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1-42 of 260 results for Carceri d'Invenzione Piranesi
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The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
The Grand Piazza, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of six (Robison)
The Grand Piazza, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
The Pier with Chains, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of six (Robison)
The Pier with Chains, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
The Well, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, scratching, burnishing, lavis; first state of six (Robison)
The Well, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
The Drawbridge, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, scratching; first state of six (Robison)
The Drawbridge, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
The Gothic Arch, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of six Robison)
The Gothic Arch, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
Title Page, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite; first state of nine (Robison)
Title Page, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
The Smoking Fire, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of seven (Robison)
The Smoking Fire, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
The Pier with a Lamp, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of seven (Robison)
The Pier with a Lamp, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
The Arch with a Shell Ornament, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, scratching, sulphur tint or open bite, drypoint; first state of seven (Robison)
The Arch with a Shell Ornament, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
The Sawhorse, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, scratching
The Sawhorse, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
Prisoners on a Projecting Platform, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
Prisoners on a Projecting Platform, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
The Staircase with Trophies, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving; first state of six (Robison)
The Staircase with Trophies, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
The Giant Wheel, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving; second state of eight (Robison)
The Giant Wheel, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
The Prison, Anonymous, Italian, 16th century Italian, Engraving; copy
The Prison
Anonymous, Italian, 16th century
Former Attribution Giorgio Ghisi
After Giulio Romano
1550–1600
A Rake's Progress, Plate 8, William Hogarth British, Engraving; second state of three
A Rake's Progress, Plate 8
William Hogarth
Author Related poet Dr. John Hoadley
June 25, 1735
Dark prison with a courtyard for the punishment of criminals... (Carcere oscura con Antenna pel suplizio dè malfatori...), from "Prima Parte di Architettura, e Prospettive", Giovanni Battista Piranesi Italian, Etching
Dark prison with a courtyard for the punishment of criminals... (Carcere oscura con Antenna pel suplizio dè malfatori...), from "Prima Parte di Architettura, e Prospettive"
Giovanni Battista Piranesi
ca. 1750
[Reproduction of The Death of Socrates by Jacques-Louis David], Unknown, Intaglio print from daguerreotype
[Reproduction of The Death of Socrates by Jacques-Louis David]
Unknown
After Jacques-Louis-Jules David
ca. 1843
The Prison, Anonymous, Engraving
The Prison
Anonymous
Former Attribution Formerly attributed to Giorgio Ghisi
After Giulio Romano
n.d.
A Rake's Progress, Plate 8, William Hogarth British, Etching and engraving; second state of three
A Rake's Progress, Plate 8
William Hogarth
Author Related poet Dr. John Hoadley
June 25, 1735
The Beggar's Opera, Act III, William Blake British, Etching and engraving
The Beggar's Opera, Act III
Multiple artists/makers
July 1, 1790
Piranesi State 2, Lothar Osterburg German, Photogravure with scraping, drypoint, aquatint spitbite, and line etching tea stained
Piranesi State 2
Lothar Osterburg
2008
The Last Judgment, eighth plate, Pieter de Jode I Netherlandish, Engraving
The Last Judgment, eighth plate
Pieter de Jode I
After Jean Cousin the Younger
17th century
The Last Judgment, sixth plate, Pieter de Jode I Netherlandish, Engraving
The Last Judgment, sixth plate
Pieter de Jode I
After Jean Cousin the Younger
17th century
The Mocking of the Prisoners, Giorgio Ghisi Italian, Engraving; second state of three (BLL)
The Mocking of the Prisoners
Giorgio Ghisi
After Giulio Romano
Publisher Nicolaus van Aelst
ca. 1540 (republished 1605)
Prima Parte di Architettura, e Prospettive inventate, ed incise da Giambatista Piranesi Architetto Veneziano fra gli Arcadi Salcindio Tiseio; Lettere di Giustificazione a Milord Charlemont plates, which were adapted to appear in the Opere Varie; Opere Varie; Grotteschi; Carceri; Archi Trionfali, and Trofei di Ottaviano Augusto , Giovanni Battista Piranesi Italian, Etching

Prima Parte di Architettura, e Prospettive inventate, ed incise da Giambatista Piranesi Architetto Veneziano fra gli Arcadi Salcindio Tiseio; Lettere di Giustificazione a Milord Charlemont plates, which were adapted to appear in the Opere Varie; Opere Varie; Grotteschi; Carceri; Archi Trionfali, and Trofei di Ottaviano Augusto

