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1-42 of 9,097 results for Anonymous, Peruvian, 19th century
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A Woman, Followed by Her Servant, Anonymous, Peruvian, 19th century Peruvian, Brush and ink and watercolor on wove paper
A Woman, Followed by Her Servant
Anonymous, Peruvian, 19th century
1840–50
A Woman, Followed by Her Servant, Anonymous, Peruvian, 19th century Peruvian, brush and ink and watercolor on wove paper
A Woman, Followed by Her Servant
Anonymous, Peruvian, 19th century
1840–50
A Standing Woman, Seen from the Back, Anonymous, Peruvian, 19th century Peruvian, brush and ink and watercolor on wove paper
A Standing Woman, Seen from the Back
Anonymous, Peruvian, 19th century
1840–50
A Standing Woman Seen from the Back, Anonymous, Peruvian, 19th century Peruvian, brush and ink and watercolor on wove paper
A Standing Woman Seen from the Back
Anonymous, Peruvian, 19th century
1840–50
A Woman Kneeling Selling Produce, Anonymous, Peruvian, 19th century Peruvian, brush and ink and watercolor on wove paper
A Woman Kneeling Selling Produce
Anonymous, Peruvian, 19th century
1840–50
A Man Riding on a Donkey, Anonymous, Peruvian, 19th century Peruvian, brush and ink and watercolor on wove paper
A Man Riding on a Donkey
Anonymous, Peruvian, 19th century
1840–50
A Priest with an Umbrella, Anonymous, Peruvian, 19th century Peruvian, brush and ink and watercolor on wove paper
A Priest with an Umbrella
Anonymous, Peruvian, 19th century
1840–50
A woman wearing the saya and manto standing in profile, from a group of drawings depicting Peruvian dress, Francisco (Pancho) Fierro African Peruvian, Watercolor
A woman wearing the saya and manto standing in profile, from a group of drawings depicting Peruvian dress
Attributed to Francisco (Pancho) Fierro
ca. 1848
A woman wearing the saya viewed from behind, from a group of drawings depicting Peruvian dress, Francisco (Pancho) Fierro African Peruvian, Watercolor
A woman wearing the saya viewed from behind, from a group of drawings depicting Peruvian dress
Attributed to Francisco (Pancho) Fierro
ca. 1848
A woman wearing the saya standing in profile, from a group of drawings depicting Peruvian dress, Francisco (Pancho) Fierro African Peruvian, Watercolor
A woman wearing the saya standing in profile, from a group of drawings depicting Peruvian dress
Attributed to Francisco (Pancho) Fierro
ca. 1848
Tapestry Fragment, Camelid hair, cotton, Peru; central coast (?)
Tapestry Fragment
Peru; central coast (?)
10th–15th century
Doublecloth Scarf, Camelid hair, Peru; central coast (?)
Doublecloth Scarf
Peru; central coast (?)
10th–15th century
Tapestry Fragment, Camelid hair, cotton, Lambayeque (Sicán)
Tapestry Fragment
Lambayeque (Sicán)
9th–13th century
Plate 17: four street vendors from Madrid selling parsley, mats etc, from 'Los Gritos de Madrid' (The Cries of Madrid), Miguel Gamborino Spanish, Engraving with hand coloring
Plate 17: four street vendors from Madrid selling parsley, mats etc, from 'Los Gritos de Madrid' (The Cries of Madrid)
Miguel Gamborino
1809–17
Embroidered Fragment, Camelid hair, Paracas
Embroidered Fragment
Paracas
5th–2nd century BCE
Coca Bag (Ch'uspa), Camelid hair, Aymara
Coca Bag (Ch'uspa)
Aymara
20th century
Sampler, Cotton, camelid hair, Nasca
Sampler
Nasca
2nd century BCE
Flag of Peru, from the Flags of All Nations series (E18, Type A) issued by Williams Caramel Company to promote Williams Caramel, The Williams Caramel Company, Oxford, Pennsylvania American, Commercial color lithograph
Flag of Peru, from the Flags of All Nations series (E18, Type A) issued by Williams Caramel Company to promote Williams Caramel
Publisher The Williams Caramel Company, Oxford, Pennsylvania
ca. 1906
Plate 14: four street vendors from Madrid selling pots and pans, olives etc, from 'Los Gritos de Madrid' (The Cries of Madrid), Miguel Gamborino Spanish, Engraving with hand coloring
Plate 14: four street vendors from Madrid selling pots and pans, olives etc, from 'Los Gritos de Madrid' (The Cries of Madrid)
Miguel Gamborino
Publisher Imprenta Real, Madrid
1809–17
Woven Fragment, Camelid hair, Peru; south coast (?)
