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1-42 of 44 results for Clementina Hawarden
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Photographic Study, Clementina Hawarden  British, Albumen silver print from glass negative
Clementina Hawarden
early 1860s
Photographic Study, Clementina Hawarden  British, Albumen silver print from glass negative
Clementina Hawarden
Early 1860s
Untitled #87b, Howardena Pindell  American, Cut and torn pasted paper, punched paper, acrylic, watercolor, board, and thread on board, mounted on board
Howardena Pindell
1977
Untitled #2, Howardena Pindell  American, Pen and black ink and pasted punched paper on graph paper
Howardena Pindell
1973
Oval Memory Series II: Castle Dragon, Howardena Pindell  American, Cut and pasted postcards, tempera, opaque watercolor, fluorescent paint, punched papers, nails and thread on foam board mounted on matboard
Howardena Pindell
1980–81
Self-Portrait, Howardena Pindell  American, Oil on Masonite
Howardena Pindell
1962
Memory Test: Free, White & Plastic (#114), Howardena Pindell  American, Punched painted paper, cut and pasted painted paper, nails, watercolor, acrylic paint, opaque watercolor, thread, and plastic on matboard on board mounted on matboard
Howardena Pindell
1979–80
Transverse Flute in B-flat, Clementi & Co.  British, ivory, wood, silver, British
Clementi & Co.
1819
Clarinet in B-flat, Clementi & Co.  British, Boxwood, ivory, brass, British
Clementi & Co.
ca. 1805
Clarinet in C, Clementi & Co.  British, Boxwood, brass, British
Clementi & Co.
ca. 1802
Keyed Bugle in E-flat, Clementi & Co.  British, Copper, brass, British
Clementi & Co.
ca. 1830
Bentside Spinet, Charles Haward  British, Wood and various materials, British
Charles Haward
1684
Transverse Flute in C, Thomas Prowse  British, Ivory, silver, brass, British
Thomas Prowse
Clementi & Co.
ca. 1825
Enjoy the Moment, Clémenti  French, Etching
Clémenti
18th century
Flight/Fields, Howardena Pindell  American, Color lithograph and etching with collage
Multiple artists/makers
1988–89
Constellations, Howardena Pindell  American, Open bite etching
Howardena Pindell
Center for Contemporary Printmaking
2015
View of the Quinta dos Pizões, Sintra, Clementine de Brelaz  Portuguese, Lithograph on chine collé on a larger support sheet
Clementine de Brelaz
Manuel Luis
1840
View of the cross on the road entering Cintra, Clementine de Brelaz  Portuguese, Lithograph on chine collé on a larger support sheet
Clementine de Brelaz
Manuel Luis
1840
View of a bridge over the Colares river near Sintra, Clementine de Brelaz  Portuguese, Lithograph on chine collé on a larger support sheet
Clementine de Brelaz
Manuel Luis
1840
View of the Convento de Pena, the castle of the Moors in the background, Clementine de Brelaz  Portuguese, Lithograph on chine collé on a larger support sheet
Clementine de Brelaz
Manuel Luis
1840
Close up view of the Castle of the Moors near Sintra, Clementine de Brelaz  Portuguese, Lithograph on chine collé on a larger support sheet
Clementine de Brelaz
Manuel Luis
1840
View of Sintra with what is now the National Palace in the background, Clementine de Brelaz  Portuguese, Lithograph on chine collé on a larger support sheet
Clementine de Brelaz
Manuel Luis
1840
View of the Sintra from the garden of the Comte de Povoa, National Palace in the background, Clementine de Brelaz  Portuguese, Lithograph on chine collé on a larger support sheet
Clementine de Brelaz
Manuel Luis
1840
View of Sintra with the Castanheiros hills in the background, Clementine de Brelaz  Portuguese, Lithograph on chinecollé on a larger support sheet
Clementine de Brelaz
Manuel Luis
1840
View of Sinta near the Colares river, Clementine de Brelaz  Portuguese, Lithograph on chine collé on a larger support sheet
Clementine de Brelaz
Manuel Luis
1840
View of Sintra with what is now the National Palace in the background, Clementine de Brelaz  Portuguese, Lithograph on chine collé on a larger support sheet
Clementine de Brelaz
Manuel Luis
1840
View of Sintra, the area near the clock-tower, Clementine de Brelaz  Portuguese, Lithograph on chine collé on a larger support sheet
Clementine de Brelaz
Manuel Luis
1840
View of the convent in Sintra, Clementine de Brelaz  Portuguese, Lithograph on chine collé on a larger support sheet
Clementine de Brelaz
Manuel Luis
1840
View of the entrance to the Palacio de Seteais, Sintra, Clementine de Brelaz  Portuguese, Lithograph on chine collé on a larger support sheet
Clementine de Brelaz
Manuel Luis
1840
View of Rio de Porto in Sintra with the Castle of the Moors in the background, Clementine de Brelaz  Portuguese, Lithograph on chine collé on a larger support sheet
Clementine de Brelaz
Manuel Luis
1840
Richard Harden
1979
Richard Harden
1977
Multiple artists/makers
January 18, 1793
Multiple artists/makers
1776
Multiple artists/makers
1809 [1811]
B. J. Warden
19th century (?)
The Waterworks at Marli, and St. German en Laye seen in the distance (La Machine de Marli, avec une vue eloignée de St. German en Laye), Thomas Girtin  British, Soft-ground etching and aquatint
Multiple artists/makers
1803
Drawing from Life at the Royal Academy, Somerset House, Thomas Rowlandson  British, Hand-colored etching and aquatint; early state
Multiple artists/makers
January 1, 1808
Multiple artists/makers
1803
Multiple artists/makers
1803
Multiple artists/makers
1803
The Microcosm of London, or London in Miniature, Vol. I, William Henry Pyne  British, Illustrations: hand-colored etching and aquatint
Multiple artists/makers
1808–11