Giovanni Battista Piranesi
Francesco Piranesi
1761–1809
Man Seated in Prison, Victor Jean Nicolle French, Watercolor
Man Seated in Prison
Victor Jean Nicolle
1781
Frontispiece to "Opere varie di architettura, prospettive grotesshi antichità", Giovanni Battista Piranesi Italian, Etching
Frontispiece to "Opere varie di architettura, prospettive grotesshi antichità"
Giovanni Battista Piranesi
1750
The Dream and Lie of Franco II, Pablo Picasso Spanish, Etching and sugar-lift aquatint
The Dream and Lie of Franco II
Pablo Picasso
Printer Roger Lacourière
Publisher Pablo Picasso
1937
Visiting Prisoners, from "Acts of Mercy" (Les Oeuvres de Miséricorde), Abraham Bosse French, Etching; first state of two
Visiting Prisoners, from "Acts of Mercy" (Les Oeuvres de Miséricorde)
Abraham Bosse
Publisher Jean I Leblond
1635
Design for a theater set created by Giacomo Torelli da Fano for the ballet 'Les Noces de Thétis', from 'Décorations et machines aprestées aux nopces de Tétis, Ballet Royal', Israel Silvestre French, Etching
Design for a theater set created by Giacomo Torelli da Fano for the ballet 'Les Noces de Thétis', from 'Décorations et machines aprestées aux nopces de Tétis, Ballet Royal'
Israel Silvestre
Intermediary draughtsman F. Francart
Designer Stage designer Giacomo Torelli da Fano
1654
Stairways adorned by magnificient architecture... (Gruppo di Scale ornato di magnifica Architettura...), from "Prima Parte di Architettura, e Prospettive", Giovanni Battista Piranesi Italian, Etching
Stairways adorned by magnificient architecture... (Gruppo di Scale ornato di magnifica Architettura...), from "Prima Parte di Architettura, e Prospettive"
Giovanni Battista Piranesi
ca. 1750
Camera sepolcrale inventata e disegnata conforme al costume, e all'antica magnificenza degl'Imperatori Romani... (Imaginary sepulcral chamber designed according to the fashion and ancient magnficence of the Roman Emperors...), from "Prima Parte di Architettura, e Prospettive", Giovanni Battista Piranesi Italian, Etching
Camera sepolcrale inventata e disegnata conforme al costume, e all'antica magnificenza degl'Imperatori Romani... (Imaginary sepulcral chamber designed according to the fashion and ancient magnficence of the Roman Emperors...), from "Prima Parte di Architettura, e Prospettive"
Giovanni Battista Piranesi
ca. 1750
The Last Judgment, tenth plate, Pieter de Jode I Netherlandish, Engraving
The Last Judgment, tenth plate
Pieter de Jode I
After Jean Cousin the Younger
17th century
Cross-sections, which show the different aspects of the buildings shown in the plan of Pompeii [the preceding plate], from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 3, Francesco Piranesi Italian, Etching
Cross-sections, which show the different aspects of the buildings shown in the plan of Pompeii [the preceding plate], from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 3
Francesco Piranesi
After Giovanni Battista Piranesi
1804
Plate 15, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land), Jacques Callot French, Etching and engraving; second state of three (Lieure)
Plate 15, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Jacques Callot
After designs by Bernardino Amico
Publisher Pietro Cecconcelli
1620
The Captive, from "Sterne's Sentimental Journey", Robert Blyth British, Etching
The Captive, from "Sterne's Sentimental Journey"
Artist and engraver Etched and published by Robert Blyth
After John Hamilton Mortimer
November 1, 1781
A Rake's Progress, Plate 8, William Hogarth British, Etching and engraving; third state of three (retouched 1763)
A Rake's Progress, Plate 8
William Hogarth
Author Related poet Dr. John Hoadley
[June 25, 1735] reissued 1763
Group of columns which support two arches of a great courtyard... (Gruppo di Colonne, che regge due archi d'un grande Cortile...), from "Prima Parte di Architettura, e Prospettive", Giovanni Battista Piranesi Italian, Etching
Group of columns which support two arches of a great courtyard... (Gruppo di Colonne, che regge due archi d'un grande Cortile...), from "Prima Parte di Architettura, e Prospettive"
Giovanni Battista Piranesi
ca. 1750
Plate 9, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land), Jacques Callot French, Etching and engraving; first state of two (Lieure)
Plate 9, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)
Jacques Callot
After designs by Bernardino Amico
Publisher Pietro Cecconcelli
1620
Fifth Interlude: Vulcan (Intermedio quinto di Volcano), from "Seven Interludes for the wedding celebration of Cosimo de' Medici in Florence, 1608", Remigio Cantagallina Italian, Etching
Fifth Interlude: Vulcan (Intermedio quinto di Volcano), from "Seven Interludes for the wedding celebration of Cosimo de' Medici in Florence, 1608"
Remigio Cantagallina
After Giulio Parigi
1608
Remains of ancient buldings among which stands the sepulchral urn of Marcus Agrippa made entirely of porphyry, which serves today as the Tomb of Clement XII... (Vestiggi d'antichi Edifici fra i quali evvi l'Urna Sepolcrale tutta d'un pezzo di...), from "Prima Parte di Architettura, e Prospettive", Giovanni Battista Piranesi Italian, Etching
Remains of ancient buldings among which stands the sepulchral urn of Marcus Agrippa made entirely of porphyry, which serves today as the Tomb of Clement XII... (Vestiggi d'antichi Edifici fra i quali evvi l'Urna Sepolcrale tutta d'un pezzo di...), from "Prima Parte di Architettura, e Prospettive"
Giovanni Battista Piranesi
ca. 1750

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