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Showing 8,727 results for Antonio Tempesta

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Atalanta and Meleager with Fountains of Versailles, Antonio Tempesta Italian, Wool and silk on canvas (Center: 484-576 tent stitches per sq. inch, 90 per sq. cm. Border: 169 cross-stitches per sq. inch, 25 per sq. cm.), French — Atalanta and Meleager with Fountains of Versailles
Antonio Tempesta
Perelle
late 17th century

Hunt of the Caledonian Boar, Auguste Bretoneau, Gold, painted enamel, French, Paris or Blois — Hunt of the Caledonian Boar
Auguste Bretoneau
Antonio Tempesta
ca. 1645–50

Plan of the City of Rome

Antonio Tempesta

1645

Plan of the City of Rome. Part 12 with the Southwestern Border of the City and a Large Cartouche with Signature by Tempesta., Antonio Tempesta Italian, Etching with some engraving, undescribed state. — Plan of the City of Rome. Part 12 with the Southwestern Border of the City and a Large Cartouche with Signature by Tempesta.
Multiple artists/makers
1645

Monte Pincio Palace and Gardens, from "Speculum Romanae Magnificentiae", Antonio Tempesta Italian, Etching — Monte Pincio Palace and Gardens, from "Speculum Romanae Magnificentiae"
Antonio Tempesta
mid to late 16th century

Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), plate 20 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum), Antonio Tempesta Italian, Etching — Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), plate 20 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)
Antonio Tempesta
Willem Jansz.
Published after 1606

Equestrian Statue of Henry II, King of France, in the Palazzo Rucellai by Daniele de Volterra, Antonio Tempesta Italian, Etching — Equestrian Statue of Henry II, King of France, in the Palazzo Rucellai by Daniele de Volterra
Multiple artists/makers
Published early 17th century

Medea Restoring Aeson's Youth (Aesoni decerptio iuventam restituit Medea), plate 64 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum), Antonio Tempesta Italian, Etching — Medea Restoring Aeson's Youth (Aesoni decerptio iuventam restituit Medea), plate 64 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)
Antonio Tempesta
Willem Jansz.
Published after 1606

Theseus and the Minotaur (Minotaurum Theseus vincit), plate 74 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum), Antonio Tempesta Italian, Etching — Theseus and the Minotaur (Minotaurum Theseus vincit), plate 74 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)
Antonio Tempesta
Willem Jansz.
Published after 1606

Plate 27: The Dutch During a Surprise Attack of the Roman Camp on the Moselle, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta Italian, Etching, first state of two, issue 1 (Bartsch) — Plate 27: The Dutch During a Surprise Attack of the Roman Camp on the Moselle, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Antonio Tempesta
Otto van Veen
1611

Plate 5: Tomb of Mausolus, stone masons make a column at the right, from "The Seven Wonders of the World", Antonio Tempesta Italian, Etching — Plate 5: Tomb of Mausolus, stone masons make a column at the right, from "The Seven Wonders of the World"
Antonio Tempesta
1608

Hercules and the Mares of Diomedes: Hercules grasps the bridle of a rearing horse, a second horse tramples a figure in at right, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules and the Mares of Diomedes: Hercules grasps the bridle of a rearing horse, a second horse tramples a figure in at right, from "The Labors of Hercules"
Antonio Tempesta
1608

Hercules and the Oxen of Geryones: with a club raised by his right hand, Hercules confronts a group of galloping oxen, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules and the Oxen of Geryones: with a club raised by his right hand, Hercules confronts a group of galloping oxen, from "The Labors of Hercules"
Antonio Tempesta
1608

Hercules and Cerberus: Hercules grasps the collar of Cerberus, two demons appear at left, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules and Cerberus: Hercules grasps the collar of Cerberus, two demons appear at left, from "The Labors of Hercules"
Antonio Tempesta
1608

Nessus attempting to take Dejanira from Hercules, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Nessus attempting to take Dejanira from Hercules, from "The Labors of Hercules"
Antonio Tempesta
1608

Hercules and the Boar of Erymanthus, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules and the Boar of Erymanthus, from "The Labors of Hercules"
Antonio Tempesta
1608

Hercules and the Centaurs, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules and the Centaurs, from "The Labors of Hercules"
Antonio Tempesta
1608

