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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,189 results for Annibale Carracci

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The Coronation of the Virgin, Annibale Carracci Italian, Oil on canvas — The Coronation of the Virgin
Annibale Carracci
after 1595

Saint John the Baptist Bearing Witness, Annibale Carracci Italian, Oil on copper — Saint John the Baptist Bearing Witness
Annibale Carracci
ca. 1600

Two Children Teasing a Cat, Annibale Carracci Italian, Oil on canvas — Two Children Teasing a Cat
Annibale Carracci

The Burial of Christ, Annibale Carracci Italian, Oil on copper — The Burial of Christ
Annibale Carracci
1595

Head of a Woman Looking to Upper Left, Annibale Carracci Italian, Charcoal, highlighted with white chalk, on blue paper faded light- brown — Head of a Woman Looking to Upper Left
Annibale Carracci
Ludovico Carracci
1590–1600

Wilton album, folio 41: The Drunken Silenus (Tazza Farnese), Annibale Carracci Italian, Engraving printed from shallow silver cup — Wilton album, folio 41: The Drunken Silenus (Tazza Farnese)
Annibale Carracci
ca. 1597–1600

Saint Jerome in the Wilderness, Annibale Carracci Italian, Etching and engraving — Saint Jerome in the Wilderness
Annibale Carracci
Pietro Stefanoni
ca. 1591

The Virgin and Child Resting Outside a City Gate, Annibale Carracci Italian, Pen and brown ink, brush with traces of brown wash, on light brown beige paper; traces of framing outlines in pen and brown ink — The Virgin and Child Resting Outside a City Gate
Annibale Carracci
1560–1609

A Domestic Scene, Annibale Carracci Italian, Pen and with brown and gray-black ink, brush with gray and brown wash, over black chalk — A Domestic Scene
Annibale Carracci
1582–84

Study for an Angel (recto); Study of a Cushion (verso), Annibale Carracci Italian, Charcoal or soft black chalk, highlighted with white chalk, on blue paper; several scattered stains of rose-colored paint at lower left (recto); black chalk with some white chalk highlights (verso) — Study for an Angel (recto); Study of a Cushion (verso)
Annibale Carracci
1600–1602

Studies for a Figure of Saint Francis Kneeling in a Three-Quarter View and for His Hands (recto); Studies for a Figure of Saint Francis Kneeling in Profile (verso)

Annibale Carracci

1583–85

Triton Sounding a Conch Shell, Annibale Carracci Italian, Charcoal or soft black chalk on blue-gray paper; traces of framing lines in pen and black ink and black chalk — Triton Sounding a Conch Shell
Annibale Carracci
ca. 1597–1602

The Drunken SiIenus: Design for the "Tazza Farnese", Annibale Carracci Italian, Pen and brown ink, brush and brown wash, over traces of black chalk, and stylus compass constructions; framing lines in pen and brown ink and black chalk or charcoal — The Drunken SiIenus: Design for the "Tazza Farnese"
Annibale Carracci
1599–1600

The Tomb of Annibale Carracci, Karl Remshardt German, Engraving and etching — The Tomb of Annibale Carracci
Multiple artists/makers
1690–1735

Christ Crowned with Thorns, Annibale Carracci Italian, Etching — Christ Crowned with Thorns
Annibale Carracci
1606

Madonna and Child with Saints Elizabeth and John the Baptist (Madonna della Scodella), the seated Mary and the infant Christ hold a cup from which the young Baptist drinks, Elizabeth lifts both hands, Annibale Carracci Italian, Etching and engraving — Madonna and Child with Saints Elizabeth and John the Baptist (Madonna della Scodella), the seated Mary and the infant Christ hold a cup from which the young Baptist drinks, Elizabeth lifts both hands
Annibale Carracci
1606

Studies of a Boy and a Girl (recto); Studies of Legs (verso), Annibale Carracci Italian, Red chalk, highlighted with white chalk, on beige paper (recto); black and red chalk (verso) — Studies of a Boy and a Girl (recto); Studies of Legs (verso)
Annibale Carracci
1560–1609

