Bacchus, Rock crystal, cut on the wheel, enameled gold., German (Aachen) or French (Paris)
"Ewer" in the Form of a Sea Monster Ridden by Bacchus
German (Aachen) or French (Paris)
ca. 1860–1907, probably with later additions
Snuffbox with Vegetal Pattern, Enameled copper and silver., probably French
Snuffbox with Vegetal Pattern
probably French
ca. 1750
Cup (with a view of the Odeonsplatz, Munich) and saucer, Hard-paste porcelain, German, Nymphenburg
Cup (with a view of the Odeonsplatz, Munich) and saucer
German, Nymphenburg
ca. 1845
Cup and saucer, Hard-paste porcelain, Austrian, Vienna
Cup and saucer
Austrian, Vienna
ca. 1806
Jeweled Snuffbox, Glass, gold, silver, diamonds and rubies, German, Berlin
Jeweled Snuffbox
German, Berlin
ca. 1765
Snuffbox with An Allegory of Geography, Joseph Etienne Blerzy French, Gold, enamel, and pearls
Snuffbox with An Allegory of Geography
Joseph Etienne Blerzy
1777–78
Bowl with Handles, Marx Merzenbach German, Jasper, silver gilt and enamel., German, Augsburg
Bowl with Handles
Marx Merzenbach
ca. 1680
Hairpin, Lamp-worked glass, gilt, with copper pins, probably Italian (Venice); possibly Innsbruck
Hairpin
probably Italian (Venice); possibly Innsbruck
19th century
Necklace Formed of Fifteen Dress Ornaments, Gold, enamel, ruby and pearls., probably Transylvanian, possibly South Germany
Necklace Formed of Fifteen Dress Ornaments
probably Transylvania
ca.1600
Necklance Formed of Eight Dress Ornaments with Eight Links, Transylvania , or possibly South German or Vienna Transylvania, Gold, enamel, rubies, pearls, probably Transylvanian, possibly South German or Vienna
Necklance Formed of Eight Dress Ornaments with Eight Links
Probably Transylvania
ca. 1600 (with 19th century additions)
Tazza, Lapis lazuli, gold enamel, and rubies., probably French
Tazza
probably French
last quarter 19th century
Cameo with the Triumph of Bacchus, Onyx, probably Austrian or Italian
Cameo with the Triumph of Bacchus
probably Austrian or Italian
second quarter 19th century
Ewer: Neptune and Amphitrite, Rock crystal, cut on the wheel, enameled gold., probably German (Aachen) or French (Paris)
Ewer: Neptune and Amphitrite
probably German (Aachen) or French (Paris)
ca. 1859–1907
Tazza, Bloodstone, gold, and enamel., probably Italian, Milan
Tazza
probably Italian, Milan
ca. 1575–1625 with 19th century additions
Necklace with Cameo Pendant, Enameld gold, silver, rubies, diamonds, pearls, and chalcedony, Western Europe, possibly German or Austrian
Necklace with Cameo Pendant
Western Europe, possibly German or Austrian
late 19th century