Hercules and the Serpent Ladon, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules and the Serpent Ladon, from "The Labors of Hercules"
Antonio Tempesta
1608

Hercules and Achelous, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules and Achelous, from "The Labors of Hercules"
Antonio Tempesta
1608

Hercules strangling the serpents, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules strangling the serpents, from "The Labors of Hercules"
Antonio Tempesta
1608

Hercules and the Nemean Lion, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules and the Nemean Lion, from "The Labors of Hercules"
Antonio Tempesta
1608

Hercules and the Hydra of Lerna, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules and the Hydra of Lerna, from "The Labors of Hercules"
Antonio Tempesta
1608

Hercules and the Hind of Mount Cerynea, from "The Labors of Hercules", Antonio Tempesta Italian, Etching — Hercules and the Hind of Mount Cerynea, from "The Labors of Hercules"
Antonio Tempesta
1608

Title plate with the arms of Cardinal Francesco Maria de Monte, for "The Labors of Hercules", Antonio Tempesta Italian, Etching — Title plate with the arms of Cardinal Francesco Maria de Monte, for "The Labors of Hercules"
Antonio Tempesta
Nicolaus van Aelst
1608

Triumphal Entry of Margaret of Austria into Milan, from The Life of Margaret of Austria, plate 10, Antonio Tempesta Italian, Etching; first issue of two (Bartsch) — Triumphal Entry of Margaret of Austria into Milan, from The Life of Margaret of Austria, plate 10
Multiple artists/makers
1612

Plate 17: The Romans Misled by Civilis' Horse to Believe that He was Dead or Injured, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta Italian, Etching; first state of two, issue 1 (Bartsch) — Plate 17: The Romans Misled by Civilis' Horse to Believe that He was Dead or Injured, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Antonio Tempesta
Otto van Veen
1611

Six Cavalrymen in Combat, from "Battle Scenes I", Antonio Tempesta Italian, Etching — Six Cavalrymen in Combat, from "Battle Scenes I"
Antonio Tempesta
ca. 1590–1630

Plate 105: Diana aiming her bow toward Chione, who is accompanied by two children, in another scene at left Mercury approaches the sleeping Chione, from "The Metamorphoses of Ovid", Antonio Tempesta Italian, Etching — Plate 105: Diana aiming her bow toward Chione, who is accompanied by two children, in another scene at left Mercury approaches the sleeping Chione, from "The Metamorphoses of Ovid"
Antonio Tempesta
1606

Plan of the City of Rome, Antonio Tempesta Italian, Etching with some engraving, undescribed state (printed from 12 plates) — Plan of the City of Rome
Multiple artists/makers
1645

Titlepage to Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Titlepage to Ovid's 'Metamorphoses'
Antonio Tempesta
Pieter de Jode I
1606

Plate 10: Mercury Killing Argos (Argus a Mercurio iugulatur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 10: Mercury Killing Argos (Argus a Mercurio iugulatur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 11: Phaeton before Apollo (Funestas ad Phoebum fundit preces.), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 11: Phaeton before Apollo (Funestas ad Phoebum fundit preces.), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 12: The Death of Phaeton (Phaetonis casus.), from Ovid's Metamorphoses, Antonio Tempesta Italian, Etching — Plate 12: The Death of Phaeton (Phaetonis casus.), from Ovid's Metamorphoses
Antonio Tempesta
1606

Plate 1: The Creation of the World (Orbis fabrica), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 1: The Creation of the World (Orbis fabrica), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 2: The Creation of Man (Hominis creatio), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 2: The Creation of Man (Hominis creatio), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 3: The Age of Gold (Aetas aurea), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 3: The Age of Gold (Aetas aurea), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 6: The Giants Attempting to Storm Olympus (Gigantomachia), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 6: The Giants Attempting to Storm Olympus (Gigantomachia), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 7: The Flood (Diluvium.), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 7: The Flood (Diluvium.), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 8: The Rebirth of Mankind (Reparatio generis humani), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 8: The Rebirth of Mankind (Reparatio generis humani), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Plate 124: Hecuba and the Trojan Women Murdering Polymestor (Hecuba Polymnestori oculos ervit), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 124: Hecuba and the Trojan Women Murdering Polymestor (Hecuba Polymnestori oculos ervit), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606