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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Claude Nicolas Malapeau

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Tableaux de la Révolution Française, from "Tableaux Historiques De La Révolution Française"

Multiple artists/makers

ca. 1798

Plate (from the "Vues Diverses" service), Sèvres Manufactory French, Hard-paste porcelain, French, Sèvres — Plate (from the "Vues Diverses" service)
Multiple artists/makers
1814

A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais, Jacques Philippe Joseph de Saint Quentin French, Etching with engraving — A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais
Jacques Philippe Joseph de Saint Quentin
Claude Nicolas Malapeau
ca. 1784

A young boy holds a torch under trees in a garden, at center a man raises both arms, surrounded by male and female figures, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais, Jacques Philippe Joseph de Saint Quentin French, Etching with engraving — A young boy holds a torch under trees in a garden, at center a man raises both arms, surrounded by male and female figures, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais
Jacques Philippe Joseph de Saint Quentin
Claude Nicolas Malapeau
ca. 1784

A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais, Jacques Philippe Joseph de Saint Quentin French, Etching with engraving — A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais
Jacques Philippe Joseph de Saint Quentin
Claude Nicolas Malapeau
ca. 1784

A man seated in a chair on a stepped platform holds an audience, two pointing men stand in the foreground, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais, Jacques Philippe Joseph de Saint Quentin French, Etching with engraving — A man seated in a chair on a stepped platform holds an audience, two pointing men stand in the foreground, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais
Jacques Philippe Joseph de Saint Quentin
Claude Nicolas Malapeau
ca. 1784

Dancing couples surround four standing women in a barrel-vaulted hall, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais, Jacques Philippe Joseph de Saint Quentin French, Etching with engraving — Dancing couples surround four standing women in a barrel-vaulted hall, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais
Jacques Philippe Joseph de Saint Quentin
Claude Nicolas Malapeau
ca. 1784

The Trojan Women Setting Fire to Their Fleet, Claude Lorrain (Claude Gellée) French, Oil on canvas — The Trojan Women Setting Fire to Their Fleet
Claude Lorrain (Claude Gellée)
ca. 1643

The Virgin of Guadalupe with the Four Apparitions, Nicolás Enríquez Mexican, Oil on copper, Mexican — The Virgin of Guadalupe with the Four Apparitions
Nicolás Enríquez
1773

Nun’s Badge with the Virgin of the Immaculate Conception, Nicolás Rodríguez Juárez Mexican, Oil and gold on copper; tortoiseshell and silver frame, Mexican — Nun’s Badge with the Virgin of the Immaculate Conception
Nicolás Rodríguez Juárez
ca. 1710

Portrait of Nicolás Matías Fernández Méndez, José Campeche, Oil on wood panel — Portrait of Nicolás Matías Fernández Méndez
José Campeche
ca. 1800

Nicolas de Neufville, Marquis, later Duke of Villeroi, Marshal of France (1598–1685), Claude Varin French, Bronze, brown patina, French, Lyon — Nicolas de Neufville, Marquis, later Duke of Villeroi, Marshal of France (1598–1685)
Claude Varin
1651

The Bodmer Oak, Fontainebleau Forest, Claude Monet French, Oil on canvas — The Bodmer Oak, Fontainebleau Forest
Claude Monet
1865

Bridge over a Pond of Water Lilies, Claude Monet French, Oil on canvas — Bridge over a Pond of Water Lilies
Claude Monet
1899

Garden at Sainte-Adresse, Claude Monet French, Oil on canvas — Garden at Sainte-Adresse
Claude Monet
1867

Blind Orion Searching for the Rising Sun, Nicolas Poussin French, Oil on canvas — Blind Orion Searching for the Rising Sun
Nicolas Poussin
1658

The Abduction of the Sabine Women, Nicolas Poussin French, Oil on canvas — The Abduction of the Sabine Women
Nicolas Poussin
probably 1633–34

Nicolás De Jesús : a Mexican artist for global justice, Nicolás de Jesús Mexican — Nicolás De Jesús : a Mexican artist for global justice
Nicolás de Jesús
2022

View of La Crescenza, Claude Lorrain (Claude Gellée) French, Oil on canvas — View of La Crescenza
Claude Lorrain (Claude Gellée)
1648–50

Model for a Proposed Monument to Commemorate the Invention of the Balloon, Clodion (Claude Michel) French, Terracotta, French, Paris — Model for a Proposed Monument to Commemorate the Invention of the Balloon
Clodion (Claude Michel)
ca. 1784