Woven Fragment
Peru; south coast (?)
12th–15th century
Tapestry Fragment, Camelid hair, cotton, Peru; central coast (?)
Tapestry Fragment
Peru; central coast (?)
10th–15th century
Tunic, Camelid fiber, Inca
Tunic
Inca
1400–1530
Roma men, women, and children on horseback and on foot [historically known as Les Bohémiens en Marche, pièce aussi appelée L'Avant-Garde (The Gypsies Travelling, piece also called The Advance Gard), from "Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes" (The Gypsies, series also called The Egyptiens, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops)], Jacques Callot French, Etching and engraving; second state of two (Lieure)
Roma men, women, and children on horseback and on foot [historically known as Les Bohémiens en Marche, pièce aussi appelée L'Avant-Garde (The Gypsies Travelling, piece also called The Advance Gard), from "Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes" (The Gypsies, series also called The Egyptiens, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops)]
Jacques Callot
1621–22
A poor woman to left, seen from behind, enveloping her child in a shawl, another woman seen from behind to left in background, a woman atop a horse and a man to right in background, plate 21 from "Diversi capricci", Stefano della Bella Italian, Etching; third state of four (De Vesme)
A poor woman to left, seen from behind, enveloping her child in a shawl, another woman seen from behind to left in background, a woman atop a horse and a man to right in background, plate 21 from "Diversi capricci"
Stefano della Bella
Publisher Nicolas Langlois
ca. 1644–47
An uncut sheet printed on both sides with pages from "Ademdai" and "Agraciado: El niño de un jeme", José Guadalupe Posada Mexican, Etching on zinc and letterpress (relief printing)
An uncut sheet printed on both sides with pages from "Ademdai" and "Agraciado: El niño de un jeme"
José Guadalupe Posada
Publisher Probably Antonio Vanegas Arroyo
ca. 1900–1910
Tapestry Fragment with Plumed Figure, Camelid hair, cotton, Lambayeque (Sicán)
Tapestry Fragment with Plumed Figure
Lambayeque (Sicán)
9th–13th century
Tunic, Camelid hair, cotton, Ica (?)
Tunic
Ica (?)
13th–15th century
'La Piñata' a blindfolded figure holding a stick surrounded by others, Alfredo Zalce Mexican, Engraving
'La Piñata' a blindfolded figure holding a stick surrounded by others
Alfredo Zalce
1947
Embroidered Border Fragment, Camelid hair, cotton, Paracas
Embroidered Border Fragment
Paracas
5th–2nd century BCE
The Mail in Bolivia, bakery card from the Stamps and Mail Carriers of All Nations series (D73), issued by the Rochester Baking Company, Rochester Baking Company American, Commercial color lithograph
The Mail in Bolivia, bakery card from the Stamps and Mail Carriers of All Nations series (D73), issued by the Rochester Baking Company
Publisher Issued by Rochester Baking Company
early 20th century
Sikuri, Reed, wool, Bolivian
Sikuri
Bolivian
20th century
Embroidered Mantle Fragment, Camelid hair, Paracas
Embroidered Mantle Fragment
Paracas
5th–2nd century BCE
Tapestry Fragment, Camelid hair, cotton, Peru; central coast (?)
Tapestry Fragment
Peru; central coast (?)
10th–15th century
A Ritual Dancer, from "Titeres Populares Mexicanos" (Mexican popular puppets), Lola Cueto Mexican, Etching, proof impression before aquatint, first state
A Ritual Dancer, from "Titeres Populares Mexicanos" (Mexican popular puppets)
Lola Cueto
1946 (published 1947)
Tapestry Fragment with Plumed Figure, Camelid hair, Chimú
Tapestry Fragment with Plumed Figure
Chimú
12th–15th century
Embroidered Border Fragment, Camelid hair, cotton, Paracas
Embroidered Border Fragment
Paracas
4th–3rd century BCE
Tunic Fragment, Camelid hair, cotton, Wari
Tunic Fragment
Wari
7th–9th century
Gauze Headband (?), Cotton, camelid hair, Chancay
Gauze Headband (?)
Chancay
10th–15th century
Man's Mantle, Camelid hair, Aymara
Man's Mantle
Aymara
17th–18th century (?)
Embroidered Fragment with Figure, Camelid hair, Paracas
Embroidered Fragment with Figure
Paracas
3rd–2nd century BCE
Band Fragment, Camelid hair, cotton, Nasca
Band Fragment
Nasca
7th century
Coca Bag (Ch'uspa), Camelid hair, Aymara
Coca Bag (Ch'uspa)
Aymara
20th century

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