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Adoration of the Magi from Seven Scenes from the Life of Christ, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Adoration of the Magi from Seven Scenes from the Life of Christ
Austrian
ca. 1390

Adoration of the Magi from Seven Scenes from the Life of Christ, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Adoration of the Magi from Seven Scenes from the Life of Christ
Austrian
ca. 1390

Standing Virgin and Child, Niclaus Gerhaert von Leyden North Netherlandish, Boxwood, tinted lips and eyes, Austrian — Standing Virgin and Child
Attributed to Niclaus Gerhaert von Leyden
ca. 1470

Grand Piano, Ferdinand Hofmann Austrian, Cherry wood, brass, enamel, ebony, bone, Austrian — Grand Piano
Ferdinand Hofmann
ca. 1790

Enthroned Virgin, Limewood with gesso, paint and gilding, Austrian — Enthroned Virgin
Austrian
ca. 1490–1500

Queen Victoria’s Jubilee, 1887, Anton Scharff Austrian, Bronze, brown patina, Austrian — Queen Victoria’s Jubilee, 1887
Medalist: Anton Scharff
1887

Joseph and Potiphar's Wife, Balthasar Griessmann , or his circle, Ivory, Austrian — Joseph and Potiphar's Wife
Balthasar Griessmann
second half 17th century

Secretary (sécretaire à abattant), Walnut, parcel-ebonized and mounted with gilt bronze; leather, glass, brass, Austrian — Secretary (sécretaire à abattant)
Austrian
ca. 1815–20 with later additions

Ensemble, Helmut Lang Austrian, (a, b) synthetic fiber; (c) cotton, latex, metal; (d, e) leather, plastic; (f) plastic, metal, Austrian — Ensemble
Designer Helmut Lang
spring/summer 2003

Hercules and Achelous (in the form of a bull), Master of the Martyrdom of St. Sebastian Austrian, Ivory, Austrian — Hercules and Achelous (in the form of a bull)
Attributed to the Master of the Martyrdom of St. Sebastian
ca. 1670

Faith, Hope and Charity, Balthasar Ferdinand Moll Austrian, Walnut, dark-stained ivory, Austrian — Faith, Hope and Charity
Balthasar Ferdinand Moll
ca. 1739–40

Ornamental Lancet Heads, Pot-metal and colorless glass with vitreous paint, Austrian — Ornamental Lancet Heads
Austrian
1340–50

Ornamental Lancet Heads, Pot-metal and colorless glass with vitreous paint, Austrian — Ornamental Lancet Heads
Austrian
1340–50

Triangular-shaped Tracery Light, Pot-metal and colorless glass with vitreous paint, Austrian — Triangular-shaped Tracery Light
Austrian
1340–50

Triangular-shaped Tracery Light, Pot-metal and colorless glass with vitreous paint, Austrian — Triangular-shaped Tracery Light
Austrian
1340–50

Triangular-shaped Tracery Light, Pot-metal and colorless glass with vitreous paint, Austrian — Triangular-shaped Tracery Light
Austrian
1340–50

Trefoil-shaped Tracery Light, Pot-metal and colorless glass with vitreous paint, Austrian — Trefoil-shaped Tracery Light
Austrian
1340–50

Trefoil-shaped Tracery Light, Pot-metal and colorless glass with vitreous paint, Austrian — Trefoil-shaped Tracery Light
Austrian
1340–50

Quatrefoil-shaped Tracery Light, Pot-metal and colorless glass with vitreous paint, Austrian — Quatrefoil-shaped Tracery Light
Austrian
1340–50

Madonna of Mercy, Pot-metal and colorless glass with vitreous paint, Austrian — Madonna of Mercy
Austrian
1340–50

Dormition of the Virgin, Pot-metal and colorless glass with vitreous paint, Austrian — Dormition of the Virgin
Austrian
1340–50

Doubting Thomas, Pot-metal and colorless glass with vitreous paint, Austrian — Doubting Thomas
Austrian
1340–50

Noli Me Tangere, Pot-metal and colorless glass with vitreous paint, Austrian — Noli Me Tangere
Austrian
1340–50

Panel with the Harrowing of Hell, Pot-metal glass and vitreous paint, Austrian — Panel with the Harrowing of Hell
Austrian
1340–50

Triptych with Scenes from the Passion of Christ, Master Pertoldus (Berthold Schauer?), Silver, gilded silver, mother-of-pearl, bone, and cold enamel, Austrian — Triptych with Scenes from the Passion of Christ
Possibly Master Pertoldus
1494

Saint Peter (?), Limewood with paint, Austrian — Saint Peter (?)
Austrian
ca. 1440

Saint Thomas, Pot-metal glass, colorless glass, and vitreous paint, Austrian — Saint Thomas
Austrian
1340–50

Roundel, Pot-metal glass, colorless glass, and vitreous paint, Austrian — Roundel
Austrian
1390

Ceiling, Red pine and paint, Austrian — Ceiling
Austrian
late 15th or early 16th century

Panel with the Annunciation, Pot-metal glass, colorless glass, and vitreous paint, Austrian — Panel with the Annunciation
Austrian
ca. 1390

The Presentation in the Temple, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — The Presentation in the Temple
Austrian
ca. 1390

The Baptism of Christ, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — The Baptism of Christ
Austrian
ca. 1390

The Agony in the Garden, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — The Agony in the Garden
Austrian
ca. 1390

Christ Before Pilate, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Christ Before Pilate
Austrian
ca. 1390

The Harrowing of Hell, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — The Harrowing of Hell
Austrian
ca. 1390

Architectural canopy, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Architectural canopy
Austrian
ca. 1390

Architectural canopy, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Architectural canopy
Austrian
ca. 1390

Architectural canopy, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Architectural canopy
Austrian
ca. 1390

Architectural canopy, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Architectural canopy
Austrian
ca. 1390

Architectural canopy, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Architectural canopy
Austrian
ca. 1390

Architectural canopy, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Architectural canopy
Austrian
ca. 1390

Cusped Lancet head, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Cusped Lancet head
Austrian
ca. 1390

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