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Atalanta and Meleager with Fountains of Versailles, Antonio Tempesta Italian, Wool and silk on canvas (Center: 484-576 tent stitches per sq. inch, 90 per sq. cm. Border: 169 cross-stitches per sq. inch, 25 per sq. cm.), French
Atalanta and Meleager with Fountains of Versailles
Related to prints by Antonio Tempesta
Related to engravings by Perelle
late 17th century
Hunt of the Caledonian Boar, Auguste Bretoneau, Gold, painted enamel, French, Paris or Blois
Hunt of the Caledonian Boar
Auguste Bretoneau
After a print by Antonio Tempesta
ca. 1645–50
Plan of the City of Rome
Antonio Tempesta
1645
Plan of the City of Rome. Part 12 with the Southwestern Border of the City and a Large Cartouche with Signature by Tempesta., Antonio Tempesta Italian, Etching with some engraving, undescribed state.
Plan of the City of Rome. Part 12 with the Southwestern Border of the City and a Large Cartouche with Signature by Tempesta.
Antonio Tempesta
Publisher Giovanni Domenico de Rossi
Dedicatee Cardinal Camillo Pamphili
1645
Monte Pincio Palace and Gardens, from "Speculum Romanae Magnificentiae", Antonio Tempesta Italian, Etching
Monte Pincio Palace and Gardens, from "Speculum Romanae Magnificentiae"
Attributed to Antonio Tempesta
mid to late 16th century
Plan of the City of Rome, Antonio Tempesta Italian, Etching with some engraving, undescribed state (printed from 12 plates)
Plan of the City of Rome
Antonio Tempesta
Publisher Giovanni Domenico de Rossi
Dedicatee Cardinal Camillo Pamphili
1645
Plate 5: Tomb of Mausolus, stone masons make a column at the right, from "The Seven Wonders of the World", Antonio Tempesta Italian, Etching
Plate 5: Tomb of Mausolus, stone masons make a column at the right, from "The Seven Wonders of the World"
Antonio Tempesta
1608
Hercules and the Mares of Diomedes: Hercules grasps the bridle of a rearing horse, a second horse tramples a figure in at right, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and the Mares of Diomedes: Hercules grasps the bridle of a rearing horse, a second horse tramples a figure in at right, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules and the Oxen of Geryones: with a club raised by his right hand, Hercules confronts a group of galloping oxen, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and the Oxen of Geryones: with a club raised by his right hand, Hercules confronts a group of galloping oxen, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules and Cerberus: Hercules grasps the collar of Cerberus, two demons appear at left, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and Cerberus: Hercules grasps the collar of Cerberus, two demons appear at left, from "The Labors of Hercules"
Antonio Tempesta
1608
Nessus attempting to take Dejanira from Hercules, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Nessus attempting to take Dejanira from Hercules, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules and the Boar of Erymanthus, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and the Boar of Erymanthus, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules and the Centaurs, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and the Centaurs, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules and the Serpent Ladon, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and the Serpent Ladon, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules and Achelous, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and Achelous, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules strangling the serpents, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules strangling the serpents, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules and the Nemean Lion, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and the Nemean Lion, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules and the Hydra of Lerna, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and the Hydra of Lerna, from "The Labors of Hercules"
Antonio Tempesta
1608
Hercules and the Hind of Mount Cerynea, from "The Labors of Hercules", Antonio Tempesta Italian, Etching
Hercules and the Hind of Mount Cerynea, from "The Labors of Hercules"
Antonio Tempesta
1608
Title plate with the arms of Cardinal Francesco Maria de Monte, for "The Labors of Hercules", Antonio Tempesta Italian, Etching
Title plate with the arms of Cardinal Francesco Maria de Monte, for "The Labors of Hercules"
Antonio Tempesta
Publisher Nicolaus van Aelst
1608
Plate 17: The Romans Misled by Civilis' Horse to Believe that He was Dead or Injured, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta Italian, Etching; first state of two, issue 1 (Bartsch)
Plate 17: The Romans Misled by Civilis' Horse to Believe that He was Dead or Injured, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Antonio Tempesta
After Otto van Veen
1611
The Flight into Egypt, Antonio Tempesta Italian, Etching
The Flight into Egypt
Antonio Tempesta
