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Showing 988 results for Conjugi Mazzocca

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Conjugi Mazzocca

Vincenzo Vela

1860s

Conjure, Delita Martin American — Conjure
Delita Martin
2021

Phonurgia nova, sive conjugium mechanico-physicum artis & natvrae paranympha phonosophia concinnatum . . ., Athanasius Kircher German, Illustrated book, Campidonae: Rudolphum Dreherr, 1673 — Phonurgia nova, sive conjugium mechanico-physicum artis & natvrae paranympha phonosophia concinnatum . . .
Athanasius Kircher
1673

The Annunciation, Girolamo Mazzola Bedoli Italian, Oil on wood — The Annunciation
Girolamo Mazzola Bedoli

Fra Cesario Contughi, of Ferrara, Savelli Sperandio Italian, Bronze, Italian — Fra Cesario Contughi, of Ferrara
Savelli Sperandio
1462–1477

Frank Reichmann

WPA

1935–43

Dish with mandarin ducks and lotuses, Cloisonné enamel, China — Dish with mandarin ducks and lotuses
China
late 15th–early 16th century

Jo and Uba of Takasago Looking at the Rising Sun; Symbolic Representation of Longevity and Conjugal Harmony, Totoya Hokkei Japanese, Part of an album of woodblock prints (surimono); ink and color on paper, Japan — Jo and Uba of Takasago Looking at the Rising Sun; Symbolic Representation of Longevity and Conjugal Harmony
Totoya Hokkei
19th century

Mercatoris Belgae Eiusque Coniugis Vestitus, from Fashions of Different Nations, Pieter de Jode I Netherlandish, Engraving; first state of two — Mercatoris Belgae Eiusque Coniugis Vestitus, from Fashions of Different Nations
Pieter de Jode I
Sebastiaen Vrancx
n.d.

Parmigianino (Girolamo Francesco Maria Mazzola)

Multiple artists/makers

1769–72

Parmigianino (Girolamo Francesco Maria Mazzola)

Multiple artists/makers

1675

A Putto Seated on a Frame, Girolamo Mazzola Bedoli Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk — A Putto Seated on a Frame
Girolamo Mazzola Bedoli
ca. 1538–40

Head of Bearded Man (recto); Head of a Girl (verso), Girolamo Mazzola Bedoli Italian, Red and black chalk (recto); red and black chalk, with pen and gray-brown ink (verso) — Head of Bearded Man (recto); Head of a Girl (verso)
Girolamo Mazzola Bedoli
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40

Standing Female Figure and Ornamental Framework, Girolamo Mazzola Bedoli Italian, Pen and brown ink, brush and brown wash, over traces of black chalk; squared in black chalk — Standing Female Figure and Ornamental Framework
Girolamo Mazzola Bedoli
ca. 1547–53

Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff, Niccolò della Casa French, Engraving; first state of two — Portrait of Cosimo de' Medici in full armor, his left hand resting on a staff
Niccolò della Casa
Baccio Bandinelli
1544

Plate 33: Apollo at Vulcan's Forge (Coniugis furtum Sol Vulcano detegit), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 33: Apollo at Vulcan's Forge (Coniugis furtum Sol Vulcano detegit), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

The Italian Brigand's Wife, Léon Cogniet French, Oil on canvas, mounted on wood — The Italian Brigand's Wife
Léon Cogniet
ca. 1825–26

Coat, House of Moschino Italian, wool, rayon, metal, Italian — Coat
House of Moschino
Franco Moschino
ca. 1994

St. Thais, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — St. Thais
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30

The Nativity, Parmigianino (Girolamo Francesco Maria Mazzola) Italian — The Nativity
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30

The Sacrifice, or Mucius Scaevola, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Chiaroscuro woodcut — The Sacrifice, or Mucius Scaevola
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

Judith with the head of Holofernes, which she places into a sack held by the figure behind her, she bears a sword in her outstretched right arm, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and engraving — Judith with the head of Holofernes, which she places into a sack held by the figure behind her, she bears a sword in her outstretched right arm
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1520–40

Entombment, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Entombment
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30

The Nativity, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — The Nativity
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30

Standing Female Figure in Armor Drawing Her Sword (Minerva or Bellona), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, over traces of black chalk — Standing Female Figure in Armor Drawing Her Sword (Minerva or Bellona)
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1535–38

Virgin and Child, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with engraving and drypoint printed in brown; second state of four — Virgin and Child
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1527–30

Judith, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Judith
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27

Resurrection, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with drypoint and engraving — Resurrection
Parmigianino (Girolamo Francesco Maria Mazzola)

Annunciation, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Annunciation
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27

Madonna and Child, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and engraving — Madonna and Child
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27

St. James Major, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching and drypoint — St. James Major
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–27

Entombment Facing Left, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with drypoint; first state of two — Entombment Facing Left
Parmigianino (Girolamo Francesco Maria Mazzola)
1529–30

Entombment Facing Right, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching with drypoint and engraving; first state of two — Entombment Facing Right
Parmigianino (Girolamo Francesco Maria Mazzola)
1529–30

St. Philip, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — St. Philip
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1524–30

Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown wash, over traces of black chalk, on beige paper (recto and verso) — Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40

Horses, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink; framing lines in pen and brown ink on mount — Horses
Parmigianino (Girolamo Francesco Maria Mazzola)
Francesco Allegrini
1530–40

Entombment, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Entombment
Parmigianino (Girolamo Francesco Maria Mazzola)
ca. 1530

Judith, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Judith
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century

Madonna and Child, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Madonna and Child
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

Standing Shepherd, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Standing Shepherd
Parmigianino (Girolamo Francesco Maria Mazzola)
early 16th century