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Evening Calm, Concarneau, Opus 220 (Allegro Maestoso), Paul Signac  French, Oil on canvas
Paul Signac
1891
Restello, Poplar. Carved, gilt; orangebole, blue and red tempera., Italian, Venice
Italian, Venice
early 16th century
Tabernacle frame, del Tasso workshop, Walnut. Carved, luminolegno., Italian
del Tasso
ca. 1530
The Palace of Westminster, André Derain  French, Oil on canvas
André Derain
1906–1907
Saint Christopher and the Infant Christ, Domenico Ghirlandaio (Domenico Bigordi)  Italian, Fresco
Domenico Ghirlandaio (Domenico Bigordi)
Madonna and Child with Saints, Girolamo dai Libri  Italian, Tempera and oil on canvas
Girolamo dai Libri
ca. 1520
Table, Walnut, maple, carved, turned, inlaid, and stained., Italian and  American
Italian and American
19th or first decade of 20th century (with earlier parts)
Cassone (chest, pair with 1975.1.1946), Walnut, carved and partly gilded., Italian (Tuscany?)
Italian (Tuscany?)
ca. 1840–80
Sansovino-style frame, Pine. Carved, gilt; dark mauve bole, thin gesso, dragon's blood and think green glazes., Florence
Florence
mid-16th century
Valley with Fir (Shade on the Mountain), Henri-Edmond Cross (Henri-Edmond Delacroix)  French, Oil on canvas
Henri-Edmond Cross (Henri-Edmond Delacroix)
1909
The Town Beach, Collioure, Opus 165 (Collioure. La Plage de la ville. Opus 165), Paul Signac  French, Oil on canvas
Paul Signac
1887
The Port of Le Havre, Maurice de Vlaminck  French, Oil on canvas
Maurice de Vlaminck
ca. 1906
Oblong Table, Walnut, turned., Italian
Italian
late 19th or early 20th century
Cassone (chest, pair with 1975.1.1945), Walnut, carved and partly gilded., Italian (Tuscany?)
Italian (Tuscany?)
ca. 1840–80
Avenue du Bois, Kees van Dongen, Oil on machine-primed canvas
Kees van Dongen
ca. 1925
Approaching Thunder Storm, Martin Johnson Heade  American, Oil on canvas, American
Martin Johnson Heade
1859
Lake George, John Frederick Kensett  American, Oil on canvas, American
John Frederick Kensett
1869
Terracotta calyx-krater (mixing bowl), Dolon Painter, Terracotta, Greek, South Italian, Lucanian
Dolon Painter
ca. 400–390 BCE
Terracotta situla (bucket), Lycurgus Painter, Terracotta, Greek, South Italian, Apulian
Lycurgus Painter
ca. 360–340 BCE
Terracotta head of a woman, Terracotta, Greek, South Italian, Tarentine
Greek, South Italian, Tarentine
3rd–2nd century BCE
Funerary mask, Lambayeque (Sicán) artist(s), Gold, silver-copper alloy, cinnabar, Lambayeque (Sicán)
Lambayeque (Sicán) artist(s)
900–1100 CE
Damascus Room, Wood (poplar) with gesso relief, gold and tin leaf, glazes and paint; wood (cypress, poplar, and mulberry), mother-of-pearl, marble and other stones, stucco with glass, plaster ceramic tiles, iron, brass
dated 1119 AH/1707 CE
The Right Hand of God Protecting the Faithful against the Demons, Jean Fouquet  French, Tempera and gold leaf on parchment
Jean Fouquet
ca. 1452–1460
Adoration of the Shepherds, Francesco di Marco Marmitta da Parma  Emilian, Tempera and gold on parchment
Francesco di Marco Marmitta da Parma
ca. 1500
Men Shoveling Chairs (Scupstoel), Vranke van der Stockt  Netherlandish, Pen and brown ink over traces of black chalk.
Vranke van der Stockt
1444–50
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation., Reinhold Vasters (frame) German, Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass.
Reinhold Vasters
Italian
second half 16th century (panels); ca. 1865–90 (frame)
Self-portrait, Simon Bening  Netherlandish, Tempera and gold leaf on parchment
Simon Bening
1558
Watch, Jacques Goullons  French, Case and dial of enameled gold; hand of steel; movement of brass, partly gilded, and steel
Jacques Goullons
ca. 1645–48
Standing Cup and Cover Supported by an Enchained Turk, Jade (nephrite), aragonite, chalcedony, banded agate, gold, silver gilt, diamonds, rubies, garnets, enamel, and paint., German, perhaps Frankfurt-am-Main
German, perhaps Frankfurt-am-Main
ca. 1705–11
Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo  Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.
Antonio Pollaiuolo
early to mid 1480s
The Martyrdom of Saint Paul, Taddeo Zuccaro  Italian, Pen and brown and gray ink, brown wash, over black chalk, heightened with white, on buff paper.
Taddeo Zuccaro
ca. 1557–58
Bust of a Man in a Hat Gazing Upward, Martin Schongauer  German, Pen and carbon black ink, over pen and brown ink, on paper prepared with sanguine wash.
Martin Schongauer
ca. 1480–90
Blue Green Red, Ellsworth Kelly  American, Oil on canvas
Ellsworth Kelly
1963
Red Roses Sonata, Alma Thomas  American, Acrylic on canvas
Alma Thomas
1972
Untitled, Ed Clark  American, Acrylic on canvas
Ed Clark
1966
Newburyport Meadows, Martin Johnson Heade  American, Oil on canvas, American
Martin Johnson Heade
ca. 1876–81
A Study of Trap Rock (Buttermilk Falls), John Henry Hill  American, Oil on canvas, American
John Henry Hill
1863
Autumn Oaks, George Inness  American, Oil on canvas, American
George Inness
ca. 1878
Pedestal, Walnut, American
American
ca. 1875
Sunset on the Sea, John Frederick Kensett  American, Oil on canvas, American
John Frederick Kensett
1872