The Intoxication of Wine, Clodion (Claude Michel) French, Terracotta, French, Paris — The Intoxication of Wine
Clodion (Claude Michel)
ca. 1780–90

Cased Set of a Flintlock Rifle, a Pair of Pistols, and Accessories, Nicolas Noël Boutet French, Steel, wood (walnut, mahogany), silver, gold, horn, velvet, French, Versailles — Cased Set of a Flintlock Rifle, a Pair of Pistols, and Accessories
Nicolas Noël Boutet
ca. 1800

Pastoral Landscape: The Roman Campagna, Claude Lorrain (Claude Gellée) French, Oil on canvas — Pastoral Landscape: The Roman Campagna
Claude Lorrain (Claude Gellée)
ca. 1639

Nicolas-Claude Fabri de Peiresc, Claude Mellan French, Engraving; second state of four (BN) — Nicolas-Claude Fabri de Peiresc
Claude Mellan
Nicolas Peiresc
1637

Sunrise, Claude Lorrain (Claude Gellée) French, Oil on canvas — Sunrise
Claude Lorrain (Claude Gellée)
possibly 1646–47

Transverse Flute in D-flat, Claude Laurent French, Glass, brass, French — Transverse Flute in D-flat
Claude Laurent
1813

Houses on the Achterzaan, Claude Monet French, Oil on canvas — Houses on the Achterzaan
Claude Monet
1871

The Return of the Holy Family from Egypt, Nicolás Enríquez Mexican, Oil on copper, Mexican — The Return of the Holy Family from Egypt
Nicolás Enríquez
1773

The Baptism of Christ, Nicolás Enríquez Mexican, Oil on copper, Mexican — The Baptism of Christ
Nicolás Enríquez
1773

Bouquet of Sunflowers, Claude Monet French, Oil on canvas — Bouquet of Sunflowers
Claude Monet
1881

Perseus and the Origin of Coral, Claude Lorrain (Claude Gellée) French, Black chalk, sepia and black ink, sepia and gray wash heightened with white — Perseus and the Origin of Coral
Claude Lorrain (Claude Gellée)
ca. 1671

Madame Jeanne-Mathilde Claude, Jules-Clément Chaplain French, Electroformed copper, French, Paris — Madame Jeanne-Mathilde Claude
Jules-Clément Chaplain
1887

Les aventures de Télémaque, fils d'Ulysse par M. de Fénélon ; avec figures en taille-douce, dessinées par MM. Cochin et Moreau le jeune, François de Salignac de La Mothe-Fénelon French — Les aventures de Télémaque, fils d'Ulysse par M. de Fénélon ; avec figures en taille-douce, dessinées par MM. Cochin et Moreau le jeune
Multiple artists/makers
1790

Potpourri vase (pot-pourri gondole), Sèvres Manufactory French, Soft-paste porcelain decorated in polychrome enamels, gold, French, Sèvres — Potpourri vase (pot-pourri gondole)
Multiple artists/makers
1757

Sugar caster (one of a pair), Nicolas Besnier French, Silver, French, Paris — Sugar caster (one of a pair)
Nicolas Besnier
1728–29

Sugar caster (one of a pair), Nicolas Besnier French, Silver, French, Paris — Sugar caster (one of a pair)
Nicolas Besnier
1728–29

Grand Salon from the Hôtel de Tessé, Paris, Nicolas Huyot, Carved, painted, and gilded oak; marble; plaster, French, Paris — Grand Salon from the Hôtel de Tessé, Paris
Multiple artists/makers
ca. 1768–72, with later additions

The Virgin of El Camino with St. Fermín and St. Saturnino, Nicolás Enríquez Mexican, Oil on copper, Mexican — The Virgin of El Camino with St. Fermín and St. Saturnino
Nicolás Enríquez
1773

The Apparition of the Virgin of El Pilar to St. James, Nicolás Enríquez Mexican, Oil on copper, Mexican — The Apparition of the Virgin of El Pilar to St. James
Nicolás Enríquez
1773

Briefcase (portefeuille or porte documents), Nicolas-Denis Derome French, Gilt-tooled red morocco leather, gilt bronze and metal locking mechanism; lined with blue silk, French — Briefcase (portefeuille or porte documents)
Nicolas-Denis Derome
third quarter of 18th century