The Drunken Silenus, Annibale Carracci Italian, Engraving on Silver — The Drunken Silenus
Annibale Carracci
1560–1609

Christ and the Woman of Samaria, Annibale Carracci Italian, Pen and brown ink, brush and brown wash — Christ and the Woman of Samaria
Annibale Carracci
1560–1609

Hercules and Omphale, Annibale Carracci Italian, Red and black chalk; outlines partly pricked for transfer; framing outlines in black chalk — Hercules and Omphale
Annibale Carracci
1560–1609

Seated Youth Facing Right, Seen from the Back, Annibale Carracci Italian, Red chalk with some white chalk highlights (recto); scribbles in red chalk (verso) — Seated Youth Facing Right, Seen from the Back
Annibale Carracci
1560–1609

Back View of a Seated Nude Youth Facing Left, Annibale Carracci Italian, Red chalk, with traces of highlights in white chalk (?) — Back View of a Seated Nude Youth Facing Left
Annibale Carracci
1560–1609

Landscape with Jacob Sleeping, Annibale Carracci Italian, Pen and two tones of brown ink, brush and gray-brown wash, over traces of leadpoint or black chalk — Landscape with Jacob Sleeping
Annibale Carracci
1560–1609

Anteros Victorious, Annibale Carracci Italian, Red chalk — Anteros Victorious
Annibale Carracci
1560–1609

Perseus Beheading Medusa (recto); Studies of a Child and Ornament Sketches (verso), Annibale Carracci Italian, Pen and brown ink, brush and brown wash, over black chalk or charcoal, scribbles in a darker brown ink at upper right (recto); pen and brown ink, brush and brown wash (verso) — Perseus Beheading Medusa (recto); Studies of a Child and Ornament Sketches (verso)
Annibale Carracci
1560–1609

Crawling Male Figure (Study for Cacus), Annibale Carracci Italian, Charcoal or soft black chalk, highlighted with traces of white chalk, on blue-gray paper faded light brown — Crawling Male Figure (Study for Cacus)
Annibale Carracci
1593

Coronation of the Virgin, Annibale Carracci Italian, Etching and engraving — Coronation of the Virgin
Annibale Carracci
Johann Jakob Frey the Elder
1741

The Virgin seated holding a pillow on her lap with the young Christ standing at right, Annibale Carracci Italian, Etching — The Virgin seated holding a pillow on her lap with the young Christ standing at right
Multiple artists/makers
1580–1600

The Virgin seated holding a pillow on her lap with the young Christ standing at right, Annibale Carracci Italian, Etching — The Virgin seated holding a pillow on her lap with the young Christ standing at right
Multiple artists/makers
1580–1600

Annibale Carracci Introduces Painting to Apollo and Minerva, Pietro Aquila Italian, Etching and engraving — Annibale Carracci Introduces Painting to Apollo and Minerva
Multiple artists/makers
1674

Landscape with Moses and the Burning Bush, Domenichino (Domenico Zampieri) Italian, Oil on copper — Landscape with Moses and the Burning Bush
Domenichino (Domenico Zampieri)
1610–16

Annibale Carracci, Self-Portrait

Francesco Bartolozzi

Annibale Carracci

1764–1800

Wilton album, folio 43a: The Christ of Caprarola (The Pietà)

Annibale Carracci

1597

Wilton album, folio 42c: The Virgin and Child Adored by an Angel

Annibale Carracci

1587–88

Nymphs Bathing, after Annibale Carracci

Marie Catherine Prestel

Annibale Carracci

1747–94

Wilton album, folio 44c: Saint Jerome; the saint reading in front of a crucifix, holding spectacles on his nose

Annibale Carracci

ca. 1585

Wilton album, folio 44d: Saint Francis holding a crucifix

Annibale Carracci

1585

Wilton album, folio 44b: The Holy Family with the Infant Saint John the Baptist (The Madonna of the Swallow)

Annibale Carracci

1606

The Lamentation, Domenichino (Domenico Zampieri) Italian, Oil on copper — The Lamentation
Domenichino (Domenico Zampieri)
1603

Wilton album, folio 44e: The Adoration of the Shepherds

Annibale Carracci

1604–6