Plate 9: Apollo Killing Python (Python ab Apolline interficitur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 9: Apollo Killing Python (Python ab Apolline interficitur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 27: The Dutch During a Surprise Attack of the Roman Camp on the Moselle, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas), Antonio Tempesta Italian, Etching, first state of two, issue 1 (Bartsch)
Plate 27: The Dutch During a Surprise Attack of the Roman Camp on the Moselle, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)
Antonio Tempesta
After Otto van Veen
1611
Triumphal Entry of Margaret of Austria into Milan, from The Life of Margaret of Austria, plate 10, Antonio Tempesta Italian, Etching; first issue of two (Bartsch)
Triumphal Entry of Margaret of Austria into Milan, from The Life of Margaret of Austria, plate 10
Antonio Tempesta
Author Giovanni Altoviti
Publisher Bartolommeo Sermartelli e Fratelli
1612
Equestrian Statue of Henry II, King of France, in the Palazzo Rucellai by Daniele de Volterra, Antonio Tempesta Italian, Etching
Equestrian Statue of Henry II, King of France, in the Palazzo Rucellai by Daniele de Volterra
Antonio Tempesta
After Daniele da Volterra (Daniele Ricciarelli)
Publisher Nicolaus van Aelst
Published early 17th century
Titlepage to Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Titlepage to Ovid's 'Metamorphoses'
Antonio Tempesta
Publisher Pieter de Jode I
1606
Plate 10: Mercury Killing Argos (Argus a Mercurio iugulatur), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 10: Mercury Killing Argos (Argus a Mercurio iugulatur), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 11: Phaeton before Apollo (Funestas ad Phoebum fundit preces.), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 11: Phaeton before Apollo (Funestas ad Phoebum fundit preces.), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 12: The Death of Phaeton (Phaetonis casus.), from Ovid's Metamorphoses, Antonio Tempesta Italian, Etching
Plate 12: The Death of Phaeton (Phaetonis casus.), from Ovid's Metamorphoses
Antonio Tempesta
1606
Plate 6: Emperor Nero on Horseback, from "The First Twelve Roman Caesars", Antonio Tempesta Italian, Etching; first state of two (Bartsch)
Plate 6: Emperor Nero on Horseback, from "The First Twelve Roman Caesars"
Antonio Tempesta
Publisher Giovanni Battista di Lazzaro Panzera da Parma
1596
Emperor Vespasian on Horseback, plate 10 from "The First Twelve Roman Caesars", Antonio Tempesta Italian, Etching; first state of two (Bartsch)
Emperor Vespasian on Horseback, plate 10 from "The First Twelve Roman Caesars"
Antonio Tempesta
Publisher Giovanni Battista di Lazzaro Panzera da Parma
1596
Plate 1: The Creation of the World (Orbis fabrica), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 1: The Creation of the World (Orbis fabrica), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 2: The Creation of Man (Hominis creatio), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 2: The Creation of Man (Hominis creatio), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 3: The Age of Gold (Aetas aurea), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 3: The Age of Gold (Aetas aurea), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 6: The Giants Attempting to Storm Olympus (Gigantomachia), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 6: The Giants Attempting to Storm Olympus (Gigantomachia), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 7: The Flood (Diluvium.), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 7: The Flood (Diluvium.), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 129: Acis Killed by Polyphemus (Acidem Scolpulo orbruit Polyphemus), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 129: Acis Killed by Polyphemus (Acidem Scolpulo orbruit Polyphemus), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 130: Scylla and Glaucus (Deus marinus effectus Glaucus Scyllae nuptias ambit), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 130: Scylla and Glaucus (Deus marinus effectus Glaucus Scyllae nuptias ambit), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate119: The Death of Ajax (Aiax moretm Sibi consciscens, in florem abit), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate119: The Death of Ajax (Aiax moretm Sibi consciscens, in florem abit), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 101: Bacchus Granting Midas's Wish (Ob restitutum Silenum Midae a Baccho Defertur optio), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 101: Bacchus Granting Midas's Wish (Ob restitutum Silenum Midae a Baccho Defertur optio), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606
Plate 102: Midas with the Ears of an Ass (Midae ob iudicij craßustiem aures asininae), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching
Plate 102: Midas with the Ears of an Ass (Midae ob iudicij craßustiem aures asininae), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606